DOCSLIB.ORG

J-Jjf MUSIC WEEK Li£I, • INSIDE ^ ' £1.80 US

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
J-Jjf MUSIC WEEK Li£I, • INSIDE ^ ' £1.80 US at V v -AJS ky' < J-jjf INSIDE MUSIC WEEK li£i, • ^ ' Ambrose moves to London 0f™ seS ipsgs gm-s ird. a55S5i^5 HSStpHSS £1.80 U.S.$2.75 ISSN 0265-1 548 CD rental clubs: 'We're no villains' music industry cHHc> rtiK £L^ Towerbell creditor vows 5 for rr: tol■MU4 fstv Ll«> Bis iigm Tor ms rignTs Appleton quits for music "Te " iss: s S€E with a lot of criticism that the music industry he Dowling concurs, adding that he thing," he comments. "It's us smaller that his accountants have chal- people."Of the BBC, he remarks: 'There withoutmade offoundation." the BBC is not entire! TO PAGE FOUR ► people who aget big hurt. issue Unless over this, some- it is formation.lenged the liquidators for more in- I NEW SINGLE OUT NEXT WEEK 7" + 3-TRACK 12" SRN69 SRNT69 <2) VALENTINE THE FABULOUS, BRAND NEW SINGLE FROM BILLY OCEAN 'Get Outta My Dreams, Get Into My Car' Release Date 18th January r ProducedWritten by by Billy Mutt Ocean Lange &) Mutt Lange RecordedMixed by atNigel Battery Green Studios, London 12"Includes7" BOS1/12" BOS"EXTENDED T1 VERSION" Order from Prime Time or BMG/RCA Telesales ^ THE ^iii?— OFSOUND SOULMODERN PAGE 2 MUSIC WEEK 16 JANUARY, 1988 Pinnacle presents its peak product Great Fire Of Lon- 53" ■ us due s f for FebrucP'" MUSIC WEEK of..a oUpri mi rndTh: Faith re- KSlct^ ^ rrrt wi^best I fml Ei Ml I5~al iliss S. il« BRIEFS Pf||] THE CROSS, led by iTHE WOODEN TO PS ,;r=i INtw oinuLt] RTlJf.lMfJUHfl MWiiiiiwuja IP i|L« SEy5'" flBF2TTrXTTTEF^3HEr®nPlFin®flHifl8 Pslpfll &»l?SL sim (\S^ri™!y 1• MUSIC WEEK 16 JANUARY, 1988 Radio 3 seeks new audience CD rental ► FROM PAGE ONE in latest wave of perestroika in-carbelieves use most and tapesare in made addition are to for a BiliiFiWe purchasedfeels CD.that 65 NEW YORK: GRP Records will SAXKSWftSt CE-S axTSSHs SE—S- sasasss HE rsE; mmm STEMRA to make s "oTthrt"! hour peace with negate Hie point of having CD hard- Roxy plans iSi facelift for' 'younger feel' SS2 Pinnacle caps topping year iSSgi PINNACLE HAS bought a new, ISS pressing plant bought in May lip-" !£a;2 sE-ia i SSpBE liil 111) HI Ill lliiiii iiMli it. lai Xmas sales up 30% at Virgin at the company's annual meeting. fitably in 22 countries. The weak beroyally reduced. payments "Payments to publishers in each will discerning"cBZw~:„t; he says, "but I feel that termsthe German of chart market piacings. in 1987 Top in ChristmasHe said his with chain sales had up a 30 "fantastic" per cent VirginUS dollar as the is companyproving beneficial is still invest- to country will be strictly in accord- we now have the right formula to publisher in the survey of the on the previous year. ing in that country. ance with the IFPI-BIEM contract" make more of them turn to The MusikmarktChappell-intersong. charts was Drum up more business Af MIDFM OR Mus'cs International Marketplace. Palais des Festivals, Cannes. Jan 25-29 '88. IT'S STILL NOT TOO LATE TO ATTEND - CALL PETER RHODES on 01-499 2317 INTERNATIONAL EXHIBITION ORGANISATION 4th FLOOR 9 STAFFORD STREET LONDON Wl TLX: 25230. MUSIC WEEK 16 JANUARY, 1988 ROB BOLLAND FERDI BOLLAND composers & producers of d string ? selling international hits now proudly present: B0IAND A top of the line recording facility located inj .c/Tu j- Blaricum, in the heart of Holland, near Amsterdam, j The complex houses two studio's (studio I fully i SSL-equiped) and offers superior technology I and service to an international clientele.' FOR ALL INFORMATION; BOLLAND STUDIO'S 8.V. Huizerweg 13 - 1261 AS Blaricum - Holland Phone: (0)2153 - 83323* Fax: (0)2153 -12523 Telex: 73249 BOLST NL TH BOLLAND I \ le Deque Holland bv COMPANIES le Disque Music Publishing AT Bolland Music MIDEM These Bolland-owned production- and publishing companies have moved and are now also located '88: in the same complex in Blaricum - Holland. DUTCH FOR ALL INFORMATION REGARDING PRODUCTION & PUBLISHING: SECTION LE DISQUE HOLLAND B.V. LE DISQUE MUSIC PUBLISHING & BOLLAND MUSIC STAND Huizerweg 13 - 1261 AS Blaricum - Holland Phone: (0)2153 - 87574* Fax: (0)2153 -12523 08.24 Telex: 73107 LEDIS NL MUSIC WEEK 16 JANUARY, 1988 S I C A L Richards banks partureFOLLOWING to PPL, JOHN restructuring Brook's hasde- seniortaken placedirector at administrationCBS. Tim Bowen, and on CD for future commercial operations, assumes RAY RICHARDS' legalboard deportment level responsibility v L:l- ' for' Lthe MARTIN NELSON i, now legoi monooo. senior A&R monager ... F Ihete CBS studio festifS&l: to free Irish airwaves iiii EsS EHEtiS oK TheTackof mrssE*® IMPORTANT DEALER ANNOUNCEMENT BMG RECORDS (UK) LIMITED HAVE A BRAND NEW DIGITAL TELEPHONE FROM EXCHANGE, AND 2 NEW NUMBERS. TELESALES 021 500 5678 ALL OTHER DEPARTMENTS (Credit, Administration) 021 500 5545 FAX 021 553 6880 ORDER FROM BMG RECORDS (UK) LIMITED, LYNG LANE, WEST BROMWICH, WEST MIDLANDS BS70 7ST. iUj L. PAGE 6 MUSIC WEEK 16 JANUARY, 1988 ORLD'S MOST FAMOUS VE t'j O.,,,,,... iTADI UM MUSIC WEEK 16 JANUARY, 1988 I new single JorURB Q) Trax 12TRAX ,0 ?2"*EP O )6 SO/T*" sing a song out, next, week 18january i 7": TEN 206 [jTl 12": TENX 206 ^ MUSIC WEEK 16 JANUARY,! o Erato cream goes to BMG — Conifer to work the balance fefolaTweTn't iHSiS! isv'for'us todo. bu°Tt i ix Kh.° s5- 't.°srr Xb'; !i=r:! MStXI Denon sets Target for aggressive '88 li o produce "more theandtheia2zre mid-price imm m DG walks on into 1989 115= im&ssm LScim^hon9 e^Sl^^ TOPfrovu# SINGLES COMPILED BY MUSIC WEEK FROM GALLUP DATA. BUBBURS ARE FROM OUTSIDE THE TOP 50 ON THEIR WAY U WHEN WILL I BE FAMOUS 30" Club/Phonogram JABI1(|63 (Fl 31 'TSLT j COME INTO MY LIFE 32 ^ :5 PACK JAMMED (WITH THE PARTY POSSE) 1 N " Stock AiHrenWotermon Brealioiit/A8.M USAff) 630 |F) 33CKI femJIo Si?™!l( H0US E 10/Virgin TEN(R)188 (E) AorrisiTUTTER Minor RAP And The(NO Moiors SLEEP 1TIL0/VirginTEN(TB03IB BEDTIME) : 34" 3 = r Waraa.hersWB„4(T,W moginotion RCA PB41697 (12-- Pr41698) (6MG| 35 ^ MaxiSOME Priest GUYS HAVE ALL THE10/Virgin LUCK TEN(T)198(E) 5 ExposeLET ME BE THE ONE Arista RIS[T] 45 (BMG) 371321__lt™ JUSTBabakoto TO GET BY Union Jack (12)KOT1 (BMG| 38021 t BarryNEVER White NEVER GONNAClub/Phonogram GIVE YOU JAB(X)59 UP (F) 3930 13 NinoSinroneMY BABY JUSTCharlyCYZ7-112(12--CYZ112)(CH) CARES FOR ME 40 2 BlackBLACK Jack INK MIXES Champion CHAMP (12)59 (BMG) BeotmoslersROK DA HOUSE feolvrino CookieRhythm r"^ King/Mule LEFT 11(T) (I) 41.8 2 JackTHE V JACK Chill THAT HOUSE BUILT10/Virgin TENfT) 174 |E) 12 423' .0 TheNEVER Communards CAN SAY GOODBYELondon LON|X) 158(F) 13 433c 10 EricPAID 8 & INRakim FULL (COLD4lh + B'way/lslend((2)BRWCUT REMIX) 78(F) 14 THE WAY YOU MAKE ME FEEL **33n RickAstleyWHENEVER YOURCAPB41567(12--PT41568)(BMG) NEED SOMEBODY 4536 to MirageJACK MIX IV Debut/Passian DEBTfX) 3035 (A) 3 TOUCHED BY THE HAND OF GOD 461112] Gladysl-OVE KnightOVERBOARD & The Pips MCAMCA(T)1223(F) WHO FOUND WHO BROTHER REBEL WITHOUT A PAUSE 7 Jellybeon feotiirino Eliso Fiorillo Chrysalis JELIXll 10 LOOKINGPublic Enemy OUTD6fJom6512457(12--6512456|(C) FOR YOU 6 IF I GAVE MY HEART TO YOU BEYOND 4833 2 Rich Clarke RCA PB 41497 (12-PT 41498) (BMG) I'M TIRED OF GETTING PUSHED AROUND 49 2 FlourgonBIG BATTY GIRL Technigues-(12-WR23)(JS/E| : I GOT DA FEELIN' MY BABY SURE CAN SHAG «»}« htp 5033 2 The Tarns Virgin VS(T) 1037(E) u m s TOP ' 10 BUBBLiRS 6 Michael Jacbon Epic 4502901/4502904 (C| 1 RedAGONY Dragon Technigues WR24 (JS/EI, 6, WHENEVERRickAstley YOU NEEDRCAPL71529/PK7I529(BMG1 SOMEBODY i 2 NEVER GIVIN' UP ON YOU Tobu 4509361/4509364(0 i 3 "CANioUBrother Beyond KEEP A SECRET?Parlonhone I12IR6174 (El 4 LeroyCUPID Gibbons Superpower SPD20 (JSI FFRR/london LONLP 47/LONC47IPI S JINGO i 6 SAVIN'MYSELF , , JUST VISITING THISChrysalis PLANET CHR1569/ZCHR1569 (C) '! 7 2DO Bad IT 2 Mention In Touch 7005 (12-—120051 ISP) Scua j; 8 CAUGHTRaze U CHEAT1N'Champion CHAMP(12)58CBMfiL 9 Arista 208141/408141IBMG) 9 AtlanticLET THE Starr SUN IN Warner Bros W8145(71(99).: BEST Of Ml.AG! »CK Mir® 10 SAY YOU'LL BE THE U.S. TOP TEN SMASH LET ME BE THE ONE 0 LE i _N W^VAILABf^?T^E^AMX® baMce THERE HAS recently been a Motown-styled duet by the twc white-labelledspate of dubious "mixer" looking ex-Temptations, likely to get records (I hesitate to call them agedLradio jocks.play by Fresh nostalgic biscuits middle- out willbootlegs upset aspeople I know in howthe that - -e include B( business!). Strongest is The g "volume pumper"; MU MU Downtown (KLF U M N ASHERBrutality D(Music & DADDY Of Life FREDDY NOTE anCommunications incongruous scratch JAMS mix27), 11), currently more influential in of Petula Clark's oldie in a label to launch a "bootleg" (Profile PRO-71 80), Gwen Greyhoundapparently forand UK already distribution via earlierNew York Ragamuffin than in London, Hip Hop their new jack track by the moreGuthrie-ish "garage" rambling than "house"shuffler, mentioned by Barry Lazell is the inspiring many similar US yearGlasgow-based had an Indie act hit who with lastthe although including mixes by frommassive Germany, 1 2 album The boxed History set Of denselyreggae-raps, tugginc the UK duo's new Joinssimilarly The conceived JAMs.
Load more

Recommended publications
  • Notre Dame Scholastic, Vol. 129, No. 15
    Notre Dame's Student Magazine February 18, 1988 I , . .1, ! ! , [ , ' -,"" , j .:- ! iI . I I thursday feb. 4 Start the weekend early ... to the tunes of i chola tic ,I MARTY CROWE Notre Dame's Student Magazine February 18, 1988 & DAVE BRUENEIL 9 :30-1 :00 am News 14/ Three on Three friday, feb. 19 Sports OJ's Ann Seifert & Tom Tisa 18/ A Season on the Brink? play your favorites by Marty Burns 9 :30-2 :00 am 20/ Sportsweek Paule Marshall saturday,· feb. 20 Departments Cover 4/ Week in Distortion: The Ballad of Mike and Mary Greg Harris & Rick Reuter. by Doug Anderson . 7/ Literature by Request by Sara Harty will keep you dancing all night! !! 5/ On Other Campuses: Law School Grilled 21/ Music: Musical Musings 10/ Poetry and Pornography 9:30-2:00, am, by Ann Seifert interview by Sara Harty 22/ Coming Distractions sunday, feb. 21 24/ Final Word: It's a Festival _ Cover artby Tricia Brienza by Mike Evces SUNDAY SPECIAL..... Scholutic ill publi.hed woeldT durin, the IChool year except durin, examination. Uld vacation period. at Not... Damo, IN 46556 and pdmocl at Tho Papon, Inc., Milford, IN "542. Tho oubllcriptioD rate is UO.OO/y.ar and back issues are available Sl.OO/copy. Th. opinions mtpI'&1III8d -iD 8choIMtic are thi. of the authors and editors and do not nK.... rily ...pretent tho opiDiens of tIM .ow. oditorial board of Scholutic or tho University of Not... Dame. i&li administration, faculty or .tudent body. Bditoriall r.present the opinion of a PIZZA, PIZZA, PIZZA! ! ! ~ori'y of ,be editorial board.
    [Show full text]
  • SST Defies Industry, Defines New Music
    Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever.
    [Show full text]
  • Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109
    [Show full text]
  • Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
    2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al.
    [Show full text]
  • America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
    our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
    [Show full text]
  • The History of American Punk Rock 1980 – 1986
    THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green.
    [Show full text]
  • VINYL POP 2011 08 20.Xls 20/08/2011 1/247 Artist Title Units Media Price € Origin Label Genre Release Eancode Abe Vigoda 7-Animal Ghosts 1 12In 14 € Usa Ppm
    Artist Title Units Media Price € Origin Label Genre Release Eancode A Bit of Education 7-A Bit of Education -Ltd 1 12in 13 € Eu Dille Pop 23/07/2007 5060156910009 A Boy Named Thor 7-No Cult Girlfriend 1 12in 12 € Eu Mo Re Pop 23/04/2001 5021272050277 A Certain Ratio 7-Do the Do 1 12in 14 € Nld Soulj Pop 26/01/2010 9991606082471 A Certain Ratio Early 2 Lp 24 € Nld Soulj Pop 11/04/2002 5026328000602 A Certain Ratio Live In Groningen,.. -Hq- 1 Lp 18 € Eu Vlove Pop 6/12/2010 0889397901158 A Challenge of Honour Seven Samurai -Ltd- 1 Lp 22 € Nld Vriha Pop 15/09/2005 2090502548245 A Clean Kitchen is a Happ A Clean Kitchen is A.. 1 12in 22 € Eu Jf. Pop 21/03/2011 5052571007112 A Fir-Ju Well 7-What's Coming For You 1 12in 14 € Usa Rob's Pop 25/04/2006 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 16 € Nld Cleop Pop 12/07/2007 9991301106656 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 17 € Usa Cleop Pop 2/09/2008 0741157193817 A Flock of Seagulls Magic 1 Lp 16 € Eu Cresc Pop 1/01/1991 0052824120815 A Flock of Seagulls Space Age Love Songs 1 Lp 12 € Eu Lilit Pop 14/04/2011 8013252915116 A Frames 2 1 Lp 22 € Nld Bornb Pop 24/02/2011 5413356130713 A Girl Called Eddy A Girl Called Eddy 1 Lp 17 € Nld Anti Pop 21/06/2004 8714092671919 A Grave With No Name 7-Streams/Feathers 1 12in 17 € Usa No Pa Pop 17/05/2011 A Hawk and a Hacksaw Delivrance 1 Lp 23 € Nld Leaf Pop 14/05/2009 0843190006410 A Hawk and a Hacksaw Way the Wind Blows 1 Lp 22 € Nld Leaf Pop 9/10/2006 0843190001217 A Killz Insane Bangers Vol.9 1 12in 17 € Nld Insba Pop 23/12/2010 5050580535299 A Paon 7-A Paon Ep -2tr- 1 12in 14 € Usa Elve Pop 18/08/2009 9991509096742 A Radio With Guts Beat Heart Sweet Stereo 1 Lp 17 € Nld S.Dum Pop 11/07/2002 3481573364862 A Storm of Light A Storm of Light -Mlp- 1 Lp 20 € Nld Ltit Pop 2/06/2011 0718752152310 A Storm of Light As the Valley of Death.
    [Show full text]
  • Komplette Ausgabe Als
    HOSPIT A L Í PATIENTS OF...-LP • apggr . • “,:'.ÿ’^Sç?J ((ÍÅ D M (Deutschland) - ' jifeV»îf.Sr2P - Y. 5 US - DOLLARS 1jKÍ$Ef (foreign countries) •› ^ / ;* ^ f r— !PLUS PORTO/POSTAGE ! NASTY FACTS NUMMER 3 PORTO BRD Europe Overseas «SU« (DM) (US-$) (US-$) 168 SEITEN - ÜBER IOO FOTOS i LP 3 2 4 | | 3 DM Deutschland) Ralf Wintermeyer ^ MAG 1 0,50 1,50 |l,SOUS-DOLLARS | (foreign countries )| Wasserstr. 176 LP& , 4630 Bochum 1 i 3 2 4 »PLUS PORTO/POSTAGE! , West Germany i MAG f l I 1 I J J I sasquatsch mailorder E1SENACHERSTR.73 1000 BERLIN 62 WESTERN GERMa NY 030.782.Ì49.^5. í? *U Liste anfordern r\ r Hl FULKS I TiilS IS SHIT YCKJ KUALLY NEEP-OKDLH TCUAY: iSYCHCLHOSUhACK FKûtf HEU- U;...2h .9ü LûXY STYLE: 1WÛ (fch/wN jNEW) LP... 2*.. 90 KIA;AFTER THE FACT LP ...... 2L.9Û 7 StUXUS: PhAlb’E LP (NEW!)... 2L.9Ü SU 1 CI DAL TEN'DENCIKS; NEW LP... 2A.9Q SNFUUF YOU SWËAK LP ........24.90 Ca»J CKEECL1VE IN büBTON 10"..19.90 STATE 0? CONFUSION LP ...... 24.90 &1UNS ûr BnANDUEW 7" WAXSNDRE ALBUí’ìS SPECIAL KSV YOhr'. TKASH DLFAK7›53'íT BkANDNEW UST IS OUT UOtUAAMMM! I! WHAT'S WRONG TO BE YOUNG? Alles redet von Toleranz und Werte TRUST-Redaktion I So! Aha, mal wieder wer neues, Offenheit, aber wenn es dann Also nun muß ich euch mal meine .... Doch erst mal der Haupt- grund: "CONFLICT" tja es schreibt also jetzt der mal ernst wird dann redet m»n Kritik zu TRUST 4 reindrUcken.
    [Show full text]
  • Marines Aid with Hurricane Clean-Up
    Serving MCAS Kaneohe Bay, 1st MEB, Camp H.M.rine Smith and Marine Barracks September 10,1992 Marines aid with hurricane clean-up cities in Homestead, where an meal and the numbers are detachment; and the USS full and several remain closed, as Andrew tore through South Florida estimated 90 percent of residents growing as more people find out Sylvania assisted with 490 tons do many mental institutions and are homeless, and in Florida City. about the military kitchens. Each of food. Traveling from Little nursing homes. A report in the leaving $20 billion in damages Both compounds can house 1,500 kitchen can feed up to 2,500 Creek, Va., the USS Opportune, Sept. 1 Washington Post said only people. More Marine tents are people. a salvage ship, is being used to 27 nursing home beds were About 900 Marines from the II available to house another 2,000 clear debris from harbors and available for the elderly in all of Complied from AP Marine Expeditionary Force from "It's very comforting to know other waterways, and from Dade County. people but Florida residents are there is a force out there well- and Camp Lejeune reports Camp Lejeune and Cherry Point, reluctant to leave their flattened Charleston, S.C., the USS Sierra N.C., began arriving in the equipped to handle the wide also brought tools and food. Daniel Joiner, a 20-year-old homes for fear of looters - but variety of needs," said Barbara Homestead resident who had been Marine Corps and other military devastated area Aug. 28, bringing continuing bad weather and in the in South with them supplies and equipment Gothard, a Homestead resident.
    [Show full text]
  • Pettibon Press Release
    EXHIBITIONS IN A BOX Compact exhibitions that generate expansive ideas RAYMOND PETTIBON: THE PUNK YEARS, 1978-86 "The flyers were one of the best things about working with SST," recalls the lanky Pettibon at his Redondo Beach studio. "It's more of a general audience when it goes on a telephone pole. It's not something that you can buy in a store or see on TV. You see it at a glance and you can't switch it off.” -from "Black Flag Cover is Pure Pettibon," by Jeff Spurrier, Los Angeles Times, July 1, 1984 ICI's newest series of exhibitions celebrates the fact that interesting projects can come in small parcels. Taking its lead from initiatives such as Marcel Duchamp's Boîte-en- valise and George Maciunas' Fluxkits, each Exhibitions in a Box provides source material from which venues can generate exhibitions tailored to their specific programs and local context. The first in the series, Raymond Pettibon: The Punk Years, 1978-86, taps into the steady stream of this California artist's early graphic arts production, before he appeared on the contemporary art stage. Assembled by Specific Object’s David Platzker, this Exhibition in a Box includes almost 200 examples of Pettibon's powerful designs made between 1978 and 1986, when he was immersed in the Los Angeles punk rock scene, doing the graphic design for Black Flag and other punk bands such as Circle Jerks, Dead Kennedys, Go-Go's, Hüsker Dü, Meat Puppets, Minutemen, Ramones, Subhumans, Throbbing Gristle, Wasted Youth, and many more. Raymond Pettibon Black Flag / Hong Kong Cafe / Tues.
    [Show full text]
  • Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
    08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC.
    [Show full text]
  • SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
    SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory.
    [Show full text]