会報 Groovy 52号 2011年 9月24日発行 ( Pdfファイル )
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Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
The Sussex JAZZ MAG Monday 11Th - Sunday 24Th November 2013 CONTENTS Click Or Touch the Blue Links to Go to That Page
The Sussex AZZ MAG JFortnightly Issue 6 Monday 11th - Sunday 24th November 2013 Big Band Special Drummer Dave Trigwell with trombonists Tarik Mecci and Mark Bassey, rehearsing with the Paul Busby Big Band The Paul Busby Big Band The Sussex JAZZ MAG Monday 11th - Sunday 24th November 2013 CONTENTS click or touch the blue links to go to that page Features Listings The Column: Eddie Myer Highlights A Brief Guide to Jazz Listings for the Big Bands of Sussex Mon 11th - Sun 24th November An Interview with Paul Busby On The Horizon Venue Guide Reviews Improv Radio Programmes The Jazz Education Section Podcasts You Tube Channels Improv Column: Terry Seabrook Live Reviews A Guide to Learning Jazz in Sussex """"" Credits"" " Contact Us Features Dave Drake, photo courtesy of Mike Guest of Mike courtesy photo Dave Drake, The Column: Eddie Meyer Jazz and Plumbing photo by Mike Guest by Mike photo " The history of jazz is a as a rule questing and enquiring access to the entire history of the part of the histories of both the sorts, are usually aware of the music. Yet the value of recorded creative arts and the equivocal status they occupy in music as a commodity has never entertainment industry. The latter the wider society, and often like to been lower. And while live music has been characterized since the cite plumbers as figures of is more in demand than ever and birth of the mass media in the irreproachable industry and changes to the licensing laws have early 20th century by a continuing usefulness, deserving of respectful removed the iniquitous 2-in-a-bar dialectic between those who employment conditions that they, rule and opened up many new create the music and those who the musicians, feel should be venues for music, rates of pay exploit it commercially, both sides extended to them as well. -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores. -
Edward Brian “Tubby” Hayes (30 Januar 1935 - 8 Juni 1973) Tenor Sax Spiller (Også Flute, Soprano Sax Og Vibes), Komponist Og Big Band Arranger
Edward Brian “Tubby” Hayes (30 januar 1935 - 8 juni 1973) Tenor sax spiller (også flute, soprano sax og vibes), komponist og big band arranger. Født i London. Far var BBC orkester violinist. Tubby var lidt af et vidunderbarn, spillede klaver som 10-årige og startede med tenor sax som 11-årig. Hans professionelle karriere begyndte da han var 16 år i Kenny Baker Sextet. Han spillede senere i big bands under Ambrose, Terry Brown, Tito Burns, Roy Fox, Vic Lewis og Jack Parnell. Startede egen octet i 1955. Fra 1957 til 1959 var han co-leder med Ronnie Scott af The Jazz Couriers qvintet. Bagefter, gendannede han sin egen qvartet og var på turnee i Tyskland med Kurt Edelhagen. Første besøg i America fandt sted i 1961, med koncerter i The Half Note og han indspillet “Tubbs in N.Y”. Tilbage til USA igen i 1962, indspillede “Return Visit”. Tilbage endnu en gang i 1964 med koncerter i The Half Note og Boston Jazz Workshop og sidste gang i 1965, hvor han spillede i The Manne Hole i Los Angeles I London, samlede Hayes et big band og fik arbejde i film, fjernsyn og radio, med egen TV-serie 1961-62 og 1963. Han overtog tenor pladsen for Paul Gonsalves med meget kort varsel i februar 1964 under Ellington's koncert i Royal Festival Hall. Hayes var med i flere film bla. All Night Long (1961) med Charles Mingus og Dave Brubeck, og Chaplin film A King in New York (1957), The Beauty Jungle (1964) and Dr. Terror's House of Horrors (1965). -
Jazzletter 93024--024-0 April 1993 V01
» » G606 L665 P.O. Box 240 Ojai, Calif. Jazzletter 93024--024-0 April 1993 V01. 12 Na 4 Carl Barriteau, born in Trinidad February 7, 1914, grew up Come Back Last Summer in Maracaibo, Venezuela. He moved to London in the late Part Two 1930s and played with Ken (Snake Hips) Johnson’s West Indian Swing Band. He formed his own recording group in the middle ‘By this time it was Christmas, the end of ’52,‘ Kermy said. ‘I of World War II and entertained British and American troops left Canada atthe end of September or early October. after the war, in Europe, North Africa, and Southeast Asia. ‘I read that they needed helpers in the post office for the ‘I’m not sure when I went with that band,‘ Kenny said. Christmas mail. So I got a job doing that. But meanwhile I’d ‘Wait a minute, I can pin it, because it was the year I came met Doreen on the telephone. The young Scotsman used to go over to visit,‘ I said. ‘You were with that band in 1954.‘ with Doreen’s girlfriend, tmbeknown to the guy he was living ‘Carl was great,‘ Kenny said. ‘I loved working for him. I 'rith. Doreen rang up one day to say that her girlfriend couldn’t really shouldn’t have taken the job, because I didn’t have the make this date with the Scotsman. So being young and stupid, chops for it. It was a really hard book. There was a front line I suppose, I started to kid around with her on the phone, and of about five people. -
Radio 3 Listings for 1 – 7 July 2017 Page 1 of 22
Radio 3 Listings for 1 – 7 July 2017 Page 1 of 22 SATURDAY 01 JULY 2017 Divertimento for Strings Symphony Nova Scotia, Georg Tintner (conductor) SAT 01:00 Through the Night (b08vyq2j) Canada 150 4:43 AM Canada 150 - Catriona Young celebrates the musical talent and Anonymous legacy of Canada and Canadians on the 150th Anniversary of Branles de Bourgogne Confederation. 4:47 AM 1:01 AM Anonymous Bach, Johann Sebastian (1685-1750) A la claire fontaine Goldberg Variations, BWV.988 New World Consort: Suzie le Blanc (soprano), Ray Nurse (lute) Glenn Gould (piano) 4:52 AM 1:44 AM Goldmark, Károly (1830-1915) Glick, Srul Irving (1934-2002) Night and Festal Music - Prelude to Act II from the opera 'Die Divertimento for string orchestra Königin von Saba' (The Queen of Sheba) 13 Strings of Ottawa, Brian Law (conductor) Calgary Philharmonic Orchestra, Mario Bernardi (conductor) 2:03 AM 5:01 AM Jacques Hétu (1938-2010) Ridout, Godfrey (1918-1984) Piano Concerto No 2, Op 64 Fall fair Angela Cavadas (piano), CBC Radio Orchestra, Mario Bernardi Edmonton Symphony Orchestra, Uri Mayer (conductor) (conductor) 5:09 AM 2:25 AM Matton, Roger (b. 1929) Mozetich, Marjan (b. 1948) L'Escaouette (Traditional Acadian) Affairs of the Heart: a Concerto for Violin and String Orchestra Adrienne Savoie (soprano), Catherine Sevigny (mezzo), Jean- Juliette Kang (violin), CBC Vancouver Orchestra, Mario Bernardi Francois Morin (tenor), Charles Prevost (baritone), Ensemble Vocal (conductor) Katimavik, Choeur Vaudril Soulanges, Orchestre Métropolitain, Gilles Auger (conductor) 2:49 AM Tournier, Marcel (1879-1951) 5:19 AM Images, Op.35, for harp and string quartet Ravel, Maurice (1875-1937) Erica Goodman (Harp), Amadeus Ensemble Tzigane - rapsodie de concert pour violon et piano James Ehnes (violin), Wendy Chen (piano) 3:01 AM Schafer, Raymond Murray (b. -
Strange Brew√ Re-Exploring Seminal Rock Music | Edition 05 | Friday January 26 2007
M i c h a e l W a d d a c o r ‘ s πStrange Brew Re-exploring seminal rock music | Edition 05 | Friday January 26 2007 Revolver : Thirty-five glorious minutes of Fabulous adventure and innovation An appreciation of a seminal psychedelic masterpiece Michael W addacor revisits the album many critics and fans regard as the greatest rock album of the last five decades. Three years into British Beatlemania, it seemed as if The Beatles in 1965 could do nothing wrong. The Fab Four recorded and released two excellent albums, Help and Rubber Soul. Both albums proved one certain fact: Lennon, McCartney, Harrison and Starr were improving as writers, musicians, arrangers and ideators with each successive album and showing greater degrees of wit, originality and musical distinction. Similarly, George Martin was evolving in leaps and bounds as one of the most imaginative and daring music producers of the 1960s. By this time, however, there were fans and critics who wondered if anyone, let alone The Beatles, could top the performance of Rubber Soul. With the release Front cover of The Beatles‘ Revolver album, based on in August 1966 of Revolver, The Beatles fast quelled a collage by Klaus Voormann (1966) any arguments about their culture of continuously improving creativity. Today, many Beatles Nineteen sixty-six was a watershed year enthusiasts rate this is as the band‘s best album. I for rock music œ a period of heightened shall settle on Revolver being a Top Five Beatles creativity marked by the release of several album along with Abbey Road, The Beatles, Sgt seminal albums, among them key works Pepper‘s Lonely Hearts Club Band and Rubber Soul. -
The Jazz Rag
THE JAZZ RAG ISSUE 132 SUMMER 2014 UK £3.25 LAURA MVULA AT BRECON JAZZ CONTENTS BRECON JAZZ FESTIVAL (PAGE 14) ACCLAIMED SINGER/SONGWRITER LAURA MVULA IS ONLY ONE OF THE STARS OF THE FESTIVAL. ARTIST-IN-RESIDENCE HUW WARREN TALKS ABOUT 30 YEARS OF BRECON. 4. NEWS 5. UPCOMING EVENTS 8. 10 OVERLOOKED JAZZ GREATS 10. RED HOT PEPPER 12. COMPETITIONS/LETTER 13. PROPAGANDA SWING SUBSCRIBE TO THE JAZZ RAG 16. SOUTHPORT WINTER JAZZ THE NEXT SIX EDITIONS MAILED 17. LITHUANIA'S SINGER OF THE YEAR DIRECT TO YOUR DOOR FOR ONLY £17.50* 18. FRESH SOUND OF BARCELONA Simply send us your name. address and postcode along with your 20. CD REVIEWS payment and we’ll commence the service from the next issue. OTHER SUBSCRIPTION RATES: 30. BOOK REVIEWS EU £20.50 USA, CANADA, AUSTRALIA £24.50 Cheques / Postal orders payable to BIG BEAR MUSIC 32. BEGINNING TO CD LIGHT Please send to: JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 34. LIVE REVIEWS * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 30 YEARS OF BIRMINGHAM JAZZ FESTIVAL Fax: 0121 454 9996 This year is the 30th Birmingham International Jazz and Blues Festival. That sounds an Email: [email protected] impressive enough number in terms of years, but how about 5498 performances? Web: www.jazzrag.com That’s the figure the statisticians at BIJBF have come up with for Birmingham 1985- 2013, so make that 5499 by adding in the inaugural M&B Jam Session (Humphrey Publisher / editor: Jim Simpson Lyttelton (right), Digby Fairweather et al.) in Cannon Hill Park in 1984. -
The Improvisation of Tubby Hayes in ‘The New York Sessions’
The Improvisation of Tubby Hayes in ‘The New York Sessions’ Exegesis submitted in partial fulfilment of a Masters in Musicology Amity Rose Alton-Lee 20 February 2010 New Zealand School of Music 1 “Imagine for a moment that it is 1959 and that you are a young jazz fan visiting the new Ronnie Scott's club in London; you descend the rickety staircase to the basement venue and are greeted by the overwhelming torrent of musical energy emanating from a small but rotund, sharply suited, incredibly confident looking young tenor saxophonist half crouched before a microphone.” 1 Introduction Tubby (Edward Brian) Hayes; prodigious self taught multi-instrumentalist and virtuoso tenor saxophone player has been proclaimed by some to be the best saxophonist that Britain has ever produced: “Indisputably the most accomplished and characterful British jazzman of his generation.” 2 His career, although cut short (he died undergoing treatment for a heart condition in June 1973, aged 38) was perpetually intense, incredibly prolific, and non-stop from his debut at the age of fifteen until his premature death. Hayes was proficient on many instruments; all saxophones, clarinet, flute, violin and vibraphone as well as being an accomplished bandleader and arranger. However it was his virtuoso tenor saxophone playing that found him acclaim. Although well known in his time and widely renowned for his ability, Hayes until recently has been little studied. It is only in the last few years that many critics and students of jazz have attempted to gain an understanding of Hayes’ improvisational concept, which has been both praised as genius and criticised as directionless: Tubby Hayes has often been lionized as the greatest saxophonist Britain ever produced. -
Bobby HACKETT
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Bobby HACKETT: Bobby Hackett -co; George Brunies -tb; Pee Wee Russell -cl,ts; Bernie Billings -ts; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Johnny Blowers -d; Lola Bard -vo; recorded February 16, 1938 in New York 57864 YOU, YOU AND ESPECIALLY YOU 2.57 M754-1 Voc/Okeh 4142 57865 IF DREAMS COME TRUE 2.52 M755-1 Voc/Okeh 4047 57866 THAT DA-DA STRAIN 2.44 M757-1 Voc/Okeh 4142 57867 AT THE JAZZ BAND BALL 2.34 M756-1 Voc/Okeh 4047 "The Saturday Night Swing Club is On The Air" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Eddie Condon -g; Clyde Newcomb -b; George Wettling -d; recorded June 25, 1938 in Broadcast, New York 70029 AT THE JAZZ BAND BALL 3.06 Fanfare LP17-117 Bobby Hackett -co; Brad Gowans -vtb,as; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Andy Picard -d; Linda Keene -vo; recorded November 04, 1938 in New York 57860 GHOST OF A CHANCE 2.55 M917-1 Voc/Okeh 4499 57861 POOR BUTTERFLY 2.22 M918-1 --- 57862 BLUE AND DISILLUSIONED 2.25 M916-1 Voc/Okeh 4565 57863 DOIN' THE NEW LOW-DOWN 2.29 M919-1 --- "Bobby Hackett and his Rhythm Cats" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Andy Picard -d; recorded December 21, 1938 in New York 68471 SKELETON JANGLE 2.29 IAJRC-LP1 Bobby Hackett -co; Sterling Bose, Jack Thompson -tp; -
Revival/Neo Rockabilly Revival
REVIVAL/NEO ROCKABILLY 85 REVIVAL/NEO ROCKABILLY 4 GATOS BLUE MOON ROCKERS RUMBLE CD SK 6930 € 14.90 THE BLUE MOON ROCKERS 45 RPM VOLUME 2 CD C 192591 € 16.90 FORTY FIVE RPM CD RBR 5613 € 15.34 BR5-49 C’mon Little Baby- Tennes see Zip- Yeah Baby- I Love You Honey- Two TEMPO RARILY DISCON NECTED CD BR 549 € 9.90 Hearts- Perfect- Move It On Over- He Will Come Back- Here Comes & (2003/BR549) 5 tracks!! Limited edition and not available in That Feel ing Again- My Little Baby- Devil’s Poem- Why Don’t You stores!Three Nashville studio tracks plus two live tracks from Haul Off (And Love Me One...)- This Little Girl’s Gone Rockin’- Stop, Georgia! A REAL raity!!/Streng limitiert!Nicht im Handel Look And Listen- My Boy Elvis- Stop Whistlin Wolf erhältlich!Drei Studioeinspielungen plus zwei Livetracks aus Georgia! & (2005/RHYTHM BOMB) 16 tracks A-BONES HANK C. BURNETTE € DADDY WANTS A COLD BEER... A TOUCH OF MEMPHIS CD 2001-6 15.50 2-CD CD CED 310 € 19.90 LOU CIFER & HELLIONS & ...And Other Million Sellers (2004/NORTON) Specially priced THE ROCKVILLE INCIDENTS - Twentieth Anniversary double CD with 46 tracks including all ULTI MATE COLLEC TION CD 66602 € 14.90 A-Bones non-LP singles and compilation tracks! Ten unissued Dance Of The Teddy Boy- Glad To Be A Ted- Join A (Teddy Boy) cuts!/Brand new recording with the 5.6.7.8’s!/Includes A-Bones Streetgang Today- It’s Gotta Be A Ted- Bad Ted Boogie- Gone Are backing the Great Gaylord, Rudy Grayzell, Roy Loney and The Days- You Don’t Know Nothin’- You’ll Never Be A Ted- Devil’s Johnny Powers!/28 page