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Notre Dame Scholastic, Vol. 129, No. 15
Notre Dame's Student Magazine February 18, 1988 I , . .1, ! ! , [ , ' -,"" , j .:- ! iI . I I thursday feb. 4 Start the weekend early ... to the tunes of i chola tic ,I MARTY CROWE Notre Dame's Student Magazine February 18, 1988 & DAVE BRUENEIL 9 :30-1 :00 am News 14/ Three on Three friday, feb. 19 Sports OJ's Ann Seifert & Tom Tisa 18/ A Season on the Brink? play your favorites by Marty Burns 9 :30-2 :00 am 20/ Sportsweek Paule Marshall saturday,· feb. 20 Departments Cover 4/ Week in Distortion: The Ballad of Mike and Mary Greg Harris & Rick Reuter. by Doug Anderson . 7/ Literature by Request by Sara Harty will keep you dancing all night! !! 5/ On Other Campuses: Law School Grilled 21/ Music: Musical Musings 10/ Poetry and Pornography 9:30-2:00, am, by Ann Seifert interview by Sara Harty 22/ Coming Distractions sunday, feb. 21 24/ Final Word: It's a Festival _ Cover artby Tricia Brienza by Mike Evces SUNDAY SPECIAL..... Scholutic ill publi.hed woeldT durin, the IChool year except durin, examination. Uld vacation period. at Not... Damo, IN 46556 and pdmocl at Tho Papon, Inc., Milford, IN "542. Tho oubllcriptioD rate is UO.OO/y.ar and back issues are available Sl.OO/copy. Th. opinions mtpI'&1III8d -iD 8choIMtic are thi. of the authors and editors and do not nK.... rily ...pretent tho opiDiens of tIM .ow. oditorial board of Scholutic or tho University of Not... Dame. i&li administration, faculty or .tudent body. Bditoriall r.present the opinion of a PIZZA, PIZZA, PIZZA! ! ! ~ori'y of ,be editorial board. -
SST Defies Industry, Defines New Music
Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever. -
Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson
Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson PACKET ONE 1. This character’s coach says that although it “takes all kinds to build a freeway” he is not equipped for this character’s kind of weirdness close the playoffs. This character lost his virginity to the homecoming queen and the prom queen at the same time and says he’ll be(*) “scoring more than baskets” at an away game and ends up in a teacher’s room wearing a thong which inspires the entire basketball team to start wearing them at practice. When Carrie brags about dating this character, Heather, played by Ashanti, hits her in the back of the head with a volleyball before Brittany Snow’s character breaks up the fight. Four girls team up to get back at this high school basketball star for dating all of them at once. For 10 points, name this character who “must die.” ANSWER: John Tucker [accept either] 2. The hosts of this series that premiered in 2003 once crafted a combat robot named Blendo, and one of those men served as a guest judge on the 2016 season of BattleBots. After accidentally shooting a penny into a fluorescent light on one episode of this show, its cast had to be evacuated due to mercury vapor. On a “Viewers’ Special” episode of this show, its hosts(*) attempted to sneeze with their eyes open, before firing cigarette butts from a rifle. This show’s hosts produced the short-lived series Unchained Reaction, which also aired on the Discovery Channel. -
Air Station Throughout Three of the Four Island Included U.S., Tongan and Members of Marine Wing Support Groups in the Kingdom of Tonga Exercise
HAWAII MarineServing MCAS Kaneohe Bay, 1st MEB, Camp H.M. Smith and Marine Barracks. Vol. 22 No. 35 September 9,1993 Bottom-Up Review levels Marine Corps at 174,000 "brigade-equivalent" manning level Marine Corps News along with the 4th Marine Division/Marine Aircraft Wing/ Force Service Support Group. WASHINGTON, D.C. (Total Marine Corps reserve Following more than five months strength will top out at 42,000 of detailed study and analysis, the personnel). Marine Expeditionary Department of Defense announced Forces will remain the Marine results of its Bottom-Up Review, Corps' main warfighting will organization. The "five active Sept. 1. The Marine Corps "mentioned in the Bottom- level off at 174,000 Marines while, brigades at the same time, ensuring the Up.Review report do not represent Corps retains the capability to standing MEBs, but rather are a unit of measurement by which the remain the nation's premier force - in- readiness. Marine Corps' end strength was The review was a comprehensive calculated. look at the U.S. Armed Forces According to the report, the force which began by looking at overall structure will be sufficient for U.S. military strategy in the post Cold- military forces to win in two nearly War era. The review's focus was simultaneous major regional on matching capabilities to conflicts. requirements in meeting the future The tactical air portion of the strategic needs of the nation. review also endorsed the F/A-18E/ According to Gen. Carl E. Mundy F program already in development Jr., Commandant of the Marine and formally directed the Corps, the process validated the development of the V-22 "Osprey" U.S. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Kim Gordon: La Ragazza, La Band E Tutto Il Resto Players
23/5/2016 Kim Gordon: la ragazza, la band e tutto il resto Players (http://www.playersmagazine.it/) B Y C E C I L I A M A N F R E D I ( H T T P : / / W W W . P L A Y E R S M A G A Z I N E . I T / A U T H O R / C E C I L I A - M A N F R E D I / ) / 1 2 F E B B R A I O 2 0 1 6 KIM GORDON: LA RAGAZZA, LA BAND E TUTTO IL RESTO Mi piace Condividi 60 When Sonic Youth toured England, journalists “took to asking me a single question over and over: http://www.playersmagazine.it/2016/02/12/kimgordonlaragazzalabandetuttoilresto/ 1/8 23/5/2016 Kim Gordon: la ragazza, la band e tutto il resto Players “What’s it like to be a girl in a band?” ” Kim Gordon è una celebrità: membro dei Sonic Youth, artista concettuale, femminista, fashion designer, in ultimo anche testimonial per Saint Laurent – in breve, un’icona. Un’icona che ha sempre mantenuto un certo alone di mistero e distanza intorno a sé, nonostante tutto, almeno nché nel 2011 non è uscita la notizia della ne del suo legame quasi trentennale con Thurston Moore e, di conseguenza, della ne dei Sonic Youth. È con questa duplice conclusione che si apre Girl in a Band, l’autobiograa di Kim Gordon pubblicata negli USA a febbraio 2015 (portata in Italia ad aprile 2016 da Minimum fax, con lo stesso titolo e la traduzione di Tiziana Lo Porto(http://www.amazon.it/gp/product/8875217203/ref=as_li_qf_sp_asin_tl? ie=UTF8&camp=3370&creative=23322&creativeASIN=8875217203&linkCode=as2&tag=playemagaz- 21).) Ma prima, un passo indietro. -
A TRAVELLER's GUIDE
SOMERY A TRAVELLER’s GUIDE Bo Bernvill BO Ber NVILL SOMERY A Tra V E LL er ’S GUID E © 2008 Somerish Rede of Wilfore SRW First print 2008 Photographs provided by www.sxc.hu Maps © 2008 Somerish Board of Chartwrights Printed by The Thedely Thrierhouse, 98 Wildale St, Sibury SY1 FW2 2 3 foreword Dear Reader. This book is intended for the traveller in that special world called Imagination. Some would say that Somery does not exist. That is true, in the same sense that Middle-Earth, Utopia and Hogwarts do not exist. But still, to some people, when reading the books, those places may feel as complex and vivid as if they actually did exist. To me Somery is such a place, even if it is merely there in my head. I see it as a tool for my imagination; a trigger for my creativity. Why, I still hear some of you ask, do grown up men spend hours on something that might seem so meaningless as creating imaginary countries? Well, you could ask the same question about many things. Why do people collect stamps? Why do people dress up as characters out of Tolkien’s books? Why do people spend a whole weekend playing computer games on a network? We all get something back that makes us smile, and enjoy life. Bo Bernvill Kaxholmen 2008 4 5 SUNDRIES HOW TO GET THERE Somery has regular airline connections with a number of large cities. Most flights arrive at Sherthevear International Airhaven outside Sibury, or at Wim- prish Lofthaven near Melster. -
Sir Douglas Quintet
Sir Douglas Quintet The Sir Douglas Quintet: Emerging from San Antonio‟s “West Side Sound,” The Sir Douglas Quintet blended rhythm and blues, country, rock, pop, and conjunto to create a unique musical concoction that gained international popularity in the 1960s and 1970s. From 1964 to 1972, the band recorded five albums in California and Texas, and, although its founder, Doug Sahm, released two additional albums under the same group name in the 1980s and 1990s, the Quintet never enjoyed the same domestic success as it had during the late 1960s. A big part of the Sir Douglas Quintet‟s distinctive sound derived from the unique musical environment in which its members were raised in San Antonio. During the 1950s and 1960s, the “moderate racial climate” and ethnically diverse culture of San Antonio—caused in part by the several desegregated military bases and the large Mexican-American population there—allowed for an eclectic cross- pollination of musical styles that reached across racial and class lines. As a result, Sahm and his musical friends helped create what came to be known as the “West Side Sound,” a dynamic blending of blues, rock, pop, country, conjunto, polka, R&B, and other regional and ethnic musical styles into a truly unique musical amalgamation. San Antonio-based artists, such as Augie Meyers, Doug Sahm, Flaco Jiménez, and Sunny Ozuna, would help to propel this sound onto the international stage. Born November 6, 1941, Douglas Wayne Sahm grew up on the predominately-black east side of San Antonio. As a child, he became proficient on a number of musical instruments and even turned down a spot on the Grand Ole Opry (while still in junior high school) in order to finish his education. -
2008 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival CFCH Staff 2017 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical note.................................................................................................................. 2 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Introduction....................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Program Books, Festival Publications, and Ephemera, 2008................... 6 Series 2: Bhutan: Land of the Thunder Dragon....................................................... 7 Series 3: NASA: Fifty Years and Beyond............................................................. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Max Neuhaus, R. Murray Schafer, and the Challenges of Noise
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE Megan Elizabeth Murph University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2018.233 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Murph, Megan Elizabeth, "MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE" (2018). Theses and Dissertations--Music. 118. https://uknowledge.uky.edu/music_etds/118 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.