DOCSLIB.ORG

Finding Aid : GA 85 Alice Munro/Walter Martin Reference Materials

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Finding Aid : GA 85 Alice Munro/Walter Martin Reference Materials Special Collections, University of Waterloo Library Finding Aid : GA 85 Alice Munro/Walter Martin reference materials. © Special Collections, University of Waterloo Library GA 85 : Munro/Martin Reference Materials. Special Collections, University of Waterloo Library. Page 1 GA 85 : Munro/Martin Reference Materials Alice Munro/Walter Martin reference materials. - 1968-1994 (originally created 1950- 1994). - 1 m of textual records. - 3 audio cassettes. The collection consists primarily of photocopied material used and annotated by Dr. Walter Martin for his book Alice Munro: Paradox and Parallel published in 1987 by the University of Alberta Press. This includes articles written by Alice Munro, short stories, interviews, biographical and critical articles, as well as paperback copies of her books. Also present is a photocopied proof copy of of Moons of Jupiter, a collection of short stories by A. Munro published by Macmillan of Canada in 1982, sent to Dr. Martin by Douglas Gibson of Macmillan. Additional material includes audio recordings of Alice Munro reading her own works and of an interview done with her by Peter Gzowski for “This Country in the Morning.” The collection is arranged in 5 series: 1. Works by Alice Munro: Published; 2. Works by Alice Munro: Manuscripts (Proofs); 3. Works About Alice Munro; 4. Sound Recordings; 5. Miscellaneous. Title from original finding aid. The Alice Munro collection was donated to Special Collections in 1987 by Dr. Walter Martin of the University of Waterloo Department of English. Finding aid prepared in 1993; revised 1994, 1998 and again in 2010. Several accruals have been made since the initial donation. Series 1 : Works by Alice Munro: Published Works by Alice Munro : published. - 1979-1994 (originally created 1950-1994). Series consists of published works by Alice Munro collected by Walter Martin and Warren Ober for their research. The series is divided into four sub-series by form: 1 1.1 Articles by Alice Munro 1.2 Books by Alice Munro 1.3 Short stories published separately 1.4 Short stories published in collections Arranged chronologically within each sub-series by original publication date. Series 1.1 : Works by Alice Munro : Published : Articles File 1 "Remember Roger Mortimer: Dickens' Child's History of England Remembered." Montrealer (February 1962): 34-37 (photocopy). - [198-] (Originally created 1962). File 2 "Author's Commentary." In Sixteen by Twelve: Short Stories by Canadian Writers, edited by John Metcalf, 125-26. Toronto: Ryerson Press, 1970 (photocopy). - [198-] (Originally created 1970). File 3 "Everything Here is Touchable and Mysterious." Weekend Magazine, 11 May, 1974 (photocopy). - [198-] (Originally created 1974). File 4 What is Real?" In Making it New: Contemporary Canadian Stories, edited by John Metcalf, 223-226. Toronto: Methuen, 1982 (photocopy). - [198-] (Originally created 1982). File 5 "The Novels of William Maxwell." Brick 34 (Fall 1988): 28-31 (photocopy). - [198-] (Originally created 1988). File 6 "A Walk on the Wild Side." Canadian Living (October 1989): 38-39, 41-42. - 1989. Series 1.2 : Works by Alice Munro : Published : Books File 1 Dance of the Happy Shades. Toronto: McGraw-Hill Ryerson, 1968. - 1968. File 2 Lives of Girls and Women. New York: New American Library, 1971. - 1971. File 3 Something I've Been Meaning to Tell You. Scarborough, Ont.: New American Library of Canada, 1974. - 1974. File 4 Who Do You Think You Are? Scarborough, Ont.: Macmillan-NAL, 1978. - 1978. File 5 The Beggar Maid: Stories of Flo and Rose. Toronto: Bantam, 1978. - 1978. GA 85 : Munro/Martin Reference Materials. Special Collections, University of Waterloo Library. Page 2 File 6 The Moons of Jupiter. Harmondsworth, England: Penguin, 1982. - 1982. Series 1.3 : Works by Alice Munro : Published : Short Stories Published Separately File 1 "The Dimensions of a Shadow." Folio 4, no. 2 (April 1950): 2-8 (photocopy). - [198-] (Originally created 1950). File 2 "Story for Sunday." Folio 5, no. 1 (December 1950): 4-8 (photocopy). - [198-] (Originally created 1950). File 3 "The Widower." Folio 5, no. 2 (April 1951): 7-11 (photocopy). - [198-] (Originally created 1951 ). File 4 "A Basket of Strawberries." Mayfair (November 1953): 32-33, 78-80, 82 (photocopy). - [198-] (Originally created 1953). File 5 "The Idyllic Summer." Canadian Forum 34 (August 1954): 106-7, 109-10 (photocopy). - [198-] (Originally created 1954). File 6 "At the Other Place." Canadian Forum 35 (September 1955): 131-33 (photocopy). - [198-] (Originally created 1955). File 7 "The Edge of Town." Queen's Quarterly 62, no. 3 (Autumn 1955): 368-80 (photocopy). - [198-] (Originally created 1955). File 8 "How Could I Do That?" Chatelaine 28 (March 1956): 16-17, 65-70 (photocopy). - [198-] (Originally created 1956). File 9 "Good-by Myra." Chatelaine 28 (July 1956): 17, 55-58 (photocopy). - [198-] (Originally created 1956). File 10 "The Dangerous One." Chatelaine 29 (July 1957): 49-51 (photocopy). - [198-] (Originally created 1957). File 11 "Material." Tamarack Review no. 61 (November 1973): 7-25 (photocopy). - [198-] (Originally created 1973). File 12 "The Red Dress." McCalls (March 1973): 67-68, 138-46 (photocopy). - [198-] (Originally created 1973). File 13 "Home." In New Canadian Stories 74," edited by David Helwig and Joan Harcourt, 133-53. [Ottawa]: Oberon Press, 1974 (photocopy). - [198-] (Originally created 1974). File 14 "How I Met My Husband." McCalls (February 1974): 85-86, 123-27 (photocopy). - [198-] (Originally created 1974). File 15 "Tell Me Yes or No." Chatelaine 47 (March 1974): 35, 54, 56-60, 62 (photocopy). - [198-] (Originally created 1974). File 16 "Royal Beatings." New Yorker (14 March 1977): 36-44 (photocopy). - [198-] (Originally created 1977). File 17 "Providence." Redbook 149, no. 4 (August 1977): 98-99, 158-63 (photocopy). - [198- ] (Originally created 1977). File 18 "Accident." Toronto Life (November 1977): 61, 87-88, 90-95, 149-53, 158-60, 162- 65, 167, 169-73 (photocopy). - [198-] (Originally created 1977). File 19 "Wild Swans." Toronto Life (April 1978): 53, 124-25 (photocopy). - [198-] (Originally created 1978). File 20 "Half a Grapefruit." Redbook 151, no. 1 (May 1978): 133, 176, 178, 180, 182-83 (photocopy). - [198-] (Originally created 1978). File 21 "Connection." Chatelaine 51 (November 1978): 66-67, 97-98, 101, 104, 106 (photocopy). - [198-] (Originally created 1978). GA 85 : Special Collections, University of Waterloo Library. Page 3 File 22 "Characters." Ploughshares 4, no. 3 (1978): 72-82 (photocopy). - [198-] (Originally created 1978). File 23 "Mischief." Viva 6 (April 1978): 99-109 (photocopy). - [198-] (Originally created 1978). File 24 "The Moons of Jupiter." New Yorker, 22 May 1978, 32-39 (photocopy). - [198-] (Originally created 1978). File 25 "Spelling." Weekend Magazine 28 (17 June 1978): 24-27 (photocopy). - [198-] (Originally created 1978). File 26 "The Stone in the Field." Saturday Night 94 (April 1979): 40-45 (original and photocopy). - 1979. File 27 "Dulse." New Yorker, 21 July 1980, 30-39 (original and photocopy). - 1980. File 28 "Wood." New Yorker, 24 November 1980, 49-54 (original and photocopy). - 1980. File 29 "The Turkey Season." New Yorker, 29 December 1980, 36-44 (original). - 1980. File 30 "Prue." New Yorker, 30 March 1981, 34-35. (original) - 1981. File 31 "Labor Day Dinner." New Yorker, 28 September 1981, 47-56, 59-60, 65-66, 70, 75-76 (original and photocopy). - 1981. File 32 "Working for a Living." Grand Street 1, no. 1 (Autumn 1981): 9-37 (photocopy). - [198-] (Originally created 1981). File 33 "Dulse." In The Penguin Book of Modern Canadian Short Stories, edited by Wayne Grady, 463-81. Markham, Ont.: Penguin Books Canada, 1982. (photocopy) - [198-] (Originally created 1982). File 34 "The Ferguson Girls Must Never Marry." Grand Street 1, no. 3 (Spring 1982): 27-64. (photocopy) - [198-] (Originally created 1982). File 35 "Visitors." Atlantic Monthly 249, no. 4 (April 1982): 91-98. (original) - 1982. File 36 "Miles City, Montana." New Yorker (14 January 1985): 30-40 (2 originals and 1 photocopy). - 1985. File 37 "Lichen." New Yorker (15 July 1985): 26-36 (original and photocopy). - 1985. File 38 "The Progress of Love." New Yorker, 7 October 1985, 35-58 (2 originals). - 1985. File 39 "Eskimo." Gentlemen's Quarterly 55, no. 12 (December 1985): 262-66, 301-302, 304. (photocopy) - [198-] (Originally created 1985). File 40 "The Moon in the Orange Street Skating Rink." New Yorker, 31 March 1986, 26-36, 38-40, 44. (original and photocopy) - 1986. File 41 "White Dump." New Yorker, 28 July 1986, 25-39, 42-43 (2 originals). - 1986. File 42 "Circle of Prayer." Paris Review 100 (summer/fall 1986): 31-51. (original) - 1986. File 43 "Oh, What Avails." New Yorker, 16 November 1987, 42-52, 55-56, 58-59, 62, 64-65, 67 (2 originals). - 1987. File 44 "Meneseteung." New Yorker, 11 January 1988, 28-38 (original). - 1988. File 45 "Five Points." New Yorker, 14 March 1988, 34-43 (original). - 1988. File 46 "Oranges and Apples." New Yorker, 24 October 1988, 36-48, 52, 54 (2 originals). - 1988. File 47 "Hold Me Fast, Don't Let Me Pass." Atlantic Monthly 262, no. 6 (December 1988): 58- 66, 68-70 (2 originals). - 1988. File 48 "Differently." New Yorker, 2 January 1989, 23-36 (2 originals). - 1989. GA 85 : Special Collections, University of Waterloo Library. Page 4 File 49 "Goodness and Mercy." New Yorker, 20 March 1989, 38-48 (2 originals). - 1989. File 50 "Wigtime." New Yorker, 4 September 1989, 34-46, 48, 50 (2 originals). - 1989. File 51 "Pictures of the Ice." Atlantic Monthly (January 1990): 64-73 (photocopy). - [199-] (originally created 1990). File 52 "Friend of My Youth." New Yorker, 22 January 1990, 36-48 (photocopy) - [199-] (originally created 1990). File 53 "Carried Away." New Yorker, 21 October 1991, 34-46, 48-58, 60-61. (photocopy) - [199-] (originally created 1991). File 54 "A Real Life." New Yorker, 10 February 1992, 30-40 (original). - 1992. File 55 "A Wilderness Station." New Yorker, 27 April 1992, 35-46, 48-51 (photocopy).
Load more

Recommended publications
  • Agrégation D'anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources Primaires II. Sources Secondaires
    Bibliographie sélective établie par Héliane Ventura (Université de Toulouse-Jean Jaurès) Agrégation d’anglais 2014-2015 Alice Munro, Dance of the Happy Shades, 1968 I. Sources primaires Édition recommandée pour le concours : Alice Munro . Dance of the Happy Shades [1968]. London: Vintage, 2000. Il est vivement conseillé de lire plusieurs autres recueils de nouvelles de Munro, de préférence le second et ceux qui figurent parmi ses derniers. Recueils de nouvelles de Alice Munro Dance of the Happy Shades . Toronto: Ryerson Press, 1968. Lives of Girls and Women. Toronto: McGraw-Hill Ryerson, 1971. Something I’ve Been Meaning to Tell You. Toronto: McGraw-Hill Ryerson, 1974. Who Do You Think You Are? Toronto: Macmillan, 1978. The Moons of Jupiter. Toronto: Macmillan, 1982. The Progress of Love. Toronto: McClelland & Stewart, 1986. Friend of My Youth. Toronto: McClelland & Stewart, 1990. Open Secrets. Toronto: McClelland & Stewart, 1994. The Love of a Good Woman . Toronto: McClelland & Stewart, 1998. Hateship, Friendship, Courtship, Loveship, Marriage. Toronto: McClelland & Stewart, 2001. Runaway. Toronto: McClelland & Stewart, 2004. The View from Castle Rock. Toronto: McClelland & Stewart, 2006. Too Much Happiness. Toronto: McClelland & Stewart, 2009. Dear Life . Toronto: McClelland & Stewart, 2012. II. Sources secondaires a) Biographies *** Ross, Catherine Sheldrick. Alice Munro: A Double Life . Downsview, ON: ECW Press, 1992, 97 p. ———.“Alice Munro.” Dictionary of Literary Biography . Vol. 53. Canadian Writers since 1960 . First Series. Ed. W.H. New. Detroit: Bruccoli Clark Layman Book, Gale Research Inc, 1986. Thacker, Robert . Alice Munro Writing Her Lives . Toronto: McClelland & Stewart, 2005, 603 p. Thèse française : Bigot, Corinne. Le silence dans les nouvelles d’Alice Munro.
    [Show full text]
  • Being Gender/Doing Gender, in Alice Munro and Pedro Almadovar
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-25-2017 10:00 AM Being Gender/Doing Gender, in Alice Munro and Pedro Almadovar Bahareh Nadimi Farrokh The Univesity of Western Ontario Supervisor Professor Christine Roulston The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Bahareh Nadimi Farrokh 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Nadimi Farrokh, Bahareh, "Being Gender/Doing Gender, in Alice Munro and Pedro Almadovar" (2017). Electronic Thesis and Dissertation Repository. 5000. https://ir.lib.uwo.ca/etd/5000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In this thesis, I compare the short stories, “Boys and Girls” and “The Albanian Virgin”, by Alice Munro, with two films, La Mala Educación and La Piel Que Habito, by Pedro Almodóvar. This comparison analyzes how these authors conceive gender as a doing and a performance, and as culturally constructed rather than biologically determined. My main theoretical framework is Judith Butler’s theory of gender performativity as developed in Gender Trouble: Feminism and the Subversion of Identity. In my first chapter, I compare “Boys and Girls” with La Mala Educación, and in the second chapter, I compare “The Albanian Virgin” with La Piel Que Habito, to illustrate the multiple ways in which gender is constructed according to Munro and Almodóvar.
    [Show full text]
  • The Analysis of Female Consciousness in Alice Munro's Novels
    2020 3rd International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2020) The Analysis of Female Consciousness in Alice Munro's Novels Haixia Zhang Ningxia Normal University, Guyuan, China Keywords: Alice munro, Novel, Female, Female consciousness Abstract: Nobel Prize winner Alice Munro is an evergreen tree in the Canadian literary world. She began to publish works in the late 1960s, and many of her works have gained worldwide reputation during her more than 50 years of writing career. This article draws the outline of the trajectory of women’s lives in Munro’s novels, analyzes the heroine’s living environment in the works and their relationship with men and nature, and explores the significant contributions that Munro’s literary works have made to the development of female consciousness for more than half a century with positive impact. 1. Introduction Alice Munro in Canada has a high reputation in the international society, it is not only depend on her works and success, but also because of her works with highly overall level, therefore, Alice Munro also became one of the 100 most influential contemporary writers. Under her ceaseless effort, she won the Nobel Prize for literature in 2013, became the 13th female winner of the Nobel Prize for literature, and accepted by more and more people in the world, it is not common in the history of the Nobel Prize for literature, which is out of her work, certainly also of her personal effort. [1] Alice Munro’s works should be undoubtedly with a very high artistic value, but for the thought of female consciousness in her works still remains to be further discussed.
    [Show full text]
  • Identity, Gender, and Belonging In
    UNIVERSITY OF DUBLIN, TRINITY COLLEGE Explorations of “an alien past”: Identity, Gender, and Belonging in the Short Fiction of Mavis Gallant, Alice Munro, and Margaret Atwood A Thesis submitted to the School of English at the University of Dublin, Trinity College, in fulfilment of the requirements for the Degree of Doctor of Philosophy Kate Smyth 2019 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. ______________________________ Kate Smyth i Table of Contents Summary .......................................................................................................................................... iii Acknowledgements ...................................................................................................................... iv List of Abbreviations ..................................................................................................................................... v Introduction ..................................................................................................................................... 1 Part I: Mavis Gallant Chapter 1: “At Home” and “Abroad”: Exile in Mavis Gallant’s Canadian and Paris Stories ................ 28 Chapter 2: “Subversive Possibilities”:
    [Show full text]
  • Notes on Contributors
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Calgary Journal Hosting Notes on Contributors MARGARET ATWOOD was born in Ottawa in 1939 and received de• grees from the University of Toronto and Harvard University. She has taught at a number of Canadian universities and last year was Writer in Residence at the University of Toronto. She won the Governor-General's Award in 1966. Her five books of poems include The Circle Game (1966), The Journals of Susanna Moodie (1970) and Power Politics (1971). She has also written two novels, The Edible Woman (1969), and Surfacing (1972) and a critical book Survival (1972). DOUGLAS BARBOUR lives and works in Edmonton, Alberta. He has four books of postry out, of which the latest is songbook (talon- books, 19731. The others are Land Fall (1971), A Poem as Long as the Highway (1971), and White (1972). S. A. DJWA, Associate Professor, teaches Canadian Literature at Simon Fraser University and is a regular contributor to Cana• dian Literature and the Journal of Canadian Fiction. Professor Djwa has recently completed a book on E. J. Pratt (Copp Clark and McGill-Queen's University Press) and has developed com• puter concordances to fourteen Canadian poets in the prepara• tion of a thematic history of English Canadian poetry. She is now working on an edition of Charles Heavysege's poetry for the University of Toronto Press Literature of Canada Reprint Series. RALPH GUSTAFSON'S eighth book of poems, Fire on Stone, will be published by McClelland & Stewart, Toronto, autumn 1974.
    [Show full text]
  • The Masks of D. G. Jones
    THE MASKS OF D. G. JONES E.D.Blodgdt "Pour se reconnaître, il faut se traduire" LUBLIC SILENCE surrounding the work of D. G. Jones in Canada is inexorable but not inexplicable. His three books of poetry have emerged and disappeared apparently without complaint against the more stri- dent and ephemeral appeals of the poetry of the past decade in this country. Beside the meteoric flash of such writers as Leonard Cohen and, now, Margaret Atwood, Jones's subtle brilliance seems a pale fire indeed. This is because Jones is a poet who is penetrating with care and delicate concern many of Canada's more troubling aesthetic preoccupations. He is a poet of courage whose surfacing is always deceptive and often misleading in a country where the search for self and heritage can be so exhausting that most poets would prefer to settle for any mode of irony that would both expose the mysterious folly of self-discovery and, also, prevent whatever fulfillment of exploration might be possible. This is the poetry of an imagination that was early formed, and such changes as occur are those of a style deepened only by tragic events.1 It should be remarked, nevertheless, how the centre of Jones's circles of radiation is placed in his first book. As a poet who seems only minimally ready for statement, he enunciated an almost consuming passion in his first poem in Frost On The Sun2 entitled "John Marin". Jones's passion is for art, form and the artist's ambiguous relation to the world present to the eye.
    [Show full text]
  • PRISM International Is a Journal of Contemporary Writing, Published Three Times a Year by the University of British Columbia
    international PRISM Summer, ig66 $1.25 STAFF EDITOR-IN CHIEF Jacob Zilber ASSOCIATE EDITORS Robert Harlow Prose Dorothy Livesay Poetry ART EDITOR David Mayrs ADVISORY EDITOR Jan de Bruyn BUSINESS MANAGER Cherie Smith ILLUSTRATIONS COVER PHOTO David Mayrs ESSAY PHOTO Stanley Read PRINTED BY MORRISS PRINTING COMPANY LTD., VICTORIA, B.C. PRISM international is a journal of contemporary writing, published three times a year by the University of British Columbia. Annual subscriptions are $3.50, single copies $1.25, obtainable by writing to PRISM, c/o Creative Writing, U.B.C, Vancouver 8, Canada. MSS should be sent to the Editors at the same address and must be accom­ panied by a self-addressed envelope and Canadian or unattached U.S. stamps, or commonwealth or international reply coupons. PRISM international VOLUME SIX NUMBER ONE CONTENTS ESSAY Janus ROY DANIELLS 4 A SELECTION OF POETRY FROM OTHER LANGUAGES Two Poems PAULO BOMFIM 12 (with translations from the Portuguese by DORA PETTINELLA) Ferthalag KARI MAROARSON I4 (with translation by the author from his original Icelandic poem) Langst Hat Die Sonne SIMON GRABOWSKI 16 (with translation by the author from his original German poem) Two Poems GWENDOLYN MACEWEN 17 (with translations by the author from her original "Egyptian hieroglyphs") FROM ENGLAND, SCOTLAND, IRELAND A Merry Month KHADAMBI ASALACHE 20 In the Park JEFF NUTTALL 21 Two Poems MICHAEL HOROVITZ 22 Two Poems A. W. TREES 24 Two Poems LENRIE PETERS 27 Two Poems D. M. THOMAS 29 Two Poems SALLY ROBERTS 31 Three Poems KNUTE SKINNER 33 Two Poems L. M. HERRIGKSON 35 2 FROM AUSTRALIA Death of a God GRACE PERRY 36 FROM GERMANY Three Poems GASTON BART-WILLIAMS 36 FROM THE UNITED STATES South of the Sepulchre JAMES EVANS 42 Timber Blue Haze DUANE MCGINNIS 43 Two Poems DENNIS TRUDELL 44 Survivals BARBARA DRAKE 45 Seven Poems J.
    [Show full text]
  • Our Mission at Dublin School, We Strive to Awaken a Curiosity for Knowledge and a Passion for Learning
    The Dubliner The Dublin School P.O. Box 522 18 Lehmann Way Dublin, New Hampshire 03444 www.dublinschool.org Address service requested Dubliner Our Mission At Dublin School, we strive to awaken a curiosity for knowledge and a passion for learning. We instill the values of discipline and meaningful work that are necessary for the good of self and community. We respect the individual learning style and unique potential each student brings to our School. With our guidance, Dublin students become men and women who seek truth and act with courage. The Fall 2014 DublinerThe Magazine of Dublin School “Involve me and I will understand.” • A View Without a Room • The Rock Garden • Looking Back with No Regrets fall 2014 1 Dubliner Dublin School Graduation—The Class of 2014 First Row: Blythe Lawrence, Pembroke Bermuda (Gemology Institute of America, London), Mylisha Drayton, Endicott, NY (Clark University, MA), Yiran Ouyang, Shenzhen China (Wesleyan University, CT), Stephanie Figueroa, Lawrence, MA (Middlesex Community College, MA), Riley Jacobs, Dayton, OH (Ohio University), Mekhi Crooks, Brooklyn, NY (Emmanuel College, MA), Molly Witten, Bethesda, MD (Wheaton College, MA), Atsede Assayehgen, Cambridge, MA (Barnard College, NY), Anna Sigel, Manchester, NH (Wheelock College, MA) Anna Rozier, Westport, CT (St. Olaf College, MN) Alyssa Jones, Jaffrey, NH (Mt. Holyoke, MA)Molly Forgaard, Hollis, NH (Bennington College, VT) Middle Row: Zhiyu Pan, Shanghi, China (Emory University, GA) Dong Min Sun, Seoul Korea (School of the Art Institute of Chicago, IL)
    [Show full text]
  • Innovation Within the Modern Short Story Through the Interaction of Gender, Nationality, and Genre: Margaret Atwood's Wilderness Tips and Alice Munro's Open Secrets
    INNOVATION WITHIN THE MODERN SHORT STORY THROUGH THE INTERACTION OF GENDER, NATIONALITY, AND GENRE: MARGARET ATWOOD'S WILDERNESS TIPS AND ALICE MUNRO'S OPEN SECRETS ROSALIE MARY WEAVER A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of English University of Manitoba Winnipeg, Manitoba (c) June, 1996 National Library Bibliothéque nationale du Canada Acquisaiins and Acquisitions et BibliographicServices servicesbibliographiques 395 Wellington Street 395, nie Weilington O!tawaON K1AW WONK1AûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive mettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seli reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microficheInIm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE fTNIVERSm OF MANITOBA F'ACULTY OF GRADUATE STUDIES **a** COPYRIGHï PERMISSION PAGE A Thesidfracticum submittcd to the Facolty of Graduate Studies of The University of Manitoba in partial fiilfiUment ifthe rrguiremenb of the degree of Rosalie Mary Weaver 1997 (c) Permission bas been granted to the Library of The University of Manitoba to lend or sel1 copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sel1 copies of the film, and to Dissertations Abstracts International to publish an abstract of this tbesidpracticum.
    [Show full text]
  • Alice Munro, at Home and Abroad: How the Nobel Prize in Literature Affects Book Sales
    BNC RESEARCH Alice Munro, At Home And Abroad: How The Nobel Prize In Literature Affects Book Sales + 12.2013 PREPARED BY BOOKNET CANADA STAFF Alice Munro, At Home And Abroad: How The Nobel Prize In Literature Affects Book Sales December 2013 ALICE MUNRO, AT HOME AND ABROAD: HOW THE NOBEL PRIZE IN LITERATURE AFFECTS BOOK SALES With publications dating back to 1968, Alice Munro has long been a Canadian literary sweetheart. Throughout her career she has been no stranger to literary awards; she’s taken home the Governor General’s Literary Award (1968, 1978, 1986), the Booker (1980), the Man Booker (2009), and the Giller Prize (1998, 2004), among many others. On October 10, 2013, Canadians were elated to hear that Alice Munro had won the Nobel Prize in Literature. Since the annual award was founded in 1901, it has been awarded to 110 Nobel Laureates, but Munro is the first Canadian—and the 13th woman—ever to win. In order to help publishers ensure they have enough books to meet demand if one of their titles wins an award, BookNet Canada compiles annual literary award studies examining the sales trends in Canada for shortlisted and winning titles. So as soon as the Munro win was announced, the wheels at BookNet started turning. What happens when a Canadian author receives the Nobel Prize in Literature? How much will the sales of their books increase in Canada? And will their sales also increase internationally? To answer these questions, BookNet Canada has joined forces with Nielsen Book to analyze Canadian and international sales data for Alice Munro’s titles.
    [Show full text]
  • Forty Stories New Writing From
    Forty Stories New Writing from HARPER P ERENNI AL A Fifty-Two Stories Production with fiction by Jess Walter • Lindsay Hunter • Shane Jones • Blake Butler Catherine Lacey • Roxane Gay • Matthew Norman • Jamie Quatro Kyle Minor • Kayden Kross • Ben Greenman • Greg Bardsley and more . FOREWORD BY CAL MORGAN 40_Stories_Final.indd 3 6/18/12 5:38 PM FORTY STORIES. Copyright © 2012 by HarperCollins Publishers. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information please write: Special Markets Department, HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022. FIRST EDITION “Ambivalence” © by Ben Greenman. “Amy Having a Heart Attack” © by Sharon Goldner. “The Anarchist of Darwin” © by Michael Ramberg. “Another Terrible Thing” © by Catherine Lacey. “Barnacles of the Fuzz” © by D. Foy. “Basslines” © by Adam Wilson. “Because You Asked” © by Karon Luddy. “Before the Trip” © by Adetokunbo Abiola. “The Beginning of the Summation of Our Dead” © by Blake Butler. “Birthright City” © by Eliezra Schaffzin. “Can a Corn” © by Jess Walter. “Confluence” © by Mesha Maren. “Djeser Djeseru (Splendor of Splendors)” © by Paula Younger. “Eighty-six Ways to Cross One Desert” © by Alexander Lumans. “Everyone Loves a Person Who Doesn’t Give a Fuck About Anything” © by Laura Jane Faulds. “Fire Weather” © by Brady Hammes. “A Girl” © by Lindsay Hunter. “Glossola- lia” © by Kyle Minor.
    [Show full text]
  • Barnardo Boys Robin Elliott
    Document generated on 09/23/2021 9:54 a.m. Intersections Canadian Journal of Music Revue canadienne de musique Barnardo Boys Robin Elliott Volume 28, Number 1, 2007 Article abstract The opera Barnardo Boys, with music by Clifford Crawley and libretto by David URI: https://id.erudit.org/iderudit/019293ar Helwig, was premiered in Kingston, Ontario in May 1982. Inspired by the DOI: https://doi.org/10.7202/019293ar example of Benjamin Britten, the creators of the opera regarded community involvement and cooperation between amateurs and professionals as essential See table of contents to the production of the work. There was only one imported professional singer in the cast—Jan Rubes, who was hired to play the lead role of Albert Ashby. Both the libretto and the music of the opera make use of a combination Publisher(s) of pre-existing and newly created source materials. This approach is seen to be typical of a Canadian preference for the genre of documentary opera, which Canadian University Music Society / Société de musique des universités parallels an engagement with historical fiction on the part of Canadian canadiennes novelists. ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Elliott, R. (2007). Barnardo Boys. Intersections, 28(1), 125–138. https://doi.org/10.7202/019293ar Tous droits réservés © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 2007 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit.
    [Show full text]