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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
TREVOR CAROLAN / Dorothy Livesay in North Vancouver
TREVOR CAROLAN / Dorothy Livesay in North Vancouver Ten years ago, as a District of North Vancouver Councillor, I proposed to my colleagues in the nearby City of North Vancouver the idea of creating a memorial plaque in honour of Dorothy Livesay. An important twentieth century Canadian poet and social activist, Livesay lived in the city on and off for more than twenty years with her husband, fellow socialist Duncan McNair. They lived in several homes within view of the inner harbour: at Cumberland Crescent, then at 848-6th Street about a block from Sutherland High School, and later on toney Grand Boulevard. Livesay wrote some of her best work here making it an appropriate place to commemorate not only a fine poet, but also a champion of women's rights and family planning before either became fashionable. The idea of a memorial marker-stone failed to gain traction with the politicians of the day; it's an idea that's still out there for commissioning. In her memoir Journ ey with My Selves, Livesay says that she originally arrived in BC wanting to find her way to the San Francisco literary scene. In fact, she came to Vancouver to work as an editor for a communist labour journal. From Vancouver she hoped to travel further south to join the Depression-era's well-established leftist arts community concentrated in the San Francisco Bay Area. This was IWW territory and numerous publications there served the One Big Union labour ideal, which appealed to her political interests. The city also enjoyed a long liberal tradition in its journalism and politics. -
Spring 2015 Special Section: the Modernist Short Story, and Varia
Journal of the Short Story in English Les Cahiers de la nouvelle 64 | Spring 2015 Special Section: The Modernist Short Story, and Varia The Tales of Frederick Philip Grove Andrew James Electronic version URL: http://journals.openedition.org/jsse/1569 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 March 2015 ISBN: 978-2-7535-5056-8 ISSN: 0294-04442 Electronic reference Andrew James, « The Tales of Frederick Philip Grove », Journal of the Short Story in English [Online], 64 | Spring 2015, Online since 01 March 2017, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/1569 This text was automatically generated on 3 December 2020. © All rights reserved The Tales of Frederick Philip Grove 1 The Tales of Frederick Philip Grove Andrew James 1 The twenty-three stories in the original version of Frederick Philip Grove’s Tales from the Margin comprise a cycle: characters recur and the locale is limited to Saskatchewan, Manitoba, and Alberta: the Canadian Prairies. This paper will examine how our perception of Grove’s cycle alters when the stories are viewed as tales. This is the label the author preferred. As he explained in his essay “The Novel,” while the short story deals with characters and incidents “excised” from the “social body” (It Needs to Be Said 120), the tale is concerned with the “border-provinces of human life” or life “on the margin.” Because tales belong to the oral tradition, the style of oration and identity of the teller are also important. Chaucer democratized tales by proving that anyone, irrespective of economic class or educational background, could tell a tale so long as it had sustaining interest to command an audience; Poe used the genre as an invitation to a fantastic, psychologically layered fictional world; and Washington Irving employed narrators who were dramatic figures in their own right, filtering his tales through them (Fallon xvii). -
A Life and Four Landscapes
A LIFE AND FOUR LANDSCAPES Frederick John Niven William H. New IRE1 REDERIC] K JOHN NIVEN is today almost unknown. That fact alone would warrant a critical investigation of him, but a study thus motivated could easily end by being merely an arid exercise. Fortunately, in Niven's case, the justifications for reappraisal are many. He warrants it because he was un- usual in Canadian letters. He lived by his writing without being a hack; he was a conscious prose stylist at a time when stylists were few; he was concerned with problems which affected his time, not (for all his apparently "regional" settings) with merely local issues; he was a man with wit, humanity, intelligence, and a willingness to exercise all three — and if this caused him to rebel quietly against orthodox social codes, to emigrate from the London literary world of the 1910's to the hinterland of British Columbia, and to dare to write honestly about the life that he knew existed, then so much the better for his fiction. He was also the friend of such diverse literary figures as Hugh Walpole, Christopher Morley, and I. A. Richards; the recipient (until he emigrated) of regular and favourable re- views both in the TLS and from such critics as Rebecca West; and the colleague of John Murray Gibbon and John Buchan. For all this, the man is a paradox, and difficult to assess. It is probably inevitable that thirty-three books of fiction, two of verse, and a vast array of non-fiction should vary in quality ; sometimes his characters were nothing more than stereotypes, and sometimes, too, he found difficulty in reconciling the fiction he was writing with the facts in which his work found its base. -
"I "In Miriam Waddington's Poetry
TRANSITIONAL SPACES: CONSTRUCTIONS OF THE MODERNIST “I” IN MIRIAM WADDINGTON’S POETRY Esther Sánchez-Pardo González Universidad Complutense de Madrid ABSTRACT In her first books of poetry (Green World, The Second Silence), Miriam Waddington explores female identity and subjectivity from the perspective of what she refers to in her poem “The Bond” as the “Jewish me.” In these two books, one finds “the credibility of colloquial speech as an alternative to impersonal modernism” (Arnason). My paper is an attempt to approach the construction of the lyric “I” exploring the dialectic between inner and outer world —a transitional space where the subject engages in a process of transformation. In Waddington’s poetry the modernist lyric was a central means to explore a rupture with the old world (colonial and patriarchal) in her own textual terms. KEY WORDS: Miriam Waddington, Modernism, lyric poetry, jewishness, women. RESUMEN En sus dos primeros poemarios (Green World, The Second Silence), Miriam Waddington explora la identidad y subjetividad femeninas desde la perspectiva de lo que en su poema 169 “The Bond” llama el “yo judío”. En estos dos volúmenes encontramos “la credibilidad de la lengua coloquial como alternativa a la impersonalidad modernista” (Arnason). Este ensayo es una aproximación a la construcción del “yo” lírico en este período, que explora la dialéc- tica entre mundo interior y exterior —un espacio transicional donde el sujeto experimenta un proceso de transformación. En la poesía de Waddington, la lírica modernista fue sin duda el medio privilegiado para explorar la ruptura con el viejo mundo (colonial y patriar- cal) de acuerdo a su singular manera de entender el texto poético. -
The Masks of D. G. Jones
THE MASKS OF D. G. JONES E.D.Blodgdt "Pour se reconnaître, il faut se traduire" LUBLIC SILENCE surrounding the work of D. G. Jones in Canada is inexorable but not inexplicable. His three books of poetry have emerged and disappeared apparently without complaint against the more stri- dent and ephemeral appeals of the poetry of the past decade in this country. Beside the meteoric flash of such writers as Leonard Cohen and, now, Margaret Atwood, Jones's subtle brilliance seems a pale fire indeed. This is because Jones is a poet who is penetrating with care and delicate concern many of Canada's more troubling aesthetic preoccupations. He is a poet of courage whose surfacing is always deceptive and often misleading in a country where the search for self and heritage can be so exhausting that most poets would prefer to settle for any mode of irony that would both expose the mysterious folly of self-discovery and, also, prevent whatever fulfillment of exploration might be possible. This is the poetry of an imagination that was early formed, and such changes as occur are those of a style deepened only by tragic events.1 It should be remarked, nevertheless, how the centre of Jones's circles of radiation is placed in his first book. As a poet who seems only minimally ready for statement, he enunciated an almost consuming passion in his first poem in Frost On The Sun2 entitled "John Marin". Jones's passion is for art, form and the artist's ambiguous relation to the world present to the eye. -
Miriam Waddington, the Collected Poems of Miriam Waddington. Edit- Ed with an Introduction by Ruth Panofsky
Canadian Jewish Studies / Études juives canadiennes, vol. 23, 2015 165 Miriam Waddington, The Collected Poems of Miriam Waddington. Edit- ed with an introduction by Ruth Panofsky. 2 Volumes. (Ottawa: Univer- sity of Ottawa Press, 2014), 1109 pages. These two beautifully published and scrupulously edited volumes represent the first time that all of Miriam Waddington’s verse has been collected in one edition. Wad- dington was one of the major Canadian poets of the middle decades of the twentieth century. She wrote short stories and essays in addition to poetry, but it is as a poet that she made her mark. She was remarkably prolific, publishing 14 books of verse during her lifetime, not to mention numerous uncollected poems in a variety of journals. In these two volumes, published under the aegis of Editions of Modernism in Canada and edited with an introduction by Ruth Panofsky, Professor of English at Ryerson University, we finally get a comprehensive critical and scholarly edition of all of Waddington’s published poetry, as well as a selection of her uncollected and unpublished poems. The second volume also contains examples of Waddington’s translations from Yiddish, German and Russian into English, a welcome inclusion, since these translations testify not only to Waddington’s skill as a poet, but also as a translator, and they provide a testament to the wide scope of her literary interests. In her excellent introduction, Panofsky contends that Waddington’s career as a modernist has not been sufficiently studied. Despite, or perhaps because of, being a contemporary of Louis Dudek, A. M. -
Linda Christine Knowles Phd Thesis
IN SEARCH OF A NATIONAL VOICE : SOME SIMILARITIES BETWEEN SCOTTISH AND CANADIAN POETRY 1860-1930 Linda Christine Knowles A Thesis Submitted for the Degree of PhD at the University of St Andrews 1981 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/15190 This item is protected by original copyright In Search of a National Voice: Some Similarities Between Scottish and Canadian Poetry 1860-1930. by Linda Christine Knowles 1981 ProQuest Number: 10167356 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10167356 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 s tv3. This thesis has been composed by me, and the work of which it is a record has been done by myself. It has not been accepted in any previous application for a higher degree. I have carried out research in Canadian and Scottish poetry in the Department of English, University of St Andrews under the supervision of Dr R.P. -
Book Reviews
Book Reviews Desmond Pacey, ed. The Letters of Frederick Philip Grove, Toronto and Buffalo: University of Toronto Press, 1976. pp. 584. $25.00. On January 15, 1941, a 23-year-old professor of English at Brandon College wrote to Frederick Philip Grove in Simcoe, Ontario, requesting information needed for a radio talk on the former Manitoba novelist. Just out from Cambridge, the young scholar had been asked to participate in "The University of the Air" series, to which the University of Manitoba was contributing a number of "Manitoba Sketches." "I was asked to cover the field of Manitoba literature," the professor recalls, "[and] as the only Manitoba literature I had then read was Grove's novels, I made [his] novels the SUbject of my talk." It is likely that Grove did not hear this talk, broadcast over local Manitoba stations, but this exchange of letters marked the beginning of Desmond Pacey's formal study of Grove, which culminated in his book-length study of the novelist in 1945. In the thirty-five years that have elapsed since that first letter, Pacey has been singularly dedicated to keeping Grove's name before the public, and though he has been upstaged recently by the sleuthing of Douglas Spettigue in regards to Grove's life, his body of critical assessments about his fiction still stands as a requisite for the Grove scholar. It is therefore fitting that Pacey should have capped his career with this monumental collection of Grove's letters, completed just before his untimely death on July 4, 1975, which to my knowledge is, aside from the Selected Letters of Malcolm Lowry, the only collection of letters ever published on a major Canadian literary figure. -
PRISM International Is a Journal of Contemporary Writing, Published Three Times a Year by the University of British Columbia
international PRISM Summer, ig66 $1.25 STAFF EDITOR-IN CHIEF Jacob Zilber ASSOCIATE EDITORS Robert Harlow Prose Dorothy Livesay Poetry ART EDITOR David Mayrs ADVISORY EDITOR Jan de Bruyn BUSINESS MANAGER Cherie Smith ILLUSTRATIONS COVER PHOTO David Mayrs ESSAY PHOTO Stanley Read PRINTED BY MORRISS PRINTING COMPANY LTD., VICTORIA, B.C. PRISM international is a journal of contemporary writing, published three times a year by the University of British Columbia. Annual subscriptions are $3.50, single copies $1.25, obtainable by writing to PRISM, c/o Creative Writing, U.B.C, Vancouver 8, Canada. MSS should be sent to the Editors at the same address and must be accom panied by a self-addressed envelope and Canadian or unattached U.S. stamps, or commonwealth or international reply coupons. PRISM international VOLUME SIX NUMBER ONE CONTENTS ESSAY Janus ROY DANIELLS 4 A SELECTION OF POETRY FROM OTHER LANGUAGES Two Poems PAULO BOMFIM 12 (with translations from the Portuguese by DORA PETTINELLA) Ferthalag KARI MAROARSON I4 (with translation by the author from his original Icelandic poem) Langst Hat Die Sonne SIMON GRABOWSKI 16 (with translation by the author from his original German poem) Two Poems GWENDOLYN MACEWEN 17 (with translations by the author from her original "Egyptian hieroglyphs") FROM ENGLAND, SCOTLAND, IRELAND A Merry Month KHADAMBI ASALACHE 20 In the Park JEFF NUTTALL 21 Two Poems MICHAEL HOROVITZ 22 Two Poems A. W. TREES 24 Two Poems LENRIE PETERS 27 Two Poems D. M. THOMAS 29 Two Poems SALLY ROBERTS 31 Three Poems KNUTE SKINNER 33 Two Poems L. M. HERRIGKSON 35 2 FROM AUSTRALIA Death of a God GRACE PERRY 36 FROM GERMANY Three Poems GASTON BART-WILLIAMS 36 FROM THE UNITED STATES South of the Sepulchre JAMES EVANS 42 Timber Blue Haze DUANE MCGINNIS 43 Two Poems DENNIS TRUDELL 44 Survivals BARBARA DRAKE 45 Seven Poems J. -
Finding Aid : GA 85 Alice Munro/Walter Martin Reference Materials
Special Collections, University of Waterloo Library Finding Aid : GA 85 Alice Munro/Walter Martin reference materials. © Special Collections, University of Waterloo Library GA 85 : Munro/Martin Reference Materials. Special Collections, University of Waterloo Library. Page 1 GA 85 : Munro/Martin Reference Materials Alice Munro/Walter Martin reference materials. - 1968-1994 (originally created 1950- 1994). - 1 m of textual records. - 3 audio cassettes. The collection consists primarily of photocopied material used and annotated by Dr. Walter Martin for his book Alice Munro: Paradox and Parallel published in 1987 by the University of Alberta Press. This includes articles written by Alice Munro, short stories, interviews, biographical and critical articles, as well as paperback copies of her books. Also present is a photocopied proof copy of of Moons of Jupiter, a collection of short stories by A. Munro published by Macmillan of Canada in 1982, sent to Dr. Martin by Douglas Gibson of Macmillan. Additional material includes audio recordings of Alice Munro reading her own works and of an interview done with her by Peter Gzowski for “This Country in the Morning.” The collection is arranged in 5 series: 1. Works by Alice Munro: Published; 2. Works by Alice Munro: Manuscripts (Proofs); 3. Works About Alice Munro; 4. Sound Recordings; 5. Miscellaneous. Title from original finding aid. The Alice Munro collection was donated to Special Collections in 1987 by Dr. Walter Martin of the University of Waterloo Department of English. Finding aid prepared in 1993; revised 1994, 1998 and again in 2010. Several accruals have been made since the initial donation. Series 1 : Works by Alice Munro: Published Works by Alice Munro : published. -
Generic and Discursive Patterns in Catharine Parr Traill's The
GATHERING UP THE THREADS: GENERIC AND DISCURSIVE PATTERNS IN CATHARINE PARR TRAILL'S THE BACKWOODS OF CANADA by Suzanne James B .A., University of British Columbia, 1980 M.A., University of British Columbia, 1987 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English O Suzanne James 2003 SIMON FRASER UNIVERSITY August 2003 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME: Suzanne James DEGREE: Doctor of Philosophy (English) TITLE OF THESIS: Gathering up the Threads: Generic and Discursive Patterns in Catharine Parr Traillls "The Backwoods of Canada" Examining Committee: Chair: David Stouck Professor . Carole Gerson Professor 'hzgaret I5inley Assistant Professor Mason Harris Associate Professor ~ackl~ittk Professor, History Intern+l/External Examimq Michael Peterman Professor, English Trent University External Examiner PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission.