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Bianca Del Rio Floats Too, B*TCHES the ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’S Done with ‘Drag Race’
Drag Syndrome Barred From Tanglefoot: Discrimination or Protection? A Guide to the Upcoming Democratic Presidential Kentucky Marriage Battle LGBTQ Debates Bianca Del Rio Floats Too, B*TCHES The ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’s Done with ‘Drag Race’ PRIDESOURCE.COM SEPT.SEPT. 12, 12, 2019 2019 | | VOL. VOL. 2737 2737 | FREE New Location The Henry • Dearborn 300 Town Center Drive FREE PARKING Great Prizes! Including 5 Weekend Join Us For An Afternoon Celebration with Getaways Equality-Minded Businesses and Services Free Brunch Sunday, Oct. 13 Over 90 Equality Vendors Complimentary Continental Brunch Begins 11 a.m. Expo Open Noon to 4 p.m. • Free Parking Fashion Show 1:30 p.m. 2019 Sponsors 300 Town Center Drive, Dearborn, Michigan Party Rentals B. Ella Bridal $5 Advance / $10 at door Family Group Rates Call 734-293-7200 x. 101 email: [email protected] Tickets Available at: MiLGBTWedding.com VOL. 2737 • SEPT. 12 2019 ISSUE 1123 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 22 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 12 10 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, -
Baird, Alison 2019
IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE INFAMOUS RED VELVET ROPE CULTURE AT STUDIO 54 A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alison P. Baird Washington, D.C. April 15, 2019 IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE NOTORIOUS RED VELVET ROPE CULTURE AT STUDIO 54 Alison P. Baird Thesis Adviser: Ellen Gorman, Ph.D. ABSTRACT Studio 54, the infamous New York City discotheque open from 1977 to 1980, was a notorious site in New York City for not only being one of the most sought-after venues in nightlife, but also for its ruthless red velvet rope culture. Disco was a defining artifact in American culture in the 1970s and greatly reflected the social and political atmosphere across the country. With the culmination of various political upheavals such as the Vietnam War and the Watergate Scandal, many Americans simply wanted to party, use drugs, and openly explore their sexuality. Studio 54 was, arguably, the most influential and well-known of the many discos— admired and loathed by those within and on the outside of the disco scene. Many outsiders and eager spectators observed the club as exclusionary and dictator-like. This thesis deconstructs the red velvet rope culture and analyzes the innate behavior and qualities of the clubbers with the aim to understand how these people contributed to the tremendous popularity of Studio 54. Gossip columns, newspapers, tabloids and archived footage offers compelling insight to the way of the disco-door as well as the qualities and behaviors that club goers possessed as such to gain admission. -
October 2019 New Releases
October 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 82 Vinyl Audio 3 CD Audio 17 FEATURED RELEASES Music Video DVD & Blu-ray 52 SPYRO GYRA - WOODSTOCK: DINOSAUR JR. - VINYL TAP 3 DAYS THAT CHANGED WHERE YOU BEEN: Non-Music Video EVERYTHING 2CD DELUXE EXPANDED DVD & Blu-ray 57 EDITION Order Form 90 Deletions and Price Changes 93 800.888.0486 RINGU COLLECTION MY SAMURAI JIRGA 203 Windsor Rd., Pottstown, PA 19464 (COLLECTOR’S EDITION) FRED SCHNEIDER & THE SPYRO GYRA - WEDDING PRESENT - www.MVDb2b.com SUPERIONS - VINYL TAP TOMMY 30 BAT BABY MVD: RAISING HELL THIS FALL! We celebrate October with a gallery of great horror films, lifting the lid off HELLRAISER and HELLBOUND: HELLRAISER II with newly restored Blurays. The original and equally terrifying sequel are restored to their crimson glory by Arrow Video! HELLRAISER and its successor overflow with new film transfers and myriad extras that will excite any Pinhead! The Ugly American comes alive in the horror dark comedy AN AMERICAN WEREWOLF IN LONDON. Another fine reboot from Arrow Video, this deluxe pack will have you howling! Arrow also hits the RINGU with a release of this iconic Japanese-Horror film that spawned The Ring film franchise. Creepy and disturbing, RINGU concerns a cursed videotape, that once watched, will kill you in seven days! Watching this Bluray will have no such effect, but please, don’t answer the phone! TWO EVIL EYES from Blue Underground is a “double dose of terror” from two renowned directors, George A. Romero and Dario Argento. -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
TG Accident Victim Denied Treatment Dies from Injuries Washington, D.C
News Ii views Vision • Integrity • Quality Vol. 9, No. 9 •September 1995 TG Accident Victim Denied Treatment Dies from injuries Washington, D.C. ported to D.C. General Hospital where she was pro A male-to-female transgendered person was fa nounced dead. tally injured in a traffic accident in Washington, In response to questions raised by eyewitnesses, D.C., on Monday, August 7, 1995. The Washington Hunter's family, friends, and the Washington, D.C. Post identified Tyrone Michael Hunter as 24 years activist group CLOY (Gays and Lesbians Opposing old and a "transvestite." Hunter's friends stated she Violence), Chief Otis Latin of the D.C. Fire Depart liked to be called Tyra, and had lived full-time as a ment held a meeting in his office on August 11, which \VOman since she was 14. Hunter worked as a hair resulted in no immediate action. CLOY issued a dresser and was well-liked in her neighborhood. press release demanding an independent investiga Tyra Hunter was a passenger in a car when it was tion, suspension of the D.C. Fire Department per hit broadside in the middle of an intersection in sonnel involved, and diversity and sensitivity training Southeast Washington by another car at a four-way for the D.C. Fire Department. stop. Tyra and the car's driver were both pulled from The D.C. Fire Department announced it is con the demolished car by neighborhood residents. Ten tinuing its investigation while refusing further com minutes later, D.C. Fire Department personnel ar ment. A gay, lesbian, bisexual and transgender task rived on the scene. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Tom Rubnitz / Dynasty Handbag
TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers. -
Mike Cockrill Solo Exhibitions 2019
MIKE COCKRILL SOLO EXHIBITIONS 2019 “Drawn from Life: Paintings 2004 – 2019”) Mike Cockrill selected recent works, Mosaic Art Space, L.I.C., New York 2017 Mike Cockrill: In Retrospect, Cross Contemporary Art, Saugerties, NY 2013 The Existential Man, Kent Fine Art, New York 2011 The Awakening, Kent Fine Art, New York 2009 Sentiment and Seduction, Kent Gallery, New York 2008 Butterfly Girls, Kent Gallery, New York 2007 The Broken Pitcher & Other Stories, Kent Gallery, New York 2006 Over the Garden Wall, 31 Grand Gallery, Brooklyn, NY 2004 Then Again, 31 Grand Gallery, Brooklyn, NY 2003 Marella Arte Contemporanea, Milan, Italy 2002 Kim Foster Gallery, New York 1999 Make Me Laugh, Kim Foster Gallery, New York Baby Doll Clown Killers in LA, Robert Berman Gallery, Santa Monica, CA 1997 Baby Doll Clown Killers, Yearsley Spring Gallery, Philadelphia, PA Baby Doll Clown Killers, Kim Foster Gallery, New York 1994 Go Figure, Kim Foster Gallery, New York Discontents and Debutantes Illinois State University Galleries, Normal, IL 1992 Young, Alive and Beautiful, Webster Hall, New York Bra Women/Green Monkeys, Elston Fine Arts, New York 1990 Little Girls U-Can Live With, Downing Street Gallery, New York 1986 Family Life: The Post War Years, Semaphore Gallery, New York 1985 Semaphore Gallery, New York GROUP EXHIBITIONS 2019 Among Friends, Clemente Sot Velez Cultural Center, New York 2017 Between A Wail and a Clang, Contemporary Drawing and Painting, Donna Beam Gallery, UNLV, Las Vegas, NV. The Times, Flag Art Foundation, New York Hand’s Off My Cuntry, -
Finding the Divine in Drag Performance Richard Andrew Curtiss Brigham Young University
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2018-05-01 It's a Drag: Finding the Divine in Drag Performance Richard Andrew Curtiss Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Arts and Humanities Commons BYU ScholarsArchive Citation Curtiss, Richard Andrew, "It's a Drag: Finding the Divine in Drag Performance" (2018). All Theses and Dissertations. 7420. https://scholarsarchive.byu.edu/etd/7420 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. It’s a Drag: Finding the Divine in Drag Performance Richard Andrew Curtiss A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Wade Hollingshaus, Chair Lindsey Livingston Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University Copyright © 2018 Richard Andrew Curtiss All Rights Reserved ABSTRACT It’s a Drag: Finding the Divine in Drag Performance Richard Andrew Curtiss Department of Theatre and Media Arts, BYU Master of Arts For over the thirty years, drag performance has been examined for its utility to subvert or reinforce traditional gender roles. Many of these examinations have focused on performances that emphasize subversion and separated drag into two categories: the progressive drag that subverts, and the regressive drag that reinforces. While this approach has provided a wealth of understanding about drag performance and gender roles, drag can be examined without separating its subverting/reinforcing aspects. -
View Entire Issue As
Karen Valentine Photographer Mike Hiller Stylist Dawn Marie Weeden Such A Keen Eye Make Up/Hair Goldie Adams Assistants Roger Ram Jet, Kelly Klawes A special thank you to La Cage for use of their venue. Spice. I knew Dear Ruthie from her col - aside from costuming and the make-up umn. We were already friends socially and brush. I respect people who cut off their Karen I extended an invitation for her to do her dicks but I’ve had too much fun with mine. first drag show at M&Ms. We played the But, in today’s world it’s more of a blur. In Valentine little girls from Little Rock. It went over big the past, the excitement was seeing the and we followed with solo numbers. From transformation from boy to girl. Now the An Interview by Paul Masterson there her career went on both as a writer transformation isn’t as startling. Some re - for Wisconsin Light and as a drag mind me of Julie Newmar doing My Living In the Pantheon of Milwaukee drag god - performer. Doll . They’re robotic. It’s beyond skin. desses, Karen Valentine takes her place in the upper most rank. Her decades’ long PM: And what about you? I don’t use the “f” bomb or “cs” references, commitment to the LGBT community is either. Karen is above that. There was a marked by her dedication to a broad spec - KV: I made friends with the legendary drag complaint once about the double enten - trum of causes and organizations. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Robert Michael /Serotina Archive
ROBERT MICHAEL /SEROTINA ARCHIVE (MICHAEL) ©Bishopsgate Institute Catalogued by Barbara Vesey, August 2020 MICHAEL Robert Michael/Serotina Archive 2003-2019 Name of Creator: Michael, Robert (1951-2007) musician and DJ Extent: 13 boxes, 1 photo album, 8 posters Administrative/Biographical History: Originally from Folkestone, Kent, Robert attended Harcourt County Primary School (1958-1963) and Harvey Grammar School (1963-1970). He did one year at London City University studying aeronautical engineering (1970-1971) but left when he realised it wasn’t for him. He worked in sales for General Motors (1972-1975), for the Dept of Employment (1975-1978), Highgate Optical Ltd (1979-1982), Datasolve (1982), Promo People (1982-1986) and Audiotext in the Accounts Dept (1987-?) before making the leap to a career in his first love, music. He had formed several bands since his early twenties, including Irma’s Tubes (1973-1976), Night Fire (1976), Ice (1976), High Altitude (1976-1979), Angelle and the White Boys (1979), In Time (1979), Formula One (1979-1980), Travel (1980-1981), A Matter of Climate (1981), Zoot Troup (1981) and Desperate Fun (1986-1989), many of which won numerous competitions, received very favourable press and played support for bands such as Soft Machine. In the early 1990s he branched out into DJing and recording mixes for club gigs, working under the name DJ Serotina with artists including Tasty Tim and Tino Di Placido (to form T-Total) and Mark Moore (as Needledust). Popular and often in demand, he worked steadily throughout the 1990s and early 2000s at London venues and club nights including Salon Kitty, Club Rub, Club Flesh, Skin Two, Club Submission/Torture Garden.