Notre Dame Scholastic, Vol. 129, No. 15
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SST Defies Industry, Defines New Music
Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
J-Jjf MUSIC WEEK Li£I, • INSIDE ^ ' £1.80 US
at V v -AJS ky' < J-jjf INSIDE MUSIC WEEK li£i, • ^ ' Ambrose moves to London 0f™ seS ipsgs gm-s ird. a55S5i^5 HSStpHSS £1.80 U.S.$2.75 ISSN 0265-1 548 CD rental clubs: 'We're no villains' music industry cHHc> rtiK £L^ Towerbell creditor vows 5 for rr: tol■MU4 fstv Ll«> Bis iigm Tor ms rignTs Appleton quits for music "Te " iss: s S€E with a lot of criticism that the music industry he Dowling concurs, adding that he thing," he comments. "It's us smaller that his accountants have chal- people."Of the BBC, he remarks: 'There withoutmade offoundation." the BBC is not entire! TO PAGE FOUR ► people who aget big hurt. issue Unless over this, some- it is formation.lenged the liquidators for more in- I NEW SINGLE OUT NEXT WEEK 7" + 3-TRACK 12" SRN69 SRNT69 <2) VALENTINE THE FABULOUS, BRAND NEW SINGLE FROM BILLY OCEAN 'Get Outta My Dreams, Get Into My Car' Release Date 18th January r ProducedWritten by by Billy Mutt Ocean Lange &) Mutt Lange RecordedMixed by atNigel Battery Green Studios, London 12"Includes7" BOS1/12" BOS"EXTENDED T1 VERSION" Order from Prime Time or BMG/RCA Telesales ^ THE ^iii?— OFSOUND SOULMODERN PAGE 2 MUSIC WEEK 16 JANUARY, 1988 Pinnacle presents its peak product Great Fire Of Lon- 53" ■ us due s f for FebrucP'" MUSIC WEEK of..a oUpri mi rndTh: Faith re- KSlct^ ^ rrrt wi^best I fml Ei Ml I5~al iliss S. il« BRIEFS Pf||] THE CROSS, led by iTHE WOODEN TO PS ,;r=i INtw oinuLt] RTlJf.lMfJUHfl MWiiiiiwuja IP i|L« SEy5'" flBF2TTrXTTTEF^3HEr®nPlFin®flHifl8 Pslpfll &»l?SL sim (\S^ri™!y 1• MUSIC WEEK 16 JANUARY, 1988 Radio 3 seeks new audience CD rental ► FROM PAGE ONE in latest wave of perestroika in-carbelieves use most and tapesare in made addition are to for a BiliiFiWe purchasedfeels CD.that 65 NEW YORK: GRP Records will SAXKSWftSt CE-S axTSSHs SE—S- sasasss HE rsE; mmm STEMRA to make s "oTthrt"! hour peace with negate Hie point of having CD hard- Roxy plans iSi facelift for' 'younger feel' SS2 Pinnacle caps topping year iSSgi PINNACLE HAS bought a new, ISS pressing plant bought in May lip-" !£a;2 sE-ia i SSpBE liil 111) HI Ill lliiiii iiMli it. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
The History of American Punk Rock 1980 – 1986
THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green. -
VINYL POP 2011 08 20.Xls 20/08/2011 1/247 Artist Title Units Media Price € Origin Label Genre Release Eancode Abe Vigoda 7-Animal Ghosts 1 12In 14 € Usa Ppm
Artist Title Units Media Price € Origin Label Genre Release Eancode A Bit of Education 7-A Bit of Education -Ltd 1 12in 13 € Eu Dille Pop 23/07/2007 5060156910009 A Boy Named Thor 7-No Cult Girlfriend 1 12in 12 € Eu Mo Re Pop 23/04/2001 5021272050277 A Certain Ratio 7-Do the Do 1 12in 14 € Nld Soulj Pop 26/01/2010 9991606082471 A Certain Ratio Early 2 Lp 24 € Nld Soulj Pop 11/04/2002 5026328000602 A Certain Ratio Live In Groningen,.. -Hq- 1 Lp 18 € Eu Vlove Pop 6/12/2010 0889397901158 A Challenge of Honour Seven Samurai -Ltd- 1 Lp 22 € Nld Vriha Pop 15/09/2005 2090502548245 A Clean Kitchen is a Happ A Clean Kitchen is A.. 1 12in 22 € Eu Jf. Pop 21/03/2011 5052571007112 A Fir-Ju Well 7-What's Coming For You 1 12in 14 € Usa Rob's Pop 25/04/2006 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 16 € Nld Cleop Pop 12/07/2007 9991301106656 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 17 € Usa Cleop Pop 2/09/2008 0741157193817 A Flock of Seagulls Magic 1 Lp 16 € Eu Cresc Pop 1/01/1991 0052824120815 A Flock of Seagulls Space Age Love Songs 1 Lp 12 € Eu Lilit Pop 14/04/2011 8013252915116 A Frames 2 1 Lp 22 € Nld Bornb Pop 24/02/2011 5413356130713 A Girl Called Eddy A Girl Called Eddy 1 Lp 17 € Nld Anti Pop 21/06/2004 8714092671919 A Grave With No Name 7-Streams/Feathers 1 12in 17 € Usa No Pa Pop 17/05/2011 A Hawk and a Hacksaw Delivrance 1 Lp 23 € Nld Leaf Pop 14/05/2009 0843190006410 A Hawk and a Hacksaw Way the Wind Blows 1 Lp 22 € Nld Leaf Pop 9/10/2006 0843190001217 A Killz Insane Bangers Vol.9 1 12in 17 € Nld Insba Pop 23/12/2010 5050580535299 A Paon 7-A Paon Ep -2tr- 1 12in 14 € Usa Elve Pop 18/08/2009 9991509096742 A Radio With Guts Beat Heart Sweet Stereo 1 Lp 17 € Nld S.Dum Pop 11/07/2002 3481573364862 A Storm of Light A Storm of Light -Mlp- 1 Lp 20 € Nld Ltit Pop 2/06/2011 0718752152310 A Storm of Light As the Valley of Death. -
Komplette Ausgabe Als
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Marines Aid with Hurricane Clean-Up
Serving MCAS Kaneohe Bay, 1st MEB, Camp H.M.rine Smith and Marine Barracks September 10,1992 Marines aid with hurricane clean-up cities in Homestead, where an meal and the numbers are detachment; and the USS full and several remain closed, as Andrew tore through South Florida estimated 90 percent of residents growing as more people find out Sylvania assisted with 490 tons do many mental institutions and are homeless, and in Florida City. about the military kitchens. Each of food. Traveling from Little nursing homes. A report in the leaving $20 billion in damages Both compounds can house 1,500 kitchen can feed up to 2,500 Creek, Va., the USS Opportune, Sept. 1 Washington Post said only people. More Marine tents are people. a salvage ship, is being used to 27 nursing home beds were About 900 Marines from the II available to house another 2,000 clear debris from harbors and available for the elderly in all of Complied from AP Marine Expeditionary Force from "It's very comforting to know other waterways, and from Dade County. people but Florida residents are there is a force out there well- and Camp Lejeune reports Camp Lejeune and Cherry Point, reluctant to leave their flattened Charleston, S.C., the USS Sierra N.C., began arriving in the equipped to handle the wide also brought tools and food. Daniel Joiner, a 20-year-old homes for fear of looters - but variety of needs," said Barbara Homestead resident who had been Marine Corps and other military devastated area Aug. 28, bringing continuing bad weather and in the in South with them supplies and equipment Gothard, a Homestead resident. -
Pettibon Press Release
EXHIBITIONS IN A BOX Compact exhibitions that generate expansive ideas RAYMOND PETTIBON: THE PUNK YEARS, 1978-86 "The flyers were one of the best things about working with SST," recalls the lanky Pettibon at his Redondo Beach studio. "It's more of a general audience when it goes on a telephone pole. It's not something that you can buy in a store or see on TV. You see it at a glance and you can't switch it off.” -from "Black Flag Cover is Pure Pettibon," by Jeff Spurrier, Los Angeles Times, July 1, 1984 ICI's newest series of exhibitions celebrates the fact that interesting projects can come in small parcels. Taking its lead from initiatives such as Marcel Duchamp's Boîte-en- valise and George Maciunas' Fluxkits, each Exhibitions in a Box provides source material from which venues can generate exhibitions tailored to their specific programs and local context. The first in the series, Raymond Pettibon: The Punk Years, 1978-86, taps into the steady stream of this California artist's early graphic arts production, before he appeared on the contemporary art stage. Assembled by Specific Object’s David Platzker, this Exhibition in a Box includes almost 200 examples of Pettibon's powerful designs made between 1978 and 1986, when he was immersed in the Los Angeles punk rock scene, doing the graphic design for Black Flag and other punk bands such as Circle Jerks, Dead Kennedys, Go-Go's, Hüsker Dü, Meat Puppets, Minutemen, Ramones, Subhumans, Throbbing Gristle, Wasted Youth, and many more. Raymond Pettibon Black Flag / Hong Kong Cafe / Tues. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory.