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Bianca Del Rio Floats Too, B*TCHES the ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’S Done with ‘Drag Race’
Drag Syndrome Barred From Tanglefoot: Discrimination or Protection? A Guide to the Upcoming Democratic Presidential Kentucky Marriage Battle LGBTQ Debates Bianca Del Rio Floats Too, B*TCHES The ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’s Done with ‘Drag Race’ PRIDESOURCE.COM SEPT.SEPT. 12, 12, 2019 2019 | | VOL. VOL. 2737 2737 | FREE New Location The Henry • Dearborn 300 Town Center Drive FREE PARKING Great Prizes! Including 5 Weekend Join Us For An Afternoon Celebration with Getaways Equality-Minded Businesses and Services Free Brunch Sunday, Oct. 13 Over 90 Equality Vendors Complimentary Continental Brunch Begins 11 a.m. Expo Open Noon to 4 p.m. • Free Parking Fashion Show 1:30 p.m. 2019 Sponsors 300 Town Center Drive, Dearborn, Michigan Party Rentals B. Ella Bridal $5 Advance / $10 at door Family Group Rates Call 734-293-7200 x. 101 email: [email protected] Tickets Available at: MiLGBTWedding.com VOL. 2737 • SEPT. 12 2019 ISSUE 1123 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 22 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 12 10 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, -
Tom Rubnitz / Dynasty Handbag
TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Lgbtq Abyss Zignego Ready Mix, Inc
Democratic Socialists of America: Communism for the New Millennium • The Racist American Flag? August 5 , 2019 • $3.95 www.TheNewAmerican.com THAT FREEDOM SHALL NOT PERISH “DRAG”ING KIDS INTO THE LGBTQ ABYSS ZIGNEGO READY MIX, INC. W226 N2940 DUPLAINVILLE ROAD WAUKESHA, WI 53186 262-542-0333 • www.Zignego.com RESCUING OUR CHILDREN SUMMER TOUR 2019 WITH ALEX NEWMAN There is a reason the Deep State globalists sound so confident about the success of their agenda — they have a secret weapon: More than 85 percent of American children are being indoctrinated by radicalized government schools. In this explosive talk, Alex Newman exposes the insanity that has taken over the public school system. From the sexualization of children and the reshaping of values to deliberate dumbing down, Alex shows how dangerous this threat is — not just to our children, but also to the future of faith, family, and freedom — and what every American can do about it. VIRGINIA OREGON ✔ May 27 / Hampton / Tricia Stall / 757-897-4842 ✔ July 10 / King City / Sally Crino / 503-522-3926 ✔ May 29 / Chesapeake / Tricia Stall / 757-897-4842 WASHINGTON ✔ May 30 / Richmond / Thomas Redfern / 804-722-1084 ✔ July 12 & 13 / Spokane / Caleb Collier / 509-999-0479 ✔ June 4 / Falls Church / Tricia Stall / 757-897-4842 ✔ July 14 / Lynnwood (Seattle) / Lillian Erickson / 425-269-9991 CONNECTICUT CALIFORNIA ✔ June 7 / Hartford / Imani Mamalution / 860-983-5279 ✔ July 18 / Lodi / Greg Goehring / 209-712-1635 ✔ June 8 / Hartford / Imani Mamalution / 860-983-5279 ✔ July 23 / Thousand Oaks -
E Past, Present and Future of Drag in Los Angeles
Rap Duo 88Glam embrace Hip-Hop’s fearlessness • Museum Spotlights Ernie Barnes, Artist and Athlete ® MAY 24-30, 2019 / VOL. 41 / NO. 27 / LAWEEKLY.COM Q e Past,UEENDOM Present and Future of Drag in Los Angeles BY MICHAEL COOPER AND LINA LECARO 2 WWW.LAWEEKLY.COM | - , | LA WEEKLY L May 24 - May 30, 2019 // Vol. 41 // No. 27 // laweekly.com 3 LA WEEKLY LA Explore the Country’s Premier School of Archetypal and Depth Psychology Contents - , | | Join us on campus in Santa Barbara WWW.LAWEEKLY.COM Friday, June 7, 2019 The Pacifica Experience A Comprehensive One-Day Introduction to Pacifica’s Master’s and Doctoral Degree Programs Join us for our Information Day and learn about our various degree programs. Faculty from each of the programs will be hosting program-specific information sessions throughout the day. Don't miss out on this event! Pacifica is an accredited graduate school offering degrees in Clinical Psychology, Counseling Psychology, the Humanities and Mythological Studies. The Institute has two beautiful campuses in Santa Barbara nestled between the foothills and the Pacific Ocean. All of Pacifica’s degree programs are offered through monthly three-day learning sessions that take into account vocational, family, and other commitments. Students come to Pacifica from diverse backgrounds in pursuit of an expansive mix of accademic, professional, and personal goals. 7 Experience Pacifica’s unique interdisciplinary degree programs GO LA...4 FILM...16 led by our renowned faculty. Celebrate punk history, explore the NATHANIEL BELL explores the movies opening Tour both of our beautiful campuses including the Joseph Campbell Archives and the Research Library. -
The Haus of Frau: Radical Drag Queens Disrupting the Visual Fiction of Gendered Appearances
The Haus of Frau: Radical Drag Queens Disrupting the Visual Fiction of Gendered Appearances John Bryan Jacob Dissertation Submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in Clothing and Textiles Catherine Cerny, Co-Chair Ann Kilkelly, Co-Chair Katherine Allen Scott Christianson Valerie Giddings Rebecca Lovingood May 7, 1999 Blacksburg, Virginia Keywords: Gender, Appearance, Identity, Gay Studies, Women’s Studies Copyright 1999, John Bryan Jacob THE HAUS OF FRAU: RADICAL DRAG QUEENS DISRUPTING THE VISUAL FICTION OF GENDERED APPEARANCES John Bryan Jacob (ABSTRACT) This research considers the connections between appearance and identity apparent in the social experience of five gay male drag queens. Appearing at variance with gender norms that underwrite male appearance in mainstream society and among gay men prompted social consequences that impacted their identities and world views. One aim is to apprehend the experiences of difference that drag appearance manifest and expressed. Another aim is to gain a new perspective on the social construction of gendered appearances from marginalized persons who seem to look from the “outside” in toward mainstream social appearances and relations. Qualitative analysis relied on interview data and occurred using grounded theory methodology However, analysis gained focus and intensified by engaging Stone’s (1970) theorizing on “Appearance and the Self,” Feminist articulations of “the gaze” and poststructural conceptions of the discursively constituted person as “the subject.” This research especially emphasizes the points of connection between Stone’s theorizing and more recent feminist theoretical advancements on the gaze as they each pertain to appearance, identity and social operations of seeing and being seen. -