Refraining Montreal Modernisms
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Addison Street Poetry Walk
THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K. -
The Poetry and Prose of Pk Page
THE POETRY AND PROSE OF P. K. PAGE: A STUDY IN CONFLICT OF OPPOSITES by JILL I. TOLL FARRUGIA B. A., Queen's University, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada CONTENTS Chapter Page I. CONFLICT OF OPPOSITES 1 II. CONFLICT OF SOLITUDE WITH MULTITUDE 14 III. CONFLICT OF RESTRAINT WITH FREEDOM ..>... 60 IV. IMAGISTIC CONFLICT OF STONE AND FLOWER .... 84 V. CONFLICT OF SUBJECTIVITY OF PERCEPTION WITH POETIC OBJECTIVITY 94 WORKS CITED 107 Patricia K. Page's prose and poetry exhibit a dynamic creative tension resulting from the conflict of opposites in theme and imagery patterns and in the poet's attitude and perception of her subjects. The concept of separateness results from the thematic oppo• sition of forces of solitude and multitude which focus on the despair of the isolated individual unable to emerge from his 'frozen' cave-like existence and to attain a community of shared feeling. -
A Voice of English-Montreal the First Twenty Years of Véhicule Press
A Voice of English-Montreal The First Twenty Years of Véhicule Press, 1973–1993 Amy Hemond Department of English McGill University, Montreal April 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Amy Hemond 2019 Hemond ii Table of Contents Abstract ................................................................................................................................................................ iii Résumé ................................................................................................................................................................. iv Acknowledgements ............................................................................................................................................... v Introduction ........................................................................................................................................................... 6 The Véhicule fonds .................................................................................................................................................. 13 The History of English-Quebec Publishing ............................................................................................................... 16 Discussion ................................................................................................................................................................ 26 Chapter 1: The Poetic Prelude to a Small Press, 1972–1976 ................................................................................ -
Alexander Literary Firsts & Poetry Rare Books
CATALOGUE THIRTY-TWO Mark Alexander Alexander Rare Books 234 Camp Street ALEXANDER LITERARY FIRSTS Barre, VT 05641 Office: (802) 476-0838 & POETRY RARE BOOKS Cell: (802) 522-0257 [email protected] All items are US, UK or CN First Editions & First Printings unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days.; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards via electronic invoice (Paypal) accepted. Net so days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (generally via Priority Mail) & Canada; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for cover scans or photos of most items. We encourage you to visit for the latest acquisitions. ------------- Due to ever increasing inventory, we will be increasing the frequency of electronic catalogues. If you receive our printed catalogues we encourage you to sign up for our electronic catalogues, also. We will continue to mail print catalogues four CATALOGUE THIRTY-TWO times a year. Electronic catalogues will include recently acquired Summer 2013 items as well as sales. Catalogue 32 5. Adam, Helen. Third Eye Shining. [San Francisco]: Intersection, 1980. First edition thus. Illustrated broadside with a poem by Adam. Designed and printed by Arion Press on Arches. Artwork by 1. A. C. D. (ed.); THE 11. Boulder, CO: Summer 1972. First edition. Adam tipped onto the broadside. One of 100 numbered and signed Stapled mimeograph magazine with a cover illustration by Charles diJulio. copies, this copy not numbered (presumably hors commerce), Printed on rectos only. -
JOHN GLASSCO (1909-1981) and His Erotic Muse
JOHN GLASSCO (1909-1981) and his Erotic Muse Leon Edel IΌΗΝ GLASSCO CULTIVATED THE LYRIC and erotic muses — Euterpe and Erato. He was, above all, in his later years, a tough-minded poet who mingled reflection with satire, and most of his reflections were on the wear- and-tear of life, the crumbling of man's creations, old houses — like the body — disintegrating in a mournful landscape, mixed with sweet and bitter memories and delicate observations; the triumph of the dust and yet somehow out of death and decay the hardness of reality : It is the world that counts, the endless fever And suffering that is its own and only end. The elegance and polish, rhythm and cadence, the perfect pitch, as it were, is curiously to be found also in his erotic writings which are largely in prose. John Glassco — he had been Buffy to us from his earliest years — made a distinction between "porno" written as art and that which is scribbled as commerce. Yet even when he attempted to write for commerce he proved unfailingly delicate and aristocratic: he wrote in the tradition of Cleland, or the Contes drolatiques, or the French elegants. He captured the spirit of the conte leste, the frivolous and "improper" fantasy, for which the Gallic world has so many more synonyms than we have. The phallus was for Buffy a wanton and pretty bird of flight and repose ; the libido an exquisite gift of nature. His erotic muse was forever young, born of pre-adolescent titillation and exposure. There are brief backward glances in various of Buffy's prose writings — "in view of my own upbringing" and "my own early memories supplied much of the psychology," and an allusion to "that susceptible teen-ager who could never say no to anyone." These brief autobio- graphical references allow us to extrapolate some early governess in Montreal's Simpson Street, where Buffy was born, who perhaps administered spankings that had erotic overtones; or some early housemaid taken with the charms of the juvenile Buffy — he had so many. -
INTERARTISTIC MODERNISM in CANADA, 1930-1960 Michèle
BETWEEN THE LINES: INTERARTISTIC MODERNISM IN CANADA, 1930-1960 Michèle Rackham Department of English McGill University, Montreal November 2011 A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Michèle Rackham 2011 for David TABLE OF CONTENTS ABSTRACT / RÉSUMÉ i-iv ACKNOWLEDGEMENTS v-viii INTRODUCTION Contextualizing the Rise of Interartistic 1 Modernism in Canada CHAPTER ONE ―Not nature alone, but nature‘s relationship to man‖: 46 Emily Carr‘s and Dorothy Livesay‘s Landscapes of Affect CHAPTER TWO Montreal Modernisms, Little Magazines, and the 130 Agency of Visual Art in the 1940s CHAPTER THREE ―Let A- / tomic unsplittable REALITY / now at last / 225 be exploded to hell‖: The Energy of Canadian Modernist Poetry and Visual Art in the Fifties CHAPTER FOUR P.K. Page-Irwin‘s ―Geometry Awash‖: Negotiating 332 Modernist Aesthetics Via the Visual Arts CONCLUSION Canada‘s Interartistic Modernism and National Culture 430 WORKS CITED 450 Rackham i ABSTRACT This dissertation offers the first comprehensive examination of the diverse inte- ractions and collaborations among Canadian modernist poets and artists, as well as the aesthetic, thematic, and idiomatic relationships between their poems and works of art. The project incorporates archival and historical research to demon- strate the interartistic nature of modernist poetry in Canada between 1930 and 1960. By establishing that paintings, sculptures, and book designs and illustrations by Canadian artists who knew and worked closely with Canadian modernist poets informed and affirmed the content and aesthetics of the poetry, the dissertation argues for a consideration of the social dimension of literary modernism in Cana- da. -
Canadian Jewish Writing Rebecca Margolis
2 1 Across the Border: Canadian Jewish Writing Rebecca Margolis Canadian Jewish literature has often been compared to its U.S. counterpart, for both geographic and cultural reasons. The two countries share a vast bor- der, are former English colonies with a continual use of that language, and have signifi cant immigrant populations. The two countries absorbed signif- icant numbers of Jewish immigrants, including a mass Eastern European immigration that was Yiddish speaking and working class. The comparison between the two countries should be natural, at least from a Canadian per- spective. However, rather than being a mini–United States, Canada has pro- duced a literature that has evolved its own very distinctive set of defi ning characteristics. Further, the dominating presence of the United States and its overshadowing infl uence on Canada in terms of literature, theater, lm,fi and music are indisputable, and Canadian culture is oft subsumed into the larger category of “American.” Canada’s Jewish writers are confl ated with U.S. writ- ers or neglected altogether . Michael Greenstein’s study Third Solitudes sug- gests marginality as a key feature of Jewish Canadian literature. 1 Intertwining historical realities have informed Canada’s cultural identity and the literature that its Jewish writers have produced. The ideological foun- dation of the country is a French-English bilingualism that dates to its roots as a European colony, and the dynamics of that uneasy duality have permeated the country’s cultural development. Unlike the United States, Canada was not born out of revolution and rejection of the British Empire that dominated it. -
The Publishing of a Poet: an Empirical Examination of the Social Characteristics of Canadian Poets As Revealed in Small Press Literary Magazines
The Publishing of a Poet: An Empirical Examination of the Social Characteristics of Canadian Poets as Revealed in Small Press Literary Magazines by Diane Monique Barlee B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Sociology ! Diane Monique Barlee, 2011 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Publishing of a Poet: An Empirical Examination of the Social Characteristics of Canadian Poets as Revealed in Small Press Literary Magazines by Diane Monique Barlee B.A., University of Victoria, 2008 Supervisory Committee Dr. Richard Ogmundson (Department of Sociology) Supervisor Dr. Peyman Vehabzadeh (Department of Sociology) Departmental Member Dr. Iain Macleod Higgins (Department of English) Outside Member iii Abstract Supervisory Committee Dr. Richard Ogmundson (Department of Sociology) Supervisor Dr. Peyman Vehabzadeh (Department of Sociology) Departmental Member Dr. Iain Macleod Higgins (Department of English) Outside Member This thesis is an exploratory examination of the social characteristics of 139 poets featured in a selection of five small press Canadian literary journals. The investigation charts and analyzes the demographics of 64 poets who were published in 1967, and 75 poets who were published in four small press literary magazines in 2010. The 2010 magazines were purposely sampled as representatives of specific geographical areas in Canada (i.e., the West Coast, the Prairies, Central Canada, and the East Coast). The results indicate that in 1967 female poets were less likely to be published; however, 43 years later, this bias has been rectified. -
Poet in Profile: Larry Eigner by Joe Fritsch
JHR POETRY Poet in Profile: Larry Eigner By Joe Fritsch Poet and critic Larry Eigner (1926-1996) began writing poems in his teenage years and never quit. As a result, The Collected Poems of Larry Eigner (2010) comprises four tall volumes containing a total of 3,072 poems, which is precisely as remarkable a quantity as it seems. Comparatively, Shakespeare penned 154 sonnets and Thomas H. Johnson enumerated 1,775 poems for Emily Dickinson. Eigner’s poems vary in length (lines to pages) and subject (nature and climate change to pop culture and language) in ways too numerous to list, but an abiding artistic concern worth ample consideration is to be found in their innovative typography. In this untitled three-line poem from December 26, 1979, note the way each line grows by one letter added to the second word and each line drifts further away from the origin: It’s not too late for words1 The language is simple, but its tones—perhaps cautious optimism? desperation? refusal? humor?—are amplified by the way it is formatted. The barely Larry Eigner. Image credit: Larry Eigner VIA Poetry Foundation. Used with permission from the Eigner Estate. hanging-on, last-minute fulfillment of the poem’s promise achieved by “words” saving the day stages a small-scale drama that might be totally missed were it Published online 2 May 2017 at journalofhumanitiesinrehabilitation.org 1 © Emory University; authors retain copyright for their original articles POETRY POET IN PROFILE: LARRY EIGNER typed as a single line. cannot be called anything other than jubilant, the poet celebrates typing outright: That the typewriter was an indispensable part of Eigner’s poetic and critical practices is a claim that exceeds bare materiality, as any number of twentieth- D i s c o century writers composed on typewriters. -
THE DEVELOPMENT of P.K. PAGE's IMAGERY: the SUBJECTIVE EYE—THE EYE of the CONJUROR by ALLEN KEITH VALLEAU B. Comm., University
THE DEVELOPMENT OF P.K. PAGE'S IMAGERY: THE SUBJECTIVE EYE—THE EYE OF THE CONJUROR by ALLEN KEITH VALLEAU B. Comm., University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July, 1973. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada Date July 14, 1973. i ABSTRACT In an attempt to develop a better perspective on P.K. Page's work, the thesis concentrates on the development of her imagery. The imagery illustrates the direction of Page's development and a close study of its nature will uncover the central concerns of Page's writing. The first chapter of the thesis examines the field of critical analysis already undertaken on Page showing its good points and its weak points. The following three chapters trace the chronological development of Page's work. The second chapter covers up to the writing of The Sun And The Moon in 1944. -
Jeffers Studies
Jeffers Studies Robert J. Brophy Department of English California State University QQQ Long Beach, CA 90840 Demo XPress Quark QQQ Jeffers Studies VolumeQuark 3 Number 2 Spring 1999 XPress Jointly Sponsored by Occidental College DemoCalifornia State University Long Beach Robinson Jeffers Association Jeffers Studies VolumeQuark 3 Number 2 Spring 1999 CONTENTS News and Notes 1 Progress Report on Stanford University Press Projects 4 Bibliographical Items 4 QQ Robinson Jeffers Association Bulletin 6 Abstracts of Dissertations, Masters Theses, and Articles 8 Musings on Contemporary Theologys Readings of Judas: A Note 16 RobertXPress Brophy Abstracts of Jeffers Papers Read at the Western Literature Association Conference West of the West: California and the American West Held at Sacramento, 1316 October 1999 18 Appearing simultaneously on the World Wide Web Jeffers Studies Online page: Slip, Shift, and Speed Up: The Influence of Robinson Jefferss Narrative Syntax MarkDemo Jarman QQQ Jeffers Studies (ISSN 1096-5076) is published quarterly by California State University Long Beach, co- sponsoring with Occidental College and the Robinson Jeffers Association. Triquarterly (Winter, Spring, Summer) issues follow a format similar to that of the preceding Robinson Jeffers Newsletter, including news and notes, memoirs, reviews, abstracts, short refereed articles, bibliography, and the Una Jeffers Correspondent series. The final issue each year, a perfect-bound annual, includes up to six longer scholarly articles, each exploring in depth some aspect of Jefferss life, work, or times. After acceptance for publication, theseQuark articles will be available in electronic format through Jeffers Studies Online at <www.jeffers.org>, the Internet complement to the print journal. Editorial Board: Robert Brophy, Senior Editor; Terry Beers, Co-Editor; Robert Kafka, Managing Editor; Peter Quigley, World Wide Web Editor. -
Ontemporary Poetry and Its Characteristics He Canadian 'Long Poem' Recent Canadian System of Thought and Belief
ontemporary Poetry and its characteristics he Canadian 'Long Poem' Recent Canadian system of thought and belief. There was a weakening of the original impulse which Poetry generated new tendencies in the creative fields as well as in man's nature and goals pertaining to changing response to life, but it is a natural phenomena that one can neither wish to isolate nor escape from the human experience for long. Poets like Dorothy Livesay and E.J. Pratt grew anxious to cultivate a new poetic style which could capture the new substance of life and at the same time make a direct appeal to its readers. Their poetry is man-centered psychologically and intellectually. Like the role of nature, the significance of poetic devices like imagery and symbol is also redefined. Though the earliest Canadian anthology of any importance was E.H. Dewart's Selection from Canadian Poets which was published in 1864, it is A.J.M. Smith's The Book of Canadian Poetry which appeared in 1943 that presented the changes of taste and quality in poetry written between 1948 and 1957. Many subsequent anthologies like Smith's Oxford Book of Canadian Verse (1960) and Modern Canadian Verse (1967) include the representative works in both English and French. To understand Canadian Poetry of the mid-twentieth century one of the fundamental approaches is to look at a historical and insightful critical process, which A.J.M. Smith and E.K. Brown encouraged. It helped in two ways. It established a canon of Canadian poetry and assessed the achievements of individual poets, and it opened up vistas for endless possibilities of having Canadian Criticism with its own traditions and vision of Canadian poetry which means "a poetry appropriate to Canadian experience" to use the words of Geroge Woodcock.