Miriam Waddington Fonds MG31-D54 Container File File Title Date

Total Page:16

File Type:pdf, Size:1020Kb

Miriam Waddington Fonds MG31-D54 Container File File Title Date Library and Archives Bibliothèque et archives Canada Canada Canadian Archives Direction des archives Branch canadiennes MIRIAM WADDINGTON FONDS MG31-D54 Finding Aid No. 1415 / Instrument de recherche no 1415 Prepared in 1983, revised in 1986 and 1991 Préparé en 1983, revisé en 1986 et 1991 par by Anne Goddard, in 1994 by Sarah Anne Goddard , 1994 par Sarah Montgomery Montgomery of the Social and Cultural des Archives sociales et culturelles et en Archives and in 2007-2008 by Janet Murray 2007-2008 par Janet Murray et Catherine and Catherine Hobbs of Literary Arts. Hobbs des Arts littéraires.. ii TABLE OF CONTENTS NOTEBOOKS, JOURNALS and NOTES SERIES ............................1, 86, 95 GENERAL MANUSCRIPTS FILES SERIES ..............................2, 25, 31, 89 POETRY MANUSCRIPTS SERIES ...............................8, 17, 18, 77, 89, 115 CRITICAL WORKS and EDITIONS SERIES............................10, 16, 90, 132 PERSONAL MATERIAL SERIES ..............14, 27, 29, 30, 35, 42, 86, 87, 128, 132, 134 PRINTED MATERIAL SERIES....................................15, 28, 44, 89, 130 GENERAL CORRESPONDENCE SERIES ..................................18, 29, 66 TRANSLATIONS SERIES.................................................79, 110 TEACHING MATERIAL SERIES........................................36, 88, 113 SUBJECT FILES SERIES............................................... 79, 90, 98 NOMINAL CORRESPONDENCE FILES SERIES ......................44, 65, 69, 90, 92 PERSONAL CORRESPONDENCE FILES SERIES .....................64, 65, 66, 89, 91 FAMILY CORRESPONDENCE SERIES ...................................65, 89, 90 ALPHABETIC CORRESPONDENCE FILES SERIES ...............................67 PROSE MANUSCRIPTS SERIES ...........................................71, 118 PROFESSIONAL CORRESPONDENCE. 94 PROFESSIONAL MEMORABILIA. .132 PROFESSIONAL PORTRAIT PHOTOGRAPHS. 133,135 RECORDINGS OF INTERVIEWS , APPEARANCES and ADAPTATIONS. 135 Miriam Waddington Fonds MG31-D54 Container File File Title Date NOTEBOOKS, JOURNALS and NOTES SERIES 1 1 Notebook/Journal 1930-1933 1 2 Notebook 1933-1935 1 3 Notebook/Journal 1934-1935 1 4 Notebook [c.1936-1939] 1 5 Notebook [c.1936-1939] 1 6 Notebook 1937-1938 1 7 Notebook [c.1939] 1 8 Notebook/Journal 1939-1940 1 9 Notebook 1941 1 10 Notebook/Journal 1941-1943 1 11 Notebook/Journal 1944-1953 1 12 Notebook 1955-1959 1 13 Notebook/Journal 1956 1 14 Notebook/Journal 1956 1 15 Notebook/Journal 1957-1958 1 16 Notebook/Journal 1962-1966 1 17 Notebook [1964] 2 1 Notebook (1 of 2) 1970-1971 2 Miriam Waddington Fonds MG31-D54 Container File File Title Date 2 2 Notebook (2 of 2) 1970-1971 GENERAL MANUSCRIPTS FILES SERIES 2 3 Poems, Fiction, Essay, Notes (1 of 3) n.d., [1930's], “Various worksheets” [1964]-1968 2 4 Poems, Fiction, Essay, Notes (2 of 3) n.d., [1930's], “Various worksheets” [1964]-1968 2 5 Poems, Fiction, Essay, Notes (3 of 3) n.d., [1930's], “Various worksheets” [1964]-1968 2 6 Poems, Fiction, Essay (1 of 5) n.d., 1934- 1946, [c.1968] 2 7 Poems, Fiction, Essay (2 of 5) n.d., 1934- 1946, [c.1968] 2 8 Poems, Fiction, Essay (3 of 5) n.d., 1934- 1946, [c.1968] 2 9 Poems, Fiction, Essay (4 of 5) n.d., 1934- 1946, [c.1968] 2 10 Poems, Fiction, Essay (5 of 5) n.d., 1934- 1946, [c.1968] 2 11 Poems, Fiction, Essay (1 of 3) n.d., 1934- “Green World, Other uncollected poems” 1946, [c.1968] 2 12 Poems, Fiction, Essay (2 of 3) n.d., 1934- “Green World, Other uncollected poems” 1946, [c.1968] 2 13 Poems, Fiction, Essay (3 of 3) n.d., 1934- “Green World, Other uncollected poems” 1946, [c.1968] 2 14 Poems, Fiction, Essay (1 of 4) n.d., 1934- “Short Stories, To be worked” 1946, [c.1968] 2 15 Poems, Fiction, Essay (2 of 4) n.d., 1934- “Short Stories, To be worked” 1946, [c.1968] 2 16 Poems, Fiction, Essay (3 of 4) n.d., 1934- “Short Stories, To be worked” 1946, [c.1968] MG31-D54 Miriam Waddington Fonds 3 Container File File Title Date 2 17 Poems, Fiction, Essay (4 of 4) n.d., 1934- “Short Stories, To be worked” 1946, [c.1968] 218Poems n.d., 1935, “Poems Not Used” [1939-1958] 219Poems n.d., 1936-1939 “Undergraduate poetry” 2 20 Poems, Essay (1 of 3) n.d., 1939- “Ms. Worksheets” 1968, [c.1969-1972] 2 21 Poems, Essay (2 of 3) n.d., 1939- “Ms. Worksheets 1968, [c.1969-1972] 2 22 Poems, Essay (3 of 3) n.d., 1939- “Ms. Worksheets 1968, [c.1969-1972] 223Poems [early 1940's] “Unpublished Ms.” 2 24 Poems, Fiction, Notes [1940's] 2 25 Poems, Fiction, Notes n.d., [1940's], “Tag Ends” 1965-1967 2 26 Poems, Fiction, Essay, Notes (1 of 4) n.d., 1940-1958 “To Be Worked” 2 27 Poems, Fiction, Essay, Notes (2 of 4) n.d., 1940-1958 “To Be Worked” 2 28 Poems, Fiction, Essay, Notes (3 of 4) n.d., 1940-1958 “To Be Worked” 2 29 Poems, Fiction, Essay, Notes (4 of 4) n.d., 1940-1958 “To Be Worked” 2 30 Poems n.d., 1942 2 31 Poems, Fiction (1 of 3) n.d., 1942- “My Own Rejects” [1945] 2 32 Poems, Fiction (2 of 3) n.d., 1942- “My Own Rejects” [1945] 4 Miriam Waddington Fonds MG31-D54 Container File File Title Date 2 33 Poems, Fiction (3 of 3) n.d., 1942- “My Own Rejects” [1945] 2 34 Poems (1 of 2) n.d., [c.1944]- 1956 2 35 Poems (2 of 2) n.d., [c.1944]- 1956 2 36 Poems (1 of 2) n.d., [c.1944- “Poems - Doubtful” 1958] 2 37 Poems (2 of 2) n.d., [c.1944- “Poems - Doubtful” 1958] 2 38 Poems, Fiction, Notes (1 of 2) n.d., 1945 “Worksheets” 2 39 Poems, Fiction, Notes (2 of 2) n.d., 1945 “Worksheets” 240Poems [c.1945] “Odd Worksheets” 3 1 Poems, Fiction, essay (incl. Poems by Patrick Waddington) n.d., [1930's-1940's], 1938-1939 3 2 Poems (1 of 2) n.d., [1955-1966] 3 3 Poems (2 of 2) n.d., [1955-1966] 3 4 Poems n.d., [c.1956] 3 5 Poems, notes n.d., 1956-1967 3 6 Poems, fiction, notes, translations n.d., [1957-1968] 3 7 Poems, fiction, notes (1 of 2) n.d., [c.1958] 3 8 Poems, fiction, notes (2 of 2) n.d., [c.1958] 3 9 Poems, fiction, notes (1 of 2) n.d., [1959-1963] MG31-D54 Miriam Waddington Fonds 5 Container File File Title Date 3 10 Poems, fiction, notes (2 of 2) n.d., [1959-1963] 3 11 Poems n.d., [1962]-1966 3 12 Poems set to music 1963-1972 3 13 Poems, fiction, essay (1 of 2) n.d., 1966-1967 3 14 Poems, fiction, essay (2 of 2) n.d., 1966-1967 3 15 Poems 1967 3 16 Poems with illustrations 1968-1969 3 17 Poems, fiction, notes n.d. 3 18 Poems, fiction, notes n.d. 3 19 Poem, fiction n.d. 3 20 Fiction n.d. 3 21 Notes n.d. 3 22 At The Water Cooler n.d. 3 23 Black and White [1940's] 3 24 The Blue Hat n.d. 3 25 The Concert [1950's] 3 26 Day in the Sun 1942 3 27 The Encounter [1930's] 3 28 Farewells at Four O’Clock n.d., [1945] 3 29 Far from the Snow of Winnipeg n.d., 1975 3 30 From Over the Sea [1940's] 3 31 The Hallowe’en Party n.d. 3 32 He was dark and he was handsome n.d. 3 33 I Know my Love n.d. 3 34 I’m Lonesome for Harrisburg n.d. 3 35 Informalities [1940's] 6 Miriam Waddington Fonds MG31-D54 Container File File Title Date 3 36 The Last Rehearsal n.d., [1940's] 3 37 A Long Way from Home (collection) [1963] 4 1 Lutka in a White Wool Cap n.d. 4 2 Outside n.d. 4 3 The Place of Witches n.d. 4 4 Queer People [1940's] 4 5 A Rainy Country n.d. 4 6 Saturday Night [1940's] 4 7 A Silence all to Long n.d., 1972 4 8 The Social Worker n.d. 4 9 Stop Light n.d. 4 10 A Story from the Portfolio n.d. 4 11 Summer at Lonely Beach n.d., 1958 4 12 Sunday Evening Interior n.d. 4 13 Susie n.d. 4 14 Sweet and Twenty 1938 4 15 Tenth Day Third Month n.d. 4 16 That’s Why I’m Here n.d. 4 17 The Villa at Giardini 1974 4 18 Vindictive are the Way of Fate [1930's] 4 19 Waldermar n.d. 4 20 Youth Hostel Week-End [1940's] 4 21 University Essay [1936-1939] 4 22 University Essays n.d., 1937-1941 4 23 Arthur Szyk 1940 4 24 Marc Chagall [1940's] MG31-D54 Miriam Waddington Fonds 7 Container File File Title Date 4 25 Patrick Anderson - Poet of social change [1944] 4 26 Virginia P. Robinson 1949 4 27 The social worker’s role in the speech clinic [1951] 4 28 Radio and television 1956-[1957] 4 29 Reviews 1956-1958 4 30 Marian Scott: A humanist painter 1957 4 31 Reviews 1957-1959 4 32 Reviews n.d., [1961]- 1962 4 33 University essays 1963 4 34 University essays [1964] 4 35 University essays [1964] 4 36 Earle Birney [1966] 4 37 Reviews [1966]-1970 4 38 Bliss Carman 1967 4 39 A search for form in poetry 1967 4 40 Otto Rank 1967 5 1 Anaïs Nin [1967] 5 2 John Robert Colombo [1967] 5 3 Encyclopaedia Judaica 1968 5 4 Anaïs Nin 1969 5 5 Harold Rosenberg [1969] 5 6 Stereotype versus reality 1973 5 7 T.S. Eliot n.d. 5 8 Lawren Harris n.d. 5 9 E.J.
Recommended publications
  • The Poetry and Prose of Pk Page
    THE POETRY AND PROSE OF P. K. PAGE: A STUDY IN CONFLICT OF OPPOSITES by JILL I. TOLL FARRUGIA B. A., Queen's University, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada CONTENTS Chapter Page I. CONFLICT OF OPPOSITES 1 II. CONFLICT OF SOLITUDE WITH MULTITUDE 14 III. CONFLICT OF RESTRAINT WITH FREEDOM ..>... 60 IV. IMAGISTIC CONFLICT OF STONE AND FLOWER .... 84 V. CONFLICT OF SUBJECTIVITY OF PERCEPTION WITH POETIC OBJECTIVITY 94 WORKS CITED 107 Patricia K. Page's prose and poetry exhibit a dynamic creative tension resulting from the conflict of opposites in theme and imagery patterns and in the poet's attitude and perception of her subjects. The concept of separateness results from the thematic oppo• sition of forces of solitude and multitude which focus on the despair of the isolated individual unable to emerge from his 'frozen' cave-like existence and to attain a community of shared feeling.
    [Show full text]
  • TREVOR CAROLAN / Dorothy Livesay in North Vancouver
    TREVOR CAROLAN / Dorothy Livesay in North Vancouver Ten years ago, as a District of North Vancouver Councillor, I proposed to my colleagues in the nearby City of North Vancouver the idea of creating a memorial plaque in honour of Dorothy Livesay. An important twentieth century Canadian poet and social activist, Livesay lived in the city on and off for more than twenty years with her husband, fellow socialist Duncan McNair. They lived in several homes within view of the inner harbour: at Cumberland Crescent, then at 848-6th Street about a block from Sutherland High School, and later on toney Grand Boulevard. Livesay wrote some of her best work here­ making it an appropriate place to commemorate not only a fine poet, but also a champion of women's rights and family planning before either became fashionable. The idea of a memorial marker-stone failed to gain traction with the politicians of the day; it's an idea that's still out there for commissioning. In her memoir Journ ey with My Selves, Livesay says that she originally arrived in BC wanting to find her way to the San Francisco literary scene. In fact, she came to Vancouver to work as an editor for a communist labour journal. From Vancouver she hoped to travel further south to join the Depression-era's well-established leftist arts community concentrated in the San Francisco Bay Area. This was IWW territory and numerous publications there served the One Big Union labour ideal, which appealed to her political interests. The city also enjoyed a long liberal tradition in its journalism and politics.
    [Show full text]
  • DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
    DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content.
    [Show full text]
  • Norman Levine Fonds Inventory #345
    page 1 Norman Levine fonds Inventory #345 File: Title: Date(s): Note: Call Number: 1983-004/001 Manuscripts: Prose Fiction (1) Anarchists in Ontario 1975-1976 (2) The Angled Road - jacket notes (3) Because of the War (4) Because of the War (5) Because of the War March 1980 (6) Because of the War April 1980 (7) Because of the War May 1980 (8) Because of the War Summer 1980 (9) Because of the War July 5, 1980 (10) Because of the War July 12-16, 1980 (11) Because of the War July 20, 1980 (12) Because of the War July 21, 1980 (13) Because of the War July 31, 1980 (14) Because of the War early August, 1980 (15) Because of the War August 14, 1980 (16) Because of the War September 3, 1980 (17) Because of the War January 26, 1981 (18) Because of the War January 29, 1981 (19) Because of the War February 2, 1981 (20) Because of the War February 5, 1981 (21) Because of the War February 9, 1981 (22) Because of the War February 16- 24, 1981 (23) Because of the War March 29, 1981 (24) Because of the War April 21, 1981 (25) Because of the War May 30, 1981 (26) Because of the War [ca. October 1981] (27) Because of the War, "version before the final one..." (28) Because of the War, "final version", [ca. October 1981] (29) The Big Time - children's story (30) Boiled Chicken (31) By a Frozen River (32) By a Frozen River 1974 (33) By a Frozen River 1976 (34) By a Frozen River, edited and abridged for CBC March 1983 Booktime, in St.
    [Show full text]
  • The Universi{ of L,|Innípeg
    _ :, -; i_ì ::: : The Universi{ of l,|innÍpeg The Child and Death in the Fiction of Margaret Laurence by Joan M; Mi]ler A Thesis Submitted to the Faculty of Graduate Studies ín Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English l.|innipeg, Manitoba August, 1981 THE CHILD AND DEATH TN THE FICTION OF MARGARET LAURTNCE BY JOAN M. MILLER A thesis subnritted to the Faculty of Gr;rtlrrltc Studies of the University of Manitoba in partial fulfill¡rrc¡rt of the requirernents of the degree of MASTER OF ARTS @v l98l Pernlission has been granted to the LIIIRARY OF THE UNIVER- SITY OF MANITOBA to lc¡rd or sell co¡riç5 of this thesis, to the NATIONAL LIBRARY OF CANADA ro nricrofilm this thesis a¡rd to lend or sell copies of ttrt' film, and UNIVERSITY MICROFILMS to publish an abstract of this thesis. The author reserves other publicatior¡ rights. a¡rd neither tlre tlresis nor extensive extracts fronr it uur¡. br. ¡lrinted or other- wise reproduced without the author's rvrittr'n perrnission. Abstract Almost every one of Margaret Laurence's novels and short stories explores some aspect of the concept of death as it develops in an Índividual's experience from chi'rdhood to adult- hood, and shows how this concept shapes the individual,s understandi ng of I i fe. While reference is made to certain of Laurence's short stories, essays, and books for children, this thesis examines the death motif in relation to the folloving uorks: This side Jordan, The Stone Angel, A Jest of God The Fire-Dwellers, A Bird in the @9, and The Diviners.
    [Show full text]
  • THE DEVELOPMENT of P.K. PAGE's IMAGERY: the SUBJECTIVE EYE—THE EYE of the CONJUROR by ALLEN KEITH VALLEAU B. Comm., University
    THE DEVELOPMENT OF P.K. PAGE'S IMAGERY: THE SUBJECTIVE EYE—THE EYE OF THE CONJUROR by ALLEN KEITH VALLEAU B. Comm., University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July, 1973. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada Date July 14, 1973. i ABSTRACT In an attempt to develop a better perspective on P.K. Page's work, the thesis concentrates on the development of her imagery. The imagery illustrates the direction of Page's development and a close study of its nature will uncover the central concerns of Page's writing. The first chapter of the thesis examines the field of critical analysis already undertaken on Page showing its good points and its weak points. The following three chapters trace the chronological development of Page's work. The second chapter covers up to the writing of The Sun And The Moon in 1944.
    [Show full text]
  • Index to the Tamarack Review
    The Tamarack Review ROBERT WEAVER, IVON M. OWEN, WILLIAM TOYE WILLIAM KILBOURNE, JOHN ROBERT COLOMBO, KILDARE DOBBS AND JANIS RAPOPORT Issue 1 Issue 21 Issue 41 Issue 62 Issue 2 Issue 22 Issue 42 Issue 63 Issue 3 Issue 23 Issue 43 Issue 64 Issue 4 Issue 24 Issue 44 Issue 65 Issue 5 Issue 25 Issue 45 Issue 66 Issue 6 Issue 26 Issue 46 Issue 67 Issue 7 Issue 27 Issue 47 Issue 68 Issue 8 Issue 28 Issue 48 Issue 69 Issue 9 Issue 29 Issue 49 Issue 70 Issue 10 Issue 30 Issue 50-1 Issue 71 Issue 11 Issue 31 Issue 52 Issue 72 Issue 12 Issue 32 Issue 53 Issue 73 Issue 13 Issue 33 Issue 54 Issue 74 Issue 14 Issue 34 Issue 55 Issue 75 Issue 15 Issue 35 Issue 56 Issue 76 Issue 16 Issue 36 Issue 57 Issue 77-8 Issue 17 Issue 37 Issue 58 Issue 79 Issue 18 Issue 38 Issue 59 Issue 80 Issue 19 Issue 39 Issue 60 Issue 81-2 Issue 20 Issue 40 Issue 61 Issue 83-4 ISBN 978-1-55246-804-3 The Tamarack Review Index Volume 81-84 “109 Poets.” Rosemary Aubert article 81- Bickerstaff 83-84:40 82:94-99 “Concerning a Certain Thing Called “A Deposition” J.D. Carpenter poem 81- Houths” Robert Priest poem 81- 82:8-9 82:68-69 “A Mansion in Winter” Daniel David “Control Data” Chris Dewdney, poem, Moses poem 81-82:30-31 81-82:21 “Above an Excavation” Al Moritz poem “Croquet” Al Moritz poem 83-84:98 83-84:99 “Daybook” Ken Cathers poem 81-82:10- “Again” Al Moritz poem 83-84:101 11 “Air Show” J.D.
    [Show full text]
  • Notes on Contributors
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Calgary Journal Hosting Notes on Contributors MARGARET ATWOOD was born in Ottawa in 1939 and received de• grees from the University of Toronto and Harvard University. She has taught at a number of Canadian universities and last year was Writer in Residence at the University of Toronto. She won the Governor-General's Award in 1966. Her five books of poems include The Circle Game (1966), The Journals of Susanna Moodie (1970) and Power Politics (1971). She has also written two novels, The Edible Woman (1969), and Surfacing (1972) and a critical book Survival (1972). DOUGLAS BARBOUR lives and works in Edmonton, Alberta. He has four books of postry out, of which the latest is songbook (talon- books, 19731. The others are Land Fall (1971), A Poem as Long as the Highway (1971), and White (1972). S. A. DJWA, Associate Professor, teaches Canadian Literature at Simon Fraser University and is a regular contributor to Cana• dian Literature and the Journal of Canadian Fiction. Professor Djwa has recently completed a book on E. J. Pratt (Copp Clark and McGill-Queen's University Press) and has developed com• puter concordances to fourteen Canadian poets in the prepara• tion of a thematic history of English Canadian poetry. She is now working on an edition of Charles Heavysege's poetry for the University of Toronto Press Literature of Canada Reprint Series. RALPH GUSTAFSON'S eighth book of poems, Fire on Stone, will be published by McClelland & Stewart, Toronto, autumn 1974.
    [Show full text]
  • "I "In Miriam Waddington's Poetry
    TRANSITIONAL SPACES: CONSTRUCTIONS OF THE MODERNIST “I” IN MIRIAM WADDINGTON’S POETRY Esther Sánchez-Pardo González Universidad Complutense de Madrid ABSTRACT In her first books of poetry (Green World, The Second Silence), Miriam Waddington explores female identity and subjectivity from the perspective of what she refers to in her poem “The Bond” as the “Jewish me.” In these two books, one finds “the credibility of colloquial speech as an alternative to impersonal modernism” (Arnason). My paper is an attempt to approach the construction of the lyric “I” exploring the dialectic between inner and outer world —a transitional space where the subject engages in a process of transformation. In Waddington’s poetry the modernist lyric was a central means to explore a rupture with the old world (colonial and patriarchal) in her own textual terms. KEY WORDS: Miriam Waddington, Modernism, lyric poetry, jewishness, women. RESUMEN En sus dos primeros poemarios (Green World, The Second Silence), Miriam Waddington explora la identidad y subjetividad femeninas desde la perspectiva de lo que en su poema 169 “The Bond” llama el “yo judío”. En estos dos volúmenes encontramos “la credibilidad de la lengua coloquial como alternativa a la impersonalidad modernista” (Arnason). Este ensayo es una aproximación a la construcción del “yo” lírico en este período, que explora la dialéc- tica entre mundo interior y exterior —un espacio transicional donde el sujeto experimenta un proceso de transformación. En la poesía de Waddington, la lírica modernista fue sin duda el medio privilegiado para explorar la ruptura con el viejo mundo (colonial y patriar- cal) de acuerdo a su singular manera de entender el texto poético.
    [Show full text]
  • Miriam Waddington, the Collected Poems of Miriam Waddington. Edit- Ed with an Introduction by Ruth Panofsky
    Canadian Jewish Studies / Études juives canadiennes, vol. 23, 2015 165 Miriam Waddington, The Collected Poems of Miriam Waddington. Edit- ed with an introduction by Ruth Panofsky. 2 Volumes. (Ottawa: Univer- sity of Ottawa Press, 2014), 1109 pages. These two beautifully published and scrupulously edited volumes represent the first time that all of Miriam Waddington’s verse has been collected in one edition. Wad- dington was one of the major Canadian poets of the middle decades of the twentieth century. She wrote short stories and essays in addition to poetry, but it is as a poet that she made her mark. She was remarkably prolific, publishing 14 books of verse during her lifetime, not to mention numerous uncollected poems in a variety of journals. In these two volumes, published under the aegis of Editions of Modernism in Canada and edited with an introduction by Ruth Panofsky, Professor of English at Ryerson University, we finally get a comprehensive critical and scholarly edition of all of Waddington’s published poetry, as well as a selection of her uncollected and unpublished poems. The second volume also contains examples of Waddington’s translations from Yiddish, German and Russian into English, a welcome inclusion, since these translations testify not only to Waddington’s skill as a poet, but also as a translator, and they provide a testament to the wide scope of her literary interests. In her excellent introduction, Panofsky contends that Waddington’s career as a modernist has not been sufficiently studied. Despite, or perhaps because of, being a contemporary of Louis Dudek, A. M.
    [Show full text]
  • Ms Coll 00050 Davies (Robertson) Papers 1
    Ms Coll 00050 Davies (Robertson) Papers Robertson Davies Papers (gift of June Davis) Dates: 1929-2008 Extent: 115 boxes (22 metres) Biographical Description: Robertson Davies was born in Thamesville, Ontario in 1913 and was the third son of W. Rupert Davies and Florence Sheppard McKay. Davies’ father, Rupert Davies was born in Wales and was the publisher of The Kingston Whig Standard and was appointed to the Senate as a Liberal in 1942, a position he would hold until his death in 1967. As a young child, Robertson Davies moved with his family to Renfrew, Ontario, where his father managed the local newspaper, the Renfrew Mercury. The family would later relocate to Kingston in 1925. Between 1928 and 1932, Davies attended Upper Canada College in Toronto, where he performed in theatrical performances and wrote and edited the school paper, The College Times. After graduating, Davies attended Queen’s University in Kingston, where he was enrolled as a special student as he was not working towards a specific degree. Between 1932 and 1935, Davies wrote for the school paper and performed and directed theatrical plays. In 1935, Davies traveled to England to study at Baillol College at Oxford, where he was enrolled in a Bachelor of Letters degree. At Oxford, Davies performed with the Oxford University Dramatic Society and was a co- founder of the Long Christmas Dinner Society. After graduating in 1938, Davies published his thesis, Shakespeare’s Boy Actors through the publisher J.M Dent & Sons in 1939. In 1938, Davies joined the Old Vic theatre company, where he had roles in The Taming of the Shrew, She Stoops to Conquer, and A Midsummer Night’s Dream and also worked as a teacher of dramatic history at their drama school.
    [Show full text]
  • Tnbr04de17.Pdf
    IHE HOHEMaKBRg myths built around the idea of the prairie as a hostile environment whose flatness, emptiness and immensity have made psycological adaptation impossible. In two witty lines the poet dispels the mist of this negative vision of the prairie saying that: The chief difference in the land is that there is more of it. (*5) Then, as if to prove that the prairie is neither empty nor frightening she gives us slices of family life that sound reassuringly familiar to anyone acquainted with the quiet existence of country people. In Brewster's poems, uncles, aunts, grandparents, relatives and friends meet in their warm and cosy homes to talk about the weather, the interests of the community or to comply dutifully with the social task of mourning one of their elders. However, to take Elizabeth Brewster's poems literally is not to do them justice. Beneath the simplicity of form and content of her pieces is a world full of larger -182- THE HGMEMRKEBS significances that the analysis of one of her prairie poems will help to unveil. The poem is entitled "The Future of Poetry in Canada" and is, at its most immediate level, a chronicle of prairie life in a small community. Elizabeth Brewster takes us to Goodridge, Alberta 'where electricity arrived in 1953/ the telephone in 1963', and introduces us to its people for whom the most important social activities are 'the golden wedding anniversaries of the residents' and 'the farewell parties', all of them 'well attended in spite of the blizzards' . At these gatherings, through which Brewster highlights the sense of community as a therapy against loneliness, people talk about the weather and 'remember the time they threshed in the snow/ and the winter the temperature fell to seventy below'.
    [Show full text]