Ralph Gustafson Literary Papers at the University of Saskatchewan

Total Page:16

File Type:pdf, Size:1020Kb

Ralph Gustafson Literary Papers at the University of Saskatchewan Ralph Gustafson A Finding Aid for the Ralph Gustafson Literary Papers at the University of Saskatchewan, Prepared by Joel Salt Special Collections Supervisor University of Saskatchewan February 2010 Collection Summary: Title: Ralph Gustafson Literary Papers. Dates: 1930s-late1960s. ID No.: MSS 6– . Creator: Gustafson, Ralph, 1909-1995. Extent: 8 boxes; 1m. Language: Collection material in English. Repository: Special Collections, University of Saskatchewan. Saskatoon, Saskatchewan. Abstract: The Gustafson collection includes five boxes of correspondence, including many with some of Canada's leading literary figures from the 1930s to the 1960s. The collection also houses manuscripts, proofs, and published first editions of some of Gustafson's well-known publications. There are also newspaper clippings and reviews. Provenance: The papers were acquired in the 1960s at a similar time to the acquisitions of the Layton and the Purdy collections. Custodial Note: Copyright info Biography: Ralph Gustafson (1909-1995) was born in Lime Ridge, Quebec, but grew up in Sherbrook. He attended Bishop's University, earning a double honours B.A. in English and History in 1929, winning the Governor General's Medal and placing top in his class. He received an M.A. in 1930, successfully defending his thesis "The Sensuous Imagery of Shelley and Keats." He also completed a B.A. at Keble College, Oxford in 1933, an M.A. in 1963, and was awarded a D. Litt. from Mount Allison in 1973, a D.C.L. from Bishop's University in 1977, and a D. Litt from York University in 1991. After his B.A. from Oxford, Gustafson moved to New York, where he stayed for many years and become friends with many of the members of the literary scene there, including Auden, Cummings and W.C. Williams. Gustafson's anthologies kept in clued into the Canadian literary scene and also kept him in contact with most major poets post WWII (there are several letters between Gustafson and many major Canadian writers in our collection). 2 Over the years, Dr. Gustafson held a number of posts. He was music master, Bishop's College School, 1920-30; teacher of English St. Alban's School for Boys, Brockville, Ontario, 1933-34; tutor and journalist, London, England, 1935-38; British Information Services, New York, N.Y., 1942-46; Professor and Poet-In-Residence, Bishop's University, 1963-79 and music critic, C.B.C., since 1960. Winner of numerous awards, including the Order of Canada in 1992 and the Governor General's Award for Poetry (for Fire on Stone, 1974), Dr. Gustafson wrote over twenty volumes of poetry and prose and edited several anthologies of verse. He died in 1995. His views on poetry are documented in essays collected in Plummets and Other Partialities (1986), and in letters to W.W.E. Ross published as A Literary Friendship in 1984. He also was in contact with many other literary and culturally significant people. - Adapted from Ralph Gustafson and His Works by Dermot McCarthy. Gustafson Bibliography: • The Golden Chalice (London: Ivor Nicholson & Watson, 1935) • Alfred the Great (London: Michael Joseph, 1937) • Epithalamium in Time of War (New York: L. F. White, 1941) • Lyrics Unromantic (New York: Privately printed, 1942) • Flight into Darkness: Poems (New York: Pantheon, 1944) • Quebec, Late Autumn (Offprint from Queen's Quarterly, 1950) • Quebec Winter Scene (Offprint from Dalhousie Review, 1952) • Hard Litany (Offprint from the Dalhousie Review, 1953) • Rivers Among Rocks (Toronto: McClelland and Stewart, 1960) • Rocky Mountain Poems (Vancouver: Klanak, 1960) • Sift in an Hourglass (Toronto: McClelland and Stewart, 1966) • Ixion's Wheel: Poems (Toronto: McClelland and Stewart, 1969) • Selected Poems (Toronto: McClelland and Stewart, 1972) • Theme and Variations for Sounding Brass (Sherbrooke, P.Q.: Progressive Publications, 1972) • Fire on Stone (Toronto: McClelland and Stewart, 1974) • Corners in the Glass (Toronto: McClelland and Stewart, 1977) • Soviet Poems: Sept. 13 to Oct. 5, 1976 (Winnipeg: Turnstone, 1978) • Gradations of Grandeur: a Poem (Victoria: Sono Nis, 1979) • Sequences: Poems (Windsor, Ont.: Black Moss, 1979) • Landscape with Rain (Toronto: McClelland and Stewart, 1980) • Nine Poems (Toronto: League of Canadian Poets, 1980) • The Remarkable Heavens (Lantzville, B.C.: Oolichan Books, 1980) • Conflicts of Spring (Toronto: McClelland and Stewart, 1981) • Dentelle / Indented: Poems (Trans. Roland Sutherland, et al. Colorado Springs, Colorado: Colorado College Press, 1982) • The Moment is All: Selected Poems, 1944-83 (Toronto: McClelland and Stewart, 1983) • Solidarnosc: Prelude (Sherbrooke, Que.: Progressive Publications, 1983) • At the Ocean's Verge: Selected Poems (Ed. John Walsh. Literary Series. Redding Ridge, Conn.: Black Swan, 1984) 3 • Directives of Autumn (Toronto: McClelland and Stewart, 1984) • Impromptus (Lantzville, B.C.: Oolichan Books, 1984) • Twelve Landscapes (Toronto: Shaw Street, 1985) • Manipulations on Greek Themes: Poems (Toronto: Ascham, 1986) • Collected Poems (Victoria, B.C.: Sono Nis, 1987) • Winter Prophecies (Toronto: McClelland and Stewart, 1987) • The Celestial Corkscrew and Other Strategies (Oakville, Ont.: Mosaic, 1989) • Shadows in the Grass: Poems (Toronto: McClelland and Stewart, 1991) • Configurations at Midnight (Toronto: ECW, 1992) • Collected Poems Vol. 3 (Victoria, B.C.: Sono Nis, 1994) • Tracks in the Snow (Lantzville, B.C.: Oolichan, 1994) • Visions Fugitive (Montreal: Vehicule, 1996) Sub Series: I. Correspondence. II. Manuscripts. III. Proofs. IV. Published Material by R. Gustafson. V. Newspaper Clippings. Detailed Description: MSS 6/1 Box 1 Correspondence. A. 1 – 49. 1. Acorn, Milton. 1961. Acorn critiquing some poems Gustafson sent for inclusion in Acorn’s magazine Moment and a reply by Gustafson. 2. Adeney, Marcus. 1942-45. Correspondence concerning Gustafson’s anthology and Canadian poetry in general including specifically the magazines First Statement, The Review, Voices and Mazzolini and the poets Earle Birney and E.J. Pratt. Art print included. 3. Anderson, Patrick. 1943-59. Correspondence about using Anderson’s poetry in a guest edition of Voices edited by Gustafson and his Anthology of Canadian Literature and Anthology of Canadian Verse. Cheques for payment. 4. Arendt, F.J. 1947-48. Arendt’s request for Canadian Accent for study as well as inquiry into German translations of Gustafson’s “Scrubwoman” and “Foreward to Canadian Accent.” Some correspondence concerning some of Canada’s leading poets. Letter from Margaret Avison about her inclusion in Arendt’s planned anthology. 5. Aviles, Alonso. 1947-1953. Letter asking about a Spanish translation of “biography” by Aviles, the translation being included, and translation publications. Poems included: “paradox” (in translation), “paradoja,” “the revolution of the stomachs,” “the mirror,” “simbolos y ritmo,” “rendezvous” (translation), “rendezvous…,” “a feathery silence … ,” (translation), “un silencio …,” “resurrection in death” (translation), “resurreccion,” “symbols and rhythm” (translation). 4 6. Avison, Margaret. 1947-61. Letter concerning publication of Avison’s material for Voices and Penguin Anthology of Canadian Poetry, edited by Gustafson. Cheque for payment included. Avison poems included: “Meeting Together of Poles & Latitudes: In Prospect,” “Butterfly Bones; or Sonnet against Sonnets,” “Snow,” “Tennis.” 7. Bailey, Alfred G. 1942-1957. Letter saying Bailey sent Gustafson poems unsolicited, with a couple being used by Gustafson in his guest edited edition of Voices and Anthology of Canadian Poetry. Biographical notes on Bailey. 8. Balogh, Erno. 1953. One letter thanking Gustafson for sending Balogh two books. 9. Behrman, Sam N. 1942-49. Letters from Behrman thanking Gustafson for his poetry and Gustafson’s reciprocation. Letter requesting Gustafson’s help re: publishing American work in post-war Germany. 10. Benet, William Rose. 1949. Correspondence concerning Gustafson’s inclusion in Saturday Review of Literature. 11. Benson, Nathaniel. 1941-44. Correspondence concerning inclusion in “Best Poem of 1939” in Canadian Poetry magazine and about the Canadian Author’s Association meeting in 1944. 12. Berlin, Isiah. ?. One short letter. 13. Birney, Earle. 1939-63. Letters concerning the accepting some of Gustafson’s poems for a magazine edited by Birney, as well as some of Birney’s poems for a collection edited by Gustafson and The Forum, among other publications. Letters concerning a short story anthology and concerning the state of poetry and literature and their writers in Canada (during the 1940s). Letter from Frank Flemington, from the Ryerson Press. Cheque for payment. Personal letters about the war, health, the CBC, professional life, family etc. Correspondence with J.B. Marshall, on the awards committee for The Royal Society of Canada, concerning Birney’s application. Birney poem included: “Man is a Snow.” 14. Bourinot, A.S. 1941-1958. Correspondence concerning Bourinot’s possible inclusion in Gustafson’s anthology. Cheque for payment of “The Letters of Thomson to Lampman” edited by Bourinot. 15. Bowen, Minnie H. 1941. Correspondence concerning Canadian poetry. Poem included: “Onward.” 16. Bowen, Louise Morey. 1941. Correspondence concerning Bowen’s inclusion in the Penguin Anthology of Canadian Poetry and Voices. Poem included: “Divine Hostler.” 17. Brinnin, John M. 1940-41. Letters concerning Mr. Brinnin’s nationality and omission from the anthology. 18. Brott, Alexander. 1955. Two letters concerning adding music to Gustafson’s six preludes. 19. Brown,
Recommended publications
  • The Poetry and Prose of Pk Page
    THE POETRY AND PROSE OF P. K. PAGE: A STUDY IN CONFLICT OF OPPOSITES by JILL I. TOLL FARRUGIA B. A., Queen's University, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada CONTENTS Chapter Page I. CONFLICT OF OPPOSITES 1 II. CONFLICT OF SOLITUDE WITH MULTITUDE 14 III. CONFLICT OF RESTRAINT WITH FREEDOM ..>... 60 IV. IMAGISTIC CONFLICT OF STONE AND FLOWER .... 84 V. CONFLICT OF SUBJECTIVITY OF PERCEPTION WITH POETIC OBJECTIVITY 94 WORKS CITED 107 Patricia K. Page's prose and poetry exhibit a dynamic creative tension resulting from the conflict of opposites in theme and imagery patterns and in the poet's attitude and perception of her subjects. The concept of separateness results from the thematic oppo• sition of forces of solitude and multitude which focus on the despair of the isolated individual unable to emerge from his 'frozen' cave-like existence and to attain a community of shared feeling.
    [Show full text]
  • A Voice of English-Montreal the First Twenty Years of Véhicule Press
    A Voice of English-Montreal The First Twenty Years of Véhicule Press, 1973–1993 Amy Hemond Department of English McGill University, Montreal April 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Amy Hemond 2019 Hemond ii Table of Contents Abstract ................................................................................................................................................................ iii Résumé ................................................................................................................................................................. iv Acknowledgements ............................................................................................................................................... v Introduction ........................................................................................................................................................... 6 The Véhicule fonds .................................................................................................................................................. 13 The History of English-Quebec Publishing ............................................................................................................... 16 Discussion ................................................................................................................................................................ 26 Chapter 1: The Poetic Prelude to a Small Press, 1972–1976 ................................................................................
    [Show full text]
  • DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
    DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content.
    [Show full text]
  • Lorne Pierce, Ryerson Press, and the Lmakters of Canadian Literature Series
    Lorne Pierce, Ryerson Press, and The lMakters of Canadian Literature Series Margery Fee Probably every university library in Canada has, scattered through its Cana- dian Literatuire section, most of the thirteen blue and gold volumes of Ryer- son Press's Makers of Canadian Literature series.' It is just as probable that some of these volumes rarely leave the shelves: who is likely to want a book on Robert Norwood, Arthur Stringer, or Peter McArthur today? Charles G.D. Roberts, Isabella Valancy Crawford, and Stephen Leacock are still widely taught, but the canon has shifted away from William Henry Drum- mond, Thomas Haliburton, William Kirby, and even John Richardson. Louis Fréchette, Frangois-Xavier Garneau, and Antoine G6rin-Lajoie are all impor- tant figures in Quebec history, but none is now claimed as a great poet or novelist. Still, the history of the series is of interest to bibliographers, anti- qluarian book dealers, and literary historians. Lately, critical attention has turned to such matters as the economics of literary production, the history of the audience's 'reception' of particular works, the formation of national canons, and the description of the institutions connected with any special- ized discourse. The history of the Makers of Canadian Literature series touches on all these matters. The series can by no means be described as an unequivocal success: it failed financially, and some of its volumes are uncritical and badly written. Still, other volumes are readable and makte good critical sense. And the mere process of preparing the series generated, uncovered, and preserved a great deal of information about Canada's early literary history that, while it remains to be fully exploited, will undoubtedly be useful to both scholars and critics.
    [Show full text]
  • THE DEVELOPMENT of P.K. PAGE's IMAGERY: the SUBJECTIVE EYE—THE EYE of the CONJUROR by ALLEN KEITH VALLEAU B. Comm., University
    THE DEVELOPMENT OF P.K. PAGE'S IMAGERY: THE SUBJECTIVE EYE—THE EYE OF THE CONJUROR by ALLEN KEITH VALLEAU B. Comm., University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July, 1973. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada Date July 14, 1973. i ABSTRACT In an attempt to develop a better perspective on P.K. Page's work, the thesis concentrates on the development of her imagery. The imagery illustrates the direction of Page's development and a close study of its nature will uncover the central concerns of Page's writing. The first chapter of the thesis examines the field of critical analysis already undertaken on Page showing its good points and its weak points. The following three chapters trace the chronological development of Page's work. The second chapter covers up to the writing of The Sun And The Moon in 1944.
    [Show full text]
  • Little Magazines and Canadian War Poetry 1939-1945 with Some Reference to Poetry of the First World War
    LITTLE MAGAZINES AND CANADIAN WAR POETRY 1939-1945 WITH SOME REFERENCE TO POETRY OF THE FIRST WORLD WAR by JOANNE MEIS B.A., University of Calgary, 1966 A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Department of English We accept this thesis as conforming to the required standard. THE UNIVERSITY OF BRITISH COLUMBIA September, 1971 o In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for .reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date > '77/ While English First World War poetry moved from extolling the Vic• torian versions of chivalric values to the "debunking" realism of some of the soldier poets, Canadian First World War poetry failed to exhibit any such development. Canadian First World War poets write a colonial inter• pretation of what the English inspirational war poets produced, and they did not express any disillusionment with the military-religious dogma of the war. During the Second World War, some Canadian poets produced poetry of a similar type to that which they wrote celebrating the first. But the war years saw the development of a group of young "modernist" poets who followed up the first modernist movement of the Montreal group and New Provinces, and when these poets wrote about war, the idealization of the conflict was not among their aims.
    [Show full text]
  • Jacobean P06ts in Newfoundland
    $i.oo per copy Autumn, ig62 JACOBEAN P06TS IN NEWFOUNDLAND Articles BY ALLAN PRITCHARD, WYNNE FRANCIS, V. L. 1 , 1 HIRANO, PATRICIA BARCLAY Reviews BY MARGARET LAU R E N C E, P AU L WEST, TONY EMERY, ROBERT HARLOW, WILLIAM TO YE , ROBERT J. GREGG Special Bibliography Supplement THEATRE IN CANADA A QUARTERLY OF CRITICISM AND R6VI6W CAUTIOUS INEVITABILITY PROFESSOR DESMOND PACEY has rendered many services to writing in Canada, and particularly as the only considerable historian of literature in English-speaking Canada. To these we can now add another service, less sub- stantial, but no less satisfying in its own way — that of persuading the Times Literary Supplement to admit, after having implicitly denied it twelve years ago, that something which can be called a "Canadian literature" has at last come into being. The new edition of Professor Pacey's Creative Writing in Canada — recently released in England — was the subject not merely of a review, but of an editorial in the TLS which has some salutary things to say about both the character of Canadians and that character's relation to their literary productions. No one need mistake a Canadian for other than what he is; and if "character" is given a more particular interpretation, the Canadian is as resolute as any other national in asserting his identity, in the face of considerable odds. England on the one hand and the United States on the other are set to lure him off his inde- pendent track. But whether it is that the caution needed for such a difficult navi- gation spoils with self-consciousness the free expression of his identity, or that his character in its realization on a national scale does not insist upon being imagi- natively interpreted, it is certain that he has fallen behind other Commonwealth countries in arousing curiosity abroad and establishing a sympathetic image.
    [Show full text]
  • Nationalism, Morality, and Gender: Lorne Pierce and the Canadian Literary Canon, 1920-60
    Nationalism, Morality, and Gender: Lorne Pierce and the Canadian Literary Canon, 1920-60 Sandra Campbellt Lorne Pierce (1890-1961), editor of the Ryerson Press from 1920 to 1960, was arguably Canada's most influential publisher and editor in the period from Canada's coming-of-age after the First World War to the Quiet Revolution. Canadian literary historians have not yet recognized the degree to which Pierce's prescriptive vision of Cana- dian literature and culture was driven by his nationalism, which was itself in turn influenced by his Methodism and his excperiences at Queen's University and in the Canadian West.I Moreover, on his arrival in Toronto in 1920 from rural Ontario, Pierce's exposure to the cultural nationalism of the: Group of Seven sharpened his patriotic desire to publish and promote such poets as Bliss Carman, Sir Charles G.D. Roberts, and Wilson MacDonald, whose landscape poetry seemed to him to give Canadians a literary sense of their landscape in a manner analogous to the canvases of the Group of Seven. Pierce's literary nationalism - so characteristic of many late nineteenth and twentieth-centuiry English Canadian men of letters - worked in concert with a strong moralism rooted in his Method- ism as well as his patriarchal assumptions about gender which, as we will see, were 'in the air' of the Canadian literary world at this time. All three forces - his nationalism, his moralism, and his patriarchal values - influenced his literairy work as editor and writer in ways important to the shaping of the Canadian canon and the careers of individual writers published by Ryerson Press in the decades from 1920 to 1960.2 Pierce was, of course, not the only important figure in the Cana- dian publishing world of the 1920s who espoused a strong literary nationalism.
    [Show full text]
  • Reading the Field of Canadian Poetry in the Era of Modernity: the Ryerson Poetry Chap-Book Series, 1925-1962
    READING THE FIELD OF CANADIAN POETRY IN THE ERA OF MODERNITY: THE RYERSON POETRY CHAP-BOOK SERIES, 1925-1962 by Gillian Dunks B.A. (With Distinction), Kwantlen Polytechnic University, 2011 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gillian Dunks, 2013 ii Abstract From 1925 to 1962, the Ryerson Press published 200 short, artisanally printed books of poetry by emerging and established Canadian authors. Series editor Lorne Pierce introduced the series alongside other nationalistic projects in the 1920s in order to foster the development of an avowedly Canadian literature. Pierce initially included established Confederation poets in the series, such as Charles G.D. Roberts, and popular late-romantic poets Marjorie Pickthall and Audrey Alexandra Brown. In response to shifting literary trends in the 1940s, Pierce also included the work of modernists such as Anne Marriott, Louis Dudek, and Al Purdy. Following Pierre Bourdieu, I read the Ryerson series as a sub-field of literary production that encapsulates broader trends in the Canadian literary field in the first half of the twentieth century. The struggle between late-romantic and modernist producers to determine literary legitimacy within the series constitutes the history of the field in this period. Pierce’s decision to orient the series towards modernist innovation during the Second World War was due to late romantics’ loss of their dominant cultural position as a result of shifting literary tastes. Modernist poets gained high cultural capital in both the Ryerson series and the broader field of Canadian literary production because of their appeal to an audience of male academics whose approval ensured their legitimacy.
    [Show full text]
  • Anglo-Canadian Modernists in Transit[Ion]: Collectivity and Identity in Mid-Century Canadian Modernist Travel Writing
    Anglo-Canadian Modernists in Transit[ion]: Collectivity and Identity in Mid-Century Canadian Modernist Travel Writing by Emily Ballantyne Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2019 © Copyright by Emily Ballantyne, 2019 Dedication I would like to dedicate this dissertation to my scholarly community, my friends from the early days of the Editing Modernism in Canada project. You showed me how to perse- vere and overcome with strength, courage, and dignity. I may not have had a PhD cohort, but I always had you. ii Table of Contents Dedication .................................................................................................................. ii Abstract ..................................................................................................................... v List of Abbreviations Used ......................................................................................... vi Acknowledgments .................................................................................................... vii CHAPTER ONE: INTRODUCTION .................................................................................. 1 COMMUNITY AND EXILE: AFFILIATION BEYOND THE NATION ......................................... 6 CANADIAN MODERNIST TRAVEL WITHIN CANADIAN MODERNIST STUDIES ................... 13 CANADIAN MODERNISTS AS TRAVEL/LING WRITERS ..................................................... 22 CHAPTER TWO: EXILE BEYOND RETURN:
    [Show full text]
  • A Poet Past and Future
    A POET PAST AND FUTURE Patrick Anderson 'Y JUNE 1971 I had been away from Canada for twenty- one years. For ten of these years I had been without my Canadian passport, and the little certificate which documented my citizenship and whose physical pos- session was one of the last acts of a despairing nostalgia; I had asked for it in Madrid and received it in Tangier. Of the two documents the passport was the more precious. It became the symbol of a fine transatlantic mobility; of dollars, supposing there were any; of a difference not easily defined; and it made me almost a tourist in the land of my birth. I had taken refuge in it on the one or two occasions when anti-British students ganged up on me in Athens. Once, in- deed, when I showed it to an inquisitive waitress in a bar she had expressed some disbelief, pointing (as it seemed to me) to something sad about my face, the hollows under my eyes, the growing wrinkles of middle-age, as though a person so world-weary was unlikely to belong to such a fresh and vigorous part of the world. The odd thing is that last summer, despite the above experience, I found my- self sitting at my work-table in rural Essex writing poems about Canada. F. R. Scott had just posted me a batch of papers left in his house since, I think, 1947; the batch was nowhere as big as I expected; much of it was any way poor stuff, strained, rhetorical, beset by what Thorn Gunn has called "the dull thunder of approximate words"; but there was an evocation of a lake-scene in the Eastern Townships which, with a great deal of revision, might just about do (it became the new "Memory of Lake Towns").
    [Show full text]
  • Part II the Toronto Publishing Scene During World W3iar P' George
    Distributors, Agents, and Publishers: Part II The Toronto Publishing Scene During World W3iar P' George Parker" The war seems to have u~ncovered a new Canadianreading public just as much as ithas broulght new writers to birth, and with the improved machinery ofpublishing there never waEsa more appropriatemovement [sic]for a new Canadian literature. - J.M. Gibbon "Whiere is Canadian Literature?" (1918)3 Between 1914 and 1918 the country changed dramatically, although its population of nine million hardly grew. Of the 628,000 Canadians who enlisted in the military, about 425,ooo went overseas. In the famous battles of Ypres, Passchendaele, and Vimy Ridge, the Canadians were gassed, shelled, frozen, and panic-stricken in their mud-filled trenches. We~can read of these events in first-hand accounts by professional and amateur writers: in Robert Service's Rhymes ofa Red-Cross Man (I916), which describes the poet's experiences as an ambulance driver, or in the responses of Bernard Trotter, who was killed in action before the publication of his volume, A Canadian Twilight, and Other Poems ofWar and ofPl~eace (I917), or in I9-year-old Edgar McInnis's poetry pamphlets, or in Frank Prewitt's modernist volume, P)oems (192I). The middle-aged Charles G.D. Roberts and Charles Gordon made it to the front lines but, like Gilbert Parker, they were soon recruited for publicity and propaganda work. In Gordon's novels and in Beckles Willson's 1924 novel Redemption, the SThis paper is Part II of an excerpt from a longer version that will be a chapter in my work in progress on the Toronto publishing industry in the twentieth century.
    [Show full text]