Education Curriculum of Which This Cours&In Jewelry Design Is A
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Venues at the Mak
THE MAK EXCLUSIVE The MAK – Austrian Museum of Applied Arts / GUIDED TOURS Contemporary Art was the first museum to be built on the Vienna Ringstraße and is one of the For the guests attending your events, we are most outstanding museums of its kind in the pleased to offer exclusive guided tours through the world. Founded in 1863 as the Imperial Royal unique MAK Permanent Collection, the MAK DESIGN Austrian Museum of Art and Industry, the MAK LAB, and the temporary exhibitions, all of which is now a museum and laboratory for the applied have established the Museum’s reputation as an arts, situated on the interface between design, innovative cultural institution. architecture, and contemporary art. In exhibition rooms designed by renowned contemporary artists, outstanding exhibits from the MAK’s extensive collection are on display. The EVENTS Permanent Collection Vienna 1900 includes Gustav Klimt’s work drawings for the mosaic frieze in the AT THE MAK Stoclet House in Brussels as well as many other outstanding Art Nouveau and Wiener Werkstätte The MAK offers much more than a magnificent creations. The MAK is also the place to admire rare museum as a backdrop for your events; the oriental carpets, discover sumptuous artifacts from setting it provides is outstanding in many other Asia, or experience the Thonet Brothers’ chairs respects, featuring spatial and technical facilities from a new perspective. for almost every occasion. Celebrate in the traditional classical ambience of one of the Vienna The exhibitions in the MAK present various artistic Ringstraße’s most renowned stately buildings. stances from the fields of applied art, design, Take advantage of the unique atmosphere of the architecture, and contemporary art, with an eye to great exhibition halls with their restrained, elegant elucidating the relationships between these fields. -
Portfolio Applied Arts
Props Making • Fertility Idol Prop Set Design • Robin Hood Stage Design Product Design • Sufag • Fassbar • Bio Saft Product Design • Lamp Design Display Design • The Petchey Academy - • graphics appear on the Unforgotten TV Drama Reconstruction • Airplane restauration Hand Illustration • Voltus • Fog Portfolio • Worm Pedro Reis Applied Arts Props Making Fertility Idol Prop scenic painting, modelling, prop making and casting Prop design from the movie Raiders of the Lost Ark The Chachapoyan Fertility Idol is a solid gold statue that represents the goddess of fertility. And it appears right at the first scene of the movie. Happy to start my prop collection with this amazing Idol Remembrance day 2,000 hand made poppies by me and facilities team at The Petchey Academy. I also helped with many set design plays in the school and its Christmas and other events decoration like Halloween, Science week, easter Chinese New year, etc. Costume made for a teacher at the school I worked using office materials for Science Week (real light power by batteries) Iron Man Mark 1 right hand prop, made for a student as a prize. Set Design Robin Hood Stage Design scenic painting, carpenter and prop making ROBIN HOOD STAGE DESIGNS PUTNEY ARTS THEATRE Visual communication signs for students and guests the school had lots of parents that could not speak english so it icons helped them while walking around. Product Design Samson Industry form Germany prop making, 3D Printing Sufag This is a model I made for a presentation of our product design to the Sufag a Sweden artificial snow production company. -
Bachelor of Applied Arts & Sciences (BAAS) Degree
Bachelor of Applied Arts & Sciences (BAAS) Degree - 134 Hours Recommended Courses - Contact an Advisor for Full Details and Options Core Curriculum - 42 Hours Professional Foundations - 9 Hours AAS Degree in ENGL 1301 English Composition I PACS 3000 Civic Engagement Graphic Design Print Track - 72 Hours ENGL 1302 English Composition II PACS 3020 Fundamentals of Inquiry MATH* 1332 Math for Liberal Arts PACS 4050 Negotiation Satisfies some of the Core Curriculum: BIOL* 1408 General Biology ENGL 1301 English Composition I BIOL* 2406 Environmental Biology Three Professional Concentrations - 36 Hours MATH* 1332 Math for Liberal Arts ENGL* 2332 World Literature I 12 hours per concentration ARTS* 1301 Art Appreciation ARTS* 1301 Art Appreciation PSYC* 2301 General Psychology HIST 1301 U.S. History to 1865 (1) Entrepreneurship Academic Certificate SPCH* 1315 Public Speaking HIST 1302 U.S. History from 1865 MGMT 3850 Entreprenuership PSYC 1100 Learning Framework GOVT 2305 American National Government MGMT 3915 Creativity and Opportunity Dev GOVT 2306 American State & Local Govt. MGMT 4220 Advanced Entrepreneurship * There are other options - talk to your advisor. PSYC* 2301 General Psychology MGMT 4235 Social Entrepreneurship It could save you time and money. SPCH* 1315 Public Speaking These PSYC 1100 Learning Framework (2) Business Management Required for BAAS Degree credits MGMT 3720 Organizational Behavior ARTC 1305 Basic Graphic Design all count Occupational Specialization - 21 Hours MGMT 3860 Human Resources ARTC 1325 Intro to Computer Graphics -
Goldsmith-Engraving and Embossing
EYE ON IT QUALIFICATIONS PACK - OCCUPATIONAL STANDARDS Current Industry FOR GEMS & JEWELLERY INDUSTRY Trends Suscipit, vicis praesent erat Contents feugait epulae, validus indoles duis enim consequat genitus at. 1. Introduction and Contact............... P1 Sed, conventio, aliquip accumsan adipiscing augue What are 2. Qualifications Pack ……………….........P2 blandit minim abbas oppeto Occupational 3. OS Units......................................... P3 commov. Standards(OS)? 4. Glossary of Key Terms........ ………...P20 Aptent nulla aliquip camur ut Enim neo velit adsum odio, OS describe what 5. Nomenclature of QP & NOS……….. P22 consequat aptent nisl in voco multo, in commoveo quibus individuals need consequat. Adipsdiscing magna premo tamen erat huic. Occuro to do, know and jumentum velit iriure obruo. damnum uxor dolore, ut at praemitto opto understand in Introduction pneum. Aptent nulla aliquip camur ut si sudo, opes feugiat iriure order to carry out consequat lorem aptent nisl magna validus. Sino lenis vulputate, a particular job Qualifications Pack-Goldsmith: Engraving and Embossing jumentum velitan en iriure. Loquor, valetudo ille abbas cogo saluto role or function vulputate meus indoles iaceo, ne quod, esse illum, letatio lorem SECTOR:SE INFORMATIONCTOR: GEMS &TECHNOLOGY JEWELLERY- INFORMATION TECHNOLOGY ENABLED SERVICES (IT- secundum, dolus demoveo conventio. Letalis nibh iustum OS are ITES)cesSUB Helpdesk-SECTOR: Handmade Attendant gold and gems-set jewellery interddfico proprius. In consequat os transverbero bene, erat vulpu performance -
College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation. -
Supporting Contemporary Makers
Supporting contemporary makers Acquisitions for the Goldsmiths’ Company Collection 2019–2020 Dr Dora Thornton Supporting contemporary makers: acquisitions for the Goldsmiths’ Company Collection 2019–20 The Goldsmiths’ Company has supported excellence, craftsmanship and skills in the goldsmiths’ community ever since the Company received its first Royal charter in 1327. The Company now has one of the finest collections of British silver, including contemporary and historic plate, modern jewellery and art medals. Much of the Collection is still used for its original purpose. Jewellery is worn at occasions in the Hall. Pieces are also displayed in exhibitions and lent elsewhere, as well as being used for teaching the next generations of makers, our apprentices at the Goldsmiths’ Centre, and promoting wider knowledge and patronage of the craft. Our ambitious plans to digitise our collections will eventually make much of our material—objects and archives—freely available online through our website to show who we are and what we do. This booklet describes the Company’s acquisitions, which are overseen by the Contemporary Craft Committee, over one year, from April 2019 to April 2020. Many of the purchases—and one commission—are the work of makers who are new to the Collection. Commissions completed this year include a superb brooch; two very different portrait medals of Prime Wardens of the Company; and three Court Cups, designed to be used by individual members of the Court of Assistants in the Hall. The cups are paid for by the Company and since 2018 have formed part of the Collection; they advertise the work of particular makers and excellence in the trade while also recording much about their individual patrons. -
Shifts in Modernist Architects' Design Thinking
arts Article Function and Form: Shifts in Modernist Architects’ Design Thinking Atli Magnus Seelow Department of Architecture, Chalmers University of Technology, Sven Hultins Gata 6, 41296 Gothenburg, Sweden; [email protected]; Tel.: +46-72-968-88-85 Academic Editor: Marco Sosa Received: 22 August 2016; Accepted: 3 November 2016; Published: 9 January 2017 Abstract: Since the so-called “type-debate” at the 1914 Werkbund Exhibition in Cologne—on individual versus standardized types—the discussion about turning Function into Form has been an important topic in Architectural Theory. The aim of this article is to trace the historic shifts in the relationship between Function and Form: First, how Functional Thinking was turned into an Art Form; this orginates in the Werkbund concept of artistic refinement of industrial production. Second, how Functional Analysis was applied to design and production processes, focused on certain aspects, such as economic management or floor plan design. Third, how Architectural Function was used as a social or political argument; this is of particular interest during the interwar years. A comparison of theses different aspects of the relationship between Function and Form reveals that it has undergone fundamental shifts—from Art to Science and Politics—that are tied to historic developments. It is interesting to note that this happens in a short period of time in the first half of the 20th Century. Looking at these historic shifts not only sheds new light on the creative process in Modern Architecture, this may also serve as a stepstone towards a new rethinking of Function and Form. Keywords: Modern Architecture; functionalism; form; art; science; politics 1. -
The Lost-Wax Casting Process—Down to Basics by Eddie Bell, Founder, Santa Fe Symposium
The Lost-Wax Casting Process—Down To Basics By Eddie Bell, Founder, Santa Fe Symposium. Lost-wax casting is a ancient technique that is used today in essentially the same manner as it was first used more than 5,000 years ago. As they say, there's no messing with success. Today, of course, technology has vastly expanded the technique and produced powerful equipment that makes the process faster, easier and more productive than ever, but the basic steps remain the same. The steps below represent a simple overview and are intended to provide a beginning understanding of the casting process. Concept This is obviously where the design is initally conceived, discussed,evolved, and captured on paper—or on computer; CAD (computer aided design) software is increasingly popular among designers. You create the design you envision using the computer tool and the software creates a file that can be uploaded into a CNC mill or 3D printer. Model Build a model, either by hand-carving, guided by the paper rendering, or by uploading the CAD file into a computer controlled milling machine or a 3D printing machine. Models are made using carving wax, resin or similar material. This process can also be done in metal by a goldsmith or silversmith. Note: If a 3D printer or other rapid prototyping equipment is used, it is possible to skip the molding and wax-injection steps by using one of the resins that are specially made to go directly to the treeing process. Molding Create a mold from your master model, placing it in one of a variety of rubber or silicone materials, curing the material, then removing the model from the finished mold. -
ORAL HISTORY of MYRON GOLDSMITH Interviewed by Betty J
ORAL HISTORY OF MYRON GOLDSMITH Interviewed by Betty J. Blum Complied under the auspices of the Chicago Architects Oral History Project Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 1990 Revised Edition © 2001 The Art Institute of Chicago This manuscript is hereby made available for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Outline of Topics vi Oral History 1 Selected References 138 Curriculum Vitae 140 Index of Names and Buildings 142 iii PREFACE Myron and I recorded his memoirs in his home in Wilmette, Illinois, on July 25, 26, September 7, and October 5, 1986. To describe his unique career, a colleague of Myron’s has coined the word “architechnologist,” while an architectural critic labeled him “Chicago’s new structural poet.” His training with world-class masters Mies van der Rohe and Pier Luigi Nervi, combined with Myron’s own poetic vision, have brought forth outstanding projects that embody pristine aesthetics and technology on the cutting edge. Now retired from Skidmore, Owings and Merrill, Myron continues to transmit his special vision of architecture to colleagues and students through his teaching at the Illinois Institute of Technology, guest lecturing, and writing. Our interview sessions were recorded on eight 90-minute cassettes, which have been transcribed and reviewed by both Myron and me. -
Applied Art and Design (AAD) 1
Applied Art and Design (AAD) 1 AAD 0053. Publication Design II APPLIED ART AND DESIGN Units: 3 Prerequisite: Completion of AAD 52, 54 or 62 with grade of "C" or better (AAD) Hours: 72 (36 lecture, 36 activity) Page layout for developing and producing high-quality multi-page AAD 0012. Visual Communication documents. Emphasis on publication design, production, typography, Units: 3 graphics, and pre-press. Includes research and application of effective Also known as COMM 12 magazine layout concepts, cover design, grid theory, graphics, text Hours: 54 lecture elements and printing standards and processes. (CSU) Study of visual communication including design principles, aesthetics, AAD 0054. Typography visual perception, non-verbal messages, relationship to verbal Units: 3 communication, audience analysis, mass media and persuasion. Prerequisite: Completion of AAD 52, 53, 61, 62, or 75 with grade of "C" or Historical overview of visual media as well as current trends and better technology. (C-ID JOUR 170) (CSU, UC) Advisory: Completion of AAD 60 with grade of "C" or better AAD 0020. Portfolio Development and Presentation Hours: 72 (36 lecture, 36 activity) Units: 3 A professional and historical approach to understanding typographic Advisory: Completion of AAD 70, 75, or 85 with grade of "C" or better principles and form, effects of type on the style and communication Hours: 72 (36 lecture, 36 activity) in print and screen. Includes study of historical and contemporary Function and use of the portfolio as a marketing device for artists and graphics and typographic design, conceptualizing, developing and designers. Styles, materials, resources in portfolio design. Evaluation of refining typographical forms, methods for analyzing typographic usage, professional goals and image building. -
2 Fusion, Oct 2007
fusion The Journal of the International PMC Guild Unless there was a Post Office Mishap, along with an issue of Fusion you received the premiere edition of the PMC Guild Annual. I’ll bet you looked at that first, but that didn’t hurt our feelings here at the Journal. We think the book looks great and we hope you agree. A panel of four jurors re- viewed more than 1,000 submis- sions from artists from around the world. Ultimately, jurors chose the work of 56 artists for inclusion in the Annual. A few things worth noting: If you didn’t get in, do not feel bad. The competition was exception- ally stiff. And if you did get in, congratulations. It’s quite an honor. In addition to going to members of the PMC Guild, the Annual also is circulating in Europe and Asia. Mitsubishi, the maker of PMC, bought 1,200 copies for distribution in Japan. Hattie Sanderson was one of the four jurors for the inaugural Annual. She was impressed with the range and quality of the images submitted for review, and said the sheer number of submissions “speaks volumes about the growth of PMC from its humble beginnings ten years ago.” The quality of the work has evolved tremendously, as well. “It is evident that the PMC community is an adventurous group that is willing to experiment and then share ideas. I think the 2007 Annual is a wonderful representation of PMC as it has evolved to this point.” She hopes the Annual serves as inspiration for new ideas and innovations. -
JEWELRY TRADES at Macomb Community College
JEWELRY TRADES at Macomb Community College JEWELRY TRADES CERTIFICATE The Jewelry Trades Program consists of eight core classes, and is designed to enhance the knowledge of those employed in the jewelry industry, as well as those with an interest in gemstones, jewelry and jewelry repair. Upon successful completion of all classes, you’ll earn a Macomb Workforce & Continuing Education Certificate of Completion in Jewelry Trades. Jewelry Repair-Bench Skills I Focus on tools, safety issues, and basic jewelry metalsmithing and stone-setting practices. $20 material fee payable to instructor at first session. Jewelry Repair-Bench Skills II Gain knowledge of chain repair, riveting, head and prong replacement, prong tipping, and post soldering. $20 material fee payable to instructor at first session. Gemstone Identification This hands-on mini workshop is designed to reveal the history and nature of gemstones: where they are found, how they are cut, what colors to expect, and what to look for when purchasing a stone. Buying and Selling Precious Metals Gain hands-on experience identifying, evaluating, testing, and appraising precious metals. Gemology–Colored Stones Cultivate your gemology identification skills. See, touch, and evaluate a wide range of organic, precious, and semi-precious colored gemstones in the rough and cut. Obtain skills to recognize numerous stones, name each gemstone properly, and try to determine where the stones were mined. Lapidary and Cabochon Learn how to cut and polish gemstones for jewelry making. Equipment and safety issues will be introduced. Wear old clothes, safety goggles, and a dust mask. $20 stone fee payable to instructor at first session.