METAL ENAMELING Leader Guide Pub
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Download Course Outline for This Program
Program Outline 434- Jewellery and Metalwork NUNAVUT INUIT LANGUAGES AND CULTURES Jewelry and Metalwork (and all fine arts) PROGRAM REPORT 434 Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Status: Approved Action Type: N/A Change Type: N/A Discontinued: No Latest Version: Yes Printed: 03/30/2015 1 Program Outline 434- Jewellery and Metalwork Program Details 434 - Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Details Code 434 Title Jewellery and Metalwork Start Term No Specified End Date End Term No Specified End Date Total Credits Institution Nunavut Faculty Inuit Languages and Cultures Department Jewelry and Metalwork (and all fine arts) General Information Eligible for RPL No Description The Program in Jewellery and Metalwork will enable students to develop their knowledge and skills of jewellery and metalwork production in a professional studio atmosphere. To this end the program stresses high standards of craftship and creativity, all the time encouraging and exposing students to a wide range of materials, techniques and concepts. This program is designed to allow the individual student to specialize in an area of study of particular interest. There is an emphasis on creative thinking and problem-solving throughout the program.The first year of the program provides an environment for the students to acquire the necessary skills that will enable them to translate their ideas into two and three dimensional jewellery and metalwork. This first year includes courses in: Drawing and Design, Inuit Art and Jewellery History, Lapidary and also Business and Communications. -
Lapidary Journal Jewelry Artist March 2012
INDEX TO VOLUME 65 Lapidary Journal Jewelry Artist April 2011-March 2012 INDEX BY FEATURE/ Signature Techniques Part 1 Resin Earrings and Pendant, PROJECT/DEPARTMENT of 2, 20, 09/10-11 30, 08-11 Signature Techniques Part 2 Sagenite Intarsia Pendant, 50, With title, page number, of 2, 18, 11-11 04-11 month, and year published Special Event Sales, 22, 08-11 Silver Clay and Wire Ring, 58, When to Saw Your Rough, 74, 03-12 FEATURE ARTICLES Smokin’*, 43, 09/10-11 01/02-12 Argentium® Tips, 50, 03-12 Spinwheel, 20, 08-11 Arizona Opal, 22, 01/02-12 PROJECTS/DEMOS/FACET Stacking Ring Trio, 74, Basic Files, 36, 11-11 05/06-11 DESIGNS Brachiopod Agate, 26, 04-11 Sterling Safety Pin, 22, 12-11 Alabaster Bowls, 54, 07-11 Create Your Best Workspace, Swirl Step Cut Revisited, 72, Amethyst Crystal Cross, 34, 28, 11-11 01/02-12 Cut Together, 66, 01/02-12 12-11 Tabbed Fossil Coral Pendant, Deciphering Chinese Writing Copper and Silver Clay 50, 01/02-12 Linked Bracelet, 48, 07-11 12, 07-11 Stone, 78, 01/02-12 Torch Fired Enamel Medallion Site of Your Own, A, 12, 03-12 Easier Torchwork, 43, 11-11 Copper Wire Cuff with Silver Necklace, 33, 09/10-11 Elizabeth Taylor’s Legendary Wire “Inlay,” 28, 07-11 Trillion Diamonds Barion, 44, SMOKIN’ STONES Jewels, 58, 12-11 Coquina Pendant, 44, 05/06-11 Alabaster, 52, 07-11 Ethiopian Opal, 28, 01/02-12 01/02-12 Turquoise and Pierced Silver Ametrine, 44, 09/10-11 Find the Right Findings, 46, Corrugated Copper Pendant, Bead Bracelet – Plus!, 44, Coquina, 42, 01/02-12 09/10-11 24, 05/06-11 04-11 Fossilized Ivory, 24, 04-11 -
Neycraft Centrifugal Casting Machine to Be Free from Defects in Material and Workmanship for a Period of Two Years from the Date of Sale
CRUCIBLE SLIDE LEVER COUNTER BALANCE WEIGHT SILICA CRUCIBLE WINDING & LOCKING WARRANTY INVESTMENT FLASK KNOB FLASK RECEIVER WARRANTY: Except with respect to those components parts and uses which are described herein, ASSEMBLY DENTSPLY Neytech warrants the Neycraft Centrifugal Casting Machine to be free from defects in material and workmanship for a period of two years from the date of sale. DENTSPLY Neytech’s liability under this warranty is limited solely to repairing or, at DENTSPLY Neytech’s option, replacing those products included within the warranty which are returned to DENTSPLY Neytech within the applicable warranty period (with shipping charges prepaid), and which are determined by DENTSPLY Neytech to be defective. This warranty shall not apply to any product which has been subject to misuse; negligence; or accident; or misapplied; or modified; or repaired by unauthorized persons; or improperly installed. INSPECTION: Buyer shall inspect the product upon receipt. The buyer shall notify DENTSPLY Neytech in writing of any claims of defects in material and workmanship within thirty days after the buyer discovers or should have discovered the facts upon which such a claim is based. Failure of the SAFETY SHELL buyer to give written notice of such a claim within this time period shall be deemed to be a waiver of such claim. MOUNTING BASE DISCLAIMER: The provisions stated herein represent DENTSPLY Neytech’s sole obligation and exclude all other remedies or warranties, expressed or implied, including those related to MERCHANTABILITY and FITNESS FOR A PARTICULAR PURPOSE. LIMITATION OF LIABILITY: Under no circumstances shall DENTSPLY Neytech be liable to the buyer for any incidental, consequential or special damages, losses or expenses. -
Studio Member Magazine of the PMC Guild PMC
Studio Member Magazine of the PMC Guild PMC Summer 2005 · Volume 8, Number 2 Studio Summer 2005 · Volume 8, Number 2 Member Magazine of the PMC Guild PMC On the Cover: Gang blade from PMC Tool and Supply/Darway features Design Studio, leaf cutters and rolling tool from Celie Fago, and tool kit from New Mexico Clay. Background image is Elaine Luther working on her butterfly pendant... see page 7 4 Word Art Studio PMC This beginner's project by Debbie Fehrenbach using rubber stamps is PMC Guild ideal for teaching the technique. P.O. Box 265, Mansfield, MA 02048 www.PMCguild.com 6 Butterfly Inlay Pendant Volume 8, Number 2 • Summer 2005 Editor—Suzanne Wade Elaine Luther demonstrates the use of some of her favorite tools Technical Editor—Tim McCreight in this pendant project. Art Director—Jonah Spivak Advertising Manager—Bill Spilman Studio PMC is published by the PMC Guild Inc. 10 The Tool Trade • How to SUBMIT WORK to Studio PMC… For some PMC artists, developing and selling tools has become We welcome your PMC photos, articles and ideas. You may submit by mail or electronically. Please include your name, address, e-mail, a welcome addition to their PMC careers. phone, plus a full description of your PMC piece and a brief bio. Slides are preferred, but color prints and digital images are OK. By Mail: Mail articles and photos to: Studio PMC, 11 Tools, Tools, Tools P.O. Box 265, Mansfield, MA 02048. Electronically: E-mail articles in the body of the e-mail, or as Studio PMC's First Tool Buyers' Guide! A treasure trove of tools attachments. -
JMD How to Enamel Jewelry
PRESENTS How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques Jewelry Making Daily presents How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques 7 3 21 ENAMELING TIPS BY HELEN I. DRIGGS 12 10 TORCH FIRED ENAMEL ENAMELING MEDALLION NECKLACE BY HELEN I. DRIGGS BY HELEN I. DRIGGS ENAMELED FILIGREE BEADS BY PAM EAST I LOVE COLOR! In jewelry making, enamel is one of the most In “Enameled Filigree Beads,” Pam East walks you through a versatile sources of pure, luscious color – powdered glass you simple technique of torch firing enamel onto a premade bead can apply with great precision onto silver, gold, copper, and using a handheld butane torch instead of an enameling kiln. other jewelry metals. With enamels, you can paint with a broad The enamel adds color to the bead, while the silver filigree brush or add minute and elaborate detail to pendants, brace- creates the look of delicate cells like those in cloisonné enamel lets, earrings, and more. You can work in rich, saturated tones work. And in “Torch Fired Enamel Medallion Necklace,” Helen or in the subtlest of pastels. You can create a world of sharp Driggs shows you how to create your own torch fired enamel contrast in black and white or one entirely of shades of gray. “cabochons,” how to tab set those cabs, and how to stamp You can even mimic the colors of the finest gemstones, but you and patinate the surrounding metalwork, which you can put can also produce hues and patterns you’d never find among the together using the chain of your choice. -
Gems'll Quick
c -/9 ARIZONA DEPARTMENT OF MINERAL RESOURCES MINERAL BUILDING, FAIRGROUNDS Phoenix, Arizona 85007 September 6, 1977 BOOK LIST 11 For the beginner, ~ For general information, d/ For the student 11 Advanced text, ~ Technical specialized text Books for the Mineral Collector Author Publisher *Field Guide to Rocks and Minerals d/ Pough Houghton Miffin Mineral Recognition J/ Vanders & Kerr John Wiley Prospecting for Gemstones and Minerals d/ Sinkankas Von Nostrand *A Textbook of Mineralogy 11 Dana John Wiley *The Mineral Kingdom ~ Desautels Grosset & Dunlap *Minerals and Man ~ Hurlbut Random House *Glossary of Mineral Species 11 Michael Fleischer Mineralogical Record, Inc. *Rocks and Minerals 11 Joel Arem Ridge Press, Inc . *Encyclopedia of Minerals ~ Roberts, Rapp Von Nostrand and Weber *Mineralogy of Arizona J/ Anthony-Williams University of, Bideaux Arizona Press Books on Geology Stories Read from Rocks 11 Parker Row Peterson The Earth's Changing Surface 11 Parker Row Peterson Rocks, Rivers & the Changing Earth ~ Schneider W. R. Scott Anatomy of the Earth ~ Cailleux McGraw-Hill Structural Geology 11 De Sitter McGraw-Hill Physical Geology 11 Longwell, et al John Wiley Elements of Geology 11 Zumberge John Wiley *Minerals and Rocks 11 Kirkaldy Hippocrene Books Books on Gems and Gem Cutting Practical Gemmology J/ Webster Wehman Brothers The Story of the Gems 'll Whitlock Emerson The Book of Agates and Other Quartz Gems'll Quick Chi lton Gemstones of North America 11 Si nkankas Von Nostrand Von Nostrand's Standard Catalog of Gems 11 Sinkankas -
Raymond & Leigh Danielle Austin
PRODUCT TRENDS, BUSINESS TIPS, NATIONAL TONGUE PIERCING DAY & INSTAGRAM FAVS Metal Mafia PIERCER SPOTLIGHT: RAYMOND & LEIGH DANIELLE AUSTIN of BODY JEWEL WITH 8 LOCATIONS ACROSS OHIO STATE Friday, August 14th is NATIONAL TONGUE PIERCING DAY! #nationaltonguepiercingday #nationalpiercingholidays #metalmafialove 14G Titanium Barbell W/ Semi Precious Stone Disc Internally Threaded Starting At $7.54 - TBRI14-CD Threadless Starting At $9.80 - TTBR14-CD 14G Titanium Barbell W/ Swarovski Gem Disc Internally Threaded Starting At $5.60 - TBRI14-GD Threadless Starting At $8.80 - TTBR14-GD @fallenangelokc @holepuncher213 Fallen Angel Tattoo & Body Piercing 14G Titanium Barbell W/ Dome Top 14G Titanium Barbell W/ Dome Top 14G ASTM F-67 Titanium Barbell Assortment Internally Threaded Starting At $5.46 - TBRI14-DM Internally Threaded Starting At $5.46 - TBRI14-DM Starting At $17.55 - ATBRE- Threadless Starting At $8.80 - TTBR14-DM Threadless Starting At $8.80 - TTBR14-DM 14G Threaded Barbell W Plain Balls 14G Steel Internally Threaded Barbell W Gem Balls Steel External Starting At $0.28 - SBRE14- 24 Piece Assortment Pack $58.00 - ASBRI145/85 Steel Internal Starting At $1.90 - SBRI14- @the.stabbing.russian Titanium Internal Starting At $5.40 - TBRI14- Read Street Tattoo Parlour ANODIZE ANY ASTM F-136 TITANIUM ITEM IN-HOUSE FOR JUST 30¢ EXTRA PER PIECE! Blue (BL) Bronze (BR) Blurple Dark Blue (DB) Dark Purple (DP) Golden (GO) Light Blue (LB) Light Purple (LP) Pink (PK) Purple (PR) Rosey Gold (RG) Yellow(YW) (Blue-Purple) (BP) 2 COPYRIGHT METAL MAFIA 2020 COPYRIGHT METAL MAFIA 2020 3 CONTENTS Septum Clickers 05 AUGUST METAL MAFIA One trend that's not leaving for sure is the septum piercing. -
The Cultural Significance of Precious Stones in Early Modern England
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support. -
Gilt Fibula with Christogram from Imperial Palace in Sirmium
UDC 904:739.1/.2"652"(497.113) DOI: 10.2298/STA0757101P 101 IVANA POPOVI], Institute of Archaeology, Belgrade GILT FIBULA WITH CHRISTOGRAM FROM IMPERIAL PALACE IN SIRMIUM Abstract. ‡ The foot of gilt bronze fibula was discovered in 2005 during archaeological investigations of locality 85 in Sirmium, that is assumed to have been the remains of the imperial palace. Ornament on the foot enclosed within rectangular field is executed in the niello technique. End of the foot is bent at the right angle and the Christogram is engraved on it with Greek letters alpha and omega engraved above its side arm. The preserved part of fibula makes possible reconstruction of its appearance and attribution to the group of massive bronze crossbow fibulae, which were produced in the second half of the 4th century and characterized by decoration consisting of gilding, niello, Christogram motif and/or the busts of young men in medallions. Key words. ‡ Crossbow fibula, Christogram, Late Antiquity, Sirmium n the course of archaeological investigations at bent upper arm makes letter rho. Letters alpha and locality 85 in Sirmium, that could be assumed omega are engraved above the side arm of the cross with considerable certainty to be the segment of as direct allusion to Christ as the beginning and the I 1 imperial residential complex, the foot of gilt bronze end’, in accordance with His words in the Book of fibula (C-169/2005), 31 x 22 mm in size (Fig. 1), was Revelation (1:8; 21:6; 22:13). discovered in the fall of 2005. The fibula fragment The distinct ornament on the foot makes possible has been found in sector C, room 12, in the layer of relatively precise reconstruction of fibula, despite the building rubble originating from the same site and fact that its other parts are not preserved (Fig. -
Marchi, Janel – FILIGREE Buttons-February 2009 WRBA.Pdf
Page 36 WRBA Territorial News, Volume 7, Issue 1 WRBA Territorial News, Volume 7, Issue 1 Page 1 THE BUTTON CALENDAR PRESIDENT’S MESSAGE Oregon Spring Workshop. March 14. Tualatin Elks Lodge. Best wishes to each of you for a safe, peaceful, productive 2009 filled with Button Bazaar (presented by laughter, love, and buttons that warm your Sacramento Button Club) February heart. Make memories you can treasure in 28, Saturday. 10AM—5PM. Carmi- the years to come! The WRBA button world chael Park Community Club House, lost dear members this year and we shall 5750 Grant Avenue, Carmichael CA. Donation $2. Contact Faye treasure the memories we made with them. Wolfe (916) 489-1785 Speaking of treasure, this issue [email protected] contains our 2008 financial reports. The careful management and hard work of Colorado Button Show. April 17-19. 9am-4pm. WRBA leaders contributes to our stability. Oregon State Button Show, April 29 -May 2. “Buttons . The Stories They To best manage WRBA finances, our Tell” Keizer Renaissance Inn, Keizer OR. Exit 260B on I-5 Highway. (800) Treasurer shall open two bank CDs with funds not needed until our 2010 299-7221 www.labelcollector.com WRBA convention. California State Button Society. May 22-24. “Celebrating the Art of But- The WRBA Board recently completed action on 3 items. tons” Holiday Inn Sacramento North, East I-80. (916) 338-5800. (1) The 10-tray limit on competitive trays has been removed. Idaho State Button Show. June 4-6. “Rainbow of Shells” Best Western (2) We adopted a policy that membership information will not be shared, Hotel, Caldwell ID. -
Niello Is a Black Mixture of Copper, Silver, and Lead Sulphides, Used As an Inlay on Engraved Or Etched Metal. It Can Be Used for Filling in Designs Cut from Metal
Cutlery , Italy XVI th Century Coral , brass, silver , Iron , Gold 2010. 29. 1,2 G350 ( I call this the Treasury room) Key Points : Use of silverware relatively recent development in our western Society - People ate with bare hands - until the XVIth C – for instance Caterina de Medici went to France to marry Henry second son of King Francis I – in her dowry she brought her own fork and spoon enclosed in a box called a cadena - This was something new for the French but in Italy the fork arrived around XI th C – before that people were reliant on simple spoons and knifes that were both weapons and utensils. Guests would each bring their own utensils. Ancient Greeks used the fork but then the use fell out of custom. Byzantine Empire use developed during the first millennium but common use not until XVIIIth C in western world, North America XIXth….early use mainly as cooking utensil (Rome) Fun fact : Lorenzo de Medici’s estate included 18 forks… all for his private use. People would bring their own silverware if they had any to a banquet Use of fork in 1600’s regarded as unmanly Italian affectation and frowned upon by Roman Catholic Church – “ god in his wisdom has provided man with natural forks …his hands..” but mentioned in Bible… Before use of cutlery it was common to wipe own’s hands on any available material – hence no upholstery on chairs until development of silverware… This set of cutlery would have belonged to a high ranking individual such as nobleman, ambassador or Ruler. -
Paisley and Filigree Diamond Wedding Band, RG-1747Wbd This
Paisley and Filigree Diamond Wedding Band, RG-1747wbd This 18k white gold filigree and diamond wedding band is elegant worn alone or paired with a filigree engagement ring. Twenty-two round brilliant cut diamonds accentuate the band along the top and shoulders and six additional diamonds add shimmer and sparkle on the sides. The combined weight of all 28 diamonds is 0.20 carats. Filigree swirls and milgraining further enhance the design of filigree wedding rings like this one. Options None Item # rg1747wbd Metal 18k white gold Weight in grams 2.35 Special characteristics This wedding band compliments engagement ring style RG-1747 as well as engagement ring style RG-2567. The band is also beautiful worn alone as it is not curved or notched to fit snugly against an engagement ring. Condition New Diamond cut or shape round brilliant cut Diamond carat weight 0.20 Diamond color G to H Diamond clarity VS2 Diamond # of stones 28 Top of ring width (E-W) 2.49 mm [0.10 in] Width of shank at shoulders 2.31 mm [0.09 in] Width of shank at base 2.04 mm [0.08 in] Ring height above finger 2.46 mm [0.10 in] Other ring info For new rings like this one, the gram weight, diamond and gemstone carat weights, color, and clarity, as well as other jewelry details, vary from the specifications shown on this page, but are similar in quality. Important Jewelry Information Each antique and vintage jewelry piece is sent off site to be evaluated by an appraiser who is not a Topazery employee and who has earned the GIA Graduate Gemologist diploma as well as the title of AGS Certified Gemologist Appraiser.