Fatima Mechtab, There Is Only One Remedy: More Mocktails!
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Bianca Del Rio Floats Too, B*TCHES the ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’S Done with ‘Drag Race’
Drag Syndrome Barred From Tanglefoot: Discrimination or Protection? A Guide to the Upcoming Democratic Presidential Kentucky Marriage Battle LGBTQ Debates Bianca Del Rio Floats Too, B*TCHES The ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’s Done with ‘Drag Race’ PRIDESOURCE.COM SEPT.SEPT. 12, 12, 2019 2019 | | VOL. VOL. 2737 2737 | FREE New Location The Henry • Dearborn 300 Town Center Drive FREE PARKING Great Prizes! Including 5 Weekend Join Us For An Afternoon Celebration with Getaways Equality-Minded Businesses and Services Free Brunch Sunday, Oct. 13 Over 90 Equality Vendors Complimentary Continental Brunch Begins 11 a.m. Expo Open Noon to 4 p.m. • Free Parking Fashion Show 1:30 p.m. 2019 Sponsors 300 Town Center Drive, Dearborn, Michigan Party Rentals B. Ella Bridal $5 Advance / $10 at door Family Group Rates Call 734-293-7200 x. 101 email: [email protected] Tickets Available at: MiLGBTWedding.com VOL. 2737 • SEPT. 12 2019 ISSUE 1123 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 22 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 12 10 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, -
Baird, Alison 2019
IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE INFAMOUS RED VELVET ROPE CULTURE AT STUDIO 54 A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alison P. Baird Washington, D.C. April 15, 2019 IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE NOTORIOUS RED VELVET ROPE CULTURE AT STUDIO 54 Alison P. Baird Thesis Adviser: Ellen Gorman, Ph.D. ABSTRACT Studio 54, the infamous New York City discotheque open from 1977 to 1980, was a notorious site in New York City for not only being one of the most sought-after venues in nightlife, but also for its ruthless red velvet rope culture. Disco was a defining artifact in American culture in the 1970s and greatly reflected the social and political atmosphere across the country. With the culmination of various political upheavals such as the Vietnam War and the Watergate Scandal, many Americans simply wanted to party, use drugs, and openly explore their sexuality. Studio 54 was, arguably, the most influential and well-known of the many discos— admired and loathed by those within and on the outside of the disco scene. Many outsiders and eager spectators observed the club as exclusionary and dictator-like. This thesis deconstructs the red velvet rope culture and analyzes the innate behavior and qualities of the clubbers with the aim to understand how these people contributed to the tremendous popularity of Studio 54. Gossip columns, newspapers, tabloids and archived footage offers compelling insight to the way of the disco-door as well as the qualities and behaviors that club goers possessed as such to gain admission. -
“Rupaul's Drag Race” Season Nine Premiere!
FOR IMMEDIATE RELEASE: SOUTH FLORIDA’S VERY OWN THE GRAND RESORT AND SPA IS A NEW PROUD SPONSOR OF VH1’S “RUPAUL'S DRAG RACE” SEASON NINE PREMIERE! FORT LAUDERDALE, FL – Saturday, March 25, 2017: RuPaul’s Drag Race kicked off their season nine premiere on VH1 on Friday, March 24th at 8:00 pm EST. During its first episode, Emmy Awarder Winner, RuPaul awarded contestant, Nina Bo’nina Brown, a trip to Fort Lauderdale Beach’s, The Grand Resort and Spa. The prize included a one week stay, for two, in the 2 bedroom, 2 bathroom Grand Penthouse that boasts an 800 square foot private, ocean view terrace with a Jacuzzi and outdoor shower. Also included in this prize package will be airfare for two, and a complimentary massage and facial. The total prize value of $6,000. Casey Koslowski, Proprietor of The Grand, states that he looks forward to seeing Nina and his guest, at his award- winning spa-resort and sunning themselves on Fort Lauderdale Beach very soon! The Grand Resort and Spa is Fort Lauderdale’s premiere gay-owned and operated men’s spa- resort that first opened in 1999. With 33 well-appointed rooms and suites, it is located just steps from the beach and convenient to all of Fort Lauderdale’s attractions and nightlife. As Fort Lauderdale’s first gay resort with its own full-service day spa and hair studio, they offer guests an experience that is unique and wonderfully indulgent. From a relaxing Swedish massage to a haircut before your night on the town, the talented staff can accommodate all your needs – guaranteed to “Exceed Expectations.” A sample of the property’s awards and accolades include “Certificate of Excellence, Hall of Fame” – TripAdvisor; “Editor’s Choice” – Man About World; “#1 in Fort Lauderdale” – Pink Choice Award; "Best Small Hotel or Resort in the World" - Out Traveler Award Winner; "Top 10 Resorts" - The Travel Channel; "One of the top 10 gay-owned spas in the United States" – Out Traveler Magazine; “USA TODAY 10 BEST” – USA TODAY. -
Bob the Drag Queen and Peppermint's Star Studded “Black Queer Town Hall”
FOR IMMEDIATE RELEASE BOB THE DRAG QUEEN AND PEPPERMINT’S STAR STUDDED “BLACK QUEER TOWN HALL” IS A REMINDER: BLACK QUEER PEOPLE GAVE US PRIDE Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Tiq Milan, Shea Diamond, Alex Newell, and Basit Among Participants NYC Pride and GLAAD to Support Three Day Virtual Event to Raise Funds for Black Queer Organizations and NYC LGBTQ Performers on June 19, 20, 21 New York, NY, Friday, June 12, 2020 – Advocates and entertainers Peppermint and Bob the Drag Queen, today announced the “Black Queer Town Hall,” one of NYC Pride’s official partner events this year. NYC Pride and GLAAD, the global LGBTQ media advocacy organization, will stream the virtual event on YouTube and Facebook pages each day from 6:30-8pm EST beginning on Friday, June 19 and through Sunday, June 21, 2020. Performers and advocates slated to appear include Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Shea Diamond, Tiq Milan, Alex Newell, and Basit. Peppermint and Bob the Drag Queen will host and produce the event. For a video featuring Peppermint and Bob the Drag Queen and more information visit: https://www.gofundme.com/f/blackqueertownhall The “Black Queer Town Hall” will feature performances, roundtable discussions, and fundraising opportunities for #BlackLivesMatter, Black LGBTQ organizations, and local Black LGBTQ drag performers. The new event replaces the previously announced “Pride 2020 Drag Fest” and will shift focus of the event to center Black queer voices. During the “Black Queer Town Hall,” a diverse collection of LGBTQ voices will celebrate Black LGBTQ people and discuss pathways to dismantle racism and white supremacy. -
MASTERCLASS Meet
MASTERCLASS Meet uPaul Charles’s chameleonic qualities have made him a television icon, spiritual guide, and R the most commercially successful drag queen in United States history. Over a nearly three-decade career, he’s ushered in a new era of visibility for drag, upended gender norms, and highlighted queer talent from across the world—all while dressed as a fierce glamazon. “Be willing to become the shape-shifter that you absolutely are.” Born in San Diego, California, RuPaul first experienced mainstream success when a dance track he wrote called “Supermodel (You Better Work)” became an unexpected MTV hit (Ru stars in the music video). The song led to a modeling contract with MAC Cosmetics and a talk show on VH1, which saw RuPaul interviewing everyone from Nirvana to the Backstreet Boys and Diana Ross to Bea Arthur. He has since appeared in more than three dozen films and TV shows, including Broad City, The Simpsons, But I’m a Cheerleader!, and To Wong Foo, Thanks for Everything! Julie Newmar. RuPaul’s Drag Race, Ru’s decade-old, Emmy-winning reality drag competition, has gone international, with spin-offs set in the U.K. and Thailand. He’s also published three books: 2 RuPaul 1995’s Lettin’ It All Hang Out, 2010’s Workin’ It!, and 2018’s GuRu, which features a foreword from Jane Fonda. Recently, he became the first drag queen to land the cover of Vanity Fair. His Netflix debut, AJ and the Queen, premiered on the streaming service in January 2020. RuPaul saw drag as a tool that would guide his punk rock, anti-establishment ethos. -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
P Assion Distribution a Utumn 2020 • New Programming
AUTUMN 2020 • AUTUMN NEW PROGRAMMING PASSION DISTRIBUTION PASSION PART OF THE TINOPOLIS GROUP Passion Distribution Ltd. No.1 Smiths Square 77-85 Fulham Palace Road London W6 8JA T. +44 (0)207 981 9801 E. [email protected] www.passiondistribution.com WELCOME I’m delighted to welcome you to the second edition of our pop-up market and share with you our latest catalogue this autumn. Although it has been a challenging time for everyone, we have worked tirelessly to bring together a slate of quality programming for your schedules. Extraordinary human stories, iconic historical moments, premium documentaries and essential entertainment remain some of our key priorities. Our slate doesn’t disappoint in delivering new programmes of immense quality. Perhaps a sign of the times, our line-up includes a strong offering of history programming. The new landmark series 1000 Years brings together some of the most talented UK producers to chart the extraordinary rise of six countries that have profoundly shaped our world. WELCOME We also take a closer look at the Nuremberg trials – one of the 21st century’s defining events – by casting new light on the “trial of the century” in time for the 75th anniversary in November. On a lighter note in our factual entertainment section some other key franchises return with new episodes. Emma Willis has welcomed new babies in lockdown, Traffic Cops have remained on patrol, and we continue to see dramatic stories unfold in the access-driven Inside the Police Force. As you’d expect, a new series of the US hit-show RuPaul’s Drag Race has been announced – this incredible global phenomenon is now in its 13th season. -
Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S. -
Mike Cockrill Solo Exhibitions 2019
MIKE COCKRILL SOLO EXHIBITIONS 2019 “Drawn from Life: Paintings 2004 – 2019”) Mike Cockrill selected recent works, Mosaic Art Space, L.I.C., New York 2017 Mike Cockrill: In Retrospect, Cross Contemporary Art, Saugerties, NY 2013 The Existential Man, Kent Fine Art, New York 2011 The Awakening, Kent Fine Art, New York 2009 Sentiment and Seduction, Kent Gallery, New York 2008 Butterfly Girls, Kent Gallery, New York 2007 The Broken Pitcher & Other Stories, Kent Gallery, New York 2006 Over the Garden Wall, 31 Grand Gallery, Brooklyn, NY 2004 Then Again, 31 Grand Gallery, Brooklyn, NY 2003 Marella Arte Contemporanea, Milan, Italy 2002 Kim Foster Gallery, New York 1999 Make Me Laugh, Kim Foster Gallery, New York Baby Doll Clown Killers in LA, Robert Berman Gallery, Santa Monica, CA 1997 Baby Doll Clown Killers, Yearsley Spring Gallery, Philadelphia, PA Baby Doll Clown Killers, Kim Foster Gallery, New York 1994 Go Figure, Kim Foster Gallery, New York Discontents and Debutantes Illinois State University Galleries, Normal, IL 1992 Young, Alive and Beautiful, Webster Hall, New York Bra Women/Green Monkeys, Elston Fine Arts, New York 1990 Little Girls U-Can Live With, Downing Street Gallery, New York 1986 Family Life: The Post War Years, Semaphore Gallery, New York 1985 Semaphore Gallery, New York GROUP EXHIBITIONS 2019 Among Friends, Clemente Sot Velez Cultural Center, New York 2017 Between A Wail and a Clang, Contemporary Drawing and Painting, Donna Beam Gallery, UNLV, Las Vegas, NV. The Times, Flag Art Foundation, New York Hand’s Off My Cuntry, -
Finding the Divine in Drag Performance Richard Andrew Curtiss Brigham Young University
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2018-05-01 It's a Drag: Finding the Divine in Drag Performance Richard Andrew Curtiss Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Arts and Humanities Commons BYU ScholarsArchive Citation Curtiss, Richard Andrew, "It's a Drag: Finding the Divine in Drag Performance" (2018). All Theses and Dissertations. 7420. https://scholarsarchive.byu.edu/etd/7420 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. It’s a Drag: Finding the Divine in Drag Performance Richard Andrew Curtiss A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Wade Hollingshaus, Chair Lindsey Livingston Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University Copyright © 2018 Richard Andrew Curtiss All Rights Reserved ABSTRACT It’s a Drag: Finding the Divine in Drag Performance Richard Andrew Curtiss Department of Theatre and Media Arts, BYU Master of Arts For over the thirty years, drag performance has been examined for its utility to subvert or reinforce traditional gender roles. Many of these examinations have focused on performances that emphasize subversion and separated drag into two categories: the progressive drag that subverts, and the regressive drag that reinforces. While this approach has provided a wealth of understanding about drag performance and gender roles, drag can be examined without separating its subverting/reinforcing aspects. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
West Side Story
West Side Story West Side Story is an American musical with a book rary musical adaptation of Romeo and Juliet . He prpro-o- byby Arthur Laurents, mmususiic bbyy Leonard Bernstein,, posed that the plot focus on the conflict between an Irish libretto/lyrics by Stephen Sondheim, and conception and Catholic family and a Jewish family living on the Lower choreography byby Jerome Robbins..[1] It was inspired by East Side ofof Manhattan,,[6] during the Easter–Passover William Shakespeare's play Romeo and Juliet .. season. The girl has survivvived the Holocaust and emi- The story is set in the Upper West Side neighborhood grated from Israel; the conflict was to be centered around in New York City in the mid-1950s, an ethnic, blue- anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as collar ne neighighborhood. (In the early 1960s much of thethe [7] neineighborhood would be clecleared in anan urban renewal a reference). Eager to write his first musical, Laurents project for the Lincoln Center, changing the neighbor- immediately agreed. Bernstein wanted to present the ma- hood’s character.)[2][3] The musical explores the rivalry terial in operatic form, but Robbins and Laurents resisted between the Jets and the Sharks, two teenage street gangs the suggestion. They described the project as “lyric the- of different ethnic backgrounds. The members of the ater”, and Laurents wrote a first draft he called East Side Sharks, from Puerto Rico, are taunted by the Jets, a Story. Only after he completed it did the group realize it white gang.[4] The young protagonist, Tony, a former was little more than a musicalization of themes that had member of the Jets and best friend of the gang leader, alreadybeencoveredinin plaplaysys liklikee Abie’s Irish Rose.