William Holland School of Lapidary Arts 2020 Classes

Come enjoy a week with us in the beautiful North Georgia mountains. Have fun while you learn amazing skills and crafts that you will enjoy for a lifetime

lapidaryschool.org Wil liam Holland School of Lapidary Arts

Welcome to our 2020 Season ...... 3 Jr. ROCKHOUNDS ...... 33 Our History ...... 4 LAMPWORK ...... 34 Mission Statement ...... 4 LEATHERWORK ...... 35 About our School ...... 5 METAL CLAY ...... 36 MINERAL ID ...... 37 General Information ...... 6 MIX METALS ...... 38 REGISTRATION FOR CLASSES...... 6 SURFACE DESIGN ...... 38 CLASS DEPOSIT ...... 6 OPALS ...... 39 EARLY ARRIVAL ...... 6 POLYMER CLAY ...... 41 CHECK IN ...... 6 SILVER ...... 41 CHECK OUT: ...... 7 SILVER-WEAR ...... 50 ROOM & MEALS PACKAGE ...... 7 UNIQUE OFFERINGS ...... 51 SINGLE OCCUPANCY ...... 7 WIRE WRAPPING ...... 53 LODGING ...... 7 WIRE WEAVING...... 57 SMOKING ...... 7 INSTRUCTOR BIOGRAPHIES ...... 58 PETS ...... 7 SARA ADAMS ...... 58 LIBRARY ...... 7 STEVE ADAMS ...... 58 DINING HALL ...... 8 LANCE ANDRUS ...... 58 CHILDREN at WILLIAM HOLLAND ...... 8 DAVID BERGQUIST ...... 58 SUMMARY of CLASSES ...... 9 SANDRA BERGQUIST ...... 58 2020 CALENDAR ...... 12 BILL BOGGS ...... 58 2020 CLASS SCHEDULE ...... 13 STEVE BOSTWICK ...... 58 CLASS DESCRIPTIONS ...... 19 MARTHA (MITZI) BOYD ...... 58 BASKETRY ...... 19 SARAH LEE BOYCE ...... 59 BEADING ...... 20 NANCY BRICKNER ...... 59 BEADING, SEED ...... 20 DIANNE BROOKS ...... 59 CABOCHONS ...... 22 CHUCK BRUCE ...... 59 CASTING ...... 24 LIBBY CALDWELL ...... 59 CHAIN ...... 25 GARY CALVERT ...... 59 CHASING & REPOUSSÉ ...... 27 JACOLYN CAMPBELL ...... 59 ENAMELING ...... 27 LARRY CARBY ...... 60 ETCHING ...... 29 CHRISTINA ...... 60 FACETING ...... 29 SANDY CLINE ...... 60 GEM TREES ...... 30 DEBRA COBIA ...... 60 GLASS ARTS ...... 31 BILL COHEN ...... 60 INTARSIA ...... 32 LAURA COX ...... 60

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Wil liam Holland School of Lapidary Arts

PAT DAVIS ...... 60 DIANE MASON ...... 66 DIANE De PIETRO ...... 61 DEBORA MAUSER ...... 66 MAGGIE ENGLISH ...... 61 DAVE McGREGOR ...... 66 NANCY ENGLISH ...... 61 RON MILLER ...... 66 GAIL FERGUSON ...... 61 VAUGHN MILLNER ...... 66 MARJI FERRELL ...... 61 TOM MITCHELL ...... 67 JOHN FETVEDT ...... 61 ROWAN MORGAN ...... 67 BARBARA FIELDS ...... 62 JANET PACE ...... 67 KASKA FIROR ...... 62 BECKY PATELLIS ...... 67 SCOTT FORWARD ...... 62 EDWARD PRICE ...... 67 BEVERLY FOX ...... 62 VICKIE PRILLAMAN ...... 68 LORRAINE GARCIA ...... 62 CINDY REED ...... 68 DEBBIE GATES ...... 62 JIM RICHARDSON ...... 68 BARBARA GREEN ...... 63 BILL ROBERTS ...... 68 THOMAS HAMMETT ...... 63 PAUL ROBERTS ...... 68 MARSHA HARMON ...... 63 LINDA SEARCY ...... 68 PATRICIA HART ...... 63 MARGO SETNOR ...... 68 JEFF HEER ...... 63 GENE SHERIDAN ...... 68 JERRI HEER ...... 63 DAVID SHERROD ...... 69 VICKIE HODGES ...... 63 MORNING SHERROD ...... 69 MAGGIE HUBER ...... 63 TOM SLAVICEK ...... 69 JOAN HUCK ...... 63 KIM ST. JEAN ...... 69 CHERYL KASPER ...... 64 JAN and KEITH STEPHENS ...... 69 DOT KASPER ...... 64 RONDA STEVENS ...... 69 RENEE KELLEY ...... 64 STACEY STINTON ...... 70 JUDY KELLY ...... 64 JOAN STONEHAM ...... 70 JACK KING ...... 64 ALFRED TAYLOR ...... 70 MICAH KIRBY ...... 65 JANET and JOE TROSINO ...... 70 DALE KOEBNICK ...... 65 JACKIE TRUTY ...... 70 ALMA LAMBERT ...... 65 GEORGIA VAN ZYLE ...... 70 VALERIE LAMOTT ...... 65 DAVID WAYMENT ...... 70 JULIA LARSON ...... 65 JOHN WILD ...... 70 SAMANTHA LAZARRO ...... 65 JUDI WILD ...... 71 CASE LEESER ...... 65 RICH WILLIAMS ...... 71 PAT LILLIE ...... 66 JoELLA MANNING ...... 66

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Wil liam Holland School of Lapidary Arts

Welcome to our 2020 Season

The Board, Staff, and Instructors welcome you to William Holland School of Lapidary Arts. We are proud to present our 2020 catalog as we prepare for another exciting season in the spectacular mountains of North Georgia. This season marks our 37 th year of operation. During this time, we have grown from one of the best-kept secrets in the lapidary community to a vibrant hub of learning and creativity. We thank our many friends, volunteers, students, and instructors. Without each of your contributions, William Holland would have never been able to grow from one man’s dream into the Rockhound haven it is today.

This year we welcome several new instructors and new class offerings, as well as our assembly of talented, seasoned instructors providing our lapidary core-class selections. We are so very proud of the significant investment all our instructors make to the school and to each one of their students. William Holland is truly unique in that all our instructors volunteer their time and talents, completely free of charge, to come and share their considerable knowledge and talents. It is an honor to work with each and every one of them.

As always, we urge you to closely examine the information in our catalog. With the addition of several new classes, we are introducing a “Unique Offerings” section that includes an assortment of new classes to enhance your learning opportunities. Inside these pages, you will find a detailed description of each class, as well as our instructors’ biographies. Read the class descriptions carefully because NO two instructors teach the same material in the same way on the same subject.

We enjoy this time, as one season ends and the next begins, because it is the perfect moment to reflect on our good times shared and to thank each of you for your continuing support and patronage of William Holland.

It is equally exciting to look forward to the upcoming season; to welcome back all our old friends and to meeting those of you who will be joining us for the first time. Come and join us as we learn, create, and share in one of the most beautiful places in America—Young Harris, Georgia.

Sincerely,

The Board of Directors and Staff

Harold Sparks, President Sarah Lee Boyce, Board Member Mike Sparks , Vice President Nancy English , Board Member Barbara Green , Secretary Ron Miller, Board Member Vivian Heath, Treasurer Judi Wild, Board Member

Kristine Robertson , Director

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Wil liam Holland School of Lapidary Arts

Our History

The William Holland School of Lapidary Arts was started in 1983 when founder Harold C. Sparks serving as the eighth president of the Southeast Federation of Mineralogical Societies (SFMS). At that time, he and his wife, Mary Lou, discovered that there were no schools where you could go to learn the lapidary arts, only workshops a few times a year. They set out to find a mountain top retreat where such a school could be built; a place where strangers from all states and other countries could come together to learn in a peaceful atmosphere and to share with one another. They found this in Young Harris, Georgia. Harold and Mary Lou called on many rock and gem club members to donate their time and talents to bring about the William Holland School of Lapidary Arts as it exists today. Many who stopped by just to check the progress would be put right to work. “Have you ever installed insulation?” Harold asked one lady and the next thing she knew, she was putting insulation in the walls of what is our main lodge, Sparks Lodge. One couple stopped in for the day and spent the week, calling home each night telling the kids not to forget to feed the dog. The many volunteers became one big family as they worked together each day and shared the dining table each night. When it came time to choose a name for the school, the name “William Holland” was selected. He was the third president of the SFMS and was the only deceased president at the time. The Seabolt Building (a metal building erected in 1985) was initially used for classes and sleeping rooms. The main lodge, Sparks Lodge, started holding classes in 1986. The Seabolt Building houses the George Kasper Memorial Library, the lampwork studio, the photo room, and Gerald’s Rock Room, as well as bath and shower facilities for our campground guests. Today, Sparks Lodge, serves as the centerpiece of our campus with 29 bedrooms, each with a private bath, and the downstairs level features 13 classrooms, as well as our dining and kitchen facilities. In 2002, Mary Lou’s Cottage was built to accommodate our instructors. Otto’s Lodge came into service in July 2005 with an additional 22 bedrooms. In 2018, we were fortunate enough to add two classroom buildings. As an added convenience, we offer a ten-site campground with full hook-up spaces just a short walk from the classrooms. Over the years, the Southeast Federation of Mineralogical Societies (SFMS) has continued to play an important roll in our school’s history and growth. Many of the Gem and Mineral clubs of the SFMS send their members each year to learn the lapidary arts in order to share them with their respective clubs. Additionally, one week each season, William Holland devotes the school’s entire resources to provide a wide range of classes designed specifically for the SFMS members.

Mission Statement

The mission of William Holland Retreat is to preserve traditional arts by offering lapidary and earth science classes to the widest range of students possible and by providing quality instructors, accommodations, and equipment at the lowest possible cost.

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Wil liam Holland School of Lapidary Arts

About our School

We are a school devoted to providing quality lapidary classes to keep the lapidary arts alive. Over the years, we have added various jewelry-making classes, as well as a variety of interesting and unique topics to serve the growing interests of our students and families. During the summer months, we also offer a Junior Rockhound program for the younger set. Founded on the principle of volunteerism, all our instructors continue to donate their time to help us fulfill this mission. They travel from all around the U.S. and Canada lending their talents to continue making William Holland a truly unique location. In return for their time and expertise, we provide room and board for each instructor and their spouse during their teaching weeks. They sell the supplies needed by students in their classes for a nominal fee in order to help cover the material expenses they incur. Each week of our season starts with check-in at 3:00 PM on Sunday. After Sunday evening’s dinner, there will be a short introduction and class orientation. The orientation allows students to settle into their classrooms and get ready to begin learning at 9:00 AM on Monday morning. On Tuesday evening, we hold an auction. Students and instructors donate items for this event, and the proceeds are used for equipment and supplies in the classrooms. Thursday night is “Tailgating”; a time when everyone has an opportunity to buy, sell, or trade their items. Friday is the day for “Show and Tell”. This is a designated time and opportunity for each student to display their week’s work and enjoy the works created by other students allowing everyone to preview their next class selection. By this time, conversations center around choosing the next class, either later in the season or for next year. On Saturday, folks are a little hesitant to leave having enjoyed the fabulous mountain surroundings—everyone wants to stay another week, and many have already made plans to join their new friends for next season. Come take a closer look—rock on our porches in the north east mountains of Georgia and enjoy the classes we offer.

William Holland Retreat, Inc. dba: William Holland School of Lapidary Arts 230 Lapidary Lane (GPS) Young Harris, GA 30582

SOCIAL MEDIA

WEBSITE: lapidaryschool.org

FACEBOOK: Friends of William Holland Lapidary School

INSTAGRAM: LapidarySchool

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Wil liam Holland School of Lapidary Arts

General Information

REGISTRATION FOR CLASSES

ONLINE : www.lapidaryschool.org. Set up an account and fill out all the required areas of the form and finish by clicking the “Agree” button. On the website, you can check class scheduling and available space. You should receive a confirmation via email for your class or classes within a week after we receive it. If you haven’t heard from us within a week, please check to confirm our receipt. After you have submitted your application for the course/courses you have selected, you will have ten days to submit your deposit/deposits via PayPal or check to guarantee your space in the selected courses.

MAIL : You may also use the Registration form found in this catalog or print a form from our website. Please fill out and mail with your deposit check, made payable to “William Holland Retreat” to the following address: William Holland Retreat, Inc. PO Box 980 Young Harris, GA 30582-0980 When you submit your registration form, you will need to select your class and pay a deposit before we can process your application and confirm your class. Your deposit serves as part of your total lodging and meals package. The balance will be due at the time of registration. Applications are held for 10 days in order to allow time for receipt. In the event you should need to cancel a reservation, your deposit can be refunded up until three weeks prior to the date of your class. All refunds are subject to a $15 per class processing fee. If you do not formally request a refund or your request falls outside the three-week timeframe, we will place your deposit on hold so that you can use it at any point during the current or following season. Please call the office at 706-379-2126. (We accept first-party, domestic checks, money orders, and PayPal.) All payments are due in US funds. Make all check payable to: William Holland Retreat, Inc.

CLASS DEPOSIT Sparks or Otto’s Lodge: $100 per class. Campground or Day Students $ 50 per class.

EARLY ARRIVAL: Saturday arrivals—prior to your scheduled class—are available. Your lodge accommodations will be available no earlier than 3:00 PM, and there will be an $18 per person fee. There is a $12 site fee for early arrival in the campground. Please call the office Monday thru Friday to make these arrangements. Late Checkout is not available. CHECK IN: Sunday at 3:00 – 6:00 PM. Remember if you are staying in the lodge, there is a $5 cash deposit required. It will be refunded when you return your room key.

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Wil liam Holland School of Lapidary Arts

CHECK OUT: Room Checkout is on Saturday morning: 8:00 – 9:00 AM. Rooms must be vacated by 9:30 A.M. There are NO ”LATE CHECKOUT” EXCEPTIONS . Should you choose to depart on Friday, please make your arrangements at the desk before 3:00 PM.

Students must register on Sunday after 3:00 PM for each week of classes. Students registered for consecutive weeks may pick up their registration package at the end of one week for the following week’s class. You may continue to enjoy the same room or campsite while waiting for your next class to begin. However, please be aware that no meals are served after Friday lunch until our 6:00 PM Sunday dinner and orientation. ROOM & MEALS PACKAGE

STUDENT FEES

Lodging Campground Commuter

Student (shared room) $425 $375 $250

+ Guest $425 No Charge

Second Student $425 $200

Single Occupancy $585

MEAL PACKAGE

Per Student Included Lunch Lunch

Second Student Included Lunch

• Breakfast, Lunch, and Dinner Meals may be purchased at a nominal rate per setting for campground and commuter students. • Instructor Lab Fees and Material Costs are not included. • With questions outside the room and meal packages above, please call: 706-379-2126.

SINGLE OCCUPANCY: If you choose a Single Occupancy room (“Private Room”) , there is an additional fee noted above. If you request a private room and none is available, we will work with you prior to processing your application to assist you in finding suitable housing.

LODGING: Those not requesting a private room will be assigned a roommate. If you apply on the same application with another student or request a specific roommate, we will do our best accommodate your request. Otherwise, we will use the information provided on your application when making room assignments. This is a great opportunity to make new friends or reconnect with old acquaintances.

SMOKING: Our school is a smoke-free facility. If you smoke, there are designated areas located at each building.

PETS: No pets allowed except in the campground. You are expected to pick up after your pet.

LIBRARY: William Holland has an exceptional collection of books related to all the arts taught at the school. The George Kasper Library houses many new books, dozens of donated books, and numerous books that are now out of print. Take advantage of the opportunity to check out books for the week to compliment your class material.

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Wil liam Holland School of Lapidary Arts

DINING HALL

Students staying in any of our lodges are provided three meals daily. • Breakfast: 8:00 – 9:00 AM, Lunch: 12:30 PM, and Dinner: 5:30 PM (6:00 on Sunday) • Commuters and campers are welcome to purchase meals individually.

Our goal is to provide meals for our students to enjoy. However, if you have special dietary restrictions, please make sure to note them on your application with as much detail as you feel necessary. Your notation will help our kitchen staff be aware and to do their best to accommodate your restrictions.

If you have a specific need or request based on an allergy, be sure to speak with the kitchen staff at check-in so that they will be better equipped provide you the best alternatives to meet your request. Because our dining is cafeteria style, we simply cannot accommodate every diet: low- calorie, low-fat, sodium-free meals, or other highly demanding dietary restrictions. We do provide basic alternatives for these limitations such as a salad bar, sugar-free and gluten-free deserts for those who need them. In such cases, you may want to bring selections with you that meet your dietary needs. We offer refrigerators in both lodges for your perishable storage needs. CHILDREN at WILLIAM HOLLAND

Any student under the age of 18 may only attend with the approval of the instructor and staff. In order to register for any class, children under the age of 18 must always be accompanied by an adult (21 yrs. or older) while on campus, whether in class or out. Their adult sponsor must be registered in the same class and housed in the same room, if staying on our campus.

Our William Holland instructors have designed a special selection of classes titled Junior Rockhounds . These classes are designed specifically for the younger students as an introduction to Rockhounding, as well as an opportunity to enjoy a variety of our school’s various subject offerings. Our goal is to teach the students a little about rockhounding and an appreciation for the Lapidary Arts in hopes of instilling a lifelong interest or hobby. An adult sponsor must be enrolled in a class during the same week. The Junior Rockhound instructors are only responsible for the children during class time. The adult sponsor is responsible for the child during all non-class time, including meals and any evening events. No child below the age of 12 is permitted to attend regular classes at William Holland.

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SUMMARY of CLASSES

These descriptions should give you a general idea of what is covered in each of our subject areas. You will still want to refer to the Class Descriptions for each individual class to find out specific skills, techniques, and materials covered by each instructor.

ART GOURDS : Learn to create unique and beautiful gourd art and jewelry. Listed under Unique Offerings. BASKETRY : Learn to start, weave and finish many different styles of baskets. BEADING: Learn to string and knot a variety of materials and to design your own projects using techniques employed by a professional beader. BEADING, SEED: Learn various stitches, from brick to peyote, and various techniques including knitting, weaving, two-hole beads, structural beading, and Kumihimo. CABOCHONS: Covers shaping rock slabs into finished pieces for bolos, belt buckles, or to be wire wrapped, incorporated into beading, or into silver settings. CALLIGRAPHY: Learn three beautiful and flourishing letter styles using Calligraphy pens. Listed under Unique Offerings. CASTING : Learn to use carving and waxes to create beautiful works, then cast and finish your pieces, as well as mold making and some use of pre-made waxes. CHAIN: Learn to use many kinds of jump rings to create bracelets, necklaces, fabrics, earrings, or other projects. CHASING & REPOUSSÉ: The ancient art of moving metal using punches and hammers to create 3-D patterns and shapes to create both low- and high-relief designs. COLD CONNECTION: Learn to combine different kinds of metals by riveting, wiring, and the use of grommets, etc. Listed under Mixed Metals – Surface Design. ENAMELING: Enameling is the art of bonding paints made from pigmented glass to metal. Several techniques are taught. ELECTRO-ETCHING : Learn simple, safe and repeatable ways to etch designs into metal using a variety of techniques. FACETING : Students learn to select rough and patterns to produce stones in many different styles. This class requires patience as the cutting process must be very precise. Students should have the ability to follow technical patterns. FLAME PAINTING: Using a flame on copper to create precise pattern placement and colors by changes in the flame temperature. Listed under Mixed Metals – Surface Design.

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SUMMARY of CLASSES

FLY TYING: Learn basic fly typing techniques and tools using both natural and artificial materials: Students will learn to make various freshwater flies and nymphs, both wet and dry varieties. Listed under Unique Offerings. FOLD FORMING: Explore the nature of metal materials by stretching, compressing, and using a variety of techniques using stakes, hammers, and more. Listed under Mixed Metals – Surface Design. GEM TREES: Using wire and gemstone you will create a wide variety of beautiful trees and pictures. You will also learn to identify different tumbled gemstones. GLASS FUSING : Students learn compatibility of glass types and ways to combine dichroic and other glass to produce jewelry-grade cabochons. Class includes how to cut, arrange and stack glass, safe operation of a kiln and proper fusing techniques. Listed under Glass Arts. GOLD: Students should have extensive experience with silversmithing as they will be learning the specifics of soldering and fabrication of jewelry pieces with gold. Listed under Silver. INTARSIA : A variety of stones are cut to precision and fitted together to form intricate designs. This course teaches hos to create pieces using a faceting or intarsia machine to cut, grind, and polish. Prior Cab or Faceting experience helpful. JUNIOR ROCKHOUNDS : Specially designed for the young rockhound to introduce them to various lapidary and related interests and to create a lasting passion. KALEIDOSCOPES: You will learn how to build several styles of kaleidoscopes as you dive into the magic world of color and mirrors. Listed under Glass Arts. KUMIHIMO: You will learn the mathematics of Kumihimo to better understand and build you own patterns, as well as the techniques for adding focals . Listed under Beading, Seed. LAMPWORK BEADS : Learn how to make beads using oxygen/propane torches and dichroic glass. Student must wear 100% cotton clothing and Didymium glasses are required in class. LEATHERWORK : Learn techniques used to work, construct, and decorate leather crafts. METAL CLAY : Learn to create fine jewelry the easy way. PMC fires to become .999 pure or 22K gold. Other clays fire to create copper and other metals. MINERAL IDENTIFICATION : Learn to identify the different minerals (rocks) you’ve found or would like to find. Class includes several field trips, which will require old clothes and boots or shoes for wading in water. Hiking may be required. MIXED METALS – SURFACE DESIGN : Learn to combine different kinds of metals by riveting, wiring, and the use of grommets, etc. While working to change the metal’s surface, you could be using torch enameling, liquid enamels, flame painting, or even colored pencils. Very little soldering is required; however, torches may be used.

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SUMMARY of CLASSES

OPALS: Learn to cut opals and find the best in the stone. Covers Australian, Boulder, and Mexican Opals. PHOTOGRAPHY : This course teaches you how to light and photograph jewelry pieces. These classes require you to use your camera and have general experience with photography. Listed under Unique Offerings. POLYMER CLAY : Learn to make various items including shaped beads, millefiori canes, faux stones, jewelry, folk vessels, baking and finishing techniques, inclusions, and more. SILVER : Create rings, pins, pendants, and bracelets by learning to cut, solder, and finish silver and set cabochons. Incorporates many topics such as inlay, stone setting, and more. SILVER-WEAR: Learn to recycle vintage Silver-Plated flatware into beautiful jewelry by cold forming, texturing, stamping, patinas, and more. SOFT SOLDERING: Using a soldering torch rather than a flame, you will build lovely jewelry items with a “Tiffany lamp” style of low-tech soldering. It’s a great class for those who fear the torch or cannot have torch equipment on-site. Listed under Unique Offerings. SCRIMSHAW: Learn various techniques to line cut, stippling and tinting. Learn the history of the art, how to identify and work with different types of ivory, and how to make and maintain your tools. Listed under Unique Offerings. STAINED GLASS : Covers copper foil (Tiffany) method of construction and leaded glass techniques. Design your own projects. Some classes also teach how to make Kaleidoscopes. Listed under Glass Arts. TIE DYING : Students will be working with fabric dyes and Sharpies to dye fabric using Batik, Dye Resist and Dye Discharge, Shibori, monoprints, and other dying techniques. Listed under Unique Offerings. WIRE: Create bracelets, pendants, rings, and earrings using Gold-Filled, Sterling Silver and Copper wire. WIRE & FIRE: This class will introduce students to silver soldering using sterling silver wire, a small butane torch, and silver paste solder. You will learn to fabricate bezels and incorporate tube settings. Listed under Unique Offerings. WIRE WEAVING: Learn the unique and intricate technique of wire weaving, using several weaving patterns, to create spectacular pieces of artwork-quality jewelry. You will incorporate soldering, using patinas, and layering in your weaves.

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2020 CALENDAR

January 2020 February 2020 March 2020 W S M T W T F S W S M T W T F S W S M T W T F S 1 1 2 3 4 5 1 10 1 2 3 4 5 6 7 2 5 6 7 8 9 10 11 6 2 3 4 5 6 7 8 11 8 9 10 11 12 13 14 3 12 13 14 15 16 17 18 7 9 10 11 12 13 14 15 12 15 16 17 18 19 20 21 4 19 20 21 22 23 24 25 8 16 17 18 19 20 21 22 13 22 23 24 25 26 27 28 5 26 27 28 29 30 31 9 23 24 25 26 27 28 29 14 29 30 31 01: New Year's Day 17: Presidents Day 20: Martin Luther King Day

April 2020 May 2020 June 2020 W S M T W T F S W S M T W T F S W S M T W T F S 14 1 2 3 4 18 1 2 23 1 2 3 4 5 6 15 5 6 7 8 9 10 11 19 3 4 5 6 7 8 9 24 7 8 9 10 11 12 13 16 12 13 14 15 16 17 18 20 10 11 12 13 14 15 16 25 14 15 16 17 18 19 20 17 19 20 21 22 23 24 25 21 17 18 19 20 21 22 23 26 21 22 23 24 25 26 27 18 26 27 28 29 30 22 24 25 26 27 28 29 30 27 28 29 30 23 31 25: Memorial Day

July 2020 August 2020 September 2020 W S M T W T F S W S M T W T F S W S M T W T F S 27 1 2 3 4 31 1 36 1 2 3 4 5 28 5 6 7 8 9 10 11 32 2 3 4 5 6 7 8 37 6 7 8 9 10 11 12 29 12 13 14 15 16 17 18 33 9 10 11 12 13 14 15 38 13 14 15 16 17 18 19 30 19 20 21 22 23 24 25 34 16 17 18 19 20 21 22 39 20 21 22 23 24 25 26 31 26 27 28 29 30 31 35 23 24 25 26 27 28 29 40 27 28 29 30 36 30 31 04: Independence Day 07: Labor Day

October 2020 November 2020 December 2020 W S M T W T F S W S M T W T F S W S M T W T F S 40 1 2 3 45 1 2 3 4 5 6 7 49 1 2 3 4 5 41 4 5 6 7 8 9 10 46 8 9 10 11 12 13 14 50 6 7 8 9 10 11 12 42 11 12 13 14 15 16 17 47 15 16 17 18 19 20 21 51 13 14 15 16 17 18 19 43 18 19 20 21 22 23 24 48 22 23 24 25 26 27 28 52 20 21 22 23 24 25 26 44 25 26 27 28 29 30 31 49 29 30 53 27 28 29 30 31 12: Columbus Day 11: Veterans' Day 25: Christmas Day 26: Thanksgiving

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2020 CLASS SCHEDULE

Please take time to look at each instructor's class description so you will be sure what materials and skills the class covers. Not all classes or instructors in a subject cover the same materials, skills, or techniques. Start Date 4/12/2020 4/19/2020 4/26/2020 5/3/2020 5/10/2020 SUBJECT 1 2 3 4 5

Basketry Stoneham pg 19 Stoneham pg 19 Garcia pg 19 Beading Patellis pg 20 Caldwell pg 20 Patellis pg 20 Patellis pg 20 Beading, Seed Green pg 20 Hodges (II) pg 21 Hodges (II) pg 21 Cabochons Adams pg 22 Adams pg 22 Wild pg 24 Bergquist pg 22 Bergquist pg 22 Casting Bostwick (II) pg 25 Cohen pg 25 Chain Trosino (I) pg 26 Trosino (II) pg 27 Chasing & Repousse Sherrod pg 27 Enameling Hart (I) pg 28 Hart (II) pg 28 Lazzaro (I) pg 28 Lazzaro (I) pg 28 Lazzaro (ll) pg 29 Etching Fetvedt pg 29 Fetvedt pg 29 Faceting Roberts pg 30 Roberts pg 30 Searcy pg 30 Mitchell (I) pg 29 Mitchell (II) pg 29 Gem Trees Heer (I) pg 30 Heer (I) pg 30 Heer (ll) pg 31 Glass Fusing Glass Fusing Kaleidoscopes Glass Arts Larson (II) pg 31 Larson (II) pg 31 Boyd pg 32 Intarsia Jr. Rockhounds Lampwork Beads G. Van Zyle (II) pg 34 Leatherworking Kelley (I) pg 35 Kelley (II) pg 35 Metal Clay Lillie (I) pg 36 Mineral ID Mixed Metals / Surface Design Opals Boyce (I) pg 39 Boyce (I) pg 39 Boyce (II) pg 39 Boyce (I) pg 39 Boyce (I) pg 39 Polymer Clay Wild pg 41 Stinton pg 41 Stinton pg 41 Silver Prillaman (I) pg 46 Lillie pg 46 Sherrod (I) pg 49 Lamott pg 45 St. Jean (II) pg 48 Silver English (I) pg 42 Cox pg 42 Bruce (II) pg 41 Bruce (III) pg 42 Richardson (III) pg 40 Silver St. Jean (II) pg 49 St. Jean (I) pg 48 Fields pg 44 Lamott pg 45 Silver Sherrod (II) pg 49 Sherrod (II) pg 49 Silver-Wear Scrimshaw Scrimshaw Art Gourds Art Gourds Williams pg 52 Williams pg 52 Davis pg 51 Davis pg 51 Unique Offerings Wire & Fire Wire & Fire Stevens pg 47 Stevens pg 47

Wire Wrapping Miller (I) pg 55 Miller (II) pg 55 Wire Wrapping Sheridan (II) pg 55 Wild (I) pg 52 Mason (I) pg 54 Bergquist (II) pg 53 Bergquist (I) pg 53 Wire Weaving

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2020 CLASS SCHEDULE

Please take time to look at each instructor's class description so you will be sure what materials and skills the class covers. Not all classes or instructors in a subject cover the same materials, skills, or techniques. Start Date 5/17/2020 5/24/2020 5/31/2020 6/7/2020 6/14/2020 SUBJECT 6 7 8 9 10

Basketry Garcia pg 19 Garcia pg 19 Stoneham pg 19 Beading Kasper pg 20 Kasper pg 20 Beading, Seed Heer (I) pg 21 Cabochons Bergquist pg 22 Bergquist (II) pg 22 King pg 23 Carby pg 23 Casting Bostwick (I) pg 24 Chain English pg 26 Bruce (II) pg 25 Brickner (III) pg 25 Chasing & Repousse Sherrod pg 27 Enameling Lazzaro (I) pg 28 Lazzaro (II) pg 29 Etching Faceting McGregor pg 29 McGregor pg 29 Andrus pg 29 Gem Trees Glass Fusing Glass Fusing Kaleidoscopes Glass Fusing Glass Arts Setnor (II) pg 31 Setnor (III) pg 32 Boyd pg 31 Kelley pg 31 Intarsia Boggs pg 32 Jr. Rockhounds Forward pg 33 Lampwork Beads Van Zyle (II) pg 35 Leatherworking Kelley (I) pg 35 Slavicek (I-II) pg 36 Metal Clay Lillie (I) pg 36 Lillie (II) pg 36 Mineral ID Mixed Metals / CC/Torch Enameling Flame Painting Surface Design Mauser (I) pg 38 Pace pg 39 Opals Kasper (I) pg 40 Kasper (II) pg 40 Kasper (III) pg 40 Kasper (II) pg 40

Polymer Clay www.sfmsworkshops.org Wild pg 41 Silver Richardson (III) pg 47 Fields pg 44 Fields pg 44 Koebnick (II) pg 45 Silver Prillaman (II) pg 47 Sherrod (II) pg 49 Wayment (III) pg 50 Silver Sherrod (I) pg 49 English (II) pg 43 Lamott pg 45 Richardson (III) pg 48 Silver St. Jean (I) pg 48 Lamott pg 45 Southeast Federation of Mineralogical Societies Mineralogical of Federation Southeast Silver-Wear Stephens (I) pg 49 Calligraphy Unique Offerings R. Kelley pg 51

Wire Wrapping Bergquist (I) pg 53 Bergquist (I) pg 53 Bergquist (I) pg 53 Bergquist (I) pg 53 Wire Wrapping Mason (II) pg 54 Adams (I) pg 53 Campbell (I) pg 54 Sheridan (II) pg 55 Wire Weaving

14

2020 CLASS SCHEDULE

Please take time to look at each instructor's class description so you will be sure what materials and skills the class covers. Not all classes or instructors in a subject cover the same materials, skills, or techniques. Start Date 6/21/2020 6/28/2020 7/5/2020 7/12/2020 7/19/2020 SUBJECT 11 12 13 14 15

Basketry Stoneham pg 19 Garcia pg 19 Garcia pg 19 Garcia pg 19 Beading Patellis pg 20 Beading, Seed Heer (II) pg 21 Kelly (I) pg 21 Cabochons King pg 23 Wild (I) pg 24 Wild (II) pg 24 Roberts (I.5) pg 23 Roberts (I.5) pg 23 Casting Cohen pg 25 Bostwick (I) pg 24 Chain Brickner (III) pg 25 English pg 26 Leeser pg 26 Chasing & Repousse Sherrod pg 27 Enameling Hart (I) pg 28 Hart (II) pg 28 Etching Fetvedt pg 29 Fetvedt pg 29 Faceting Andrus pg 29 Mitchell (I) pg 30 Mitchell (II) pg 30 Andrus pg 29 Searcy pg 30 Gem Trees Heer pg 30 Heer pg 30 Glass Fusing Glass Fusing Glass Fusing Stained Glass Glass Arts Kelley pg 31 Setnor (I) pg 31 Setnor (II) pg 31 Taylor pg 32 Intarsia

Jr. Rockhounds Bergquist/Green pg 33 Stinton/Green pg 34 Harmon/Stinton pg 33 Miller pg 33 Miller pg 34 Lampwork Beads Van Zyle (II) pg 34 Van Zyle (II) pg 35 Reed pg 34 Reed pg 34 Leatherworking Metal Clay Truty (I) pg 37 Truty (I) pg 37 Mineral ID Harmon pg 37 Forward pg 37 Mixed Metals / Fold Forming Cold Connections I Surface Design Richardson (II) pg 38 Mauser (I) pg 38 Opals Polymer Clay Stinton pg 41 Wild pg 41 Huck pg 41 Stinton pg 41 Silver Richardson (I) pg 47 Millner (I.5) pg 46 Cobia (I.5) pg 42 Fields pg 44 Silver Koebnick (II) pg 45 Ferrell (I) pg 44 Koebnick (II) pg 45 Koebnick (II) pg 45 English (I) pg 42 Silver Fox (I) pg 44 Ferguson pg 43 Leeser (III) pg 45 Silver Wayment (III) pg 50 Wayment (III) pg 50 St. Jean (I) pg 48 Silver-Wear Stephens (I) pg 50 Stephens (I) pg 50 Stephens (I) pg 50 Fly Tying Soft Soldering Tie Dying Jeff Heer pg 51 Patellis pg 52 Green pg 52 Unique Offerings

Wire Wrapping Wild (I) pg 56 Morgan pg 55 Sheridan (II) pg 55 Wild (I) pg 56 Wire Wrapping Taylor (II) pg 56 Mason (II) pg 54 Wild (II) pg 56 Mason (I) pg 54 Campbell (I) pg 54 Wire Weaving

15

2020 CLASS SCHEDULE

Please take time to look at each instructor's class description so you will be sure what materials and skills the class covers. Not all classes or instructors in a subject cover the same materials, skills, or techniques. Start Date 7/26/2020 8/2/2020 8/9/2020 8/16/2020 8/23/2020 SUBJECT 16 17 18 19 20

Basketry Lambert pg 19 Manning (I) pg 19 Manning (II) pg 19 Stoneham/Green pg 20 Stoneham pg 19 Beading Beading, Seed Kelly (II) pg 22 Green pg 20 Green pg 20 Kelly (I) pg 21 Kelly (II) pg 22 Cabochons Adams pg 22 Adams pg 22 Carby pg 23 Carby pg 23 King pg 23 Casting DePetro pg 25 Chain Trosino (I) pg 26 Trosino (II) pg 26 English pg 25 English pg 25 Chasing & Repousse Hammett pg 27 Hammett pg 27 Hammett pg 27 Enameling Brooks (I) pg 27 Brooks (II) pg 27 Brooks (III) pg 28 Etching Kirby pg 29 Kirby pg 29 Faceting Searcy pg 30 Mitchell (I) pg 30 Mitchell (II) pg 30 Roberts pg 30 Roberts pg 30 Gem Trees Stained Glass Kaliedascopes Glass Arts Taylor pg 32 Boyd pg 32 Intarsia Boggs pg 32 Jr. Rockhounds Gates pg 33 Lampwork Beads Reed pg 34 Kelly pg 34 Kelly pg 34 Leatherworking Huck pg 35 Kelley (I) pg 35 Kelley (II) pg 35 Metal Clay Lillie (Cert) pg 36 Mineral ID Forward pg 37 Harmon pg 38 Harmon pg 37 Mixed Metals / Cold Connection (II) Fold Forming (II) Flame Painting Surface Design Mauser pg 38 Richardson pg 38 Pace pg 39 Opals Boyce (II) pg 39 Boyce (I) pg 39 Polymer Clay Stinton pg 41 Wild pg 41 Silver Richardson (I) pg 47 Richardson (III) pg 48 Bruce (II) pg 41 Bruce (III) pg 42 Silver Leeser (III) pg 45 Price (II) pg 46 Ferrell (III) pg 43 Silver Ferrell (III) pg 43 St. Jean (II) pg 49 St. Jean (I) pg 48 St. Jean (II) pg 49 Lamott pg 45 Silver Fields (I) pg 44 Fox (II) pg 44 Fields pg 44 Silver-Wear Photography Huber pg 51 Unique Offerings

Wire Wrapping Campbell (II) pg 54 Miller (I) pg 55 Miller (II) pg 55 Sheridan (II) pg 55 Sheridan (II) pg 55 Wire Wrapping Wild (I) pg 56 Sheridan (II) pg 55 Campbell (I) pg 54 Mason (I) pg 54 Mason (I) pg 54 Wire Weaving

16

2020 CLASS SCHEDULE

Please take time to look at each instructor's class description so you will be sure what materials and skills the class covers. Not all classes or instructors in a subject cover the same materials, skills, or techniques. Start Date 8/30/2020 9/6/2020 9/13/2020 9/20/2020 9/27/2020 SUBJECT 21 22 23 24 25

Basketry Garcia pg 19 Garcia pg 19 Garcia pg 19

Beading Patellis pg 20 Kasper pg 20 Kasper pg 20

Beading, Seed Green pg 20 Heer (I) pg 21 Hodges pg 21

Cabochons Wild pg 24 Roberts (1.5) pg 23 Sherrod pg 24 Davis (I) pg 23 Davis pg 23

Casting Cohen pg 25 Bostwick (I) pg 24 Chain English pg 25 English pg 25 Chasing & Repousse Sherrod pg 27

Enameling Christina (II) pg 28 Christina (II) pg 28 Christina (II) pg 28

Etching Fetvedt pg 29 Fetvedt pg 29

Faceting Mitchell (I) pg 30 Mitchell (II) pg 30 Searcy pg 30 McGregor pg 29 McGregor pg 29 Gem Trees Kaleidoscopes Kaleidoscopes Glass Fusing Glass Fusing Glass Arts Boyd pg 32 Taylor pg 32 Larson (II) pg 31 Larson (II) pg 31

Intarsia Boggs pg 32 Jr. Rockhounds

Lampwork Beads Van Zyle (II) pg 34

Leatherworking Huck pg 35 Metal Clay Truty (I) pg 37

Mineral ID Harmon pg 38 Mixed Metals / Cold Conection (I) Cold Conection (II) Surface Design St. Jean pg 39 St. Jean pg 39

Opals Boyce (I) pg 39 Boyce (II) pg 39 Boyce (I) pg 39 Calvert pg 40 Polymer Clay

Silver Richardson (III) pg 47 Richardson (*) pg 48 Prillaman (II) pg 46 Fields pg 44 Fields pg 44 Silver Ferguson pg 43 Ferrell (II) pg 43 Koebnick (II) pg 45 Koebnick (II) pg 45 Koebnick (II) pg 45

Silver Cox pg 42 Lamott pg 45 Lillie (I) pg 46 Ferrell (I) pg 43 Wayment (III) pg 50

Silver Sherrod (II) pg 49 Sherrod (II) pg 49 Silver-Wear Wire & Fire Wire & Fire Carving Stevens pg 52 Stevens pg 52 Cline pg 51 Unique Offerings Soft Soldering Patellis pg 52

Wire Wrapping Wild (I) pg 56 Wild (I) pg 56 Wild (II) pg 56 Taylor (II) pg 56

Wire Wrapping Sheridan (II) pg 55 Campbell (II) pg 54 Wild (I) pg 56 Campbell (I) pg 54 Wire Weaving Firor (II) pg 57 Hodges pg 57

17

2020 CLASS SCHEDULE

Please take time to look at each instructor's class description so you will be sure what materials and skills the class covers. Not all classes or instructors in a subject cover the same materials, skills, or techniques. Start Date 10/4/2020 10/11/2020 10/18/2020 10/25/2020 11/1/2020 SUBJECT 26 27 28 29 30

Basketry Lambert pg 19 Beading Caldwell pg 20 Patellis pg 20 Patellis pg 20 Kasper pg 20 Kasper pg 20 Beading, Seed Heer (I) pg 21 Heer (II) pg 21 Green pg 20 Green pg 20 Cabochons Carby pg 23 Roberts (1.5) pg 23 King pg 23 Wild pg 24 Roberts (1.5) pg 23 Casting Chain English pg 25 Leeser (II) pg 26 Trosino (I) pg 26 Trosino (II) pg 26 Chasing & Repousse Sherrod pg 27 Sherrod pg 27 Enameling Lazzaro (I) pg 28 Lazzaro (II) pg 29 Hart (I) pg 28 Hart (II) pg 28 Etching Faceting Roberts pg 30 McGregor pg 29 Roberts pg 30 Roberts pg 30 Roberts pg 30 Gem Trees Glass Fusing Glass Arts Setnor (I) pg 31 Intarsia Boggs pg 32 Jr. Rockhounds Lampwork Beads Van Zyle (II) pg 35 Reed pg 34 Reed pg 34 Leatherworking Slavicek (I-II) pg 36 Metal Clay Lillie (III) pg 36 Mineral ID Harmon pg 37 Forward pg 37 Forward pg 37 Mixed Metals / Metal Manipulation Cold Connection (I) Cold Connection (II) Surface Design Mauser (II) pg 38 St. Jean pg 39 St. Jean pg 39 Opals Calvert pg 40 Boyce (I) pg 39 Boyce (I) pg 39 Boyce (III) pg 39 Boyce (II) pg 39 Polymer Clay Stinton pg 41 Stinton pg 41 Wild pg 41 Richardson (III) pg Richardson (III) pg Silver Prillaman (II) pg 47 Fields pg 44 48 47 Richardson (*) pg 48

Silver Leeser (III) pg 45 Ferrell (II) pg 43 Bruce/Kirby (II) pg 41 Bruce/Kirby (III) pg 42 English (I) pg 43 Silver Wayment (III) pg 50 Lillie (I) pg 46 Cox pg 42 St. Jean (II) pg 48 Silver Ferguson pg 42 Fox (III) pg 44 Fox (I) pg 43 Silver-Wear Carving Fly Tying Scrimshaw Scrimshaw Cline pg 51 Heer pg 51 Williams pg 52 Williams pg 52 Unique Offerings Tie Dying Green pg 52

Wire Wrapping Mason (I) pg 54 Adams (II) pg 53 Miller (I) pg 55 Miller (II) pg 55 Mason (III) pg 54 Wire Wrapping Mason (I) pg 54 Stevens pg 56 Wild (l) pg 56 Miller (I) pg 55 Wire Weaving Firor (I) pg 57 Firor (II) pg 57

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CLASS DESCRIPTIONS

Please take time to look at each instructor’s class description so you know what materials and skills are covered in the class. Be aware that not all classes or instructors in a subject cover the same material, skills, or techniques. Class descriptions by subject.

various centers to begin. Have fun matching threads, BASKETRY styles of stich-work, beads, dyed pine needles and other embellishments of your choice for your creation. LORRAINE GARCIA Expect to complete 1-2 small to medium size baskets. All levels welcome. Lab fee includes materials to Basketry I complete 2 baskets. Additional materials are available [5/10, 5/17, 5/24, 7/5, 7/12, 7/19, 8/30, 9/6, 9/13] for purchase. This class is for the beginning student. Award-winning Lab Fee………………………………………. $125 instructor Lorraine Garcia teaches basket making and Estimated Material Cost……………………..$0-+ so much more. Learn different weaves and techniques Prerequisites………………………………….None to make stylish, fun, and functional baskets that really stand out. You will create four different types of Basketry – Pine Needle – Coiling II baskets using hand-dyed reed to enhance their beauty. [8/9] Basket styles vary every year. All supplies and tools Closed coiling is a traditional style of core wrapping, needed to create these wonderful baskets are supplied enhanced with radiating or repeat motifs that highlight but remember to bring your enthusiasm. texture, color, and pattern. After shaping a round or Lab Fee………………………………………...$175 oval center, we will coil with raffia. Your choice of Estimated Material Cost……………………..$0-+ various cording hemp, or waxed linen is made Prerequisite…………………………………..None available for purchase. Various core materials will be discussed and made available. Expect to complete 2 ALMA LAMBERT small baskets or 1 to 2 medium baskets. All levels Basketry I welcome. Lab fee includes material to complete 2 [7/26, 10/11 ] baskets. Additional materials are available for Baskets made this session will be a cathead basket, a purchase. market basket, a teacup basket and a napkin basket. Lab Fee…………………………………..…...... $125 The cathead basket starts out with a square base and Estimated Material Cost…………………………$0 ends up round at the top. Turned upside down, it Prerequisite.…………………………………...None resembles the head of a cat. It is a purely decorative basket. The market basket carries casseroles and other JOAN STONEHAM treasurers. The teacup basket is for tea bag storage and Basketry I is a giant teacup. The napkin basket is decorated in [4/19, 4/26, 6/14, 6/21, 8/23] overlays and will be made last so you can incorporate Nothing is as spectacular as a hand-crafted basket new techniques learned during the week. Shaping, designed and woven by you, which is both useful and twining and other techniques tips and tricks will be artistic. Elevate the ordinary basket with various taught. All tools will be furnished. Lab fee covers all shapes, sizes, colors, and textures of your choice. Flat materials needed for the class and a twenty-page reed and round reed in various colors and sizes, canes, booklet of weaving techniques. cords, fibers, and naturals will be available to you. Lab Fee……………………………….……….$175 Multiple weaving techniques and an array of materials Estimated Material Cost……………………...$0-+ ensures no two baskets will be alike. Absolutely no Prerequisite…………………………..………None previous experience necessary. Lab fee covers use of all tools, basket scissors, lashers, packers, spray JOELLA MANNING bottles, basins, towels, sponges, tape measures, clothes Basketry – Pine Needle – Open Coiling I pins, electrical ties, crimpers, and several scarves, as [8/2] well as folders including Joan's original patterns and Learn the art of coiling pine needles while stitching a various handouts of braiding and weaving techniques decorative yet functional basket, worthy of a keepsake to enhance your baskets. Also included is use of or gift. We will work with cabochons or choice of

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different tones of basket spray to finish your basket of natural stone beads, pearls, other natural materials, and achieve a professional appearance. crystal and glass beads, sterling silver, 14KGF, Lab Fee………………………………………….$65 copper, and other metals. Beads, tools and all supplies Estimated Material Cost…….….....$55 per basket needed may be purchased from the instructor. Restring Prerequisite..…………………………………None your pearls. Cost of class will depend on student purchases. Prepare for fun! Miniature Basket Necklaces Lab Fee……………………………………..….None [8/16] Estimated Material Cost…………………$50-$300 These wearable miniature baskets are created by Prerequisites……………………………..……None twining with #4 waxed linen. Incorporating a little accent color and beads adds pizazz to each basket. BECKY PATELLIS Corresponding beads in the neckpiece is the final Beading Design & Techniques – Beyond touch to these wearable pieces of art. Expect to make 3-5 baskets. Lab fee includes many choices of colored the Basics waxed linen, packers, handouts, original patters, [4/12, 5/3, 5/10, 7/5, 8/30, 10/11 10/18] needles and thread. Beads will be available for sale Classes consist of beading techniques with an per students’ “choice” of colors, shapes and sizes. emphasis on intricate designs and personal style as Lab Fee………………………………………...$145 they apply to necklaces, earrings, pins, watches, etc. Estimated Material Cost……………………...$0-+ We will discuss pricing and marketing of finished Prerequisite…………………………….……..None projects. This class has good information for the beginner, as well as the more advanced. Students will have opportunity to learn knotting with silk or S-Lon, the correct beading wire for specific techniques, head BEADING pin use for earrings, basic Kumihimo. Beads, stringing materials, findings and tools will be available LIBBY CALDWELL for purchase from the instructor. I encourage you to bring any wirework, metal clay, or silver projects you Beading I might have that you wish to incorporate into your [4/26, 10/4] beaded work. See examples of student’s work on Students will learn the basics of string beading and Facebook: Becky Patellis Jewelry Designs or Friends knotting with the use of instructor’s tools. Students of William Holland on Facebook. will learn how to incorporate different types, styles Lab Fee………………………………………………...$45 and sizes of beads into jewelry pieces. The class will Estimated Material Cost………………………$150-$300 specialize in western style necklace, bracelet and Prerequisite…………………………………....None earing designs, we will also learn to string classic pearl necklaces. Students having a special focal piece they would like to add to their beaded project should bring them to class. A large selection of pearls, natural BEADING, SEED stones, crystals, spacers, pewter findings, stringing supplies, sterling, 14KGF, copper, and other metals, BARBARA GREEN tools and supplies will be available for purchase. Lab Fee……………………….…………………$45 Beading, Seed Estimated Material Cost……………….$150-$300 [4/12, 8/2, 8/9, 8/30, 10/25, 11/1] Prerequisite.…………………………………..None The beginning project will be done using peyote stitch in the round to create a beaded bezel around a cabochon. We will then explore other methods to DOT KASPER make beaded bezels. You will have the opportunity to Beading I learn other stitches such as right angle weave, [5/24, 5/31, 9/20, 9/27, 10/25, 11/1] herringbone, simple spiral, and double spiral, etc. Seed Using natural stone beads and pearls, Dot teaches the beads and related materials are available for all basics of bead stringing. You will learn to knot using projects. Lab fee covers needles, beading mat, triangle silk as first choice; select proper thread/wire size; as scoop, beeswax, all threads and glue used in class. This well as implementing different methods of closure class is open to all level of beaders. including bead tips, continuous, French coil, cones, Lab Fee……………………………………..…..$30 and crimp beads. Learn techniques as you lay out and Estimated Material Cost…………………75-$150 design. Students work on their own creations and at Prerequisite..…………………………………None their own pace. Choose from a large selection

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JERRI HEER Lab Fee…………………………………………..$50 Beading Seed Beaded Cabochons Estimated Material Cost………………….$25-$100 [6/14, 9/13, 10/11] Prerequisite....Knowledge of Peyote bezel of cabs. This class will teach creating beaded peyote bezels for cabochons, as well as a variety of attachment points, VICKIE HODGES edge stitches and embellishments. Learn to Bead, Seed II-3-D Beading professionally finish your pieces and create a variety [5/3, 9/27] of beaded ropes and strung bead necklaces for your Something different for the experienced beader. In this pendants. We will explore use of color palettes, many class you will create some wonderful pieces while varieties of beads, crystals and embellishments to exploring off-loom techniques, beaded beads, beaded create your own unique piece. Lab fee includes critters (octopus, turtle, etc.), boxes, earrings, etc. Lab instructional materials, kit including focal cabochon, fee covers instructions, mat, triangle scoop, thread, seed beads, embellishment beads and findings to and needles. Color palettes as well as other materials complete first pendant; bead mat, needles, thread will be sold as desired. Please bring any patterns, conditioner, bead foundation, suede backing, spool of beads, etc. you desire for discussion. If you have Fireline. Additional Stone and China cabochons, seed questions about the course, contact Vickie at beads, embellishment beads, findings and materials [email protected]. will be available for purchase. Student can expect to Lab Fee……………………..……………………$35 complete at least two pendants. You are welcome to Estimated Material Cost………….…...... $150-$300 bring your own stash of beads to use for your projects. Prerequisite……...Knowledge of off-loom beading, You should bring your own scissors, round nose and MRAW, Peyote, and RAW chain nosed pliers, crimp pliers etc., if you have them. Tools will be available to use. An Optivisor or other Bead, Seed II – Two-Hole Beading vision enhancement may be helpful. [4/26] Lab Fee………………………………………....$50 For the experienced beader that wants to expand into Estimated Material Cost……………..….$25-$100 the two-hole world of beads. You will create earrings, Prerequisite.…………………………….……None bracelets, necklaces, etc. using these two-hole beads. (Be aware that small bead/handwork is required.) There is no rush, you can bead at your own pace. We will learn how to attach clasps and what kind of clasps Seed Beading II – Bead Embroidery with are best for these items. Color palettes as well as other Cabochons materials will be available for purchase as well. Lab [6/21, 10/18] fee covers instructions, mat, tri scoop, thread and This class will use beaded peyote bezels to attach focal needles. Please bring any patterns, beads, etc. you cabs to a cuff, collar or larger pendant and will desire for discussion. If you have questions about the concentrate on techniques for symmetrical or course, contact Vickie at [email protected]. asymmetrical beadwork to complete project. We will Lab Fee……………………………..…..………..$35 study color palettes, creating texture and 3 Estimated Material Cost…………...….$150 - $300 dimensional qualities, exploration of hard cuff and soft Prerequisite……...Knowledge of off-loom beading, cuff options, finishing methods and more. A variety of MRAW, Peyote, RAW seed beads (8, 11, 15), crystals, natural stone beads, pearls and other beads will be available to embellish JUDY KELLY cuff. Lab fee includes instructional materials, focal cabochons, hard or soft cuff base, bead mat, needles, Kumihimo and Bead Crochet – Level 1 thread conditioner, bead foundation, suede backing, [7/19, 8/16] spool of Fireline, seed beads, some embellishment This class focuses on teaching Kumihimo for use in beads and findings to complete first project. multi-media projects, with the option to learn bead Additional Stone and China cabochons, seed beads, crochet if desired. Those choosing to focus on stone, pearl and other embellishment beads, findings Kumihimo will have time to tackle additional high- and materials will be available for purchase. Student level projects. Bead crochet or Kumihimo may be used can expect to complete at least one cuff or most of all as either a major or a minor element of your unique of a collar or pendant. Be aware that small designs. You will learn how to load your thread with bead/handwork is required, an Optivisor or other combinations of patterns that flow together within a vision enhancement may be helpful. You are welcome single project, and how to incorporate your visions to bring your own stash of beads and findings; you within these designs. Some, more difficult, designs should bring your own scissors. will incorporate different bead sizes, as well. Most

21

students will complete four to five unique projects. edges, techniques for creating domes, and cleaning up Lab fee covers all materials required to complete in will also be included (all students are expected to help class up to five projects which includes lampwork and clean the room at week’s end). “Additional credit” other unique elements that we incorporate into these may be earned for finding something good to cut in the lovely media projects. All lampwork focal pieces are throwaway bin. Everyone will be required to start with created by Judy. You will leave with a firm calibrated cabochons and may move to freeform once understanding of how to create your own, unique they have grasped the basics and feel comfortable. works of art. NOTE: This class is a prerequisite for Students with prior experience may progress at an Judy’s Kumihimo Level II Class. Students may take advanced pace but must still be attentive during all Level I and Level II in immediate succession. These lectures and demonstrations. Advanced techniques two classes are taught in two consecutive weeks. such as freeform cuts, symmetrical cabochons, Lab Fee………………………………………...$125 doublets, cabochon repairs and other topics will be Estimated Material Cost………………………$0+ discussed depending on student progress. Neither Prerequisite..………………………………….None crosses nor hearts will be cut in this class. Lab fee includes pre-forms and printed materials provided by Kumihimo/Bead Crochet – Level II the instructor. Students are encouraged to bring slabs [7/26, 8/23] to use in class. Slabs will be available for purchase Kumihimo/Bead Crochet Level II course is being from the instructor for $1.00 and up; total cost depends offered for those students who have taken the on productivity. Do not bring rough of any size to Kumihimo/Bead Crochet Level I course. Students class; students will not have access to a slabbing saw will be learning new techniques and designs. The during class. projects will be more difficult and require additional Lab Fee…………………………………………$20 time to complete. We will be including special focal Estimated Material Cost…………………..$5-$25 pieces specifically made for these special projects. Prerequisite.…….………………….………...None Different weaves will also be included in this class. The Lab fee covers all materials and student will DAVID BERGQUIST complete three to four Level II Projects. Students will Cabochons I leave with a firm understanding of how to create their [5/3, 5/10, 5/17] own unique works of art. Bead Crochet is optional for This course includes the fundamentals of material those lampwork and other unique elements that we selection, orientation, shaping and polishing of a incorporate into these lovely media projects. All variety of stones. Students will learn safety and proper lampwork focal pieces are created by Judy. You will use of lapidary equipment. They will learn to form leave with a firm understanding of how to create your standard, template cabochons, first with a softer stone own, unique works of art. Note: This class is a and then with a harder stone. After the first two cabs, prerequisite for Judy’s Kumihimo Leve II Class. students will learn a variety of shapes and freeform Students may take Level I and immediately follow it techniques using their own materials or slabs up with a Level II. These classes are taught in a purchased from the instructor. Students will learn to consecutive two-week period. maximize the potential of each cab by tailoring Lab Fee…………………………………………$125 orientation, size, and shape to the unique properties of Estimated Material Cost……………………….$0+ each stone. Custom shapes for specific jewelry Prerequisite……...Judy Kelly’s Kumihimo I Class applications will also be explored. After competence in cutting single stones is achieved, students will be introduced to composite cabochons. Lab fee includes CABOCHONS instruction pamphlet, sharp-shooter pen, glue, display box and material for the first two cabs. Materials cost

will depend on the amount and type of material STEVE ADAMS purchased. Cabochons I Lab Fee……………………………………….…$25 [4/12, 4/19, 7/26, 8/2] Estimated Material Cost……………………$0-$60 Students will learn the basics of cutting cabochons Prerequisite..………………………………….None including selecting rough, using the trim saw, shaping and polishing. We will also cover how to find Cabochon II scratches in cabochons and how to eliminate flat spots; [5/24] skills necessary to quality cabochon production. This is a course for an experienced cabbers. Student Equipment safety and learning, types of cabochons should have completed a Cab I course of at least 16

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hours and should have mastered the basics of standard, and modern cuts. Students should bring no more than templated forms. We will explore freeform and five slabs of their own. Lab fee includes original unusual templated shapes using the standard Genie as instruction manual, pre-forms and use of the well as a machine with extra space between the wheels instructor’s original templates. Additional slabs will to accommodate crosses, hearts, etc. We will create be available to purchase. contoured alternatives to the traditional slabs for sale, Lab Fee…………………………………………$25 students may bring their own slabs for their own use. Estimated Material Cost…………………...$0-$50 An Optivisor or similar magnification is Prerequisite.………………………………….None recommended. Lab Fee……………………………………………...... $25 JACK KING Estimated Material Cost………………………$30-$100 Prerequisite.………………………………..Cabochons I Cabochons I [5/31, 6/21, 8/23, 10/18] LARRY CARBY Students will cut a variety of materials using standard calibrated shapes or free forms. In the process, you Cabochon I will learn proper techniques and proven procedures, as [6/14, 8/9, 8/16, 10/4] well as cleanliness, ensuring that each step is finished You will learn the basics of selecting a rough slab for to its best and that you produce a high quality, no- cutting, using the trim saw to orient the stone, preform, compromise cabochon you will be proud of. This is a mark, grind and polish the stone to create a beautiful no-pressure, fun week working at your own skill level calibrated cabochon. As you progress in skill and and speed, with as much individual guidance as knowledge, the instructor will discuss the art of needed. Reviews will be made each day so that freeform cabochons and cabochon repairs. No student everyone can ask questions and make comments on will begin with freeform. Students experienced in the day’s progress. Different levels of material will be cutting cabochons are expected to be attentive during available for purchase, or you may bring you own. all instruction and demonstrations in this beginner’s Each student must agree to, and abide by, one class. Instruction will be given on the cleaning, care condition: at the end of each workday, you are and use of the saws and lapidary equipment with responsible for cleaning your own machine and work attention being given to safety. You will be area. In addition, clean the classroom so that the next responsible daily for maintaining the equipment you class will be greeted with a welcoming environment. use and are required to provide a complete and detailed If you have never cut before, do not worry, you will. cleaning of that equipment and the room at the end of If you have experience, we will look for areas of the week. You will need an Optivisor or some type of improvement so you can produce stones that are even non-handheld magnification devise. Aprons, masks (if more beautiful. Let’s have fun, stones that are even needed) and other material will be provided. You may more beautiful. Let’s have a fun-sharing week with bring slabs of agate or jasper (no more than 6) between rocks. Lab fee includes beginning slabs, as well as 5mm and 8mm thickness. Additional slabs will be diamond sprays for polishing and special epoxy used available for purchase from the instructor. The lab fee in class. includes the first preform, printed instructions and Lab Fee………………………………………...$25 other materials as needed. Estimated Material Cost……………………...$0+ Lab Fee…………………………………….…...$25 Prerequisite.………………………………….None Estimated Material Cost………………...... $0-$25 Prerequisite..…………………………………None PAUL ROBERTS PAT DAVIS Cabochons I.5 [7/12, 7/19, 9/6, 10/11, 11/1] The Basics and Beyond, Sometimes way Although in this class I introduce fancy shapes and Beyond composite cabochons (simple intarsia), no previous [9/20, 9/27] cabbing experience is required or expected. We start In this class, you have options. If you’ve never cut a by introducing the basic machines to be used: trim stone, you will learn how. If you already know the saw, cabbing machine (Genie or Cab King), using basics, bring your ideas and Pat will help you turn standard template shapes to achieve spectacular them into reality. We will cover factors to consider in domed cabochons with the vertical dies preferred by selecting a stone, proper use of equipment and tools, most craft folks for wire wrap or inlay setting. We some tips and tricks of the trade and a few ideas of then move on to fancier shapes (flat tops, inside what can be done with the finished pieces. We will curves, straight sides, and doublets). We will create also cover calibrated stones, free-forms, traditional calibrated stones using the “Cab Rest” and softer

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materials (such as marble and turquoise). Students discussion. Lab fee includes material for the first two will learn to determine the shape of the pre-formed stones, written instructions, and other materials stone depending on the pattern of the slab. Attention needed for class. Additional slabs will be available to will be given to safety, the use and care of machines purchase from the instructor or you can bring your and special characteristics of different cutting own (no un-slabbed rough). For maximum enjoyment, materials. Emphasis will be on quality, not quantity; bring an Optivisor or other magnifier. thus, the number of finished cabochons an individual Lab Fee……………….....……………………….$25 student may produce is expected to vary widely. Estimated Material Cost………………….....$0-$25 Instructions will be given at the beginning of each day Prerequisite….………………………………...None or work session, but the instructor will also work with individuals as needed. Basic class fee includes a kit Cabochon II including several slabs, an original manual of [7/5] instruction, and other material for the class. Additional This class is for the experienced cabber who wants to materials will be available for purchase at nominal expand their skills beyond basic calibrated shapes. prices. Students may bring their own (no rough to be Free up your imagination and bring your creativity! slabbed). Come prepared to discover some of Earth’s We will use classroom equipment, as well as special hidden beauty and to have a mountain of fun. wheels to create hearts, crosses, and other unique Lab Fee…………………………………………$35 shapes. For maximum enjoyment, the student should Estimated Material Cost………………$0 to $100 be actively making cabs and be proficient with basic Prerequisites………………………………....None calibrated shapes. You may bring your own slabs or purchase them from the instructor’s collection since DAVID SHERROD we do not have access to a slab saw. Non-handheld Cabochon I magnification, such as an Optivisor or clip-ons is [9/13] highly recommended. The class fee covers tutorials, Students taking this class will be taught the proper and the material for your first cabochon, and all the fun you safe use of cabbing machines and trim saws. Everyone can stand! will be taught how to select, orient, and mark slabs for Lab Fee…………………………………………..$30 maximum effect. All students will first cut a calibrated Estimated Material Cost...... ………………...$0-$50 oval from provided material to gauge their skills and Prerequisite……………………………Cabochons I identify areas for improvement. As confidence and competence increase, they can advance to more involved shapes and free-forms with the instructor’s CASTING approval. Individual attention will be gladly given as needed or requested. Students may bring their own slabs or purchase from the instructor’s inventory. STEVE BOSTWICK Lab Fee…………………………..……………..$25 Casting I Estimated Material Cost…………………...$0-$60 [6/14, 7/19, 9/13] Prerequisite………………………………..…None This is a beginning casting class where the student will learn the basics of lost wax centrifugal casting using JOHN WILD primarily .925 or .999 silver. We welcome repeat and experience casters. Students will make an initial cast Cabochon I with a commercial wax master, then students are [4/26, 6/28, 7/5, 8/30, 10/25] encouraged to generate custom wax masters This class is not just for the beginning cabochon particularly as settings for cabochons or other stones. student but is also for those that would like to refresh Students will learn how to modify commercial waxes their basic skills. You will learn how to choose the and fabricate their own designs out of wax material to work with and how best to orient your components or dip and carve methods around a stone. design to choose the material to work with and how Included in the class fee: handouts, two commercial best to orient your design to maximize the beauty of waxes, one initial cab, a selection of wax components your cabochon. This class will be fun and educational. for custom work, investment up to 10 lbs., finishing Beginning with calibrated cabochon designs, the materials and polishes. No casting metal is included in student will learn the techniques to shape, grind, and the class fee. Fine silver or sterling silver casting grain polish your designs into works of art. After mastering may be purchased from the instructor or the student basic skills, you will have the opportunity to work with may provide their own labeled casting grain or known freeform cabochons as well. There will be plenty of scrap. Additional waxes in a wide range of patterns, time for individual instruction as well as group cabs and faceted stones will be made available for

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purchase by the instructor or the student may provide Lab Fee………………………………………...$180 their personal stock. Media: silver; fine, sterling, and Estimated Material Cost………….…………..$0-+ bronze. Prerequisite..Basic metal skills Silver I & Silver II Lab Fee…………………………………………$120 Estimated Material Cost……………………....$0+$ DIANE De PIETRO Prerequisite..……………………………..….Silver I Casting [8/16] Casting II Diane teaches both centrifugal and vacuum casting [4/12] methods. She will have premade waxes to purchase This is an intermediate casting class that requires a and waxes to make your own original pieces to cast. pre-requisite of either a WH Casting 1 class or similar Wax models will be made from pre-made molds casting experience that results in the student’s skills although flat mold making will be covered as well. being well established in basic wax working, spruing Cast pieces will be finished and polished during class. models, and investing. The class will concentrate on Lab fee covers a handouts and 2 wax molds, all various methods of introducing organic materials into investments and polishes. Fine silver and Sterling will the cast work. This will include use of molded waxes be available for purchase. If you want gold, you must made from organic materials, preservation and bring your own. Dianne can be reached at preparation of organic materials for casting, [email protected]. fabrication of organic material with commercial or Lab Fee……..……………………………….…$105 custom waxes, and casting from an entirely organic Estimated Material Cost…….....………...... 0+$ model. The student is encouraged to bring self- Prerequisite………………………….………..None collected organic materials to the class for consideration as a cast piece. A selection of organic models will be provided. The WH grounds can be a source of organic casting model components with CHAIN consideration for the preservation of the ground’s natural flora. After casting, students will finish and NANCY BRICKNER polish their pieces. Included in class fee: Information, Chain III – Fused Chain two commercial waxes, a selection of wax [6/14, 6/21] components for custom work, selection of organic In this class you will learn to coil, cut, and fuse links materials or simple waxes for use as components, that you will stretch, forge and weave into chains. We investment up to 10 lbs., finishing materials and will work with fine silver, sterling silver and introduce polishes. No casting metal is included in the class fee. Argentium. There will be several chain patterns to Fine silver, sterling silver, and Ancient Bronze casting choose from after completing two patterns together. grain may be purchased from the instructor or the There will also be the opportunity to design your own. student may provide their own labeled casting grain or Students can expect to complete at least 5 chains. I will known scrap. Additional materials will be made supply all tool needs, but you may bring your own available for purchase by the instructor or the student pliers, jewelers saw, small butane or propane torch. I may bring their own. recommend bringing an Optivisor or magnifying Lab Fee………………………………………. $120 glasses. Lab fee includes instruction book, block, and Estimated Material Cost………..….….…$0-$100 fuse board. Prerequisite..……..………….....Silver I, Casting I Lab Fee………………………………………….$40 Estimated Material Cost………………$200-$ 400 BILL COHEN Prerequisite….Chain I + comfort with little torch. Casting – Lost Wax Casting [4/26, 6/28, 8/30] CHUCK BRUCE In this class we will explore centrifugal casting and Chain II – Advanced Loop in Loop Chain vacuum casting. How to make a rubber mold will be [5/31] shown. The lab fee includes wax pattern, casting brass, In this class, students will learn how to coil, form, cut and wax sheets, wax wire. If you want to cast in and fuse/solder fine or sterling silver rings, to make Sterling you are encouraged to bring your own metal loops, then form and weave the loops to make simple or scrap. Sterling casting grain will be available for and complex chains. We will explore 4 different purchase. We will cast pre-made patterns made from patterns: Roman Fold-over, Single Fold-over supplied molds. Students are encouraged to design a (Foxtail), Double Fold-over (Foxtail) and Sailors knot. wax pattern and cast their own design. Students should be able finish a bracelet and pair of

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earrings in each pattern. (These ancient beautiful Additional kits for projects as well as clasps, findings, designs are quite different from chain maille). There and other embellishments are available for purchase should also be time for additional projects or necklace from the instructor. Estimated materials cost depends versions of these chain are welcome to bring on the choices and number of projects chosen, as well them . Lab fee includes: (fine or Sterling silver as the price of silver. Please bring an Optivisor or material, findings for closures and earrings) for the something similar, and two pairs of chain nose pliers chains covered, a fusing block, scribe for manipulating to class. the rings, wooden draw plate, beads for earrings and Lab Fee……………………………………..…..$45 storage bags for unused rings. This fee also covers Estimated Material Cost……………….$200-$250 paste solder used in class. If you mess up, hand back Prerequisite…………………………….…….None to me and get new, makes learning a lot easier (without fear). Kits will also contain enough material to make Chain II – Intermediate 1 or 2 pair of earrings. Other kits will be available for [10/11] sale such as necklace versions in each, and other chain This class will use pre-cut and prepared sterling rings styles with kits. to make some of the more complex maille weaves. Lab Fee………………………….…………...... $150 Students typically complete four or more chains Estimated Material Cost………………...$100-300 during the week depending on their dexterity and Prerequisite..……………..…Silver I skills helpful, patterns chosen. At least one beginning chain class and but not mandatory. an ongoing participation in the making of chains are prerequisites for this class. The emphasis will be on MAGGIE ENGLISH completing some of the more intricate patterns as well Chain I as adding some unique touches to some favorite [5/17, 6/28, 8/9, 8/16, 9/13, 9/20, 10/4] weaves, making them “your own.” Please bring an This class is designed to teach basic chain making with Optivisor (or something similar), two pair of chain unsoldered jump rings. We will be using fine silver, nose pliers and any other tools the student prefers to copper wire and neoprene rubber rings. If you want use for chain making. Tools are also available from the gold-filled wire you need to let the instructor know. instructor as well as the William Holland store. The There will be precut jump rings for the first few kits, class fee will include a workbook with patterns, after that the instructor will demonstrate winding and instructions, charts and references. Various clasps and cutting of jump rings, as well as, polishing the toggles will be available for purchase from the competed item. Lab fee covers printed material, instructor. The expenses above the lab fee will depend copper wire and rings for practice. It is recommended on the additional stones, clasps, silver and beads that you bring an Optivisor. William Holland provides purchased. Look forward to a fun and challenging basic tools that you may borrow during the class or you week. may bring your own. A variety of kits will be available Lab Fee…………………………………………..$40 for earrings, bracelets and necklaces in fine silver Estimated Material Cost ……………………...$200 only. There will be an assortment of clasps for Prerequisites………...A beginning chain class and purchase from the instructor. Materials cost will ongoing chaining experience depend on the projects selected. Lab Fee…………………………………………$45 JANET TROSINO Estimated Material Cost……………………...$50+ Chain I Prerequisites……………………………….…None [4/26, 7/26, 10/18] This class will teach the basics of opening and closing CASE LEESER jump rings and the fundamentals of making jewelry Chain I – Beginning with unsoldered rings. Weaves will include, but are [7/19] not limited to, the Wiggly, Byzantine, European 4-in- Beginning Chain is a class set up for the true beginning 1, box or flat box, parallel, Persian, orbital, butterfly chain student. The student will learn the basic weaves or possibly Japanese chainmaille. Joe will cut and the steps necessary to make the work look individually chosen kits for you in copper, colored professionally built. Work will be done with pre-cut enameled copper wire, Argentium silver, silver filled, sterling silver rings. Students will advance through a some aluminum and limited gold-filled accent rings. series of weaves, completing four or more pieces, The instructor will supply all wire. The process of depending on their speed and agility. The lab fee winding, cutting and polishing rings will be includes a workbook with patterns, reference sources demonstrated during the week. The only tools needed and various useful charts to help continue weaving. are two pairs of jewelry pliers - flat nose or bent nose.

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Bring your own or you may borrow from the purchase silver sheet from the instructor or bring your instructor. An Optivisor or similar magnifying device own 22 gauge, 24 gauge is too fine for sheet metal. will be helpful. Lab fee covers notebook with Lab Fee………………………………….……..$200 tutorials, bead mat, jump ring opener, ruler, and needle Estimated Material Cost………………...$0 to 200 tool and storage box. Total cost depends on the Prerequisites……………………………….…None number of projects (bracelets, necklaces or earrings) made and metals selected. THOMAS HAMMETT Lab Fee………………………………………....$40 Estimated Material Cost………..…………..$100+ Chasing and Repoussé Elementary Level Prerequisites……….…………….……..…….None [8/2, 8/9, 8/16] This course will present the ancient art process of chasing and embossing (repoussé) in a series of Chain II increasingly complex pieces. Students will learn the [5/3, 8/2, 10/25] principles of metallurgy pertaining to chasing and Please read the description for beginning chain. No embossing, and be introduced to various tools, beginners please. We will review basic weaves, if materials, and techniques needed to produce low- and needed, and continue from there with weaves selected mid-relief sculpture in metal. All work will be done in individually by each student. This may include Celtic copper, and all tools and materials will be provided for Visions, GSG, Jens Pind, HP 4-in-1, dragon scale, student use. Students must provide their own eye viper scale, vipera berus kinged and many more. For protection and closed-toe shoes. those who wish to add beads and crystals to their Lab Fee…..……………………………………$175 chainmaille, the student can make more complex Estimated Material Cost…….……………...... $0+ weaves, such as Spine of the Centipede, Glass Prerequisites…………………………………None Caterpillar, Caged Jewels, or their own creation. Variations of each pattern will be discussed. Joe will cut your individually chosen projects in either colored enameled copper wire, copper, Argentium silver, ENAMELING silver filled, aluminum, or square wire (in enameled copper, Argentium silver and some aluminum) for DIANNE BROOKS certain weaves or a limited amount of gold filled for Enameling I accent rings. Neoprene rubber rings will be available [8/2] for certain projects. The instructor will supply all wire. Marry glass with copper silver, providing a range of Total cost depends on number of chains and metals design with color that can be as controlled or selected. serendipitous as you want. Lead-free enamels used Lab fee……………………………………….…$40 will include opaque, transparent and watercolor. Basic Estimated materials cost……………………$100+ techniques include dry-sifting and wet-packing, Prerequisites.... Chain I or prior experience with sgraffito, stenciling, texturing for basse-taille, chainmail inclusions, kiln firing and safety. Enameling tools and supplies will be provided for your use. Lab fee will include handouts, enamels, supplies, tool usage and CHASING & metals for five projects. Additional materials and supplies can be purchased from the instructor. A few REPOUSSÉ basic metalworking tools will be available for use, but since our focus is on enamels and not metalworking, MORNING SHERROD we will use mostly simple pre-cut metal forms. You may also bring previously etched, fold-formed or Chasing and Repoussé previously-fired silver PMC. [4/19, 6/14, 7/5, 8/30, 10/25, 11/1] Lab Fee ……………………………..………….$100 In this class students will learn the ancient art of Estimated Material Cost…………………..$0-$100 moving metal into a three-dimensional shape. This is Prerequisite……………………………………None accomplished using a set of tools called chasing liners and repousse punches. Planishing tools for smoothing and texture punches for pattern background finish off Enameling II [8/9] the process. All this is performed on a bowl of warm Take your enameling skills to the next level. You will German red pitch. Lab fees include the use of all tools and materials. We will learn on copper. As you learn advanced techniques such as cloisonné, become more confident in your skills you may champlevé, and plique-a-jour. We will focus on wet-

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packing transparent enamels, lead-free enamels on PATRICIA HART silver. Good piercing and soldering skills will be Enameling I required for some of these methods. Enameling tools [4/12, 7/5, 10/18] will be provided for your use. This class includes discussions, demonstrations, and Lab Fee…………………………………………$150 experiences with enamel studio basics, safety, use of Estimated Material Cost…………...………$0-$100 the kiln, selection and preparation of metals, safe use Prerequisite……….. Silver I (Silver-soldering and of enamel powders and other materials, Piercing. Enameling I (not enameling on PMC) troubleshooting and good record keeping. We will be using the elements and principles of design relative to Enameling III the creation of wearable art/jewelry. My teaching [8/16] approach is to expose you to various techniques This class is for experienced enamellists who want to through samples & demonstrations then allow you to stretch their skills beyond where they are. In an open choose what you would like to do. Techniques studio format, you will be expected to come with included are: sgraffito, copper and fine silver wire as design plans. You may pre-fabricate some if you wish. design elements, simple wire Cloisonné, drawing, Rather than lectures on techniques you already know, painting, stenciling and crackle enamel. I will help you work on your projects that will stretch Lab Fee………………………………………..$110 you with techniques beyond your basic skills. You Estimated Material Cost……….…..……….. $10+ may pre-fabricate some complex pieces such as for Prerequisites…………………………………None champlevé or plique a jour. We will work some with leaded enamels to get those exquisite luminous colors. Enameling II Other techniques we might explore are painting, pen [4/19, 7/12, 10/25] and ink, raku, separation, crackle. Please bring your This class is your opportunity to practice and further favorite hand tools to work with. I will have silver and develop your skills and learn to combine techniques some copper for purchase in the class. Lab fee will taught in Enameling 1 Plus. New techniques covered cover silver for three projects and enamels, will be traditional Cloisonné, using transparent supplements, and other supplies. enamels and fine silver foil; basse-taille using the Lab Fee………………………..…………...…..$175 rolling mill and chasing/texturing tools; and Estimated Material Cost…………………..$0-$100 enameling simple sawed shapes and folded forms, Prerequisite. ..Enamel I from at least two different which you create in class. As usual, you will have the instructors (not just workshops) and an Enamel II choice to apply any or all of these more advanced Class. Proficiency in piercing (sawing) soldering techniques. You will also learn to attach bails to your and/or fusing. work before enameling by soldering fine silver or copper wire using a butane torch. CHRISTINA Lab Fee……………………………....…………$120 Enameling II Estimated Material Cost………………..…...$0-$10 [9/13, 9/20, 9/27] Prerequisites…Enameling 1 Plus or an Enameling In this class we will cover some classical like Basics Class. cloisonné’ besides many other techniques such as basse-taille, Mosaic sgraffito, Liquid Enamels, SAMANTHA LAZZARO Enamels Paints, stencils, crackle and separation. We Enameling I will get into a more detailed knowledge of materials, [4/26, 5/3, 5/24, 10/4] especially of transparent and opaque Enamels. We We will start by learning kiln and tool safety, as well will also address design challenges and use of colors. as how to anneal, texture, and clean copper before The lab fee covers everything to complete at least five enameling, then begin the basic enameling techniques. projects. Additional materials will be available for Additional techniques include wet packing, sgraffito, purchase. Payment for the lab fee and other items can watercolor paintings, wire inlay, enamel pendants with be paid by cash or check. stones, separation enamels, and use of rubber stamps; Lab Fee………………………………...……....$120 more possible depending on interest. Lab fee includes Estimated Material Cost…………………...$0-$50 a class kit with all enamel colors, jewel lumps and Prerequisite…………..Basic knowledge and some enamel threads, as well as different copper shapes, practical experience in enameling procedures. copper sheet, and wire to use for the projects. Additional copper pieces, tools, findings and enamels will be available for purchase. Lab Fee………………………………………..$150

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Estimated Material Cost………………………$0+ Copper and silver will be the main metals we use for Prerequisites………………………………….None this course (others can be used). It is recommended to use the internet to find images that interest you. Find Enameling II simple designs and be careful of trademarked images. [5/10, 5/31, 10/11] I will have some designs available to use. Lab fee will We will start with a review of basic enameling include first project and consumables. All other metals techniques and then move into acid-etching copper in select shapes can be purchased or feel welcome to and using etching as a texture, as a guide for painting, bring your own metal. (18GA or 20GA for bracelets, or enamel parts and leave copper to polish. You will 20GA for pendants and 24GA. for earrings) be shown how to enamel vintage red brass pieces, rivet Lab Fee………………………………………..$150 pieces together to make a ring, and enamel on silver Estimated Material Cost……….…………..….$0+ leaf. More techniques are possible depending on Prerequisites………………………………….None interest. Lab fee includes a class kit with all enamel colors, jewel lumps and enamel threads, as well as different copper shapes, copper sheet, wire and red FACETING brass pieces to use for the projects. Additional metal pieces, tools, findings and enamels will be available for purchase. LANCE ANDRUS Lab Fee…………………………………...... $150 Faceting I Estimated Material Cost…………...………….$0+ [6/14, 6/21, 7/12] Prerequisite………………….Recent Enameling I This course will give the student the necessary skills to facet your first stones. Students will cut a simple octagon shape in synthetic quartz as their first stone. ETCHING Students will learn wax dopping, how to use a faceting machine, stone transfer, lap maintenance and other techniques. The lab fee includes a manual, rough for JOHN FETVEDT two stones and an Ultralap polishing lap. Students may Etching bring in their own rough if they choose; nothing harder [4/19, 4/26, 7/5, 7/12, 9/13, 9/20] than a 7 on the Mohs hardness scale. Students should Ge t in-depth knowledge and experience electro- bring an Optivisor or similar head mounted etching metal using simple equipment that can easily magnifying device. and safely be set up and used in your home studio. The Lab Fee………………………..………….……..$50 advantages of electro-etching include: no caustic or Estimated Material Cost………………..……..$0+ highly dangerous chemicals are used, and no Prerequisites……………………………….....None dangerous gases or fumes are created during the process. The techniques and information learned in DAVE McGREGOR the class may be used to electro-etch copper, brass, Faceting I bronze, nickel silver, and silver, depending on the [5/24, 5/31, 9/20, 9/27, 10/11] electrolyte. The $150.00 supply fee for the class does This class is designed for the beginner but will be not include any metal but does include all of other enjoyable to those who have faceted before. materials used in the class. Instruction will be based on the book written by Tom Lab Fee…………………………………...……$150 Mitchell. We will cover the basics of meet-point Estimated Material Cost…….…….…….....….$0+ faceting, faceting machine operation, lap selection and Prerequisites.…………………………..……..None care, stone selection, dopping, and polishing, along with a discussion of how faceting angles are selected. MICAH KIRBY The class will also include a brief introduction to the Etching computer programs, GemCad and GemRay. Faceting [8/16, 8/23] machines are provided for use by William Holland but Learn a design driven approach to Electro Etching. nothing harder than quartz, a 7 on the Mohs hardness Gain knowledge using multiple masking techniques, scale, may be cut using the school’s laps. Students oil-based marker, vinyl, P-n-P, and photosensitive may bring their own machine and laps. Students are paper as resists on metal. Acquire experience with strongly encouraged to bring and Optivisor or two, non-caustic and non-gas producing electrolyte equivalent magnification device. The class fee covers solution; salt and cupric nitrate. Low voltage power Tom’s book, sample faceting diagrams, a piece of supplies will be our power source to initiate etching. faceting rough and an Ultra-Lap for polishing.

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Additional rough will be available for purchase. Each You will learn the Meet point faceting method of stone Student should be able to complete 2 stones during cutting. All students will be supplied with three pieces class. This is expected to be a week of fun crating a of facet rough, an instruction book with ten different beautiful gem and a springboard for continuing your facet diagrams and a list of critical angles. We will adventures in faceting. cover choosing rough stone and orienting your stones Lab Fee…………………………………...…….$55 in to get the best color and maximum yield. The Estimated Material Cost.………………...……$0+ student should expect to learn and have a lot of fun at Prerequisites…..………………………....…..None the same time. Lab fee covers all facet rough and instruction book Lab fee must be paid in cash only. TOM MITCHELL Bill can be contacted at 404-556-8322. Lab Fee………………..……………………....$100 Faceting I Estimated Material Cost ……………...... ……$0+ [5/3, 6/28, 8/2, 8/30] Prerequisites……………………………..…..None In this class you will learn the art of meet point gem faceting. No math skills are required. All of the math has been done for you. If you read, follow directions LINDA SEARCY and perhaps have a little patience you cut your own Faceting I bling. You will learn how to examine a stone to [4/26, 7/19, 7/26, 9/13] determine if it is facet worthy. You will also learn how Precision faceting takes time and patience to transform to read a faceting diagram and how to apply the a crystal or rough rock into a work of art. In this week- instructions on the diagram to the faceting machine, long workshop, you will: 1) get acquainted with the then how to cut and polish the facets and much more. faceting machine, 2) Learn about abrasive disks/laps This requires magnification in the form of an Optivisor to do the cutting/grinding and polishing, 3) Learn how or other magnification device. Your first stone should to turn a piece of natural or man-made (synthetic) be better cut than those in most commercial jewelry crystal into a beautiful gemstone; learn how to stores. The lab fee includes my book: Faceting 1, prepare/dop a stone; learn how to read and understand Learn the Fine Art of Gem Faceting, It’s Easy!, plus a faceting diagram; learn Meet Point (precision) several easy cutting designs, the first stone you cut, a faceting. By the end of the week, you should complete Spectra Ultralap for polishing and much more. at least one or 2 gemstones. Due to the nature of the Lab Fee……………………………………….....$50 precision work, you will need magnification, either an Estimated Material Cost……………………….$0+ Optivisor with #5 or #10 lens or a 10X magnification Prerequisites…………………………………..None loupe. You should also bring a notebook, an apron (or wear clothes that you do not mind getting dirty), and Faceting II hand towel. Fee will include facet rough (natural [5/10, 7/5, 8/9, 9/6] and/or synthetic) to complete at least 1 or 2 gemstones, To feel comfortable in this class you have taken student handout that includes basic faceting design Faceting I or you should have cut approximately 10 or diagrams, and a polishing lap (cerium oxide Ultralap). more stones. This class is intended to help you hone Lab Fee…………………………………………$50 your faceting skills. You can learn how to size or learn Estimated Material Cost………………..……..$0+ more about Gem Cad and Gem Ray, which are Prerequisites….…………….………………...None faceting design programs. What you learn depends on your individual needs. The lab fee includes my book: Faceting 1, Learn the Fine Art of Gem Faceting, It’s GEM TREES Easy, a Lightning Lap Ce-Ox polishing lap, your first stone, medium difficulty faceting diagrams, and much JERRI HEER more. Some of these diagrams require start cutting. Therefore, you may also want to bring your laptop Gem Trees I with Gem Cad installed on it. [4/12, 4/19, 7/12, 7/19] Lab Fee.…………………………………………$75 This class will start with the basic skills of gem tree Estimated Material Cost……………………….$0+ making and graduate to an exploration of multiple Prerequisites…………...Faceting I or comparable styles and advanced designs of truly beautiful and species-specific trees. We will discuss, study and sample a variety of construction methods, as well as BILL ROBERTS how to plan and create our own patterns from nature. Faceting I Lab fee includes wire, leaf stones, bases and materials [4/12, 4/19, 8/16, 8/23, 10/4, 10/18, 10/25, 11/1] to make at least three trees of the student's choice. All

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instructions, patterns, tools and materials are provided. Once again, I’m back to teach a fun-filled glass fusing Student is encouraged to be creative and bring ideas to class! This class is great for both beginners and design their own trees. A large variety of additional intermediate students. We will go over safety factors, wire, leaf and base materials will be available for types of glass including what works well together and purchase. what doesn’t, (COE), how to cut glass and information Lab Fee…………………………...……………..$80 about kilns and kiln temperatures. Once the important Estimated Material Cost……………………$0-150 stuff is out of the way, be prepared to dive right into Prerequisites…………………………………..None making your first project! We will also be making my “Ice Pendant” and do a simple 2-minute wire wrap on Gem Trees II it. Other projects include kits for pendants, earrings [5/10] and a home accessory project. You will be busy during This class will expand on creating species-specific the class so bring your creative juices and let’s go! My gem trees using the characteristics of natural trees. lab fee includes all glass, frit, noodles, kiln paper, Students will be expected to design their own tree(s) findings and use of my tools. I will have additional kits using the techniques taught in class and should come and glass for sale. prepared with several species in mind. A variety of Lab Fee……………………………………….$150 designs will be studied as examples. Lab fee includes Estimated Material Cost…….……….……….$0+ wire, leaf stones, bases and materials to make at least Prerequisites…………………………………None two trees of the student’s design. All instructions, patterns, tools and materials are provided. A large MARGO SETNOR variety of additional wire, leaf and base materials will Glass Fusing I be available for purchase. [7/5, 11/1] Lab Fee…………………………….….…………$80 This class focuses on learning all the basics of fusing Estimated Material Cost…………………..$0-$150 glass. We will cover various techniques to create both Prerequisites…………………..………Gem Trees I artistic, and functional glass pieces. All projects made in this class will use Bullseye COE90 glass; which you will be cutting, stacking, bending, and reforming to GLASS ARTS create several interesting items to take home! Along with definitions, terminology and various tools used in

glass, you will be learning kiln safety and information. JULIA LARSON Class fee includes: Workbook (steps for each project Glass Fusing II covered in class) all glass necessary for each project, [4/12, 4/19, 9/20, 9/27] use of hand tool kits, fiber/shelf paper and all kiln This is not a beginning class. Glass cutting will not be firings to complete each project. Additional project taught. Students are expected to have a basic kits, glass packets and sets will be available for understanding of glass cutting, glass fusing and kiln purchase. functions. This class will focus on some more Lab Fee…………………………………………$0+ advanced fusing and design techniques, including Estimated Material Cost……………...….…..$275 creating original and unique glass; layering dichroic Prerequisites………………………………….None glass and decals; and using everyday objects to achieve special effects. Several projects will be Glass Fusing II created; however, the class is not primarily a [5/17, 7/12] “production” class. New projects are added each year, Focus of Glass Fusing II is on having fun creating so you will not be bored if you have previously taken jewelry, and smaller artistic pieces! Opportunity to this class. The class fee is $130, which includes all combine and layer dichroic ‘bling’, Iridescent, glass and supplies. Please bring your own glass tools. Transparency, decals, and transfers. Make Lab Fee ………………………………………...$130 components for projects in this class or save some for Estimated Material Cost……………………….$0+ future projects! Should you have your own tools, you Prerequisites…………....Glass cutting/glass fusing are welcome to bring them. All projects made in this experience. Basic kiln function knowledge class will use Bullseye COE 90 glass. DO NOT bring any glass to class! Additional project kits, glass RENEE KELLEY packets, and tool sets will be available for purchase. Glass Fusing I Lab Fee…………………….………….……...... $0+ [6/14, 6/21] Estimated Material Cost……….…………….$275 Prerequisites………………….……Glass Fusing I

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Glass Fusing III Lab Fee…………………………………………$185 [5/24] Estimated Material Cost……………………$0-$75 Put on your creativity cap! This class is all about Prerequisites…..Experience cutting and soldering techniques and what you can do with them! You will stained glass. receive a workbook with complete step-by-step instructions for all projects, firing schedules and other Stained Glass I glass fusing information. All project ideas will be [7/19, 7/26] discussed along with instructor recommendations and This class will introduce you to foil techniques for pointers for the best results of each creation you creating stained glass. We will discuss the differences make… however you are encouraged to ‘think outside between glasses, foils, leads, channel and patinas and the box! Should you have your own tools, you are explain what tools we use and their purposes. Before welcome to bring them. All projects made in this class we begin making any projects, we will practice scoring will use Bullseye COE 90 glass. DO NOT bring any and breaking glass. This will give us a chance to try glass to class! Additional project kits, glass packets different cutters to see what works best for you. After and tool sets will be available for purchase. that, we will be making a small sun catcher from Lab Fee.………………………………………..$150 beginning to end. We will make the pattern, transfer it Estimated Material Cost…………………...... $0+ to the glass, score, break, and grind and foil the glass, Prerequisites.…………….…….…..Glass Fusing I solder the pieces together and finish the piece by cleaning and polishing it. The next projects will MITZI BOYD increase in difficulty as we build up the size and number of pieces from the sun catcher; culminating in Kaleidoscopes the manufacture of a larger panel, a kaleidoscope and [4/26, 5/31, 8/23, 8/30] finally a 4-D Angel. Lab fee covers all materials Kaleidoscopes-Creating Magic. In this class you will needed to complete basic projects including glass, learn the exterior and interior construction of a scope solder, lead, marbles, mirrors, foil and edging by making one out of PVC pipe. Second, we will use material, as well as patterns and instructions for each a 5x7 picture {that you bring} to make an acrylic project. Additional materials will be available for memory scope. The end will contain crystals of purchase. birthstones or small objects that have sweet memories. Lab Fee……………………………..………….$100 Third, we will make a brass scope with a liquid filled Estimated Material Cost……………………$0-$75 wand at the end. Last, if time permits, we will make a Prerequisites…………………………………..None small 2 ½” scope that can be made into a necklace or key chain. I use front surface mirror and magnifying lens to show the clarity of the beautiful magic you have created. Basic knowledge of glass cutting and INTARSIA soldering is useful, but I will help you learn this. We will discuss differ mirror system and differ material to BILL BOGGS make high quality scopes. Most of all we will have Intarsia fun and learn a craft the whole family will love. [6/14, 8/9, 9/27, 11/1] Lab Fee………………………………………...$100 We will be learning to cut and shape small pieces of Estimated Material Cost…………….……..$0-$75 colorful or otherwise interesting rocks and actually Prerequisites………………………………….None gluing them together to form intricate scenic and/or geometric patterns. This is a basic class. We will be using flat laps and Intarsia grinders (not ALFRED TAYLOR faceting machines). Materials are provided but feel Stained Glass – Kaleidoscopes free to bring some of your own if you like. A start-up [9/13] kit of basic supplies will be provided for a nominal This class will introduce students to the different types cost. The overall costs for the week will depend upon of stained-glass kaleidoscopes and the basics behind how many slabs and of which type of material you their workings. We will be making a basic purchase. Overall costs for the week will be less if you kaleidoscope with a marble; a triangle tube stained have your own material. glass with 2 spin wheels also with stained glass; a Lab Fee…….……………………………………$18 kaleidoscope with a glass liquid wand; finally, if time Estimated Material Cost………...………..$20-$40 permits a bi-wing airplane. Added Lab fee covers Prerequisite……………………..…….. Cabochons glass, lead free solder, patterns and the basic hardware to complete the projects.

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DEBBIE GATES Jr. ROCKHOUNDS Junior Rockhounds – Ages 10 – 14 Jewelry Making, Beading, & Metalsmithing SANDRA BERGQUIST [8/2] BARBARA GREEN We will focus on safety in the classroom and learn the Junior Rockhounds – Age 12 – 17 appropriate use of various tools. Students will be Wire Wrapping & Seed Beading introduced to techniques including piercing, sawing, hammering, texturing, doming, stamping, filing, [6/21] patina, finishing and polishing metal. We will discuss This course combines basic instruction in both seed the color wheel, balance, proportion and style. Taking beading and wire wrap. Projects allow students to some of the metal pieces we had made, we will design build skills steadily to accomplish projects of jewelry and decorative objects using various sizes, increasing complexity. At a minimum, five wire wrap shapes and colors of beads. Students will be able to projects will be presented plus complementary or complete 9 items—3 sets of jewelry; a necklace, enhancing beaded projects such as a Kumihimo bracelet and earrings. Additional metal and beads can necklace to accompany a wire wrapped pendant. be purchased at market prices. Students will be given Design elements to include beaded accents for wire a booklet illustrating each technique and project. wrapped pieces will be presented. Additional projects Lab Fee…………………………………………$75 will be offered as student’s experience, interest, and Estimated Material Cost ……………………...$0+ time allow. Students who have taken this or a similar Prerequisite…………………………………..None course previously will be provided new projects commensurate with their experience, interest, and ability. Although all required supplies and tools will MARSHA HARMON be available for use during the class, students may STACEY STINTON bring their own tools and supplies. Optivisor or Junior Rockhound – Ages 13 – 16 magnifying clip-ons are strongly recommended. Lab Mineral Identification fee covers handouts, supplies for proposed projects [7/5] including all beads, findings, cabochons and shaped We will be doing 4 field trips to collect local gems and brass, bronze and copper wire. Beads and cabochons minerals to include: quartz, garnets, staurolites, for wire wrap projects beyond the pre-planned projects feldspar, moonstone, rubies, gold and mica. We will plus silver-filled, sterling silver or gold-filled wire will also visit the Franklin Gem & Mineral Museum, be available for purchase from the instructors. Contact Dahlonega Gold History Museum, a Franklin sluice Sandra with questions at email: [email protected]. mine, and pan for gold in a stream in Georgia. Nature Lab Fee…………………………...... $110 hikes, Polymer Clay and other associated crafts will be Estimated Material Cost….….……………..$0-$40 taught by Stacey Stinton. Lab fee includes all Prerequisites…………….…………………....None materials for projects, transportation, museum entry, sluice mine, water and packed lunch on field trip days. SCOTT FORWARD Students need to bring water shoes, old clothing, Junior Rockhound – Ages 8 – 14 (Jrs. & Srs.) towel, and be verbally responsive in nature settings. [6/14] Lab Fee………………………………….……..$150 Enjoy the thrill of hunting for rocks and minerals with Estimated Material Cost…………………...... $0+ your son, daughter, grandson, or granddaughter. You Prerequisites……………………………Ages 13-16 will learn how to identify and classify all the rocks that you find, and you will find a lot. This class brings RON MILLER family together to enjoy spending time together whiles Junior Rockhound – Ages 9 – 13 searching for awesome minerals. Don’t miss this opportunity to spend some time together, and you may Wire Wrap Class even inspire some new rockhounds. Enrollment for [7/12] this class requires two students; one student age 8-14 This class is designed for students 9 to 13 years of age. and a second 21 or older. Lab fee is for both students. The main objective of the class is to introduce basic Applications for this class will be reviewed and wire wrapping to young students. The morning session approved prior to confirmation. of the class will include wire wrapping projects that Lab Fee………………………….…………….$300 students can complete successfully. The afternoon Estimated Material Cost…………………...…$0+ sessions will include crafts and activities that are fun Prerequisites…………………….8-14 years of age and appropriate for this age group. The daily schedule will allow for planned breaks in each session.

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Lab Fee…………………………………………$110 CINDY REED Estimated Material Cost…………………...... $0+ Lampwork I Prerequisite……………………………………None [7/12, 7/19, 7/26, 10/25, 11/1] Beginning students will learn about studio set up with Junior Rockhound – Ages 13 – 17 an emphasis on safety. You will then move on to Young Adult Wire Wrap Class working with hot glass, learning how to pull stringers [7/19] and twisties. Next we make beads using the stringers This class is designed for young adults age 13-17. The to add embellishments to your works of art. You will main objective is to introduce wire wrapping to young learn to make basic bead shapes as well as some adults. The class will include rings, bracelets, sculptural items like fish. Metal leaf/foil, encasing, pendants, dream catchers, and gem trees. Kits will raking, working with frit will also be covered. You are include copper, brass and silver filled wire. Beads, encouraged to turn your treasures into wearable art charms, cabochons, findings and small items for using wire, chain, Swarovski crystals, etc. (available projects will be included also. Plan on doing 14 to 16 for purchase or you can bring your own). You are projects as time allows. welcome to bring your own Didymium glasses, tools, Lab Fee…………………………………….….$120 glass (104 COE) and supplies. Students must wear Estimated Material Cost………………….…...$0+ 100% cotton clothing and closed-toe shoes . Lab fee Prerequisite……………………………..……None covers glass, mandrels, consumables, and some other useful tools. STACY STINTON Lab Fee…………………………………………$90 Estimated Material Cost……………..…….$0-$40 BARBARA GREEN Prerequisites………………………………….None Junior Rock Camp for Kids – Ages 6 – 12 [6/28]

We will be doing camp crafts which will include tie- GEORGIA VAN ZYLE dye t-shirts, painted rocks (which we will hide around Lampwork Beads II- Florals the campus), friendship bracelets, dream catchers and [5/10, 9/27] other camp activities as time allows. Weather The focus of this intermediate class is encased and permitting, we will be going on a day trip to the surface floral beads. A kit is provided that includes Franklin Gem & Mineral Museum and one of the local didymium glasses and basic tools, but you should mines. Polymer Clay will be taught by Stacey Stinton. bring your own mandrels and favorite tools. An Students will learn polymer clay basics. Lab fee Optivisor or clip-on magnification will be helpful. The includes all materials for projects. lab fee includes all materials needed for class projects Lab Fee………………………………………...$150 except for mandrels. Students must wear didymium Estimated Material Cost……………….….…...$0+ glasses, closed-toe shoes and 100% cotton clothing. Prerequisite……………………………….…..None Lab Fee………………………………………...$115 Estimated Material Cost……………………...$0-+ Prerequisite……………..Lampwork I or previous lampwork experience. LAMPWORK Lampwork II – Exploring Reactive Silver JUDY KELLY Glass Lampwork I [6/21] [8/2, 8/9 ] Students in this intermediate/advanced class will In Lampwork I, Ms. Kelly has students at different explore working with reactive silver glass. You will experience levels. She strives to make sure each learn techniques to work with both reducing and student is provided with challenging projects and striking glass while working on advancing your skills techniques that will increase their level of expertise. in heat control, bead shaping and encasing. You She wants students to leave with an increased ability should bring your own mandrels and tools. Didymium and be excited to come back and learn more. Students glasses, closed-toe shoes and 100% cotton clothing should be able to complete their class projects for the must be worn. The lab fee includes all materials week without additional costs. necessary to complete class projects except for Lab Fee…………………………………….…..$125 mandrels. Estimated Material Cost………….….………..$0+ Lab Fee…………………………………….…..$150 Prerequisite…………………………..……….None Estimated Material Cost……………………….$0+

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Prerequisites…………....Lampwork Beads I and a variety of different magnetic dies. You will be able 100 hours of torch time outside of class. to make at least two of each earrings, bracelets and pendants. Additional materials may be purchased for a Lampwork Beads II – Exploring nominal fee. Electroforming on Lampwork Bead Lab Fee………..……………………………….$150 [6/28] Estimated Material Cost…………………...... $0+ We will explore the process of electroforming on glass Prerequisite…………………..…….………….None beads in this class. While making lampwork beads to electroform you will work on advancing your skills in RENEE KELLEY heat control, working with larger focal beads, and bead Leather I shaping. Electroforming a bead takes preparation and [4/19, 5/17, 8/16] many hours in the electroforming bath. Bring a large This class is to familiarize students with various bead to class with you on Sunday night so that we can techniques of leatherworking. I will be going over tool prepare it and be ready to begin electroforming it information and how to apply your designs to leather Monday morning. You should bring your own to be used in carving and stamping. In addition, you mandrels and tools. Didymium glasses, closed-toe will learn leather dying, stitching and how to apply shoes and 100% cotton clothing must be worn. The these techniques to get the look you want for each lab fee covers the materials and use of specialized individual project. LEATHER CARVING is the art of tools needed to complete class projects. cutting a design into your leather and then beveling Lab Fee…………………………………………$150 and texturizing your cuts so that you have a 3- Estimated Material Cost……..………….……..$0+ dimensional look to your finished dyed piece. Prerequisite……………………Lampwork Beads I LEATHER STAMPING is one of the most common ways of adding a design to leather using different Lampwork Beads II Organics stamping tools to create on bracelets, belts and wallets. [5/17, 10/4] Class projects include such projects as a coaster, key Class focus will be on organic focal beads using ring, bracelets, pendant, earrings, a carved art piece for shards, frit, silver leaf, stringers, and other techniques. practice and end with a leather carved journal. These A basic tool kit is provided but you should bring techniques can also be adapted to what projects the mandrels and your favorite tools. Didymium glasses, class would like to do. (The small projects prepare you closed-toe shoes and 100% clothing bust be worn. The to work with the tools and dying.) There will be lab fee includes all materials necessary to complete additional tools, kits and supplies for purchase. My class projects except mandrels. lab fee covers all materials for planned projects, use of Lab Fee……………………..……………….….$115 tools, dyes, and equipment. Intricate designs, as well Estimated Material Cost………………….…….$0+ as how and what tools work together will be covered. Prerequisites……Lampwork I or prior experience Bring: Optivisor (or borrow one from school). You are welcome to bring your own leather tools if you like. Lab Fee……………………………………….$185 Estimated Material Cost……………….……..$0+ LEATHERWORK Prerequisite………………………………….None

JOAN HUCK Leather II – Purses, Pouches, (& Man stuff) Leather I – Leather Jewelry [4/26, 8/23] [8/2, 9/6] Leather II will take the student beyond the basics and Get with the latest craze and learn how to create each student will create one of a kind leather pieces. I stunning bracelets, earrings, necklaces and pendants will be taking you through the steps of making a with leather (cowhide, pigskin, snakeskin, crocodile, carved leather purse, simple pouches, and a carved etc.). In this class you will learn how to use vegan journal. For the men (or the man in your life!), you leather that you can paint or stain and chrome leather will be able to make knife sheaths, wallets, belts, dog that is patterned and/or colored in a variety of collars etc. Carving and tooling will be covered and gorgeous colors and patterns You will also learn how practiced on smaller projects until you feel to incorporate a variety of multi-media elements such comfortable enough to tackle the bigger items. Some as: micro-hardware, studs, plain and jewel snap rivets, leatherworking experience is helpful but not required. clasps, buckles and wide assortment of found objects. There will be additional tools, kits and supplies for In addition, you will learn how to either cut various purchase if you desire. My lab fee covers all materials shapes out by hand or with a Sizzix machine that uses for planned projects and use of tools, dyes and

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equipment. Bring: Optivisor (or borrow one from [4/26, 5/24] school). You are welcome to bring your own leather Metal clay is composed of precious metal, very fine tools if you have them. powder combined with an organic binder and water. Lab Fee…………………………….……..…..$195 When fired properly, the binder burns off and the Estimated Material Cost………….…………..$0+ metal fuses to become pure silver or 22k gold. Four Prerequisite…Experience helpful, but not required projects illustrate the use of metal clay in all four forms: clay, paste, syringe and sheet including TOM SLAVICEK techniques of setting gemstones that are able to Leather I and II – Ages 13 and up withstand firing in a kiln. Optional projects include the use of metal clay with glass and syringe pieces. [5/31] Students may bring any tools and equipment useful in Learn the basic techniques of cutting and stitching working with metal, ceramic, polymer clay or leather bags and pouches and get even better, plus traditional metal smithing. Lab fee includes metal clay learn how to use a wood-burning tool to add artwork supplies enough to complete the 4 projects, student onto the leather, and how to add color to your tool kit, and the use of a complete assortment of tools designs. There are several styles, shapes and sizes of and class materials supplied by the instructor. An Opti bags that you will be able to choose from, along with Visor is highly recommended. No prior experience is colors and textures of leather. You can also make needed. phone cases, a backpack, journals, guitar straps, Lab Fee……………………………………….…$0 passport wallets, men's wallets, ladies' wallets, and Estimated Material Cost…………………….$275 more. There will be time enough to make up to 4 to 6 Prerequisite.…………………………………None or more projects, depending on complexity. All tools, leather and materials, straps and tassels, decorations and templates are provided for the class. You do not Metal Clay II - Stone Setting in Metal need to bring anything except your enthusiasm and be Clay-Advanced Techniques ready to amaze yourself at what you create! [5/31] Lab Fee………………………………………..$205 Create additional dimension and color to your metal Estimated Material Cost…………………..…..$0+ clay designs by adding natural stones. Learn several Prerequisite.………………………………….None different methods to design your metal clay to be able to set your cabochons and natural irregular shaped MOUNTAIN MEN & LADIES stones after firing. Topics will cover designing, metal [11/1] clay construction techniques, firing methods, finishing It's not just "guy stuff"! Yes, be ready to make and setting of your stones. The student should bring frontiersman-type bags, pouches, knife sheaths, etc. their personal basic metal clay tools and Optivisor. but also make any other types of bags just like in Feel free to bring any equipment useful in working Leather 1 and 2. Learn how to use a wood burning tool with metal, ceramic, polymer clay or traditional metal to add designs to your projects and add color. Dozens smithing. I encourage each student to come with a of templates to choose from. I'll have "exotic" leathers spirit of adventure and a willingness to try new things. on hand, like American Bison and Water Buffalo, Students must have taken the Metal Clay I class in along with numerous textures and colors of the silver clay prior to taking this class. Materials fee standard leathers. You'll have time to make up to 4 or includes Metal clay supplies enough to complete 3 more pieces depending on complexity. All tools and projects, student tool kit, and the use of assorted tools materials are provided, plus straps, tassels, and class materials supplied by the instructor. decorations, etc. Bring your enthusiasm and be Lab Fee…………………………………………...$0 amazed at what you will make for yourself and in time Estimated Material Cost……………………...$275 for Christmas! Prerequisite…………….Metal Clay I or Art Cla y Lab Fee………………………………..……….$205 Estimated Material Cost……………...……….$0+ Metal Clay Level I Certification Prerequisite…………………………………..None [8/9] Art Clay is a non-toxic product composed of silver powder, a cellulose binder and water. When fired, the binder burns off, the piece shrinks 8-9% and it METAL CLAY becomes 99.9% fine silver. Certification for the basic level will teach you seven projects that encompass all PAT LILLIE the basic techniques using the various art clay Metal Clay I – Fundamental Techniques products, including paste, clay, syringe and overlay

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paste. You will learn everything from rolling, nails and a magnifier are a must. Everything else will texturing, combining, repairing, pre-finishing and be provided. finishing while being able to modify your pieces to Lab Fee……………….………………………….$0 express your individuality. At the end of the week, you Estimated Materials Cost……….……….…..$200 will have completed the entire certification process for Prerequisite.………………………..…………None Level I and no other weeks are necessary. Once you have completed all the projects, as a Level I Certified Metal Clay - The New Mokume Gané Instructor in Art Clay Silver, you will be eligible for a with Art Clay Silver and Copper 30% discount on all art clay silver products and [7/19] substantial discounts on everything else Art Clay Traditional Mokume Gané (wood grain in Japanese) World USA offers. Prior metal clay experience is was developed in the 17 th century with soft metals like helpful, but not necessary. Short nails and a magnifier silver, copper and gold. This technique, using silver are the only things you will need for class. The and copper clays, can only be done with Art Clay material costs include all the clays, use of tools and brand, as the shrinkages and binders are similar. materials. This course typically has a value of $600.00 Lab Fee…………………………………………...$0 to $650.00 for 3 days. As a student at WH school, you Estimated Material Cost……………….……..$200 are being offered a substantial discount for a full, Prerequisite..………………..……..….………None week-long class. Lab Fee…………….………..……..…………….$0 Certification……..…………………………….$450 Metal Clay - Quilling with Art Clay Silver Prerequisite.…………....Metal Clay I or Art Clay Paper Type [9/6] Metal Clay III - Metal Clay Motion, Create delicate, filigree-like jewelry with 2mm strips of Art Clay Paper type—a totally different variation of Boxes, and Hollo Forms Art Clay Silver that feels like vinyl and has 98% of the [10/4] moisture already removed. Feel free to bring any Learn to create unique hollow forms while learning irregularly shaped cabochon (flat on the bottom and new advanced techniques in metal clay. We will rounded on the top) no larger than 30-40mm at its explore the mechanics of making moving parts in largest length. Various texturing tools will be metal clay designs. Topics covered will include available. Short nails and your magnifier are the only different box and hollow form constructions, lids and necessities. Everything else will be provided. We will covers, hinges and guides, finishing techniques and be creating daisy earrings with pearls, a filigree clasps. The student should bring their personal basic pendant with a bezel at its center, freeform pendant, a metal clay tools and Optivisor. Feel free to bring any bezel using Paper Type exclusively, and a folded equipment useful in working with metal, ceramic, flower pendant. polymer clay or traditional metal smithing. I Lab Fee………………………………………..…$0 encourage each student to come with a spirit of Estimated Material Cost……………………..$200 adventure and a willingness to try new things. Students Prerequisite.………………….………………None must have taken the Metal Clay Fundamentals or Art Clay class in silver clay prior to taking this class. Materials fee includes Metal Clay supplies, student tool kit, and the use of assorted tools and class MINERAL ID materials supplied by the instructor. Lab Fee…………………………………………..$0 SCOTT FORWARD Estimated Material Cost…………………….$275 Mineral Identification Prerequisite.……………Metal Clay 1 or Art Clay [7/12, 7/26, 10/11, 10/18] Wondering what that rock you picked on vacation JACKIE TRUTY might be? Do you enjoy the thrill of finding a jewel Metal Clay-Enameling on Art Clay Silver laying on the ground? This class will start you on your [6/21] journey into mineral identification. field trips and We will combine the uniqueness of Art Clay Silver encourage hands-on experiences to help you identify clay, which fires to 99.9% fine silver, with non-leaded your finds. Be sure to bring old clothes, shoes and Thompson transparent enamels to teach you the basics boots for outings. The only other items you will want of both. Three types of enameling will be taught: to bring with you are a rock hammer, sharp eye and basse-taille, champlevé and cloisonné, but simplified your enthusiasm. Lab fee covers travel expenses, by using Art Clay Silver clay, paste and syringe. Short

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handouts, miscellaneous supplies, color copies, tools Cold Connection I and a notebook. [7/19] Lab Fee………………………………………..$100 This class is open to beginners as well as those that Estimated Material Cost……….………….….$0-+ want to brush up on their skills. Techniques covered Prerequisite…………………………..……....None will include riveting, telescoping rivets, articulation rivets, sawing, a little piercing, filling and tabs. We MARSHA HARMON will make earrings, pendants, bracelets and set stones, Mineral Identification all without heart! Use of rolling mill will be covered [6/28, 8/2, 8/23, 9/13, 10/4] as well. Students will work in copper, brass, Students can expect to collect rocks and minerals in aluminum and nickel nature 4 full days, observe wonderful area museums, Lab Fee………………………………………...$195 work a sluice mine, learn to pan gold in the stream, and Estimated Material Cost……………………....$0+ learn the basics of Mineral ID as it applies to most Prerequisite.………………………………….None locations. WNC specimens are not limited to and may include ruby, sapphire, smaragdite, gold, quartz, Cold Connections II – Metal Manipulation moonstone, feldspar and staurolite. Bagged lunches [7/26, 10/11] will be provided by the cafeteria. Occasionally with This class will offer a sampling of many techniques to larger classes, students are asked to help with add texture and color to your jewelry as well as many transportation and gas costs are reimbursed. Lab fee cold connection techniques. We will use colored covers everything except a rock hammer, wading pencils, corrugate metal, use a rolling mill, and flame boots or water shoes, an old towel, entry into a paint titanium and add dimension by using a rolling museum $9 and a $10 bucket from a sluice mine. mill. You need basic knowledge of cold connections Lab Fee………………………………………… $45 for this class. Lab Feed includes all material and Estimated Material Cost……………………….$0+ consumables needed for class. Prerequisite….You must be able to climb a hill (at Lab Fee………………………………………..$200 a 35° incline for 150 ft.), wade across streams (up Estimated Material Cost………………………$0+ to 3 ft. deep) and get really dirty while having lots Prerequisite.………………………….………None of fun! JIM RICHARDSON Fold Forming, Anticlastic, and Synclastic MIX METALS Raising [6/28, 8/2] SURFACE DESIGN This class will focus on the different ways to form metal. We will energetically explore the plastic nature DEBORA MAUSER of the material by stretching, compressing and using a Cold Connection I – Torch Enameling variety of techniques such as fold forming, anticlastic raising and synclastic raising, along with the use of [5/17] stakes, hammers and a variety of traditional forming No kiln, no problem. Join me to learn how to enamel methods. This is a fun class where forms spark with a tripod and mapp gas. We will use 80 mesh inspiration and ideas spring forth as fast as you can enamel, liquid, enamel decals and embellishments. hammer them into being. We will be using copper for We will learn graffito and sgraffito, use crackle and most of the exercises though some silver will be separation enamel and learn to over-fire enamel. available from the instructor. This class will give you Students will learn several simple cold connections to a vocabulary of forms and techniques to enrich your set their favorite pieces. Lab Fee includes all enamels, jewelry making experience. You will leave this class consumables and copper. All questions can be sent to: with an armful of copper sketches to augment your [email protected] creativity. Although not a production class the Lab Fee…………………………………………$195 opportunity exists to complete several jewelry items. Estimated Material Cost……………………….$0+ Lab fee includes all of the copper needed for the class Prerequisite……………………………………None exercises, solder, flux and the use of the instructor’s tool Lab Fee……….…………………………….….$185 Estimated Material Cost……………….……...$0+ Prerequisite…….Silver I or instructor permission

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KIM ST. JEAN will be available for you to use in class; however, you Mixed Metals – Cold Connections I are welcome to bring your own metalworking tools if [9/13, 10/18] desired. Eye protection and closed-toe shoes required. In this class, you will learn how to use mixed metals Lab fee includes detailed instructions for planned such as copper, brass, nickel, bronze and sterling projects; use of instructor’s tools, solder and sealants; silver. There will be a heavy emphasis on design you some sheet copper and wire; and materials for two will complete your designs using cold connections and pairs of earrings, three pendants and one bracelet. soldering methods. We will explore techniques such as Additional copper will be available for purchase if traditional and creative stone setting, hinges and desired. piercing. This will be a fast-paced class. Lab fee Lab Fee.…………………………………………$50 covers all base metals, handouts, consumables, Estimated Material Cost……………………...$50+ specific cabochons and some sterling components. Prerequisite…………………………….…...... None Additional sterling and cabs can be purchased. Any additional cost incurred would be in the purchase of work at home, or specific sterling upgrades. We will OPALS use torches and hammers. Questions are welcome via email at: [email protected] SARAH LEE BOYCE Lab Fee………………………………….…….$195 Estimated Material Cost……………………...$0+ Opals I Prerequisite.………………………………....None [4/12, 4/19, 5/3, 5/10, 8/16, 9/6, 9/20, 10/11, 10/18] Sarah Lee has been teaching since the early 1990’s. Mixed Metals – Cold Connections II She teaches for the Gem and mineral club and at her [9/20, 10/25] home outside of Charlotte, NC and at William Holland In this class, you will learn how to use mixed metals where she teaches a structured fourteen-step method such as copper, brass, nickel, bronze and sterling for opal cutting, which she created because the opal silver. There will be a heavy emphasis on design you rough can be very unforgiving, and the play of color will complete your designs using cold connections and needs to be released very slowly. In class the students soldering methods. We will explore techniques such will receive a kit containing a variety of 8 opals, as as traditional and creative stone setting, hinges and well as triplet and doublet material. The lab fee covers piercing. This will be a fast-paced class. Lab fee the 10-piece kit, handouts and miscellaneous supplies. covers all base metals, handouts, consumables, Lab Fee………………………………………….$70 specific cabochons and some sterling components . Estimated Material Cost…………….….…….$40+ Additional sterling and cabs can be purchased. Any Prerequisite……………………….….…….....None additional cost incurred would be in the purchase of tools or materials from the instructor to continue this Opals II work at home or specific sterling upgrades. We use [4/26, 8/9, 9/13, 11/1] torches and hammers. Questions are welcome via In response to requests from former students, Sarah email at: [email protected] Lee is offering a master class in opals in which Lab Fee...... $225 students will work with their own stash of opals. Estimated Material Cost…………..…………..$0+ Students will be taught how to make a mosaic, floating Prerequisite………….…..Riveting, soldering, and pendants and earrings by using small opal chips, which sawing experience or instructor approval. would otherwise be thrown away. The lab fee covers the chips, frames for the mosaic, and glass vessels for the floating pendants, earrings and miscellaneous JANET PACE supplies Flame Painting on Copper Lab Fee………………………………………….$70 [6/14, 8/23] Estimated Material Cost……..……………….$40+ In this class, we will work on copper, using an open Prerequisite……………...Opals I from Sarah Lee torch flame to create precise pattern placement and color and mastering the color progression caused by Opals III changes in flame temperature. We will use these [10/25] techniques to create unique jewelry items including We will use the freeform flow method for carving pendants, earrings and bracelets. All students will opals. You may bring your own flex shaft or Dremel. begin with copper stampings, but we will learn to All carving bits and burs will be provided with opals fabricate original designs with cold connections and soldering techniques as the class progresses. Tools

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and other equipment and materials to complete the will build knowledge and skill in stone analysis and carvings. The lab fee includes all materials. discovery, and discuss basic wheel carving, opals Lab Fee………………………………………...$70 fossils and tips for purchasing rough. Opals of all Estimated Material Cost……………………..$40+ prices, ranges and types, books and supplies will be Prerequisite..…………..Opals II from Sarah Lee available for purchase. Students typically spend $100 to $400 on additional materials to cut in class or take GARY CALVERT home, but this is not required. You are welcome to Opals I bring your own Lightning Ridge material that you find challenging or would like to discuss. Lab fee covers [9/27, 10/4] advanced student guide, supplemental handouts, a Students will learn to cut a variety of opals. It includes basic opal fossil specimen, miscellaneous supplies introduction to the equipment & supplies used to cut needed to complete work in class and an opal kit that common opal, Mexican Opal & Australians Opal includes five pieces of Lightning Ridge opal rough including Boulder & material from Coober Pedy, chosen to help you learn (they will vary in character Mintabie & Lightning Ridge. A kit including several and value and may include basic barred/pattern potch, opals is included in the lab fee. Additional opal rough crystal, knobby, picture stone, and grey/black with and extra supplies are available for purchase. Students color). may also bring their own opal. Experience using Lab Fee…………………………………….……$70 cabbing equipment is helpful but not a prerequisite. Estimated Material Cost………….….……$0-$400 You must wear eye protection: glasses or an Optivisor. Prerequisite..………………………………..Opals I Lab Fee…………………………………….…..$60

Estimated Material Cost…………………….$20+ Prerequisite…………………………………..None Opals II – Advanced Stone Analysis [6/14] In this class you will earn how to analyze challenging CHERYL KASPER stones in greater depth. We will practice specific Opals I techniques for working with regular and irregular [5/17] color bars, as well as many types of common opal. You You will learn about various types of opals, how to cut will have the opportunity to build your skill and and polish opal, how to read a stone before and during knowledge with cutting opals, as you receive one-on- cutting, what makes opal precious, how opal forms, one coaching and feedback on your progress with the equipment and supplies used to cut, treatments, problem stones you bring to class (or provided by the care and tips for setting opals, opal evaluation and why instructor. Lab fee covers ten common opals (rough). opal is such a unique and mysterious gemstone. Opals, All types of opals will be available for sale. books and supplies will be available for purchase. You Lab Fee…………………………………….…….$40 are invited to bring your own opal, as well. No prior Estimated Material Cost…………………….….$0+ experience is required. Lab fee covers a guide with Prerequisite…….Opals I from any WH Instructor information about opals, supplemental handouts, access to plenty of free practice opal rough, Opals III – Opal Carving miscellaneous supplies needed to complete work in [5/31] class and an opal kit that includes approximately eight We will focus on removing the problem areas from pieces of opal rough from around the world, both Lightning Ridge material and revealing the beauty common (about five pieces) and precious (about two hidden underneath. Working with the Pixie and wheel or three pieces) chosen to help you learn during class. carving, we will expand to a finer level of detail with Lab Fee………………………………………….$70 the micromotor/Flexshaft and other carving tools. Lab Estimated Material Cost……………………….$0+ fee includes two opals to carve and the use of Prerequisite……………………………………None instructors carving equipment. Lab Fee…………………………………….…..$100 Opals II – Lightning Ridge Opal Estimated Material Cost……………………...$40+ [5/24) Prerequisite….…...Opals II Lightning Ridge from Opals from Lightning Ridge can be intriguing, Cheryl Kasper or permission of instructor. complicated and fickle. If you like to think outside the oval and are willing to let the stone reveal its mystery, then this class is for you. Focus will be on Lightning Ridge opals, especially black. We will examine the mining process, how the geology of the area can drastically alter opals, and how to approach them. We

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POLYMER CLAY Polymer Clay – Making Canes [5/10, 6/21, 7/19, 7/26, 10/18] JOAN HUCK Learn the basics of working with polymer clay Polymer Clay beginning with conditioning clay, then moving through the steps of color blending, slicing, curing, [7/5] sanding and buffing. You will progress to leaf canes, This class is geared towards the beginner to flower canes and simple kaleidoscope canes. The intermediate working with polymer clay. It will focus canes will be incorporated into earrings, beads and on a complete understanding of clay basics, how to your own design ideas. Lab fee includes enough mix and blend color as well as simple cane techniques. Premo Clay to make several canes a new clay blade We will begin with Skinner blends, bull’s eye and and a pro tool. Necessary tools are provided, but if you spiral canes and progress to combining these and have a pasta machine, polymer clay tools, jewelry others to make leaves, flowers, and kaleidoscope tools or findings, feel free to bring them. Extra clay canes. We will focus primarily on techniques such as and supplies will be available for purchase. structuring, texturing, molding, shaping and finishing Lab Fee……………………………...…………$100 to make beads, bracelets, earrings, and pendants. We Estimated Material Cost……………………….$0+ will also use paints, alcohol inks and some gold/copper Prerequisite.……………………………….….None leaf. We will use only KATO clay during the week because it is the beset for making canes. All clay will be provided as well as a clay blade, a mini acrylic rod JUDI WILD and a few other items. I will also provide many tools Polymer Clay and other supplies for your use during the class. Extra [4/26, 6/14, 6/28, 8/23, 11/1] supplies will be available for purchase. If you have a A beginner in polymer clay will thoroughly enjoy pasta machine with a motor, you may use it. learning all about this fun and colorful medium. We Otherwise, we will have some hand cranked ones for will explore a multitude of techniques as we discover your use. You will need brayer, but all other tools will the versatility of polymer clay. The class will learn be provided. However, if you have other polymer clay clay conditioning, color mixing, shade blending, tools, texture sheets, shapes, etc. feel free to bring slicing, curing, and cane building, as well as the use of them, but I will also have them for your use during extruders and molds to create several interesting and class. useful projects. We will learn to add inclusions to clay Lab Fee………………………………………...$125 and to enhance with paint, glitter, chalk, and Estimated Material Cost: …………….………..$0+ embossing powder. No special skill or equipment Prerequisite.…….………………………...... None required for this class. Your Lab Fee covers a kit that includes a supply of project clay, tissue blade, needle STACEY STINTON tool, and handouts are, as well as the class use of Polymer Clay – It’s All a Cover-Up molds, cutters, extruders, ovens, and artistic enhancement supplies. Additional clay and supplies [5/3, 10/11] will be available for purchase. You may bring your Learn the basics of working with polymer clay own extra clay and any clay tools you choose. Contact beginning with conditioning clay then moving through instructor with questions. the steps of color blending, slicing, curing, sanding, [email protected] and buffing. You will be making several different Lab Fee…………………………………………$125 polymer clay canes including petals, leaves, lace and Estimated Material Cost: …………….………..$0+ stack canes. We will also be exploring mokume-gane Prerequisite..…….…………………………....None and polymer clay veneers. We will produce freestanding bowls and cover small vessels such as glass and metal vases, boxes, etc. Lab fee includes enough Premo clay to make several canes, a new clay SILVER blade and a pro-tool. Necessary tools are provided, but if you have a pasta machine, polymer clay tools, or CHUCK BRUCE small items you would like to cover, feel free to bring them. Extra clay and supplies will be available for Silver II – Inlay I (Beginning) purchase. [4/26, 8/16,] Co-Teaching with Micah Kirby Lab Fee………………………………………..$100 [10/18] Estimated Material Cost……………………...$0 + Construct an inlay box pendant (project 1), a box ring Prerequisite……………………….…………..None (project 2) and student choice after, usually an inlay

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cuff. Students can bring basic silver tools, pocketknife forming, texturing, soldering, filing, and or scribe, will have most tools needed. Students need polishing/finishing. In addition, students will practice to bring or purchase 2-3 slabs of rock that are similar depletion gilding, bezel making, piercing, and stone hardness and can be combined for inlay. Pattern stones setting. Participants will explore jewelry design while do very well with plain colored stone. Expect waste learning safety techniques, tool use, fabrication, and rock. Students can also inlay with wood, fossil ivory, surface applications through step-by-step instructor- bone, Fordite. Lab Fee includes Sterling Silver for led projects. Students will design and fabricate an project 1 & 2, all banding silver, Pripps flux, silver assortment of jewelry pieces including a pendant, ring hard wire solder, sawblades, glues for inlay, stabilizer and bracelet. This course is designed for those who glues, dusk masks, 3M and black Craytex wheels on have some experience with silver but are not yet ready Dremel points, green scrubby, pencil and disposable for Silver II. The lab fee includes solder, flux, saw goods. Does include some banding stones and wood. blades, finishing wheels, and handouts. Tools are Lab Fee……..………………………………….$195 provided, but students may bring their own tools. Estimate Material Cost………….……...$100-$300 Students will receive a kit that includes all needed (Prerequisite...Cabochons (Calibration & Shapes) metals and a stone for one of the projects. The cost of on 10/20 not needed if using wood, Silver I the metals kit will be determined by current market prices. Students may bring additional flat and round- CHUCK BRUCE shaped gemstones or purchase them from instructors. Optivisors and safety glasses are suggested. Closed- Silver III – Inlay II (Advanced) toe shoes are required. [5/3, 8/23] Lab Fee………..……………………………..….$85 Co-Teaching with Micah Kirby Estimated Material Cost………………..$200-$250 [10/25] Prerequisite.…Some experience working w/ Silver Construct an Inlayed bail & hinged inlay pendant (project 1) with piercing or raised rocks, from that is student choice. We will explore; Raised stones LAURA COX sections, Back Plate Piercing with Design so Inlay Silver I shows thru, Back Plate Textured & Roller Printed, [4/19, 8/30, 10/18] Open back with inlayed stone, Extended back plate on This class will cover the basic techniques of working sides with stamped/chiseled/granulation/wire work, with sterling and fine silver including safety and and Stone or Wood or Wire in Stone/Stone or Wood proper use of tools, fabrication including sawing, in Metal/Stone or Wood or Wire in Wood. Students filing, forming, hammering, stamping, and annealing, can bring basic silver tools, pocketknife or scribe, will as well as soldering (paste, wire, and chip), pickling, have most tools needed. Students need to bring rock and finishing by oxidizing, polishing, and cabochon that are similar hardness and can be combined for stone setting. Techniques will be discussed and inlay. Expect waste rock. Students can also inlay with applied through projects including post earrings, wood, fossil ivory, bone, Fordite. Lab fee includes pendant with bezeled cabochon, soldered chain for Sterling Silver for Project 1, all banding silver, Pripps either bracelet or necklace and a ring with a castellated flux, silver hard wire solder, saw blades, glues for bezel for cabochon. If time allows, subsequent projects inlay, stabilizer glues, dusk masks, 3M and black will be explored based on newly learned skills from Craytex wheels on Dremel points, green scrubby, the week and student’s creativity and ability. If you pencil and disposable goods. Does include some have your own cabochons feel free to bring them. The banding stones and wood. school supplies the basic tools, but you may bring your Lab Fee…………………..……………….……$195 own if you prefer. We suggest bringing an Optivisor Estimate Material Cost...... $100-$300 if you have one. Lab fee includes expendable items Prerequisite.....Cabochons (Calibration & Shapes) such as flux, solder, sandpaper, saw blades, printed not needed with wood, Silver I & Silver II, Inlay materials, patinas, polishes, and solder brick. Cost of Silver will be based on market price at time of the class DEBRIA COBIA and will be sold as project kits. Closed toe shoes are required. Silver I.5 Lab Fee………………………………………..$125 [7/12] Estimated Material Cost……..………….$150-250 Students will engage in the art of silver jewelry Prerequisite...... None making using a torch, flex shaft and a variety of hand tools. From demonstrations, detailed written instructions and personal attention, students will NANCY ENGLISH strengthen their skills in jewelry design, sawing, Silver I

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[4/12, 7/19, 11/1] Let Marji start you on your journey into the wonderful This class will introduce shop safety, tools, sawing world of metalsmithing. During your week together, techniques, and soldering for design. Students will she will introduce you to safety in the studio and help learn closed and open-back techniques for jewelry you get to know the tools, learn how to saw metal, use design. Each student will have the opportunity to a torch, solder, fabricate and bring to fruition a piece create four to seven items (ring, pendant and bracelet). of jewelry that you have designed. This class is ideal Creativity is encouraged. Silver and cabochons will be for those with little experience, or those who have been available for purchase at market value. Lab fee covers away from the bench for a while and want to rekindle solder, saw blades, select pieces of sterling silver for the creative fire. Three projects will be completed to assigned projects, education materials and other items. reinforce basic silver technique; subsequent projects Other silver will be available for sale at current market will depend on your ability and time. Individual prices. Bring your favorite tools. An Optivisor is creativity will be encouraged. Lab fee includes a required. cabochon for the first project, educational materials, Lab Fee……………………………..…………$125 saw blades, solder and other expendable materials. Estimated Material Cost……………….$150-$350 Silver and cabochons will be available for purchase at Prerequisite………………………………...... None market value. If you have your own tools, silver, or stones, you may bring them with you an Optivisor is Silver II invaluable and strongly recommended. [5/24] Lab Fee…………………………………………..$65 This class is for students who wish to continue adding Estimated Material Cost…………..…….$100-$200 to their knowledge of metalsmithing. You will make Prerequisite…………………………….……...None four to seven items. Silver and cabochons will be available for purchase at market value. We will use Silver II – Setting Unusual Shaped Stones open and closed-back techniques for design. Nancy [9/6, 10/11] encourages creativity. Lab fee covers solder, saw Margi will challenge you to expand your stone setting blades, select pieces of sterling silver for assigned skills by learning to design, fabricate and set large or projects, education materials and other items. Other unusually shaped stones. We will explore techniques silver will be available for sale at current market such as bezel sculpting, tab setting, basket setting and prices. fabricated prong setting. Students should have good Lab Fee………………………………………..$125 fabrication skills. You are invited to bring you own Estimated Material Cost…………….....$150-$400 tools, stones, and silver; these items will also be Prerequisite………….…..…..Two Silver I Classes available from the instructor. An Optivisor and closed- toe shoes are a must. Lab fee includes a stone for the GAIL FERGUSON first project and consumable materials such as solder, Silver I chemicals, saw blades, etc. Please bring your enthusiasm and join us for a fun filled week of jewelry [7/5, 8/30, 10/4] making. If you are looking to learn the basics of metalsmithing Lab Fee……………………..………………….$100 this is the class for you. This class will take you from Estimated Material Cost….………….…$100-$200 a beginner to master metalsmith. Some skills covered Prerequisite..…………………Silver I & II Classes includes shop safety, tool use, sawing techniques, stone setting and polishing, bring your tools, if you have them; what you do not have, the School will Silver III – Southwest Jewelry provide. Projects will include a ring, pendent, and a [7/26, 8/23] bracelet. Lab fee includes solder brick files, flux, saw Let's travel together to the Southwest to learn both blades, detailed instructor handout, and practice traditional and contemporary Indian style jewelry copper parts for soldering. Silver, copper, and stones making. Students will learn multiple techniques will be available for purchase at market value. employed by American Indian craftsmen including Lab Fee…………………..…………….…….…$70 overlay, stamping, creation of embellishments, use of Estimated Material Cost……………….…..….$50 shot plates, taps and dies, the types of stones used and Prerequisite……………………….………….None piercing. Individual creativity is encouraged. I will have reference books and magazines available to inspire your designs and I'm always there to help. MARJI FERRELL Cabochons and silver will be available for purchase. Silver I If you have your own tools, stones or silver you may [6/28, 9/20] bring them with you, an Optivisor is invaluable and

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strongly recommended. Lab fee covers solder, a silver spheres. Lab fee covers printed materials about cabochon and silver for the first project, saw blades, techniques, step by step for all projects and educational materials and other expendables. consumables: fuel, solder, sawblades, and use of tools. Lab Fee………………..……………………….$150 Materials fee covers silver, cabochon stones and Estimated Material Cost……………….$200-$300 embellishments for all projects. You will take home Prerequisite..…………………..Silver I & Silver II an inclusive, well thought-out kit. Feel free to contact Bev at [email protected] with any BARBARA FIELDS questions . Lab Fee………………………………………...$100 Silver I Estimated Materials Cost………………….…$300 [5/3, 5/24, 5/31, 7/19, 8/2, 8/16, 9/20, 9/27, 10/11] Prerequisite..…….…………………………...None Basic safety and proper use of the tools and torch will be covered on Sunday evening. Then on Monday, we will start with a bracelet that will be finished by lunch. Silver II Projects include a closed-back pendant, open-back [8/2] pendant and a ring. After being able to conquer the Focus: Small parts soldering (fine detail with the basics, we will move on to other planned projects, or “Smith Little Torch”. If you have never used the Little work on your own ideas. If you have your own Torch, but always wanted to, or you have always used cabochons, go ahead and bring them. The School acetylene/air and just can’t quite get the results you, or supplies all required tools, and the instructor supplies you have always been afraid to use it, this is the class a variety of other items that will help make the class a for you. By the end of this class you will be success. The instructor will have a variety of silver comfortable using this sweet little torch, the projects I materials that should accommodate our projects for the have designed for you are all about fine detail week, and an assortment of cabochons for you to buy soldering with great results. (1) Silver and Drusy leaf if needed. Stones will be priced according to the type earrings with silver spheres with hand-made ear wires. of material and their size; silver will be based on the (2) Whimsical fish or starfish earrings with 3mm semi- current market price and type of material. Materials precious stones & hand-made ear wires. (3) If you cost will depend on what you use during class or finish these projects and want more to make, you can purchase for home use. Lab fee covers all expendable purchase materials for this project separately; pair of items (solder, flux, and saw blades), printed materials elegant hanging pearl earrings with hand-made ear and a kit containing a solder pick, paintbrushes for wires. Lab fee covers printed materials about flux, wet dry sandpaper and other items for you to techniques, step by steps for all projects and keep. consumables: fuel, solder, sawblades and use of tools. Lab Fee………………………………………....$40 Materials fee covers fine and sterling silvers, Estimated Material Cost……………… $150-$300 cabochon stones, bezel wires and cups, Prerequisite…………………………………..None embellishments for projects and a smart kit for you take home. Contact Bev at [email protected] with any questions. BEVERLY FOX Lab Fee………………………………..……….$100 Silver I Estimated Material Cost………….……$200-$230 [6/21, 10/25] Prerequisite..………………..Soldering experience This foundation class is techniques driven where you will become comfortable with the basics: sawing, Silver III piercing, filing, sanding and polishing. We will be Closed Box Pendants with Texture, using hand tools as well as a flex shaft to create three projects. You will learn to use “The Smith Little Hinges and Stones Torch” and finetune your soldering skills. You will be [10/18] adding interest to your pieces with texture and learn to What is a closed box? It’s a box that doesn’t open. use the rolling mill, as well as how to hammer texture. You will learn the process steps to design your own The class is designed to be comprehensive and should shapes and decorate them with stones and other move along quickly, for that reason, there will be no embellishments. Did I mention texture? If you substitutes (stones or silver). After this class, you will already know this process, try it my way and add be ready to take Silver II or practice on your own with texture to everything or texture some things, leaving confidence. (1) Silver earrings with small semi- contrasting smooth finishes where you want them. precious cabochon stones and hand-made ear wires. One of the fun things about boxes is that the chain goes (2) Silver ring with stone and a wire surrounding it, (3) through it, so no bail or back wire is needed and it sits Silver pendant with stone, decorated with a wire and flush on the body The shapes are your own, whether

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it will be round, square, triangle, bird, palm tree, fish; be using a rolling mill, texturing and dapping, and your own shape will make your design. One stone thoughtful design content in metal. Your end results may be the only focal point of the design, or two boxes will include a bold one-of-a-kind panel bracelet, hinged together with a stone on each could be just the earrings and pendants. Lab fee covers printed thing. Your design, or two boxes hinged together with materials, all consumables such as solder and butane a tone on each could be just the thing. Your design! fuel, and use of tools. Materials cost is estimated for We will be working with the “The Smith Little Torch”. sterling silver, gold, copper, brass, cabochons, tubing, If you’ve considered switching torches, this your bezel cups, CZ’s and other embellishments that may chance to learn and fall in love with it. Lab fee covers be used in the projects. Feel free to contact Dale at printed materials about the technique, step by steps, [email protected] with any questions. and consumables: fuel, solder, sawblades and use of Lab Fee...... $100 tools. Basic materials cost covers materials for one Estimated Material Cost...... $250 box with stone. Additional materials available as Prerequisite...... Silver I or equivalent, needed: fine and sterling silver, bezel wires, bezel proficiency with torch work and soldering skills. cups, silver tube, embellishments and stones, as well as a smart kit of hand tools to take home. Feel free to VALERIE LAMOTT contact Bev [email protected] for questions. Lab Fee………………………………………..$125 Silver I Estimated Material Cost…………….....$150-$250 [5/3, 5/10, 5/24, 5/31, 8/23, 9/6] Prerequisite……………Soldering skills, cabochon This class is for beginner and intermediate level stone setting skills required. silversmiths. We will cover safety in the studio, basic tool use, sawing, piercing, filing, and hammering /texturing, sweat soldering, bezel setting cabochons DALE KOEBNICK and finishing/polishing. There will be an emphasis on Silver II -- Cabochon Alternatives with sawing/piercing design in this class and students will Bezel, Prong, & ‘Step Bezel’ Tab Settings be able to work on their own design with guidance. [6/14, 7/5, 9/13, 9/27] The number of pieces finished will depend on Techniques learned in this class will be stone drilling, complexity of designs chosen. Lab fee includes solder, stone on stone setting, assorted types of bezel setting, flux, saw blades, sterling silver for first project copper prong setting, ‘step bezels’, decorative bezel backs for practice soldering and educational items. Silver from sheet and wire, making laminated metals, and cabochons will be available for purchase at current piercing and sawing metal, using a rolling mill, market prices. texturing and dapping, thoughtful design content in Lab Fee………………………………….….….$100 metal. Your end results will include unique rings and Estimated Material Cost…………………...…$50+ pendants. Lab fee covers printed materials, all Prerequisite..……………..…………………...None consumables such as solder and butane fuel, and use of tools. Materials cost is estimated for sterling silver, CASE LEESER copper, brass, cabochons, tubing, bezel cups, CZ’s, Silver III – Filigree and other embellishments that may be used in the [7/12, 7/26, 10/4] projects. Feel free to contact Dale at Designed for the advanced silverwork student, this [email protected] for questions. class is an intense soldering experience for those who Lab Fee...... $100 love the delicate yet complex beauty of filigree. We Estimated Material Cost...... $200 will discuss filigree wire construction, frameworks, Prerequisite...... Silver I or equivalent, filling techniques, standard shapes and design. proficiency with torch work and soldering skills. Students will complete one selected closed frame pendant and a non-framed project. These will illustrate Silver II -Fusing with Silver, Gold and the basic shapes and soldering techniques for making Mixed Metals fine filigree. The students then will be guided to create [6/21, 7/12, 9/20] designs of their own with help as needed from the Metal techniques learned in this class will include instructor. Materials for the first two projects are fusing silver on silver, gold on fine silver (Keum-boo included in the class fee as well as a workbook full of technique), and fusing copper and/or brass on silver. patterns and ideas for successful filigree work with Students will use sheet, scrap and 23.5k Keum-boo lots of tips and techniques. Materials for the remainder gold to create fused sheets to be made into jewelry and of the week will be available from the instructor jewelry components. You may be making a specific including silver, stone mountings, stones, cabochons, piece or fusing sheet to cut for several pieces. You will clasps, findings and chains. The students typically

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complete five or more pieces during the week. Please three projects will include a bracelet with hydraulic bring round-nose and chain nose pliers, an Optivisor pressed-set clasp, pendant, and ring. T-folds and/or or something similar. line folds will be incorporated in design execution. Lab Fee…………………………………..……$100 Techniques will include using dies and forming with a Estimated Material Cost…………….....$100-$150 hydraulic press, forging, hammering, and planishing. Prerequisite..……………Silver I and Silver II (or Argentium silver will be introduced in this class and equivalent) and proficiency in soldering. used in one project. The lab fee includes solder, flux, saw blades, finishing tools, use of specialty tools PAT LILLIE brought by the instructor, and handouts. Tools are provided, but students may bring their own tools. For Silver I the selected projects, a kit will be prepared that [4/19, 9/13, 10/11] includes all needed metals. Students may bring their This class is for those who wish to learn or further their own flat and round/oval shaped gemstones or purchase metalsmithing knowledge. The class will cover them from instructors. Optivisors and safety glasses fundamental techniques with working on sterling and are suggested. Close-toes shoes are required. You may fine silver including studio safety, proper tool use, contact Vaughn at [email protected] if you sawing, filing, forming, stamping, and multiple have questions. soldering techniques, cabochon stone setting, and Lab Fee...... $100 finishing for jewelry pieces. Students will have the Estimated Material Cost...... $150-$250 opportunity to explore their own designs while Prerequisite...... at least one class of silversmithing creating several projects including earrings, a ring with cabochon, a pendant (with or without cabochon), and a bracelet or chain. Additional projects available EDWARD PRICE time permitting. Please feel free to bring your own Silver II – Primitive Techniques favorite hand tools and finishing wheels. An Optivisor [8/9] is highly recommended. Lab fee includes project Spend a week with an experience bench jeweler. tutorials, cabochon for ring, saw blades, sanding and Buying commercial items can be expensive, learn to finishing tips, solder, flux, patinas, polishes, and any make your own silver stock. Melt pour, roll sheet, pull additional equipment the projects require. Contact Pat wire, and create alloys texture/patina. Ring sizing, with any questions at: [email protected], or 678- chain solder some prong settings. Lab Kit and fee 925-0425 covers material needed for projects, some consumable Lab Fee…………………………………………$75 supplies and the use of specialized tools, if desired. Estimated Material Cost……………….$150-$250 Finer materials will be available at an additional cost. Prerequisite…………………………………..None Students may bring their own tools. Lab Fee……………………………………...... $100 VAUGHN MILLNER Estimated Material Cost………………...$50-$300 Prerequisite……………………………..…Silver I Silver I.5 [7/5] Silver 1.5 has been designed specifically for those VICKIE PRILLAMAN students who have some experience with silver Silver I – Argentium jewelry design and fabrication, but do not feel ready [4/12] for some of the specialty or advanced courses. This Have you been curious about this metal called class will include three projects that are intended to “Argentium”? Come and find out! This class will develop proficiency in specialized techniques. While cover the basics of working with Argentium and fine working on the projects, emphasis will also be placed silver sheet, wire, and setting stones. Proper use of on the development of design plans and their tools will be discussed. We will discuss and practice execution, accurate and predictable solder joins, sawing, filing, soldering, and polishing. Students will fabrication and finishing techniques (i.e. stone setting, make a ring with a cabochon stone setting, a pendant bezel building, adding texture, cleaning and with a stone setting and a bracelet. Kits are provided. polishing), and an introduction to a variety of specialty Depending on the students’ abilities, they may have tools and their uses. Silver I.5 classes include basic time to make more items. This class is open to information on safety, polishing, and finishing work. beginners and those who may need to refresh their The emphasis for this week’s Silver I.5 class will be skills. You may bring your own tools if you have them. on forming silver with the hydraulic press and An Optivisor and apron are highly recommended. You hammer. Forming provides dimension to your work should bring a pair of safety glasses. Closed toe shoes and extends both design and construction choices. The are mandatory! Lab fee covers cost of handouts, flux,

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solder, saw blades, and the use of other accessories Prerequisite…...Strong sawing and soldering skills needed to complete the projects and many of the essentials that are different and required for working Silver II – Contemporary Southwest Style with Argentium. Please be aware Argentium costs [10/4] slightly more than Silver. Stones and some tools will This class will cover the Southwestern style of jewelry be available for purchase. with a Contemporary flair. We will discuss the styles Lab Fee………..………………………………$150 and what are the differences between the Hopi, Estimated Material Cost……………....$185-$250 Navaho, and Zuni and other tribes. You will learn how (Depends on the cost of Argentium) to make several sizes of feathers, flowers, and other Prerequisite……………………….……...…..None common southwest symbols. We will make our own

appliques to add onto pieces of jewelry, whether it’s Silver II – Fused Textures rings, bracelets, pendants, or earrings. We will also use [5/17] stamps to make designs in the metal. Our projects will In this class we will be working with 28- and 30-gauge include: an overlay design as in the Hopi style, to be sterling silver sheet and wires. You will learn how to used in a ring, a “shadowbox” pendant, a bracelet, and shape and fold the metal and then how to fuse the sheet if time allows other projects. The lab fee covers cost and or flat and round wires using a charcoal block and of handouts, solder, flux, sawblades, consumable Batterns flux to create even more textures and how you items, and the use of my stamps and of other can get different results from fusing with and without accessories to complete the projects. You may bring flux. You will learn how to roll print the metal before your own stones. You may bring your stamps if you fusing and the different patterns resulting from all of wish. I will have stones available for purchase. If you this. How you can change the results of the fusing by have any questions, please call me at: 770-265-7879 rolling the metal through the mill, with and without or Email me at [email protected]. texture templates. Think of looking down on the earth, Lab Fee……………………..…….…….……..$100 or a bird’s eye view of it to get some ideas for shapes Estimated Material Cost……………….$190-$270 and designs. This class really uses your imagination. (Depending on the price of silver) You will have several projects to make from the fused metal, rings, bracelets, earrings or pendants. You will Prerequisite……Good soldering and sawing skills decide what you want to make from your fused metal sheets. I will have the silver you will need for this class JIM RICHARDSON in kits. If you have some 18kt or 22kt yellow gold that Silver I – Soldering Intensive you would like to incorporate into the designs, feel free [6/21, 7/26] to bring that. The lab fee covers handouts, This class will emphasize the fundamentals of consumables and the use of brass templates for the soldering: how solder works and why. We will cover rolling mill and other accessories needed for this class. other aspects of basic silversmithing such as piecing Please call if you have any questions 770-265-7879. with a saw and drill, as well as filing and finishing. Lab Fee…………………………..……………$100 The focus, however, will be to develop a thorough Estimated Material Cost……….………$180-$250 understanding of the process of soldering silver and (Depends on cost of silver) copper. Through a series of projects, we will explore Prerequisite………….Good soldering skills and a different methods of soldering and find the approach vivid imagination that best suits your style. You may expect to make

rings, a pendant, and a pin in this informative and Silver II – Rings, Rings, and More Rings instructional class. Lab fee includes all materials [9/13] necessary for the basic exercises (both copper and This class will cover several jewelry making silver), solder, flux and use of the instructor’s tools. techniques. We will be exploring several types of Lab Fee………………………….………….…$175 surface textures, including how to get a high polish, Estimated Material Cost………………..…….$0+ roll printing, reticulation, and other alternative surface Prerequisite.………………………..………..None embellishments. We will discuss and practice tube setting, making a tube setting tool, pin backs, bails, Silver III – Rings hinges and more. With this new knowledge you will [5/17, 8/30, 10/25] be making rings, pendants, pins, bolos, and more. The In this class, we will construct several rings of lab fee covers handouts flux, solder, sawblades, and increasing complexity. These projects are planned to other consumable items. build your skill in design and fabrication while Lab Fee…………………………………………$130 revealing some of the most popular solutions to issues Estimated Material Cost………………...$150-$200

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in ring construction. Most of these rings will include available from instructor. Class fee includes 1/2 gemstones in a variety of settings. We will be working pennyweight of solder plus time and experience and primarily in sterling silver. Sterling and stones will be use of tools of instructor. available from the instructor; however, students may Lab Fee………………………………………..$350 bring their own silver and are encouraged to provide Estimated Material Cost…………….....$250-$500 their own stones. You may choose to bring your own (Depending on market price and projects) gold for accents, as well, though this is not a class to Prerequisite…Instructor’s stone setting and Rings learn to how to work in gold. Students should bring class or the permission of instructor. their own magnification and tools, although some are available from the School. Good eyesight and the Silver III – Tool Making ability to work under magnification are essential, as [6/14, 8/9] are steady hands, depth perception and manual Have you always wanted to make your own tools? We dexterity. Good soldering skills are also required. Lab will be constructing some of the basic tools in the fee includes solder, saw blades, drill bits, flux and the jeweler’s bench. Hammers, tongs, graver, prong instructor’s designs. pusher and forming punches, along with many others, Lab Fee………………………………………..$250 will be included. Personalizing your tools will also be Estimated Material Cost………………………$0+ addressed, as well as form and function. The Prerequisite.………….……..Two Silver II classes importance of steel and its shaping and heat treatments will be covered, as well as the best materials for other Silver III – Stone Setting tools. Lab fee covers tool steel for five stamps, round [5/10, 10/18] copper bar for tongs and use of instructor’s tools. The practice of setting gemstones can range from Lab Fee………………………………..………$175 simple to complex. In this class, we will cover many Estimated Material Cost………………….$15-$50 of the popular setting types, including flush, bead, Prerequisite…………………………………..None tube, bezel and prong. We will construct most of our settings from sheet and wire to enable you to work KIM ST. JEAN beyond the conventionally available commercial Silver I – Soldering Trifecta settings. This class is not about making finished [4/26, 5/17, 7/12, 8/9] jewelry, focusing instead on the art of setting Sheet, Wire or Paste…Chip, Stick or Pick…Hard, gemstones using different methods. Good eyesight and Medium or Easy. All winners in the case of successful soldering skills are a must, along with hand-eye silver soldering, but which one do you use. Well, all coordination. Please bring a 7x or 10x Optivisor, or 3. In this class I will discuss and demonstrate the some other equivalent magnifier. Students are different types of solder, their application and their encouraged to bring their own stones for some uses. You be given the opportunity to experiment will mountings although all materials are provided. Lab fee all, being given constructive instruction and guidance includes some silver, drill bits, solder, flux, synthetic while making sterling silver chain, bezel pendant, gemstones and use of instructor’s tools. prong pendant and ring. After this class you will leave Lab Fee………………………………………..$290 with a better understanding of silver solder, its use and Estimated Material Cost…………………..$0-$75 its function so that you will be ready for any task or Prerequisite.…………………………………None class instructors’ preference you may encounter. The Lab fee includes the first two projects as well as all Silver III – Gold I consumables. Questions are welcome via email at: [9/6, 11/1] [email protected] In this advanced class we will explore the Lab Fee………………………………….……..$100 characteristics of 14 karat gold in relation to jewelry. Estimated Material Cost……………….$100-$300 Working from pre-made stock, we will fabricate Prerequisite.………………………………….None several pieces of jewelry using an oxy-propane torch in 14 karat yellow gold to learn how the material Silver II – Low-Tech Casting differs from silver and what advantages it offers in [5/10, 11/1] construction and assembly .The student should be This is not your traditional silver casting, which is why familiar and comfortable with fabrication in silver, we call it Low-Tech. We will use casting grains and/or have good eyesight, be able to work accurately. scrap silver to create unique components which we Pouring and milling your own stock will be covered will then incorporate into pieces of jewelry. We will later in the week if anyone wishes to bring some gold introduce a new casting method each morning, then in to melt and learn this valuable skill. Material will be the afternoon we will take what we cast to design and

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create a finished product. Techniques taught include necessary and close-toed shoes are mandatory. Long water, salt, pine needle, cuttle fish and if time permits, hair must be worn up or back. Expect to have fun and sand and channel casting. Students are encouraged to learn in a pressure-free and self-paced environment! bring their own silver scrap. Lab fee includes 1-2 troy Lab Fee……………….……………………….$185 ounces of casting grain (depending on the market), Estimated Material Cost………………...$50-$200 handouts, consumables, specific cabochons and some Prerequisite………………..……….…………None sterling components. Additional sterling and cabs can be purchased. Any additional cost incurred would be Silver II in the purchase of tools or materials from the [4/12, 5/3, 9/20] instructor. We will use torches and hammers. Should This class is for students who are comfortable with you have any questions, please contact instructor by fundamental silver smithing techniques and would like email at [email protected] to go beyond the basics. Student projects will include Lab Fee……..…………………………………..$225 an open pendant, filigree project, and a project Estimated Material Cost……………..…………..0+ utilizing tube setting. Hinges, decorative bails, Prerequisite.………………………………...... None fabricating and sweat soldering embellishments will also be learned. After the projects are completed, Silver II – Southwest Silver students will be encouraged to utilize these new skills [4/19, 8/2, 8/16] to create a piece of their own design with instructor’s Learn Southwest style silversmithing, utilizing approval and hands on instruction. Optivisors are contemporary techniques but inspired by vintage recommended. The lab fee covers all supplies for the Southwestern jewelry. We will explore overlay, first projects, and all consumables, educational component creation, stamping techniques, and materials and the use of specialized tools for the traditional southwestern stone settings. We’ll be using course. Please have hair worn back and closed toe domestic turquoise along with coral and spiny oyster shoes are mandatory for safety reasons. Feel free to in our designs. Polish and patina will be key in the bring your own tools. This will be fun and stress-free finishing of our creations. The lab fee includes the class where student can use techniques to produce first project, as well as all consumables. Your unique pieces of their own design. questions are welcome at: [email protected] Lab Fee………………………..………………..$175 Lab Fee………………………………………..$225 Estimated Material Cost………….…….$100-$300 Estimated Material Cost………….…….$50-$200 Prerequisite…………………..Two Silver I Classes Prerequisite….…..Silver 1 or instructor approval Silver II – Southwest Style MORNING SHERROD [5/24, 9/6] Silver I In this class, students will learn techniques often [4/26, 5/17] associated with southwest jewelry. You will learn In this class students will be taught the fundamental how to make and apply features, flowers, skills needed for them to advance in the wonderful thunderbirds, and other Indian-type motifs. Also we world of silver jewelry fabrication. Everyone will first will be doing castellated bezels, shadow box stone learn safety, using the torch and flex shaft. Skills settings, as well as stamping that will be used in rings, taught will include Paillon, sweat & pick, and chip bolos, and bracelets. The instructor will provide the soldering. Proper sawing, filing, hammering, educational materials, tools, stamps, and all texturing, stamping and bezel stone setting will be consumables that are needed. You may bring your demonstrated. Patinas and polishing will put the own stamps, tools, and designs. I will have for finishing touches on your pieces. Three prepared purchase turquoise, varisite, variquoise, chrysocola, project kits will be provided. These will include parrot wing jasper, and Sonoran sunset at market earrings, ring with cabochon, and multi-technique prices. Optivisors are necessary and closed-toe shoes bracelet. Basic tools are provided, although you are are mandatory. Long hair should be worn up or welcome to bring your own. The instructor will back. Come and learn this popular style in a fun and provide educational material, saw blades, solder, files, self-paced environment. fluxes, patina, 3M radial, Cratex, etc. Instructor will Lab Fee…………………………………………$150 have additional tools that may be needed. After these Estimated Material Cost………………..$200-$300 projects are completed, students may proceed to their Prerequisite………………….Three Silver I classes own designs with instructor approval and supervision. Additional materials will be available at market value such as silver, wire, and cabochons. Optivisors are

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Silver-Wear I, but the date for Silver-Wear II does not DAVID WAYMENT accommodate your needs, you may register for Silver- Silver III – Channel Inlay Wear I and the instructors will move you forward [5/31, 6/28, 7/5, 9/27, 10/4] at your level with new and challenging projects. Channel Inlay combines a soldered silver grid with Lab Fee………………………………………...$225 carefully fitted, shaped pieces of stone. Students will Estimated Material Cost……………………….$0+ fabricate a silver grid of their own design or use Prerequisite……………………………………None provided patterns to create pins, pendants, bolo ties, or belt buckles. Stones of similar hardness will be used in Silver-Wear II & Silver-Wear II Plus the projects. Combining silver and lapidary techniques Combo makes this a challenging class. Lapidary skills are [7/12] helpful but not required. Students should bring their In this class you will have the opportunity to build on own silver tools and assortment of slabs. Optivisor or the skills learned in Silver-Wear I or Silver-Wear II. other magnification is strongly recommended. Lab fee In the same classroom setting, Keith will be teaching covers a solder brick. Solder, flux, stamp pad, epoxy, Silver-Wear II while Jan is teaching Silver-Wear II an extra-long solder pick, handouts and patterns. Plus. If you have had Silver-Wear I, Keith will take Silver and slabs will be available for purchase. If you you further in creative design and embellishment have any questions about the course, you can contact including shaping, stone setting, and other artful David at: [email protected]. enhancements. Simultaneously, if you have had Lab Fee.……………………………..…………...$50 Silver-Wear II, Jan will take you further in creative Estimated Material Cost………………..$125-$175 design and embellishment, including shaping, stone Prerequisite……………………………………None capturing, advanced fork tine bending, advanced texture techniques, low-melt soldering and advanced stone setting techniques. The lab fee covers all SILVER-WEAR materials for the required projects, consumables, supplies, and the use of specialized tools for the course. If desired, finer metals and gemstones will be JAN & KEITH STEPHENS available at additional cost. The instructors will also Silver-Wear I have optional silverware pieces, tools and supplies [6/14, 6/21, 7/5] available for purchase at fair market prices for In this class students will recycle vintage Silver Plated completing extra projects at the school or at home. On flatware into beautiful “Silver-Wear” Jewelry. They Thursday and Friday, if required projects are will learn cold forming techniques, polishing, buffing, complete, students will have the opportunity to basic wire wrapping, texturizing, stamping, using develop their own unique designs using the skills they patina, making simple cold connections and other have learned during the week. At this time, students metal working skills. The lab fee covers all materials are allowed to bring to class their own collections of for the required projects, consumable supplies and the silverware or they can purchase additional silverware use of specialized tools for the course. If desired, finer and supplies from the instructors. Move your Silver- metals, gemstones and findings will be available at Wear skills to the next level in this new and exciting additional costs. The instructors will also have intermediate to advanced level course. Students may optional silverware pieces, tools and supplies available need to use vision magnification to see clearly. for purchase, at fair market prices, for completing Otherwise, all you need to bring with you is creativity extra projects at the school or at home. On Thursday and imagination for this unique, fun-filled class. and Friday, if required projects are complete, students Lab Fee……….………………………………..$225 will have the opportunity to develop their own unique Estimated Material Cost………………………$0+ designs using the skills they have learned during the Prerequisite……..Silver-Wear I or Silver-Wear II week. At this time, students are allowed to bring to class their own collections of silverware, (either Sterling or Silver plate) or they can purchase additional silverware and supplies (Sterling or Silver Plate) from the instructors at fair market prices. Students may need to use vision magnification to see clearly. Otherwise, all you need to bring with you is creativity and imagination for this unique, fun-filled class. Note: In the event that you have already had

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you will produce a simple piece and progress to UNIQUE making a sculpture of your choice. The development of your personal style is encouraged. The instructor OFFERINGS will provide all necessary tools. The stone for the first project, a “swimming Loon”, is included in the lab fee. Thereafter, stone cost for this course will depend on ART GOURDS the size of the project or projects chosen. Stone will cost $3 per pound. An average carving will generally PAT DAVIS use 10 pounds of stone. You should bring towels or [4/26, 5/3] bubble wrap to carry home your finished carvings. Learn how to create geometric patterns that fit on 3 Lab Fee………………………………………….$40 dimensional objects gourds. Develop pyrography Estimated Material Cost……………………….$0- (wood-burning) skills by burning your design on a Prerequisite…………………………………..None gourd. Then add a flex shaft tool to your repertoire to explore texturing, inlay, and filigree techniques. Embellish it all with paints, dyes, gold leaf, or FLY TYING whatever else falls out of the toolbox. Finish and protect your projects with waxes or sealers. Class fee JFFF HEER includes gourds and materials needed to complete [6/21, 10/11] class projects. This class will feature basic fly-tying techniques and Lab Fee…………………………………………$100 tools, and the use of both natural and artificial Estimated Material Cost……………………….$0+ materials: Participants will learn to make many Prerequisite..…………………………………..None various freshwater flies and nymphs, both wet and dry varieties. Expect to create flies using feathers, fur, foam, yarn, wire, thread and more. Fly tying vises will CALLIGRAPHY be provided for use. Time and weather permitting, basic fly casting will be taught. Lab fee will include RENEE KELLEY materials for in class patterns, basic fly-tying tools, [5/24] hooks and patterns, more materials will be available Students in this class will learn basic Calligraphy for sale. skills. Students will begin class by learning lettering Lab Fee……………………………………..…. $50 strokes and how to put them together. I will be Estimated Material Cost:……………….....$0-$50 teaching at least 3 lettering styles using guide lined Prerequisite.………………………..…..……None practice pads. Students will be using Calligraphy to create Jewelry signage, quotes, envelopes and much more. Each student will be provided a Calligraphy Pen PHOTOGRAPHY Set, practice pads, instruction manual, mat board & frame, assorted envelopes, inks and assorted artwork MAGGIE HUBER that they can put their name or saying in. Students will [8/9] be able to take their pen sets home when they leave This class is for everyone, beginners and experienced class. Lab Fee includes all materials and supplies. photographers alike. Students will learn different Lab Fee………………………………….……$135 photography and lighting techniques for everything Estimated Material Cost……………….……..$0+ from portraiture to macro-photography; how to Prerequisite………………………………….None photograph people, jewelry and jewels; and what to do with the photographs after they are taken. Each student will leave a with a handmade light tent, a digital and CARVING printed portfolio and an understanding of how to use their photos on social media sites such as ETC, SANDY CLINE Facebook, and Instagram. This class is perfect for Carving I – Soapstone Carving someone just wanting to document their creations or [9/27, 10/4] someone interested in marketing their wares. You will This course will provide a general introduction to the need a camera, preferably an SLR with detachable carving of soapstone. You will develop a working lenses, and 5 to 10 items to photograph, such as slabs, knowledge of the material, the tools, safe handling cabs, jewels and jewelry. Lab fee covers materials to issues, and the methods used to complete a carving. make the light tent and printing costs for the portfolio. Beginning with a study of the properties of the stone, Lab Fee…………………………………………..$50

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Estimated Material Cost…..……………………$15 Prerequisite..…………………………………..None TIE DYE CLASS BARBARA GREEN [7/5, 10/11] SCRIMSHAW We will be working with fabric dyes and Sharpies to RICH WILLIAMS dye our fabric. We will also try our hand to Batik, Dye [4/12, 4/19, 10/25, 11/1] Resist and Dye Discharge, Shibori, monoprints and Learn the historic art-form of scrimshaw, the art of the other dying techniques. One item per each project will Whalers. All material meets current regulations. be provided. If you wish to bring your own, check to Additional material is available for purchase. see that they are 100% natural fibers. Silk scarves and Drawing skills are not a prerequisite however patience other special items will be available to purchase. is a plus and you will need an Optivisor. I’ve been Lab Fee………………………………………….$75 doing scrimshaw for over 30 years and love teaching Estimated Materials Cost.…………………....$100 it to others to help keep this original American art- Prerequisite.……………………………….….None form alive. Join the fun as you progress from simple designs to more complicated projects. Any questions can be addressed to [email protected] . See WIRE AND FIRE student projects at scrimshawandmore.com. Lab fee RONDA STEVENS includes a tool kit which you keep, sufficient material [5/3, 5/10, 9/6, 9/13] for up to five projects, and all required patterns, This class will introduce students to silver soldering practice material, ink and support items. using sterling silver wire, a small butane torch and Lab Fee……………………………………..…$115 silver paste solder. There will be projects taught in this Estimated Material Cost………………………$0+ class that will incorporate round, half round, square Prerequisite…………………………..………None and twisted wire so that each student fully understands how to prepare each type of wire for soldering. There will be fabricated bezels and tube settings incorporated SOFT SOLDERING into select projects so that stones and cabochons can BECKY PATELLIS be added. The lab fee covers material and tutorials for [6/28, 9/6] more than 10 pieces of jewelry created in class The art of translating Tiffany Style stained glass including rings, earrings, bracelets, pendants and soldering into jewelry. We will be using a soldering necklaces. The lab fee also covers the consumables, iron instead of a torch to get similar looks. Often such as copper practice wire, solder, pickle, butane and called “low-tech” soldering. This technique is the use of instructor’s tools while in class. The especially good for those who do not have an instructor will have optional projects available for appropriate place for torch work, or just don’t like purchase for completing extra projects at the school if working with fire. The students will use copper foil desired. We will go over all safety measures using around cabochons, beads, or just make wire structures fire and solder to make sure you are comfortable using to form their individual designs. The school has your new skill at your home. Eye protection, cotton soldering irons and rheostats for student use, or you clothing and closed toe shoes are required in class. If may bring your own. Students will also need to bring you have not taken a Wire I class at William Holland, a pair of chain nose pliers and a third hand (that they please contact me via email to discuss the wire don’t care if it gets used with heat), safety glasses, experience that you have. Your questions are always assortment of cabochons and beads, wire working welcome at [email protected] . See project tools. Instructor will supply masks, patina, patina samples at www.twistsnturns.com/William Holland- brush, polishing compound, non-latex gloves and soldering. additional assortment of wire. Lab fee includes lead- Lab Fee…………………………………………$220 free solder, copper foil, paste flux, flux brush, sal Estimated Material Cost………………..……...$0+ ammoniac (cleaning block) and wire. Prerequisite……Wire I or instructor’s permission Lab Fee………………….………………….....$110 Estimated Material Cost.…………….………..$0+ Prerequisite………………..………………....None

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copper wire. Silver-filled, sterling silver or gold-filled WIRE WRAPPING wire and cabochons will be available for purchase from the instructor. Total class cost will depend on SARA ADAMS current market prices of the materials selected. If you have questions about the course, contact Sandra at Wire I [email protected] . [5/24] Lab Fee……………...... $40 This is a good, easy class for those who wish to Estimated Material Cost………..…….....$30-$200 advance their skills. Sara has given Wire I a new twist, Prerequisite…………………………………..None she combines wire with beads. This class offers all the basics of wire wrapping. We will cover bracelets, rings, wrapping, cabochons, how to do a beaded chain Wire II and much more. Lab fee covers enough wire, findings, [5/24] cabochons and beads to complete about 13 projects. This course will be a progression from Wire I to allow We will be using sterling, gold filled and copper wire. students to continue building the skills required to Cabochons, beads, etc. will be provided. You only accomplish increasingly complex designs. Projects need to bring a sweater, Optivisor (if needed), and a will include earrings, pendants, bracelets and camera. rings. Wire weaving and wire sculpture will be Lab Fee………………………………….…….$180 included. A list of supply and wire requirements will Estimated Material Cost………………………$0+ be sent to students at least a month before class. While Prerequisite.…………………………………..None students are expected to bring their own tools, all required supplies and tools will be available for use Wire II during the class. An Optivisor or magnifying clip-ons [10/11] are strongly recommended. Lab fee covers handouts This class will build on the skills learned in Wire I. We and shaped brass, bronze and copper wire. Silver- will be learning to wrap double and triple cabochons, filled, sterling silver or gold-filled wire and cabochons bracelets, and rings, as well as several ways to expand will be available for purchase from the instructor. on designs and techniques that you already know. We Total class cost will depend on current market prices of the materials selected. If you have questions about will touch on wire weaving and wire sculpture. This will be a fun and relaxed class. You will have the the course, contact Sandra at [email protected] . opportunity to complete at least thirteen projects. Lab Lab Fee:...... $40.00 Fee covers cost of all supplies, including sterling, gold Estimated Material cost: ...... $35.00-$200.00 filled and copper wire, as well as cabochons and Prerequisites: ...... Wire I crystals. Lab Fee………………………………………...$180 Wire – Wire Craft Estimated Material Cost……………………….$0+ [5/3] Prerequisite…………Wire I and some experience This class is an introduction to wire that encompasses both chainmaille and multiple wire working techniques including wire weaving and wire SANDRA BERGQUIST sculpture. Once basic techniques for each chain and Wire I wire wrap have been presented, students will select [5/10, 5/17, 5/31, 6/14] projects and techniques that specifically appeal to This course will present basic information about wire them. At a minimum, five chainmaille patterns will be wrapping through projects which allow the student to presented as well as five wire wrap projects including steadily build the skills required to accomplish earrings, rings, and pendants. Additional projects will increasingly complex designs. Initial projects will be offered as student’s interest and time include earrings, pendants and rings. Depending on allow. Students who have taken this course previously student interest, wire weaving and wire sculpture will will be provided new projects commensurate with be introduced. Students who have taken this course their experience, interest, and ability. Although all previously will be provided new projects required supplies and tools will be available for use commensurate with their experience and ability. during the class, students may bring their own tools Although all required supplies and tools will be and supplies. Optivisor or magnifying clip-ons available for use during the class, students may bring strongly recommended. Lab fee covers handouts and their own tools and supplies. An Optivisor or shaped brass, bronze and copper wire. Silver-filled, magnifying clip-ons are strongly recommended. Lab sterling silver or gold-filled wire and cabochons will fee covers handouts and shaped brass, bronze and be available for purchase from the instructor. This

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class does qualify as a Wire I class. Total class cost correct cabochons, price finished products, purchase will depend on current market prices of the materials tools and learn how to use them, as well as learn to selected. If you have questions about the course, read patterns. All materials required for class are contact Sandra at [email protected] . include in class materials cost and will be provided by Lab Fee………………………………..…………$45 the instructor. Tools will also be provided for Estimated Material Cost…………………$35-$200 classroom use. Students should bring: an Optivisor, Prerequisite……………………………………None an open mind and a willingness to learn. Lab Fee…………………………….……………$45 JACOLYN CAMPBELL Estimated Material Cost….……………$190-$275 Prerequisite…………..Under the age 18: requires Wire I Instructor’s Approval. [5/31, 7/19, 8/9, 9/27] This traditional, structured wire wrapped jewelry class is designed for beginners as well as those with Wire II previous experience. Specific projects have been [5/17, 6/28] selected to allow participants to acquire or reinforce This is a beginning WIRE II class devoted entirely to the basic skills needed to make simple rings, bracelets, the WIRE I student who is actively wrapping and pendants, and earrings, then apply those skills to more wishes to advance their career. This will be a fun class complex designs. Skills will include selection, with extreme learning potential and an emphasis on measurement, cutting twisting, assembling, binding, detail work using smaller stones and more intricate and shaping of wire, use of gemstones and beads, pieces. Approximately 10 projects which will include and decorative finishing of pieces. Students should small faceted pendants and earrings, a loose doublet, a complete ten to twelve projects. All tools will be faceted stone bracelet, and a variety of other lovely provided. Wire, beads, and gemstones may be pieces while learning the use of rockers, and an purchased in class. introduction to wire sculpture and design. We will Lab Fee……………………………….…….…..$30 NOT be using copper, brass, or craft wire. Instructor Estimated Material Cost……………...... $125-175 will send a letter with supply list prior to class. Prerequisite..…………………………………None Students are expected to bring their own tools and purchase all stones and cabochons from the instructor—price list will accompany supply list. Wire II Should you have any questions about your eligibility, [7/26, 9/6] supplies, etc., please contact instructor: Home: 706- This class is designed to reinforce the traditional, 379-1718, Cell: 843-621-0003, Rock Shop: 706-379- structured skills learned in Wire I, and apply them to 3124, or [email protected] . more complex designs for rings, bracelets, pendants, Lab Fee…………………………………………$45 and earrings. New skills will include use of half hard Estimated Material Cost…….………...$175-$225 and dead soft wire, design concepts for freeform and Prerequisite……..Two traditional Wire I Classes faceted stones, simple prongs, and decorative (min. 30 hrs) & be actively wrapping (2-4 pcs/wk) sculpting. Students should complete ten to twelve projects. Lab Fee………………………………………...$35 Wire III – Faceted Stones Estimated Material Cost…………………...$175+ Let’s Step It UP!!! Prerequisite…Two traditional, structured Wire I [11/1] classes Have a fear of small or faceted stones? Are your intrigued by a beautiful faceted stone but don’t know DIANE MASON what to with it? If the answer is yeas, then this class is for you. Fun, faceted stones and learning techniques Wire I are what you will find abundant. A total of 12 projects [4/26, 7/12, 8/16, 8/23, 10/04, 10/11] using all shapes of faceted stones will be completed. Come let me show you how to wrap stones and wire You will also become familiar with and use a smaller into jewelry. This is a traditional beginning wire class gauge of wire. Students will use (1) Sterling, (2) gold where students go from the basics to preparation for filled, (3) silver filled, (4)a combination of these WIRE II by using classroom theory along with metals and is the student’s choice. Students must bring "monkey-see, monkey-do" techniques. Ten/twelve their own wire since it will not be available in class. projects are planned, each with varying foundational Projects include a pendant and a pair of earrings in skills and techniques. Novice wire wrappers will each shape plus two bracelets. This is a traditional easily transcend to being prepared for WIRE II. wire class so please read the prerequisites very Students will learn how to clean jewelry, purchase

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carefully Students must be actively wrapping and and other items as time allows. Students are welcome making at least two creations per week for six months to bring their own tools and supplies. However, if you prior to arrival. If you have any questions about your do not have your own, tool kits are available for your qualifications, please contact the instructor prior to use. The average cost for supplies and material registration at 706-379-1718 or by email at the depends upon what you purchase, as well as the following: [email protected] . Instructor will current cost of metals. Lab fee covers copper practice contact each student 5-6 weeks prior to class with a list wire, tape and handouts. of supplies to bring, supply prices, and where and what Lab Fee……………………….…………………$30 wire to order and bring. Students will be working the Estimated Material Cost…...... $100-$200 same size stones at the same time and are asked to Prerequisite………………………….………..None obtain all stones from the instructor. Lab fee includes syllabus, wrap tape, 14-15 handouts, pen, sharpie, and GENE SHERIDAN notebook, and wire cleaning cloth. Lab Fee………………………………………….$45 Wire II Estimated Material Cost………………....$175-275 [6/14, 7/12, 8/16, 8/30] Prerequisite…………...Two structured/traditional In this class, we will make bracelets, pendants, rings Wire II classes of at least 30 hours each and 6 and various other projects. Pendants will be sculpted months active wrapping. and border wrapped. Projects will be made from half- hard and dead-soft wire in either sterling silver or gold-filled. We will be using mostly 20, 21, and 22GA RON MILLER square wire, as well as 18 and 20GA half-round wire. Wire I Students should bring their own tools and any wire, [4/12, 8/2 10/18, 11/1] cabochons and beads they wish to use; however, the Will start with the basic level advancing toward instructor will have wire and other supplies available immediate level. Wire and tool use will be discussed. for purchase if necessary. Each Student should have an The kit includes instructions manual, bead mat, Optivisor or other magnifier. Materials cost will notebook, sharpie, mechanical pencil, 12” ruler, 60” depend on types and quantities of supplies purchased. sewing tape, 2 bottles for wire ends, plastic and felt Lab fee covers three DVD’s ( Interchangeable bags. There will be between 15 to 18 projects as time Cabochons Pendant Vol. I) and one CD (includes allows. Projects are rings, bracelets, pendants and about sixty-five informational files and some tutorials. more. Lab Fee……………………………………….….$40 Lab Fee……………………………………….....$55 Estimated Material Cost…………..….....$120-$250 Estimated Material Cost…………………..…...$0+ Prerequisite………....Wire I and about six months Prerequisite………………………….………..None of independent practice.

Wire II Wire II – Bracelets [4/19, 8/9, 10/25] [4/12, 8/2, 8/23] This class will start with the intermediate level This class focuses solely on bracelets. We will make advancing towards advanced level. Wire and tool use bracelets using sterling silver and gold-filled pattern, will be discussed. There will be between 15 to 18 half round, square, twisted square and round wire projects as time allows. Projects are: Rings, Bracelets, twisted together and flattened on a rolling mill. We Pendants and more. Kits include: Instruction Manual will use beads and crystals in some projects, and bead mat, notebook, sharpie, and mechanical pencil, cabochons and sculpted cameos in others, We will be 12” ruler 60” sewing tape, 2 bottles for wire ends, using 18, 20, 21, and 22GA square wire, both half-hard plastic and felt bags. and dead-soft; 12, 14, 16, 18, and 20GA half-round, Lab Fee…………………………………………$55 half hard wire; and 14 and 16GA round, dead-soft Estimated Material Cost………………………$0+ wire. We will use more 20GA square, dead-soft and Prerequisite…………………….Two Wire Classes half-hard wire and 16GA round wire than anything else. We will use lots of 18GA half-round half-hard for ROWAN MORGAN wrapping. The amount of wire needed will vary by how many bracelets you plan to make. Most students Wire I make around 12, but one student completed thirty- [6/28] seven during the week. Students should bring their In Rowan’s class, students will learn the wire own tools an Optivisor, or other style of magnifier. If wrapping techniques and skills necessary to construct you do not have your own supplies, materials cost will projects, including bracelets, pendants, rings, earrings, depend on purchases. You should go home with $600

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to $700 or more of jewelry to sell, plus the knowledge own. You may also bring your own cabs, stones or to make more. The instructor will have wire and other pretties. Materials cost depends on types of wire supplies if needed. Lab fee covers three DVD’S used. The instructor will have some available if (Interchangeable Cabochons Pendants Vol. I and II, needed. You will be contacted three to four weeks Interchangeable Bead Pendant Vol. I) and one CD before the class with a list of necessary tools, wire and (includes about sixty-five formational files and some other materials. Lab fee will include copper wire and tutorials). notebook with dividers filled with patterns we will be Lab Fee………………………………………….$40 making in the class and other pertaining to wire wrap Estimated Material Cost………………..$300-$400 or weaving. For more information, you may contact Prerequisite.…………………..……………Wire I Alfred at 317-364-00712 or via email at [email protected] RONDA STEVENS Lab Fee………...... $40 Estimated Material Cost…………….....$150-$250 Wire I Prerequisite……………..……..Recent Wire I with [10/18] experience in the last year. In this class you will be introduced to wire wrapping tools and shown their proper use. We will go over wire hardness, shapes and gauges so that you will be JUDI WILD comfortable placing your first wire order when you get Wire I home. Then the fun begins. You will have the [4/19, 6/21, 7/19, 7/26, 8/30, 9/6, 9/20, 10/25] opportunity to create bracelets, pendants, rings, chain This class is specifically geared toward the new and earrings in this class. I have signed each project wrapping student. We will have lots of fun learning the to incorporate numerous techniques while creating a basics of wire. Then building on this foundation, while beautiful piece of jewelry. You will be able to add creating beautiful jewelry. You will learn about tool your personal style to many by adding beads and selection and wire choice, as well as how to stones of your choice. Most of these projects have manipulate wire into shapes that enhance your been featured in my books and all have been taught at creations. You will make earrings, bracelets, pendants, national shows. Please bring an Optivisor or other and a ring or two bring wire, beads, tools and your type of magnification for your use. All other tools will hands. If time permits, we will do a couple of other fun be available for your use in class. Lab fee covers wire projects. I will have project kits available, along tutorials, copper practice wire, and other consumables. with a selection of metal, crystal, and gemstone beads Material cost range is based on the number of projects for you enhance your jewelry items with. An Optivisor completed in class. We will be using sterling silver and or Opti-sight is a must for this class. All hand tools will gold-filled wire in this class. To view photos of some be provided. Bring an adventurous spirit and your of the class projects, please go to imagination. Lab fee covers handouts and a mini kit. http://www.twistsnturns.com/williamholland . Project costs may vary depending on the current Lab Fee………………………………………....$40 precious metal market. Estimated Material Cost..……………...$200-$300 Lab Fee………………………………………….$40 Prerequisite……………………………..……None Estimated Material Cost…………….…..$50-$150 Prerequisite………Two traditional Wire I Classes ALFRED TAYLOR Wire II JUDI WILD [6/21, 9/20] Wire II We will begin this class reinforcing wire wrap [7/5, 9/13] techniques. Projects will include rings, pendants, This class is designed for graduates of two Wire I bracelets, earrings, wire weaving and studying classes with fairly consistent wire wrapping activity. fabricated pieces to use them as inspiration for We will briefly review the basics prior to embarking creating our own designs. You will need to bring your into a series of successfully more challenging projects. own wire mostly 20, 21, 22, 24 gauge square, both You will create several projects including pendants, half-hard and soft. We will also be using 18 gauge bracelets, rings, and earrings. You will learn to use round, soft wire for clasps. A small amount of 18 prongs in creating pendants and rings. The fun comes gauge half round will be needed, but mostly we will be when you start adding a variety of stones, beads, and wrapping with 20 gauge half round. Type of metal is bling to your projects. The class will introduce you to your choice. For wire weaving, we will use wire in 22 a little wire weaving and wire sculpting, as well. Bring gauge round soft and 26 & 28 gauge round soft. your magnifying visor and toolbox along with your Although tools will be provided, you can bring your adventuresome spirit. We’re gonna’ have a blast! I will

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have project kits prepared for you, but if you have cabs texturing) and hot metal techniques. You can expect or beads you would like to incorporate into your to complete three to six projects. Lab fee covers all projects, feel free to bring them along. There will be supplies for the first project, practice wire, soldering tools available you may use, but again, you may bring supplies, liver of sulfur, steel wool, etc. Kits for your favorites. I will be in touch with you prior to the additional projects will be available for purchase from class if you have any questions. Your lab fee covers the instructors. You can also bring your own project kits for ten or more projects with wire, materials. The instructors will contact students a few cabochons, beads, and findings, as well as handouts, weeks before class with a list of required tools. To see workbook, notepad, pens, Sharpies, tape, project examples of the kind of work we will be doing, you embellishments, and practice wire. Contact me with can see projects in our new book, Wire & Fire, or visit questions by email: our websites: www. DesignsbyKaska.com and [email protected] . www.facebook.com/Artemisaanima . Contact me Lab Fee………...... $240 with questions at [email protected] . Estimated Material Cost……………...... $0+ Lab Fee………………………………….…….$250 Prerequisite………………Wire I plus six months’ Estimated Material Cost……………..…..$0-$150 experience in the last year. Prerequisite………..Wire Weaving I with Kaska or equivalent experience.

WIRE WEAVING VICKIE HODGES Wire Weaving I KASKA FIROR [9/6] Wire Weaving I This class is a beginning wire weaving class and will [10/11] teach you the beginning basics of wire weaving to This course will concentrate on wire weaving. prepare you for furthermore advanced classes. You Students do not need any weaving or other wire will learn several wire weaving techniques while experience. We will explore several weaving creating pieces of jewelry to wear. Lab fee includes techniques: looping, netting, basket weave, stitching, materials for your first project in copper. Other kits can etc. We will be working with copper, fine silver and be purchased for each project in either copper or sterling silver. Depending on individual progress, you sterling silver. Some gold-filled wire may be available can expect to complete four to seven projects. Lab fee if requested prior to the class. Embellishments such as covers supplies for the three required projects, practice cabochons, beads, or other items will be available as wire and other consumables, such as use of torches, well for purchase. Lab fee includes your first project, liver to sulfur, steel wool, etc. Kits for other projects instructions, tape and other consumables. Total class will be available for purchase. You can also bring cost will depend on current market prices of the your own materials. The instructor will contact materials selected. If you have questions, contact students a few weeks before class with a list of Vickie by email at [email protected]. required tools. To see examples of the kind of work Lab Fee…………………………………..…..…$50 we will be doing, please visit my website at Estimated Material Cost……………….$200-$300 www.DesignsbyKaska.com . Should you have any Prerequisite…….Wire I or Basic Wire Wrapping questions, contact me at [email protected] . Lab Fee………….……………….…………….$200 Estimated Material Cost……………...…..$0-$100 Prerequisite…………………………………..None

Wire Weaving II & III Merging of Techniques Wire Weaving and Hot Metal Skills [8/30, 10/18] Assisted by Kat Firor-Colque In this workshop we will focus on intermediate to advanced wire weaving techniques as well as basic soldering and other metal skills. Students will explore advanced techniques such as layering of woven elements and multiple stone designs as well as combing wire weaving, cold metal (shaping,

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INSTRUCTOR BIOGRAPHIES SARA ADAMS lapidary is infectious, David’s classes are always entertaining and rewarding for beginners and old Sara has been making and seeing her creations since hands alike. age fourteen. After a career in nursing and raising four children, she returned to her love of art. In 1980, she studied and taught painting and other crafts, opening SANDRA BERGQUIST an art studio in St. Augustine, FL in 1990. Eventually, Sandra's interest in wire art began with a two hour her love of jewelry led her to wire art. First, she studied class in wire wrapping in 2004. When she wanted to privately under Cherie Crist, and then she found go beyond that initial course, she was directed to William Holland. Sara has studied under Jessie William Holland. To repay what she has called "The Donnan, Betty Baxter, Ruth Ann Moore and Gene Gift of William Holland", she vowed that, if she ever Sheridan, and has experienced wire sculpture under became good enough, she would teach every chance Irene Francis and Diane Mason. She has been teaching she got. Consequently, Sandra (who started teaching at William Holland since 2003 and is dedicated to the in 2008) has taught for numerous organizations in a School. wide variety of settings. In addition to teaching wire and chain at William Holland and to members of her STEVE ADAMS rock and gem club, she is currently providing private lessons while also conducting workshops in her area. Steve is a retired Air Force officer and former systems Because her workshop includes students of widely analyst. He began cabbing in 2005. He is also a rookie varying skill levels and interests, Sandra has become opal cutter. Steve learned cabbing so his wife Gloria adept at managing multiple and concurrent projects for could use his cabochons in her wire wrap jewelry. As diverse groups. he learned, his passion developed, and he discovered it was both relaxing and fun. Steve is a member of the Alabama Mineral and Lapidary Society and the BILL BOGGS Alabama Designer Craftsmen. His cabochons can be Bill began attending William Holland School in 1993 seen online at: http://www.bitterbrookcabochons.com. and started teaching classes in 1997. He is experienced in lapidary, wire jewelry, and metalsmithing, but his LANCE ANDRUS first love has always been finding and grinding rocks. For Bill, intarsia is a way to show off multiple rocks Lance graduated from SUNY Potsdam with a degree and minerals by combining them into endless in Geology and a Masters in teaching Secondary Earth combinations of colors and patterns. Science. He has been teaching eighth grade science in

Fayetteville, NC since 2002. He and his wife Laura discovered the peace, tranquility and sense of family STEVE BOSTWICK that William Holland offers in 2007. They have been Steve Bostwick is a practicing Forensic Architect members of the family ever since. Lance began from Wyoming, Ohio; who spends as much time as faceting using Jeff Graham's instructional book and possible in the family jewelry studio, Cabochon refined his craft by taking classes from David Corn at Works, LLC. After a “pretty rock” informed him that William Holland. there should be more to rock hounding than just collecting, Steve taught himself to cab. Steve’s WH DAVID BERGQUIST classes have included cabbing, opals, silver, faceting, chain, and multiple casting classes. At Cabochon Dave has always had an interest in minerals and Works, LLC, Steve provides faceting, cabbing, and fossils. After retirement, he joined the Rock Club in casting lessons, produces custom metal work and Fort Walton Beach, FL, where he began to develop a jewelry for sale, stone cutting and polishing to variety of lapidary skills. He started taking classes at private clients and well-known custom/art jewelers. William Holland and Wild Acres in 2007. Although many lapidary skills were enjoyable, cabochons quickly became his favorite. Wanting to foster MARTHA (MITZI) BOYD enthusiasm for his craft in others, he eventually started Mitzi has been making kaleidoscopes for 30 years, teaching lapidary at home, in his club and at William having been trained by the best in the industry. She Holland. David treats each cab as an object of art, has benefited greatly from professionals such as attempting to develop and present the unique patterns Steven Underberg, Scott Cole, Sheryl Koch and Marc and colors of each stone to obtain the most interesting Tickle. Mitzi has made kaleidoscopes from an array of and pleasing result. Because his enthusiasm for materials including PVP pipe, acrylic tube, bamboo

58 cane, stained glass, wood and pen turnings. Although CHUCK BRUCE Mitzi is involved with multiple other crafts including With a background in interior design and fashion beading, stained glass, painting, wood turning, jewel merchandising, Chuck turned his passion to jewelry. making, polymer clay, and enameling, her first love He is faculty at various schools across the country, a has always been kaleidoscopes. “I find them so regional artist for 16 years and is knowledgeable in fantastic, I can look into them for hours, says Mitzi. cabochons, advanced chain making, chasing & Kaleido-scopes are also used to treat pain in Asia. repousse, cold connections, design, fold forming, gold, Mitzi lives in South Carolina with her husband who is granulation, lost wax casting, opals, inlay, intarsia, a master Windsor chair maker and an instructor. Mitzi silver I & II, spool knitting and steel tools. If you have says, “I believe the more you learn the younger you questions, please visit www.chuckbrucedesigns.com feel.” or email at [email protected].

SARAH LEE BOYCE LIBBY CALDWELL Sarah Lee has been teaching since the early 1990’s. Libby began her love of jewelry design after attending She teaches at Art at the Dairy in Charlotte, NC and at a wholesale jewelry show in Franklin, NC with William Holland where she teaches a structured friends. This outing 16 years ago began a love and fourteen-step method for opal cutting, which she fascination for gems and minerals. Libby enrolled and created because the opal rough can be very attended her first class with William Holland in 2006 unforgiving, and the play of color needs to be released and has continued to expand her knowledge base very slowly. through the years with classes in cabochon cutting,

seed beading, beginning and advanced wire craft, NANCY BRICKNER stained glass, pottery, glass fusion. She also is Nancy learned her love of art from her parents. Chain proficient in basket weaving which she taught for was learned from her father. His lessons provided many years at Gaston College. Teaching the elderly to Nancy the skills to teach the basics of chaining, how string pearls and develop their own special designs has to use tools, and how to read and adapt chain designs. given Libby much pleasure over the years at a Nancy has been attending William Holland since retirement community in Spartanburg, SC. While 2000, taking classes in silversmithing, wire wrap and traveling to Jackson Hole Wyoming she found a love even basketry. Nancy has also taken many classes for Southwestern Jewelry which Libby then from the Midwest Metalsmiths. In 2010 she began incorporated into her beading. When Libby is not teaching fused chains at William Holland when her designing special pieces, you will find her working for dad retired. She also taught with him at the Bead and UNC—The Falls Pediatrics as Pediatric Nurse, in Button Show in Milwaukee, Wisconsin. Nancy has Granite Falls, NC. also taught many workshops and at craft camps. As a juried member of the Best of Missouri Hands she has GARY CALVERT displayed her art across the state including many years Gary teaches opal cutting in Des Moines, Iowa. He as a demonstrating artist at Silver Dollar City’s Fall has taken opal classes at William Holland from Joe De Cowboy and Harvest Festival in Branson MO. Pietro, Sarah Lee Boyce and Cheryl Kasper. He has

also assisted teaching opals with Cheryl Kasper at DIANNE BROOKS William Holland. Gary recently retired after 48 years Dianne found art after a 30-year career in corporate in banking. Gary and his wife, Georgia, are dealers in computer systems. Her favorite media include metal gem shows in Iowa & Minnesota as Rising Sun Gems (silver and copper) and enameling, but she loves to use & Jewelry. color to enhance the metals, so also works in lapidary (cabochons, opals and intarsia), glass fusing, polymer JACOLYN CAMPBELL clay, wire, chain and beading. Her work has earned Jacolyn began studying at William Holland School of many ribbons in juried shows. She has been a student Lapidary Arts in 1999, and eagerly returns each year at William Holland since about 2000, has been to continue learning the intricate skills of jewelry teaching since about 2006, and takes workshops with making and design. In addition to direct sales and nationally known artists. She regularly teaches all regional juried craft shows, her award-winning wire levels of silver/copper jewelry, enameling, and chain wrap creations have been featured in boutiques, in Southwest Florida. Motto: “Imagine it, make it, galleries, and museums. In 2002 she began teaching wear it and bask in the compliments.” See her work at wire wrap jewelry classes and has taught for Brevard www. dianne-brooks.pixels.com. College, the Henderson County Gem & Mineral

Society, the Eastern Federation of Mineralogical and

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Lapidary Societies, the Southeastern Federation of Championships. Examples of his work can be found Mineralogical Societies, and William Holland School at: http://www.soapstonesculpture.com of Lapidary Arts. Instructor will provide all tools needed, and materials (gold-filled and sterling silver wire, various beads, and gemstones) may be purchased DEBRA COBIA in class. Tools and additional materials may be “Simplicity is the ultimate sophistication.” Leonardo purchased from the instructor, if desired. Lab fee da Vinci. As a jewelry artist, I use traditional covers all printed materials, use of instructor’s tools, metalsmithing techniques to create wearable art. My and some miscellaneous materials used in class. work is characterized by clean, uncluttered lines and enhanced by with the use of texture and color. I live in Carrollton, Georgia where I am a member of the LARRY CARBY Carrollton Artists Guild and the Georgia Goldsmiths Larry is from Alabama. He retired as a supervisor for Group. Samples of my work may be seen at Bellsouth in 1997 and Averitt Trucking in 2010. His debracobia.com . interest in rocks started from watching a show on gem mining in North Carolina. Larry joined the Alabama Mineral and Lapidary Society (AMLS) in 2007. His BILL COHEN first experience with cabbing was with AMLS member Bill is a native Atlantan who grew up in the jewelry Steve Adams. In 2009 he started taking classes at business. From the age of 7, he spent his summers in William Holland. Larry has taken classes in cabochon his father's jewelry and hand engraving shop. Working I and II, opal I, casting, silver I and silver II. He uses every day after classes in his high school years, he did a technique taught to him by a fellow AMLS member bench work for retail stores in the metro Atlanta area. to put silver around his cabochons and does At the age of 22, he traveled to Lausanne, Switzerland presentations to lapidary clubs on this technique. He to do a one-year apprenticeship in fine jewelry. Upon sells his jewelry at juried arts and crafts festivals in his return, he taught courses in jewelry making at Alabama, Georgia, Pennsylvania and South Carolina. Georgia State University in the Continuing Education Department for Richard Mafong. Afterwards, Bill taught classes for groups and individuals. After his CHRISTINA father retired in 2000, Bill opened Wanna Go Bead, a A lifelong passion for Fine Arts and Fine Crafts bead and findings supply business, which serviced two brought Christina to William Holland, first as a student locations. He currently makes and casts his own and for the past few years as an instructor. Producing designs. Bill is married with 2 grown children and a variety of crafts, such as pottery, knitting and sewing, lives in Loganville, Georgia. leather and batik, enameling, and her favorite; cloisonné. For some years now, she has introduced her students to the various techniques of enameling, and LAURA COX she hopes to continue to share her passion. Laura Cox has been attending William Holland since 2006. She practices the lapidary arts during her free time when she is not working as a nurse SANDY CLINE practitioner. She has a passion for all thing’s rocks, Sandy is a self-taught sculptor who has been silversmithing, and William Holland. Her favorite developing his skills for over 50 years. He credits his aspect of jewelry making is creating a piece from start success to the insight gained from studying Malvina to finish-from cabbing the stone to setting it in silver Hoffman’s books on sculpture. He has taught carving and/or inlay. Many of her pieces carry a Southwest in colleges, museums, and schools across Canada and style. Laura is a current member of the CCGMS and the United States. Sandy refuses to believe that previously taught cabbing for the club. She will never carving requires any special talent. Rather he prefers forget the anticipation and excitement she had the very to trust that the urge to create is inherent in all of us, first time she visited William Holland and that she still and that the teacher should promote these values in experiences on each returning trip. She is eager for you those seeking knowledge. His classes create a very to experience that same anticipation and excitement congenial, cohesive atmosphere that has resulted in with learning the Lapidary Arts here at William some excellent carvings from students who never Holland. believed they could carve. Sandy has been asked to create pieces for awards and presentations by various colleges and organizations such as Sir Sanford PAT DAVIS Fleming College, the Canadian Synchronized Pat is a multi-faceted crafter whose interests cover a Swimming Team, the Cleveland Museum of Natural wide spectrum, including cabbing, channel work, History, the Canadian Nurses Association, Sports enameling, scrimshaw, gourd art, wood carving and Canada, and the Women’s World Hockey more. A little gourd with a few stars and a moon

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carved out of it sparked a lasting interest in things Mineral Society and Kyana Geological Society. She “gourdly” for Pat. It also prompted her to take classes has taught silversmithing at Wildacres for the AFMS. at the Gourd College, the Florida Gourd Festival, As an active silversmith, she maintains a private Florida Gourd Retreat, Alabama Gourd Festival and workshop. the Cherokee Gourd Artist Gathering. An Award winning pyrographer, Pat has been crafting artistic as GAIL FERGUSON well as functional pieces from gourds since 2008. Pat Ms. Ferguson is a pioneer artist and works in both is a member of the Manasota Patch of the Florida stone cutting and silver mountings. She has been Gourd Society. She has been cutting cabochons since trained in all levels of silversmithing; basic, 1996. She honed her lapidary skills at the Suncoast intermediate and advanced. Her work has been Gem and Mineral Society where she continues to teach exhibited at galleries, festivals and museums, and help supervise the shop. Pat has taught at William including the State Natural History museums of Holland since 2011. She also teaches workshops for Indiana and North Carolina (Fayetteville). She has SFMS. She used to cut every stone she could get her taught cutting cabochons, channel set inlay, hands on; today she applies a more stringent set of silversmithing and simple intarsia at local gem and criteria for selecting rough to produce stones truly mineral clubs. She has attended several silver smithing worth the time and effort it takes to cut extraordinary classes at William Holland form 1990 to present in cabochons. silver fabrication, stone cutting and casting. Gail is

currently a member of the SFMS and provides several DIANE De PIETRO volunteer hours teaching and promoting this art every Diane De Pietro has been teaching at William Holland year (1990 to present) She takes pleasure in watching with her father and mentor, Joe De Pietro, who taught students grow in their skills and advance in the her casting. Models will be made from pre-made lapidary arts. molds, although flat molding making will be covered, as well. Cast pieces will be finished and polished MARJI FERRELL during class. Lab fee covers a handout, waxes, Marji began artistic life as an art major in college but beginning wax item. All investments and polishes, decided that being a “starving artist” was not such a Fine silver and sterling will be available for purchase. good idea, so she returned to college and became a If you want to use gold, you must bring it. Diane can nurse. She never gave up on her love of art, however, be reached at: [email protected] . and began taking stained glass lessons in the 1970s.

Shortly after, she started taking jewelry lessons and MAGGIE ENGLISH was hooked. After moving to Florida, Marji opened a Maggie has been involved with lapidary and stained-glass studio in Sarasota and in her spare time metalsmithing for years. She has taken classes in continued taking jewelry classes. In 2003, Marji and metalsmithing at Murray State University and William her husband relocated to Murphy, NC—just miles Holland. When she was introduced to chain maille from William Holland. Now retired, Marji devotes classes at William Holland, taught by Chuck Bruce herself to the design and fabrication of custom and John Fetvedt, she knew she had found her niche; jewelry and passing along her knowledge to others. something she really liked doing. She took what she learned from them and put it to good use, along with her own twist on chains, making each one different. JOHN FETVEDT Maggie is a member of the Tennessee Gem and John, who retired from IBM in 2005, was introduced Mineral Society and currently enrolled in GIA classes. to chain making in 2003 at William Holland, and has since done extensive research on weave patterns. John’s chain weaves have been published in Lark and NANCY ENGLISH Kalmbach books, and numerous other projects have Nancy is a retired nursing professor. She is an been published by Art Jewelry and Wirework enthusiastic teacher, creative jewelry designer and magazines. John began working with electro-etching values creative workmanship. Nancy and her daughter in 2010 with the goal of eliminating the caustic have been involved in lapidary and metalsmithing for mordants normally used for etching metals and many years. She has attended design and simplifying the electro-etching process to make manufacturing workshops at William Holland and etching safer for the home studio. He can be contacted Western Kentucky University, as well as in Nashville, through www.bijoux-de-terre.com. TN; Atlanta, GA and Louisville, KY. Nancy has taught creative silversmithing in Nashville, TN; Bowling Green; Cadiz KY and at William Holland. She is a member of the Middle Tennessee Gem and

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BARBARA FIELDS geologist and an Internationally Certified Professional in Erosion and Sedimentation Control. These Barbara began her adventure in silversmithing in experiences, coupled with his remarkable 2005, in Nashville, TN thanks to the Middle management skills and years of service in the Air Tennessee Gem and Mineralogical Society. They offer Force and Navy, make him just the kind of instructor classes in stone cutting, cabochons and silversmithing. to teach the ins and outs of gem and mineral She started with a lapidary class and quickly moved identification. into a silver jewelry class. Will “Smitty” Smith was her instructor and has been her mentor ever since. After she advanced in skill, and the demand had BEVERLY FOX increased, she was asked to be an instructor. Barbara Bev is passionate about silversmithing! For 37 years, has taken Silver classes with several instructors at she has created jewelry with silver and rare stones. William Holland through the years, and has dabbled in Teaching the techniques of silversmithing to those many other aspects, in jewelry and other artistic who want to learn is very exciting and rewarding for pursuits. Her classes are structured for the beginning her. After attending the Maine College of Art, she student, building their skills to pursue their endeavors moved from Maine in 1999 to Florida where she now after the class has ended. She prefers keeping everyone resides and creates daily. Her one-of-a-kind pieces are on the same projects, so that everyone can learn from primarily influenced by the patterns, shapes and colors each other’s experience, until they are confident of the stones. Since 2001, Bev has been teaching enough. beginning and advanced Metals at the Cape Coral Arts Studio in Cape Coral, Florida. Over the years it has KASKA FIROR given her great joy to see her students' skill levels improve. She continues to teach workshops in Kaska Firor is a jewelry artist, author and an educator. advanced metal techniques statewide. Bev also teaches She has been working with wire for the past 19 years private lessons in her personal studio. In 2004, Bev and is a recipient of many awards for her intricately established her own company, Sleeping Fox, Inc., and woven jewelry. Kaska’s work has been published in patented a jewelry clasp that same year. Since 2010, several books and trade magazines such as Art Bev has been a managing member at the Harbour Jewelry, Step-By-Step Wire, Bead Style, and SNAG’s View Gallery in Cape Coral and is their current Jewelry and Metalsmithing Survey . Kaska is an author President. This gallery features 35 fine artists' work. of two books. Her first book, Freeform Wire Woven See examples of Bev’s work at her website: Jewelry , is an overview of many popular wire- www.sleepingfox.net. weaving techniques and an introduction to the exacting world of artistically-crafted wire-woven jewelry. Her second book, Wire & Fire, coauthored LORRAINE GARCIA with Kat Firor-Colque, explores more advanced wire- Lorraine is a self-taught basket weaver from Ocala, weaving skills as well as ways of combining wire FL. She started out teaching at William Holland in weaving with soldering and other metal techniques. 1992, helping her husband Nestor in his classes. Kaska has received many awards for her Lorraine is a famous award winner with many ribbons; jewelry. Among others she is two times 1 st place her baskets are known all over the world. Lorraine’s winner in the wire category in Bead Dreams baskets have been sent to France, China, Germany, Competition at the Bead and Button Show . Kaska and Italy, as well was many places in the United States. believes that teaching is an essential part of art making Paula Dean owns four of Lorraine’s Baskets. experience. She travels throughout the US leading workshops at national shows, jewelry and bead DEBBIE GATES societies, and jewelry schools. See more of Kaska’s Debbie began beading in the late 90’s making jewelry work and her workshop schedule by visiting her for herself and friends. Her love of turquoise led her to website: www.designsbykaska.com or on Facebook silversmithing and cutting cabochons. She has studied page at www.facebook.com/designsbykaska . You at William Holland since 2013 honing her craft. She may contact Kaska by email at the following: has studied under Lexi Erickson, Jeff Fulkerson and [email protected]. Leslie Kail Villarreal. Her work can be found in

galleries in the Southeast and out West. Most of SCOTT FORWARD Debbie’s jewelry-making knowledge came from Scott graduated with an MS from the University of taking classes at William Holland, and she is eager to Georgia and has had a lifelong interest in geology. His give back and share some of that the love of rocks and love of geology, plus many years of owning his own metal with the next generation. environmental geology consulting business, evidences his expertise in mineralogy. He is a registered

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BARBARA GREEN known to experiment with unique materials to create new effects. He has fly fished in many locations from Barbara began making seed bead jewelry in 1994, after Alaska to Florida and many places in between. He taking a class in a San Diego bead store. She entered currently resides in Tampa with his wife, Jerri, who is her first arts and crafts show in 1998. She has been also an instructor at William Holland. selling her work ever since. Barbara has discovered a love for passing on her skills teaching at William Holland, SFMS workshops and locally in Greenville, JERRI HEER SC. Jerri has been making Gem Trees since 1995. She fell into rock hounding and Lapidary Arts in the process of THOMAS HAMMETT home-schooling her four children. The family joined the Toledo Gem and Rockhound Club and learned Tom retired in 2010 after more than 35 years of service rock collecting, cabbing, soapstone carving, gem trees in the Army and Civil Service. His interest in metal and flint knapping together. She has also studied came in 2013 after taking a silversmithing class. He Silversmithing, Beading, and Scrimshaw. Jerri took then discovered chasing and repoussé in 2014 at Gem Trees to a new level, designing her own styles William Holland with Tom and Kay Benham. He and patterns, as well as developing her own subsequently studied under internationally acclaimed techniques. She specializes in “species specific” gem masters Valentin Yotkov and Fabrizio Acqua- trees. She has taught Gem Trees for many Gem and fresca. His pieces have won in competition at local Mineral Clubs, local schools and scout groups, as well and national level. He is active in the Central as William Holland and Wild Acres. Her Gem Tree Kentucky Art Guild, and was named Artist of the Year competitive exhibits have earned awards with the for 2017. His specialty is bespoke pendants and has Rocky Mountain Federation, American Federation, had his pieces showcased in Lapidary Journal Jewelry Florida State Fair and the Florida Strawberry Festival. Artist. She relocated to Florida and is a member of four rock

clubs (so far). MARSHA HARMON Marsha has been the Field Trip Coordinator for the VICKIE HODGES Franklin Gem and Mineral Society for over five years Vickie lives in Winston Salem, NC and has been now, and she also serves as the Education/Tour beading most of her life. She is a member of the supervisor for their Museum. She has taught Mineral Winston Salem Bead Society and is currently the ID at William Holland for many years and has President of the Kernersville Arts and Craft Guild. connections to the Southeastern Federation of Mineral She currently teaches wire classes at the Sawtooth Societies by helping with area Dixie Mineral Counsel Center for Visual Arts in downtown Winston Salem trips. Her knowledge of regional rock and mineral and teaches wire classes, as well as beading classes, in locations, tied to 4 years teaching or the USN, provides her home studio. She is a Board member of the an exceptional experience in rock hounding and Greensboro Gem and Mineral Club and has been a collecting in field. member for many years. Vickie loves to share her

knowledge and is guaranteed to make you laugh in her PATRICIA HART classes. Being a self-taught fiber & clay artist in the 80’s inspired me to study painting, sculpting, design, and MAGGIE HUBER color theory at SLU. Now, a retired Talented Arts Maggie is a professional photojournalist and Teacher, I have returned to my roots as an artist photographer working in Louisville, Ky. She has a focusing on metals and glass (enamel). Enameling degree from Western Kentucky University in allow me to apply color to metal. It’s a beautiful Photojournalism and has taught photography in colorful unique and expressive art form. Louisville and NYC. Her Clients include the Courier-

Journal, THIS…Is Louisville, Yelp!, The Kentucky JEFF HEER College of Art and Design, Purina, VH-1 and Lucky Jeff has been tying flies and fly fishing for over 45 magazine to name a few. She loves cutting rocks, years. He has studied fly tying under expert tiers such making jewelry and her sweet Shar Pei pup, Ozzie. as Chris Helm, Lefty Kreh, Bill Skilton, Bob Clouser and more. He is a member of the Suncoast Fly Fishers JOAN HUCK Club and Fly fishers International and has attended “Dr. Joan”, as her students often call her, received her numerous Inter-national Fly-tying Symposiums. He doctorate in 1992 in Human Resource Development enjoys tying flies to match natural hatches but is also from VPI. She then ran a successful management

63 training/consulting business focusing on TQM for RENEE KELLEY over 20 years. In addition, she was a management Originally from Binghamton, NY, Renee has been an professor at UMUC and was the primary designer for instructor at William Holland since 2006. Her art their web-based management courses. She says while career began in 1971 with jewelry design and she has in the past she used her creativity to improve widened her endeavors with various other crafts organizations, she now channels her creativity into throughout the years. In addition to sharing her jewelry making. After retiring in 2008, she began knowledge at William Holland, her home studio and teaching herself wire and other types of jewelry various other teaching venues, she has done many Fine making. Then in 2011 she discovered WHLS and as Art shows up and down the east coast, taking several they say, “the rest is history.” She has attended several major awards for her work. For those who have taken times a year ever since and has taken multiple classes her classes in glass fusing, cold connections and in silver, flame work glass, polymer clay, enameling, enameling- you know that she holds nothing back and cold connections and Precious Metal Clay. However, freely shares all her knowledge. If she doesn’t know in addition to taking classes at WHLS, she has had the answer to one of your questions, she will have it classes with most of the well-known polymer clay the next day! She also has vast experience in other artists. She is now considered a multimedia jewelry crafts such as macramé, lampworking, photography artist where she often combines several media to make and tole painting. This year she will be passing on her jewelry. She teaches jewelry making classes locally knowledge of leather tooling and carving including and is a member of GAPCG and BRPCG (polymer journals, leather jewelry and various other projects. clay guilds) and WESCAGEM (a gem society) in Her classes are always fully productive and fun. Greenville, SC. Her jewelry is sold in several local shops and at several festivals each year. JUDY KELLY CHERYL KASPER Judy has been lampworking for over a dozen years. She has studied with many instructors including Cheryl Kasper grew up in a rockhounding family and instructors at William Holland. Every year she takes first took faceting at Wildacres when she was fifteen. additional classes to get exposure to new and different At William Holland, she has taken silversmithing, gem techniques. Judy actively tries to include her identification, soapstone carving, Lampwork beads, background in clay sculpting into her glasswork. She beading, stained glass, casting, chains and opals. has studies in many new techniques and brings these Following in her father’s footsteps, Cheryl has a to her students. She focuses on how to control the passion for this mysterious and exciting stone. She has glass and fire together to get the best results. been working with opal since about 2001. A true Additionally, she dedicates time to explaining how “opalholic” (and a Libra), she went to the Australian glasses interact with each other. Judy spends her Outback in 2007 to mine for opals in Cooper Pedy and winters taking classes around the globe in Kumihimo Lightning Ridge, where she studied opal carving from and lampwork. If there is something she wants to Daniela L’Abbate. She specializes in black opal and learn, she will find who can share the knowledge. fossilized opal. Additionally, she also teaches Kumihimo at William

Holland that includes the use of her lampwork, DOT KASPER daggers and other works of art she considers worthy of Dot has a true love of beads and their history. She putting into their Kumihimo projects. Her focus is on enjoys sharing this enthusiasm with her students, teaching her students how to design their own pieces friends, and family. The Kasper family spent many into unique wearable art. She is pursuing being vacations mining for gems, learning how to identify, recognized as a certified Kumihimo Teaching and make them into jewelry. She started classes in the Instructor which is a new certification currently being early 1980s.The rockhound logo, "Each one, teach developed. As a bonus to her Kumihimo Class, she one" led to teaching at Wildacres and then to offers time to teach the students bead crochet, if adventures at a new workshop in the North GA desired. mountains. Dot is the proud owner of a William Holland Golden Hammer. Dot strings pearls JACK KING professionally and sells beading supplies, rocks, Jack lives in Cornelius NC. Since the age of twelve, fossils, and jewelry designed and crafted by the Jack has been a rockhound, spending every available family. She has taught classes for SFMS, Elderhostel, weekend climbing the hills around Spruce Pine and Cobb County Gem & Mineral Society, private classes Franklin, NC. His dad made his first tumbler out of a in her hometown, Atlanta, and her favorite place. 55-gallon steel drum. His first gem-cutting machine William Holland School of Lapidary Arts. was a B&I Gem Maker from Sears. Jack has attended

classes at Wildacres and William Holland, as well as

64 having been a private student of Sarah Lee Boyce for VALERIE LAMOTT years. Although his primary passion is cutting picture After spending all day destroying things as a Quality jaspers, stones with inclusions and druzy stones, he Engineer, Valerie began metalsmithing classes in the loves cutting any material into cabochons. He prefers evenings to focus more on creating things. In 2013 she to cut freeform stones that his wife, Katy, wire wraps. moved to South Carolina and transitioned into creating Jack started teaching for William Holland in 2008. jewelry full time. Her work can be found in galleries

in the South and Midwest and at many art shows. MICAH KIRBY Often inspired by nature and travel, Valerie’s work With a Bachelor of Fine Arts in Furniture Design and uses a variety of techniques—piercings, etching, stone Sculpture from Indiana University Herron School of setting, enameling, chasing, casting, etc. Valerie is Art and Design, Micah redirected his love of art, found most interested in the process of how things are made objects and sculptural elements to unique and enjoys the challenge of making a vision a reality. contemporary furniture, jewelry and sculptures. He has training in cabochons, advanced chain making, JULIA LARSON cold connections, design, fold forming, inlay, and Julia has been working in glass since the early 80’s, silver fabrication. He has spent the last 4 years starting first with stained glass. She has studied with working as studio & teaching assistant to Chuck Bruce various instructors including Vickie Payne, through Designs. whom she is a certified instructor. She became

interested in fusing in the 90’s, taking classes with DALE KOEBNICK nationally known glass artists Lisa Vogt and, more Dale was an IT Director at a hospital for 22 years. In recently, Tanya Veit. Julia has been teaching both May of 2011, Dale made her first piece of jewelry and stained and fused glass for about 25 years. She teaches within 4 months, she had taken metalsmithing, for the City of St Petersburg (FL) and has taught at enameling, clay and wire wrapping classes. She William Holland for many years. She teaches a variety resigned from her IT position and opened her bead of fusing techniques designed to enhance students’ store, Bead Bistro, in Killeen, TX in April 2012. Dale understanding of the fusing process and provide them taught jewelry making of all kinds, including with ideas they can use in their home studio. As she metalsmithing (her true love), every Saturday since continues to expand her own knowledge, she brings April 2012. She also taught private classes during the new ideas and projects to her classes every year. week. SAMANTHA LAZARRO ALMA LAMBERT Samantha has been beading since her teens and began Alma is a native of Asheville, NC. She has been working with glass and metal when she moved to weaving baskets since 1987 and designing them since Florida. Besides being self-taught, she has taken many 1995. She specializes in twill and eclectic designs that classes at William Holland Lapidary School. Always showcase color and weave variation. She has designed experimenting to learn more, Samantha has created and written patterns for more than one hundred techniques original to her art. baskets. She has taught at the North Carolina Basketweavers Association and Indiana Conventions. CASE LEESER She has taught all levels of basket weaving at Case is a self-employed jewelry designer and licensed Asheville-Buncombe Technical Community College, jeweler living in northeast Missouri. She has been Bevard College, Greenville Hospital Craft Program, designing and creating one of a kind pieces for many and Arrowmont Craft School. Currently, she is years, having studied fine arts at Morningside College, holding private classes in her own studio. She served Maryville University, Quincy University, and Culver on the MCBA Board as editor of The Readers' Report Stockton College. She received her Bench Jeweler for fourteen years. In 1998, she was convention and Diamond Setting Degree from Gem City College coordinator. She has been the president of the Blue School of Horology and Jewelry Sciences. She shows Ridge Basketmakers since 1996. Alma is past and sells her work from her store and in several president of the North Carolina Basketweavers galleries. Case is also an avid Chain Maille and spends Association, which has over one thousand members. hours chasing those tiny little rings. Case enjoys In 1996, Alma studied basket weaving with Lyn Siler, passing on her knowledge and has been teaching at who has written and published many basketry books. William Holland School since 2005. She is a member Her greatest pleasure is sharing her knowledge of of Midwest Metalsmiths, Southeast Gem & basketry. Mineralogical Society and one of the founding

members of the Palmyra Area Arts League. A retired

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private School Librarian and Culver-Stockton College students in a very structured manner. She believes that Archivist, Case lives on a cattle ranch with her students should know why they are doing all the husband, John, and several cats. necessary steps, so she teaches wire theory, as well as a hands-on “monkey-see, monkey-do” approach. PAT LILLIE Diane began teaching at William Holland in 2003.She also teaches for gem and mineral clubs in six states, Pat is a multi-faceted artist with degrees in painting, for any specialty group, as well as her home studio. drawing and graphic design plus additional expertise Diane enjoys teaching all of her classes whether it is in metalsmithing and metal clay design. She has a Wire I, Wire II, Wire III, Bracelets, or Wire Sculpture, background as a graphic production artist. Her interest and she will quickly tell you that she learns with each in lapidary culminated in her designation as a Senior class. Contact information, Hm: 706-379-1718, Cell: Certification Instructor with PMC Connection in 2016. 843-621-0003, Email: [email protected], or at She continues to further her knowledge by taking Jim ‘n Dees Rock Shop. numerous classes from nationally known teachers. Pat fashions her own stones and designs one-of-a-kind jewelry from fine silver, sterling, and precious metal DEBORA MAUSER clays. Pat’s passion is passing on ideas and skills to Debora Mauser is a self-taught jewelry artist working those interested in the art of metalsmithing. in mixed metals, stones and enamel. She is a nationally known instructor teaching at large venues, schools and JoELLA MANNING bead stores as well as schools on the east coast. You can find her work in magazines like Step by Step Wire; JoElla has been creating pine needle baskets for five Craft, Paper, Scissors; Enameling by F&W publishing, years. Learning from others and exploring the as well as online video and classes with Craftsy and medium has led her into locally teaching, exhibiting, Craftcast. She is a certified Wubbers Instructor, and selling her basket creations. Functional and certified Painting with Fire Instructor and a former beautiful, basket coiling is a meditative and purposeful member of Nunn Design Team. You may contact process, using a renewable resource from the forest Debora with questions by email: floor. "Every basket is unique as I challenge myself [email protected]. with something “new” and different with every creation. JoElla embraces all phases of basketry, from gathering, prepping and dying, to planning, design, DAVE McGREGOR and completion. Her latest explorations include Dave McGregor is an engineer by trade. He enjoyed polymer clay basket centers with extensions and her "gem hunting" for many years and took his first signature stitch, the “half and half”. A new member faceting class at the North Carolina State University of the National Basketry Organization (NBO), JoElla craft center. He then took additional faceting classes is excited to expand her craft into the national arena. at Wild Acres and William Holland. He purchased an Her website: www.joellamanning.com . Ultra Tec faceting machine and has faceted numerous varieties of stone designs. He is a member of the US DIANE MASON Faceter’s Guild and hopes to encourage others to learn about faceting. Diane began her wire career in 1999 by attending

William Holland. She continues to upgrade her skills today by attending two or more classes per year. She RON MILLER is an active member of the Franklin N.C. Gem and He lives in Lima, Ohio with his wife Lynn, kids, Mineral Society, The Southern Appalachian Artists grandkids and great-grandkids. Ron retired in 2007 Guild, and the Blue Ridge Artists Association. After from the City of Lima Data Systems Group. In 2008 retiring in 2014 as a veteran critical care nurse his wife and mother volunteered him for Wire specialist, Diane and her husband moved to Young Wrapping lessons at Dayton’s Riverbend Arts Center Harris to be closer to the mountains they both love, to 3 hours each week for 22 weeks. He has also taken get serious with their rocks, and to operate their own classes at William Holland and one day classes at bead rock shop locally. In 2014 Diane began doing specialty shops. Ron started teaching in 2009 in Bead Shops in wire wrap for Ruby City Gems in Franklin, NC and Ohio, Indiana and Michigan. In 2010 started teaching continues to do so today. Diane and her husband travel at William Holland and Gatlinburg, Tennessee. yearly to sell their jewelry in juried shows in the Carolinas and Georgia. This direct link to public sales VAUGHN MILLNER gives her a personal approach to be able to lead her “All life is an experiment. The more experiments you students through a short course on pricing and selling make the better.” Ralph Waldo Emerson. Vaughn of their completed pieces of art. Diane’s teaching Millner is a jewelry artist who works primarily in background allows her to present her courses to her

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metal fabrication. As a former college professor, December 2003—January 2004 issue. Rowan cuts counselor educator, and therapist, she applies her love and polishes cabochons, creating many of the stones of both teaching and wellness to jewelry instruction. she uses in her designs. She has been teaching at Vaughn’s contemporary jewelry is a synthesis of her William Holland since 1998. positive life perspectives and her attention to detail. She values the creative process and the serenity and JANET PACE vibrancy it brings to life. Vaughn draws inspiration Janet first came to William Holland in 2001 to take a from ancient civilizations and the southern delta in wire class at the urging of her sister, Dianne Brooks, which she lives. She combines a myriad of techniques who is also an instructor at William Holland, and has such as designing, soldering, piercing, etching, and been attending ever since. With a degree in Clothing keum-boo to fabricate one-of-a-kind art jewelry and Textiles, she began designing and publishing pieces. Vaughn often embellishes or appliqués her patterns for making Battenberg Lace and smocking for silver pieces with other metals. Color is expressed in women in 1986. When she discovered the knitting gemstones, enamels, stones, and patinas. Vaughn machine in 1991, she began designing patterns and owns and operates Vaughn Millner Jewelry and teaching at knitting seminars around the country. In samples of her work can be viewed at 2001 Janet started teaching jewelry classes across the http://vaughnmillner.com . Vaughn is a member of the state of Arkansas at various bead shops and Society of North American Goldsmiths, the Florida invitational venues. Topics included wire, PMC, cold Society of Goldsmiths, and the Georgia Goldsmith connections, silver soldering, Viking knit and Guild. chainmaille. Her latest and most fun adventure has

been flame painting on copper: the precise placement TOM MITCHELL of colors and patterns using different temperature of I have been an amateur geologist since college and torch flame. See examples at: have been fascinated by rocks and crystals all my life. http:///www.janetpacedesigns.com . Since retiring from a career in fire safety, I have pursued these interests vigorously and over the past BECKY PATELLIS several years I have acquired a modest collection of Becky is the owner of “Naturally” a wholesale and gem rough. I had a few of these pieces faceted by retail company specializing in semi-precious stone someone else, which turned out to be exorbitantly jewelry to compliment the wardrobe. Her experience expensive. Consequently, I took up faceting at in jewelry design & production started in 1985, with a William Holland with Bill Compliment (Faceting 1) background in apparel. Becky started teaching at and David Corn (Faceting 2). I purchased my first William Holland in 1997. Becky is also a regular faceting machine, an Ultra Tec V2 Digital, in 2009 instructor for Beads by Design, Marietta, GA., Cobb after completing Faceting I and upgraded it to the V5 County, GA Senior Services, Cobb County, GA Gem Digital in 2012, and I have never stopped or slowed & Mineral Society, where she serves as class down with my faceting interests. I am currently the coordinator, dealer chair for the annual gem/mineral President of the Tomoka Guild in Central Florida, and show, and is a trustee for the society. She also teaches Vice President of the United States Faceters Guild. I private and group classes in her studio. She has also also teach basic geology, gem and mineral taught for BeadFest , sponsored by Lapidary Journal identification and faceting at The Villages Gem and and Step by Step magazine and has been published in Mineral Society in The Villages, Florida. My wife and Bead and Button Magazine where her Kumihimo with I have a jewelry business and I have been evaluating, beads design, “Simple Exchange”, was chosen for the cutting and setting stones for customers since early “Best Of 2009” hardback book. Her jewelry can be 2010. found in several galleries in Georgia and North

Carolina. See Becky’s work on her website: ROWAN MORGAN www.beckypatellisjewelrydesigns.com or on Rowan has been a member of the Gem and Mineral Facebook: Becky Patellis Jewelry Designs. Society of the Virginia Peninsula, Hampton, VA since the mid 1970’s and is now a charter member. She is EDWARD PRICE a member of the Kingsport Gems and Minerals Ed is a master goldsmith and has a commercial art Society of Kingsport, Tn and the Knoxville Gem and degree. He is a graduate of Bowman Tech in Jewelry Mineral Society, Knoxville, Tn. She teaches wire Repair and has SFMS and AFMS Master Level wrapping classes in the area. As a featured artist, one Jewelry certifications. Ed is a past president of of Rowan’s designs was published in the September Jacksonville Gem and Mineral Society and has thirty 2002 issue of the Wire Artist magazine and was years’ experience in jewelry repair. He has been a featured on the cover. She was also featured in the private instructor in goldsmithing silversmithing,

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manufacturing, stone setting, repousse, faceting, teaching silver-smithing, and performing silver repairs mineral identification and jewelry design. for Cohen Jewelry in Doraville, GA off and on for 12 years. In 2003, he taught two large classes in Tanzania: VICKIE PRILLAMAN one on cabochons and another on faceting.

Vickie has attended workshops with many well- known artists and has completed an apprenticeship PAUL ROBERTS with a German goldsmith. Her knowledge of design is Paul has been a rock fan since boyhood, although shared with her students. She began teaching in 1995 serious cabbing did not begin until his retirement. His and joined the William Holland team in 1997. Vickie work in cabochons has been inspired by many of also cuts and uses her own stones in combination with William Holland’s masters through various (and gold and silver to design and create her unique jewelry. repeated) courses in cabochons, opals, intarsia, Vickie is a member of several jeweler and gem channel inlay, etc. His finished pieces are currently associations. displayed and sold through Awakening Fine Art and Folkways Craft Gallery (both in Dahlonega, GA), and CINDY REED Soque Artworks (Clarksville, GA). He occasionally takes special commission work. Eager to share his joy Cindy Reed began working with stained glass in 1985 of working with stones, Paul has been an enthusiastic and was content until she found the excitement of lapidary for over 20 years and is eager to share his playing with "hot" glass. She began bead stringing passion with both beginning cabbers and more about 30 years ago using natural stone beads. In 1999, experienced folk. her husband showed her an eBay auction for handmade Lampwork beads and she was hooked. After buying Lampwork beads from very talented LINDA SEARCY glass artists for several years, she decided to try it Following a dedicated career of 20 years in herself. Cindy took her first bead making class in 2001 information technology field, Linda retired and about and has studied with several very talented artists since 6 years ago, found a new passion in jewelry making. that time. She has been an instructor at William After a year in wire work, she took metalsmith classes Holland since 2008. at several local craft centers and has been forging, soldering and fabricating predominately one-of-a-kind JIM RICHARDSON metal jewelry ever since. As a natural progression, Linda took her first lapidary class cutting cabochons at Jim started making jewelry in 1977, which led him to the NC State University Crafts Center, then continued many jobs in the jewelry industry. From being a with her first faceting class at William Holland in May polisher in a silver jewelry manufacturing facility, to 2013. Her first faceted gemstone in that class was a years as a bench jeweler, Jim has kept learning new rutilated quartz—it was good enough to be selected for skills and perfecting old ones. Throughout the 1980s, publication in the Lapidary Journal 's annual The his interest led him to study with a series of modern Gemmys 2015. Linda taught beginning jewelry masters and innovators in the jewelry and metalsmith classes at Durham Arts Council (Durham, blacksmithing fields. In 1995, Jim earned a Master of NC) from September 2013 through March 2016 and at Fine Arts from the University of Georgia in Jewelry the NCSU Crafts Center (Raleigh, NC) from July 2014 and Metalsmithing. Even before earning his degree, he through the spring semester 2017. has been supporting himself for years working within his chosen craft. Jim’s love of teaching reflects clearly in the work of his students. His innovative teaching MARGO SETNOR style, wealth of knowledge and enthusiastic approach Margo is originally from Michigan, however, lived make his classes fun and richly informative. Currently, most of her life in California & Oregon. After many Jim lives and works near Athens, GA, where he makes years of enjoying wood & clay as art mediums, she jewelry for private clients and does occasional shows. discovered Fused Glass in 2006. Margo spent many His interests include ancient metalsmithing years of learning at Helios Fused Glass Studio in techniques, innovative modern tools and traditional Austin, Texas, where she trained under Paul Tarlow blacksmithing. and Richard Parrish. Currently, Margo lives in McCormick, SC and has her work displayed at the BILL ROBERTS MACK (McCormick Arts Council at the Keturah).

Bill is a native of Atlanta GA, and moved to Spring City, TN in 2004. He has been involved in lapidary GENE SHERIDAN since 1972: cabbing for 37 years, faceting for 35 and Gene started making jewelry as a hobby in 2003. A silversmithing for 34. Bill worked re-cutting stones, victim of Hurricane Katrina, the few items he was able

68 to save were his wire making tools and supplies. He KIM ST. JEAN moved to Vicksburg, MS in 2006, where he took a Following 10 years as a public school teacher, Kim position as a wire artist and jewelry designer for a combined her love of teaching with her creative talents major company. Gene has published four instructional and began teaching jewelry classes. Mostly self- DVDS: Interchangeable Cabochon Pendants Vol. I taught, Kim now has been teaching jewelry classes for and II, Interchangeable Bead Pendant Vol. I, and 19 years. She is an award-winning instructor, author Adjustable Wire Wrapped Bracelet Vol. I. Now that and jewelry designer. Kim has been published in Gene is retired, he teaches at William Holland as well numerous magazines and books. She has appeared on as offering classes privately at his home studio and at several beading/craft television programs and has his studio in Huntsville, AL. written three books; Mixed Metal Mania, Metal

Magic, and Colorful Wirework Jewelry. Kim was DAVID SHERROD elected one of the Top Ten Instructors in the country David discovered the wonderful world of lapidary by the attendees of the prestigious Bead & Button when he joined the Montgomery Gem and Mineral show. She now has 36 instructional videos available Society in 1998. Since that time, he has made and numerous “how to” videos on YouTube. Her numerous trips to William Holland for classes. He has husband, Norm, has learned through osmosis and been teaching cabochon to club members since 2013. assists Kim wherever they may be teaching. He recently retired from Alabama Public Health after 39 years as a microbiologist. David enjoys producing JAN and KEITH STEPHENS high quality cabs from diverse materials but really Jan has a diverse background in the arts including enjoys utilizing fossil materials such as petrified classical piano, painting, textile creations and wood, coral, and dinosaur bone. ultimately, jewelry design. She has been featured in

several magazines including Southern Distinction, MORNING SHERROD Step-by-Step Wire Jewelry and Bead and Button Morning retired as the owner/operator of a home magazines. She retired with a thirty-six-year career as interior and designer of window treatment a professional educator and now melds her teaching business in 2005. The next year she took her first expertise, intuition, and advanced creators of both wire silversmith class at William H olland and and reclaimed silverware jewelry. Along the way, Jan discovered a new medium to express her creative sparked Keith’s interest in jewelry making after he energies. Since this time Morning has attended over retired from a career in banking and financial services. 30 classes a William Holland and Wild Acres Retreat. He enjoys fold forming, forging, metalsmithing and She has earned a level 4 certification in PMC under the creating jewelry from reclaimed silverware. He now tutelage of Teva Chaffin. Morning recently studied shares her passion and joins her in teaching and chasing and repousse at William Holland and Wild inspiring students. In 2016, Keith and Jan worked acres under Tom and Kaye Benham. Morning’s together to develop the Wrapsody Silver-Wear creations have won many awards at the juried art Bender™ that is used to form silverware into works of shows in the past 9 years she attended in the southwest. jewelry art without annealing. They live in Winter Her designs often combine several disciplines in one Garden, FL and teach Wire Jewelry, Silver-Wear piece. She served as president of Montgomery Gem Jewelry and Cold Connections at Wrapsody Jewelry and Mineral Club for 3 years. She also teaches Studio, the Winter Garden Arts Association, Crealde’ privately in shops in Millbrook, Al and Wild Acres. School of Art, and The Florida Society of Goldsmith’s among other Central Florida locations. Website: www.wrapsodyjewelry.com. TOM SLAVICEK Tom earned his Leatherworking Merit Badge on his way to becoming an Eagle Scout. After a 37-year RONDA STEVENS career as an executive director for the Boy Scouts of Ronda has been creating jewelry since her first wire America, Tom and his wife, Karen, retired to wrap design class in 2001. She continued her Dahlonega, GA. Tom has been crafting bags and education at William Holland taking classes in pouches since 1985. Tom and Karen participate in advanced wire wrap design, silversmith, PMC and numerous art shows each year, and Tom teaches enamel. She began teaching at local bead stores and leather classes throughout the region. Contact: bead shows in 2006 and authored her first wire [email protected]. wrapping book in 2013 and her second in 2016. She lives in Jacksonville, FL with her husband, Ed, where they teach classes at their Twists n Turns Jewelry Design Studio. She teaches nationally at Bead Fest, Bead and Button and at The Tucson Gem Shows. She

69 specializes in traditional wire wrap design, but enjoys JANET and JOE TROSINO teaching silver soldering, wire weaving and chain Janet and Joe are retired math teachers, having taught maille. To see some examples of their work, go to for 35 years at the middle school, high school and www.twistsnturns.com . She thoroughly loves to teach college levels. Janet came to William Holland in 1999 and see her students succeed in her classes. with her family (husband, mother and daughter) to

learn how to make the beautiful jewelry she bought at STACEY STINTON gem shows. She took wire wrapping for 4 or 5 years Stacey Stinton was introduced to polymer clay several and PMC but fell in love with the mathematical aspect years ago by her mother, Marilyn Jobe. She not only of chainmaille, including all the patterns she could trained with her mother, but also became her teaching learn and continues challenging herself with new assistant. Stacey began coming to William Holland patterns and ideas each year. They now sell at gem several years ago and has enjoyed taking polymer clay and craft shows in Buffalo and Syracuse, NY and give classes with both Carolyn Stearns and Barbara private lessons at home. Joe cuts all the jump rings McGuire. making it possible for Janet to concentrate on the chainmaille patterns. JOAN STONEHAM Joan Stoneham has compiled over 30 years of teaching JACKIE TRUTY experience in basket weaving and other various arts. Jackie has been working with Art Clay Silver since Basket specialties include weaving styles of 2000, when she received her certification in NY and Appalachian and Cherokee baskets, flat bottom Master’s training in Japan. She assisted with creating baskets, rib baskets, and antler baskets as well as the the curriculum for the US certification program, and use of naturals, wood bases, twills, and pine needles, has Master’s certificates in New Mokume Gané and to name a few. Joan has traveled through the South and Quilling with Art Clay Paper Type. Midwest teaching classes. She currently instructs classes at William Holland School, Center for the Arts GEORGIA VAN ZYLE in Jupiter, Florida, and in her private studio. Joan's Georgia retired from a 37-year career as a special- teaching capabilities allow her to make the brand-new needs teacher. In 2007, she began taking classes at student feel as comfortable as the intermediate or William Holland. Making Lampwork beads is her advanced in creating custom baskets. passion. She assisted in classes and began instructing

classes at William Holland in 2016. Her work has ALFRED TAYLOR been published in Soda Lime Times, an e-magazine for Alfred has been in love with the arts from a very young lampworkers and Reactive Twisties + Murrini, an e- age- graduating from Ball State University with a book. She is a member of the International Society of Bachelor of Arts. He was a District Manager with Paul Glass Beadmakers. Harris Stores for seven years and then worked in store management at Target for fifteen years. After leaving DAVID WAYMENT retail, he worked as a general manager, a personal David began his artistic life behind a camera before trainer and an aerobics instructor for eighteen years adding other media to repertory. He has taught before retiring. Currently, he is a personal trainer, metalsmithing, stained glass, fused glass and teaching Pilates and extreme core. Alfred owns Aba- wirework at his store for over fourteen years. David creation, a working art gallery focused on his love of has studied silver under Ann and Don Monroe, Dan stained glass and wire wrap jewelry, He is currently Haga, Jim Richardson, Alan Jewell and Jeff Sheer at the Chair of Shelby Arts Fest and is a past president of SFMS workshops at both Wildacres and William the Shelby Art Guild and Art Alliance, as well as the Holland. He taught Precious Metal Clay at William Shelby Co. Art Council. He won the Best of the Best Holland for the SFMS. David enjoys teaching Artist in Shelby County in 2015 & 2016, as well as technique classes for trouble-shooting student’s receiving the Shelby Co. Chamber of Commerce’s problems in class and combining lapidary with silver John A. Hartnett. Sr. Business Person of the Year in channel inlay pieces. Award in 2013. Mr. Taylor’s love of designing and creating stained glass has been shaped by his work with Roger Billings. After being introduced to wire JOHN WILD wrapping while working with Virginia Tutterow and John was inspired to become involved in the lapidary attending William Holland for several years, Alfred world by his wife Judi, also an instructor at William has expanded his interest and talents into the art of Holland. After several years of accompanying her to making wire jewelry as well. the School, he eventually took a class in cabochons

70 and was instantly bitten by the bug. John is a graduate RICH WILLIAMS of Auburn University with a degree in Accounting. He Rich has been doing scrimshaw since 1983 and enjoys lives in Birmingham where his company supplies combing this skill with woodwork and silversmith to nylon webbings, cords and other components to the create a final piece. He has taught, lectured and textile industry. In addition to cabochons, he enjoys demonstrated in Michigan, Ohio, Indiana, California silversmithing and learning other lapidary skills. He and Tennessee. He has appeared on local television, makes cabs for his wife, Judi, to use in her wire and his work has been featured in the national wrapping designs and sells his designs at various rock, Engraver’s Journal. Rich enjoys teaching at William gem, and jewelry shows. He is a member of the Holland because it is one of the few locations where Alabama Mineral and Lapidary Society and serves as one can learn a lapidary art under the teaching of Vice President. You may contact by email: volunteers whose sole goal is to pass on their skills and [email protected] . knowledge of their art. He also enjoys the history of

scrimshaw and keeping this original American art JUDI WILD form alive. Rich has been teaching at William Holland Judi, always the consummate crafter and eager to learn since 2004. new skills, started wire wrapping in 2007. She has attended William Holland twice a year since and sought additional classes to further refine her wire wrapping techniques. Judi has trained with some the best wire artists at William Holland including Sue Rowand, Diane Mason, and Dawn Thornton. She has also taken numerous of chain and silver classes with John Fetvedt, Howard Siegel, Case Leeser and Jim Richardson. Since 2008, Judi has been teaching at local bead stores, bead shows, and all-day retreats, as well as providing numerous programs for her local bead society. She is the co-founder and past president of the Greater Birmingham Bead Society and a member of the Alabama Mineral and Lapidary Society. Judi and her husband, John, a Cabochon Instructor, live in Birmingham, Alabama. You may contact Judi by email: [email protected] .

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