Ronald Seldman Gallery
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2017 with Joseph Beuys in No Man's Land
2017 11241950 Jasmin Moeller WITH JOSEPH BEUYS IN NO MAN’S LAND On his performative rebirth as an artist and Shaman of the West and his adoption of the Tatars into his artistic persona. Master Thesis Arts and Culture: Theatre Studies University of Amsterdam Faculty of Humanities Theatre Studies 2017 Supervisor: Dr. Peter G.F. Eversmann Second Reader: Dr. Cock Dieleman Studentnr.:11241950 Preface For me, like for any child growing up in 1980s Germany, Joseph Beuys was one of the most important influencers of German culture. He can be seen as the German Andy Warhol, a cult figure who evokes extreme reactions and heated discussions1—an artist who not only created artworks, but also established himself as public figure in a performative way. When Beuys died in 1986, he had already attained the status of one of Germany’s most important postwar artists.2 Many years later, after I emigrated from Germany and developed more of an external view on German culture and art, I finally began to understand both Beuys’ weight in shaping German culture3 and his innovative position in contemporary art.4 When I studied Beuys’ work more in detail, something struck me personally. As the legend goes, Beuys was rescued by Tatars after his JU87 was shot down in Crimea during WWII. Coincidentally, my father is of Tatar origin, studied at the Arts Academy Düsseldorf, and was for a short time even a student of Beuys’. My father repeatedly told me about his pure Tatar ancestry, of which he was very proud and through which he identified himself. -
Begleittexte Joseph Beuys
BEUYS JOSEPH BEUYS Denken. Handeln. Vermitteln. Think. Act. Convey. 4. 3. – 13. 6. 2021 Begleittexte zur Ausstellung Accompanying texts to the exhibition BEUYS UND DIE ÖKOLOGIE Lange bevor Joseph Beuys anlässlich seiner letzten documenta-Teil- nahme 1982 lieber im Stadtraum von Kassel Bäume p anzen als im Museumsgebäude Kunstwerke im herkömmlichen Sinn präsentieren wollte, interessierte sich der Künstler für den Gesamtzusammenhang aller Lebensformen. So fand er etwa Inspiration bei Naturreligionen oder im Tierreich, wofür beispielhaft die Hasen oder die Hirsche frü- her Zeichnungen, performative Handlungen mit Ritualcharakter oder auch die Arbeit Honigpumpe am Arbeitsplatz stehen. Rund um die sozialen Bewegungen und die Studentenproteste um 1968 erwachte auch in der breiten Bevölkerung das Bewusstsein für ökologische Fragestellungen. Der bedingungslose Fortschrittsglaube der Nachkriegsgesellschaft kam langsam, aber sicher zu seinem Ende, als die Folgen eines stetigen Anstiegs von Konsum, Produk- tion und Mobilität immer deutlicher und damit einhergehende Prob- leme wie Umweltverschmutzung und Artensterben erkannt wurden. Mit der internationalen Ölpreiskrise 1974 entstanden Diskussionen um alternative Energiequellen und einen nachhaltigeren Umgang mit Ressourcen. In Österreich waren die durch Proteste verhinderte Inbe- triebnahme des Atomkraftwerks Zwentendorf und die Besetzung der Hainburger Au wichtige Momente für die Etablierung einer Ökolo- giebewegung, für die der Baum zu einem Symbol wurde und aus der auch die Partei Die Grünen hervorging. -
Deliberação 13/PC/2012
Conselho Regulador da Entidade Reguladora para a Comunicação Social Deliberação 13/PC/2012 Processo contraordenacional contra a RTP – Rádio e Televisão de Portugal, S.A. Lisboa 25 de julho de 2012 Conselho Regulador da Entidade Reguladora para a Comunicação Social Processo Contraordenacional ERC/11/2011/1378 Em processo de contraordenação instaurado por decisão do Conselho Regulador da Entidade Reguladora para a Comunicação Social, adotada em 24 de agosto de 2011 (Deliberação 16/OUT-TV/2011), ao abrigo das competências cometidas a esta Entidade, designadamente a prevista na alínea ac), do n.º 3 do artigo 24.º dos Estatutos da ERC, aprovados pela Lei n.º 53/2005, de 8 de novembro, conjugada com o previsto no n.º 1 do artigo 67.º do mesmo diploma legal e nos n.ºs 1 e 2 do artigo 93.º da Lei da Televisão, aprovada pela Lei n.º 27/2007, de 30 de julho, na redação dada pela Lei n.º 8/2011, de 11 de abril, é notificada a RTP – Rádio e Televisão de Portugal, S.A. (“RTP”), com sede na Avenida Marechal Gomes da Costa, nº 37, 1849-030 Lisboa, da Decisão 13/PC/2012 Conforme consta do processo, a arguida RTP – Rádio e Televisão de Portugal, S.A., com sede na Avenida Marechal Gomes da Costa, n.º 37, 1849-030 Lisboa, vem acusada da prática de contraordenação nos termos seguintes: 1. No âmbito do processo de acompanhamento da verificação do cumprimento do artigo 29.º da Lei da Televisão, os serviços da ERC - Entidade Reguladora para a Comunicação Social apuraram que, na emissão do serviço de programas RTP África, no período de 3 de maio a 2 de junho de 2011, ocorreram irregularidades no cumprimento 3 das obrigações previstas no referido normativo, tendo-se registado desvios relativamente aos horários anunciados a esta Entidade. -
Finding Aid to the Historymakers ® Video Oral History with Roz Abrams
Finding Aid to The HistoryMakers ® Video Oral History with Roz Abrams Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Abrams, Roz Title: The HistoryMakers® Video Oral History Interview with Roz Abrams, Dates: March 17, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:19:19). Description: Abstract: Broadcast journalist Roz Abrams (1948 - ) was a pioneer in broadcast journalism and served as a news anchor for WABC- TV and WCBS-TV in New York City. Abrams was interviewed by The HistoryMakers® on March 17, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_044 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Broadcast journalist Roslyn Maria “Roz” Abrams was born on September 7, 1948 in Lansing, Michigan. She received her B.S. degree in sociology from Western Michigan University, and her M.S. degree in speech from the University of Michigan. Abrams worked first as a reporter for WJIM in Lansing, Michigan, and then as an anchor and reporter for WSB-AM radio from 1975 to 1978. She went on to work as a news reporter/anchor at WXIA-TV in Atlanta, Georgia from 1978 to 1982, at CNN from 1982 to 1983, and at KRON-TV in San Francisco, California from CNN from 1982 to 1983, and at KRON-TV in San Francisco, California from 1983 to 1986. In 1986, Abrams joined WABC-TV in New York City, first as weekend anchor and general assignment reporter, and later as co-anchor of Eyewitness News at 5 p.m. -
Broadcastingesep29the Newsweekly of Broadcasting and Allied Arts
Starting to write the rules for DBS Rewriting the script for PBS ur 49th Year 1980 BroadcastingESep29The newsweekly of broadcasting and allied arts It's hot and it spells success! Warner Bros. Televi lon Distributioñ A Warner Communications Company TIME -LIFE TELEVISION presents aillE LIFE MEATBALLS HARPER VALLEY P.T.A. 20 Major Movies Bill Murray, Harvey Atkin, Kate Lynch, Barbara Eden, Ronny Cox. Nanette Fabray, Russ Banham Louis Nye. Pat Paulsen BREAKING UP DEVILDOG: The Hound of Hell DIXIE DYNAMITE Lee Remick, Granville Van Dusen Richard Crenna, Yvette Mimieux, Victor Jory Warren Oates, Christopher George 6 MURDER BY NATURAL CAUSES NIGHT CREATURE OVERBOARD Hal Holbrook, Katharine Ross, Donald Pleasance, Nancy Kwan. Ross Hagen Cliff Robertson, Angie Dickinson Barry Bostwick, Richard Anderson STRANGER IN OUR HOUSE STREET KILLING TELL ME MY NAME Linda Blair, Lee Purcell, Jeremy Slate, Andy Griffith, Harry Guardino, Arthur Hill. Barbara Barrie, Barnard Hughes Carol Lawrence, Macdonald Carey Bradford Dillman CID STRANGERS: THE WILD GEESE phia Loren, Charlton Heston, Raf Vallone. The Story of a Mother and Daughter Richard Burton, Roger Moore. Richard Harris, nevieve Page Bette Davis, Gena Rowlands Stewart Granger E GLASS MENAGERIE GOOD GUYS WEAR BLACK THE GRASS IS ALWAYS GREENER OVER THE tharine Hepburn, Sam Waterston, Chuck Norris, James Franciscus SEPTIC TANK anna Miles, Michael Moriarty Dana Andrews, Jim Backus Carol Burnett, Charles Grodin, Alex Rocco, Linda Gray IBY SEE HOW SHE RUNS THE SILENT PARTNER per Laurie, Stuart Whitman, Roger Davis Joanne Woodward, John Considine, Elliott Gould, Christopher Plummer, Barnard Hughes Susannah York HOLLYWOOD'S BIGGEST STARS IN SYNDICATION'S MOST IMPORTANT NEW FEATURE GROUP MAJOR THEATRICALS TIME-LIFE TELEVISION AVERAGE FIRST RUN SYNDICATION DIVISION NETWORK SHARE TO DATE: 33 TIME -LIFE BUILDING NEW YORK, N.Y. -
Records of the White House Press Office: a Guide to Its Records at the Jimmy Carter Library
441 Freedom Parkway NE Atlanta, GA 30307 http://www.jimmycarterlibrary.gov Records of the White House Press Office: A Guide to Its Records at the Jimmy Carter Library Collection Summary Creating Organization: White House Press Office Title: Records of the White House Press Office Dates: 1977-1981 Quantity: 552 linear feet (435) linear feet open for research, 993 containers Identification: Accession Number: 80-1 Archival Research Catalog (ARC) Identification: 1119 Scope and Content: The files of the White House Press Office consist of correspondence, memoranda, notes, briefing papers, press releases, news conferences, pool reports, daily schedules, speech drafts, wire copies, photographs, press clippings, and miscellaneous printed material. These materials illustrate how the Press Office, under the direction of Press Secretary Jody Powell, coordinated the daily press briefings for electronic and print media representatives. This office also routinely issued copies of all of Carter’s official statements and scheduled his interviews with the media. Powell and designated members of his staff frequently served as official spokespersons for the administration. Restrictions: Restrictions on Access: These papers contain documents restricted in accordance with Executive Order 12958, which governs National Security policies, and material which has been closed in accordance with the donor’s deed of gift. Terms Governing Use and Reproduction: Copyright interest in these papers has been donated to the United States Government. Some of the records may be subject to copyright restrictions. (i.e. newspapers, publications, etc) Researchers should contact the publisher for further information. 1 2 Related Material: Related materials in this repository: Communications Office; Gerald Rafshoon Papers; Speechwriter’s Office; Barry Jagoda Papers; Pat Bauer Papers; Jody Powell Papers Separated material: Office of Media Liaison – Bradley Woodward’s audio tapes of radio actualities. -
The Blogging Artist: a Genre-Analysis Approach
Tarih Kültür ve Sanat Ara ştırmaları Dergisi (ISSN: 2147-0626) Journal of History Culture and Art Research Vol. 2, No. 2, June 2013 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr/index.php اث ار وا وا Özel Sayı/Special Issue (English Studies ) DOI: 10.7596/taksad.v2i2.220 The Blogging Artist: a Genre-Analysis Approach ∗ Anda-Elena Cre ţiu ∗∗ Abstract Building on the now classic approaches to Discourse Analysis offered by Swales and Bhatia, the present paper tries to establish the benefits and value of applying the method of Genre Analysis to teaching English for Art Purposes, with a focus on a more recent Internet genre, that of the artist’s blog (weblog). The artist’s blog is seen as part of the greater genre of the weblog, which has already been classified into a number of subgenres. The paper proposes yet another dimension to be added to those already considered when classifying the weblogs: the dimension of “occupational-oriented content” as a descriptive for further classifications; it also tries to uncover the generic features of this type of discourse. The ultimate aim of this study is, on the one hand, that of providing art students with the necessary know-how of using the weblog genre for their current and future professional purposes, as part of the complex system of genres devised by the artistic discourse community in order to communicate both within and without itself, and, on the other hand, to help students use their knowledge of the English language to create such a discourse type in order to obtain maximum benefits. -
TOM FINKELPEARL (TF) Former Deputy Director of P.S
THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM INTERVIEW WITH: TOM FINKELPEARL (TF) Former Deputy Director of P.S. 1 INTERVIEWER: JEFF WEINSTEIN (JW) Arts & Culture Journalist / Editor LOCATION: THE MUSEUM OF MODERN ART DATE: JUNE 15, 2010 BEGIN AUDIO FILE PART 1 of 2 JW: I‟m Jeff Weinstein and we are sitting in the Architecture and Design conference room at the education and research building of The Museum of Modern Art on Tuesday, 3:30, June 15th, and I‟m talking to… TF: 2010. JW: 2010. Is it Thomas or Tom? TF: Tom. JW: Tom Finkelpearl. And we‟re going to be talking about his relationship to P.S. 1. Hello. Could you tell me a little background: where you were born, when, something about your growing up and your education? TF: Okay. Well, I was born in 1956 in Massachusetts. My mom was an artist and my dad was an academic. So, actually, you know, I had this vision of New York City from when I was a kid, which was, going to New York City and seeing, like, abstract expressionist shows. We had a Kline in our front hall. They had a de Kooning on consignment, but they didn‟t have the three hundred and fifty dollars. And so the trajectory of my early childhood was that I always had this incredible vision of coming to New York City and working in the arts. Then actually, I went undergraduate to Princeton. I was a visual arts and art history major, so I was an artist when I started P.S. -
AI – ARTISTIC INTELLIGENCE? MACHINE and ARTIST COLLABORATE THROUGH AI March 14
1 Get creative Vocabulary Creativity; copying Grammar Past perfect simple and past perfect continuous Reading A blog Listening A podcast Speaking Discussing a problem Writing A review Presentations Using visuals Creativity is intelligence having fun. (Albert Einstein) What does the quote mean? Do you agree with it? Do you think intelligence and creativity are closely connected? Vocabulary Creativity 1 Read the text. Do you use any of the strategies in How to be the text? Do you use any other strategies when you’re thinking of new ideas? more creative 2 Match the meaning of the phrases in bold to the GET TIRED: A psychological study by Mareike Wieth words in blue in the text. and Rose Zacks found that the best ideas often 1 In the next 15 years, people could have their brains emerge when you’re feeling tired, and daydreaming zapped to make them more creative. promotes creativity. Some studies show that we are 2 Did you know that washing your hair with your eyes most productive at 2.55 pm, just after lunch, when we are feeling sleepy. So next time you get stuck, wait closed can awaken your other senses? until you’re tired – it may work for you! 3 We wanted a new idea for the design but didn’t come up with anything. Then a walk in the park inspired us. GET MOVING: The co-founder of Apple, Steve Jobs, loved taking long walks. They used to help 4 Camila dreamed of being an athlete and she him dream up new ideas for products. -
Sculpture and Installation Public Sculpture and Installaion .Pages
ARTS - 3860 Section 001 Sculpture and Installation # 67191 Public Sculpture and Installation: Methods and Practice 1:25 PM - 4:25 PM, M/W Regis Center for Art E117 Andréa Stanislav, Associate Professor [email protected] Instructor’s office hour: Mondays 12:15 PM - 1:15 PM, Room #E265 Class will meet during regularly scheduled hours in the classroom. The class will also meet outside the classroom during the scheduled class time. The class may also meet other days of the week for outside events, field trips, and guest artist and curator speakers -- these events may be scheduled on a weekly basis -- and are subject to change. There will also be a public art field trip to Chicago scheduled in April. Suggested texts: • Jane Bennet, Vibrant Matter: a political ecology of things. Duke University Press, Durham and London 2010 • Brunno Latour and Peter Weibel Making Things Public -- Atmospheres of Democracy, MIT Press, 2005 • Guy Debord, La Société du Spectacle (Society of the Spectacle),1967, Rebel Press 2004 Course Description and Objective: This course is an intermediate/advanced exploration of contemporary approaches, concepts, and practices of installation art and public art. What was, is, and will be installation art and public art? What purpose do these art practices serve? Who is the public? What effect and real changes (if any) do these practices have in the public realm and the fine art academy/ world? How are public art monuments that commemorates, honors, reminds, catalogues regarded, critiqued and transformed in the present? This project-based interdisciplinary course will focus on the development of skill sets in making, designing, critical thinking and realization of: a public artwork proposal, a public art intervention project, and an installation project. -
Architectures of Freedom: Literary Collaboration in Contemporary American Poetry
ARCHITECTURES OF FREEDOM: LITERARY COLLABORATION IN CONTEMPORARY AMERICAN POETRY by Shelagh Wilson Patterson B.A. in Comparative Literature, City University of New York Hunter College, 1999 M.F.A. in Creative Writing, Poetry, City University of New York Hunter College, 2001 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Shelagh Wilson Patterson It was defended on November 20, 2013 and approved by Don Bialostosky, PhD, Chair and Professor, English Shalini Puri, PhD, Associate Professor, English William Scott, PhD, Associate Professor, English Todd Reeser, PhD, Professor, French and Director, Women’s Studies Program Dissertation Advisor: Don Bialostosky, PhD, Chair and Professor, English ii Copyright © by Shelagh Wilson Patterson 2013 iii ARCHITECTURES OF FREEDOM: LITERARY COLLABORATION IN CONTEMPORARY AMERICAN POETRY Shelagh Wilson Patterson, PhD University of Pittsburgh, 2013 The dissertation, “Architectures of Freedom: Literary Collaboration in Contemporary American Poetry” uses the praxis of the U.S. third world feminists to analyze literary collaborations from a contemporary cohort of writers. As developed by Chela Sandoval, the defining aspect of the praxis of the U.S. third world feminists is differential consciousness. Differential consciousness is the ability to form coalitions within and beyond different communities not just for personal survival, but through personal survival to transform social oppressions. This dissertation animates Sandoval’s apparatus, which she calls a methodology of the oppressed, to analyze how a current cohort of writers are using literary collaboration to decolonize globalization. -
Thomas Erben Gallery Ecofeminism(S)
Thomas Erben Gallery ecofeminism(s) curated by Monika Fabijanska June 19 - July 24, 2020 Press Day: Thursday, June 18, 2020, 12-6pm Reopens: September 8-26, 2020 526 West 26th Street, Suite 412-413 New York, NY 10001 Gallery Hours: Tue - Sat, 10-6pm Summer Hours: Mon – Fri , 11-6pm (June 29-July 24) NEW INFORMATION (updated August 28, 2020) ecofemisnism(s) online: PRESS RELEASE PRESS KIT: WORK DESCRIPTIONS & IMAGES LIST OF ARTISTS LIST OF ARTWORKS IMAGES ESSAY EXHIBITION PRESS UPCOMING PROGRAMS: Thursday, September 10, 6:30 PM EST Christies’s webinar: Spotlight on ecofeminism(s) REGISTER This complimentary webinar explores the critically acclaimed group exhibition ecofeminism(s) at Thomas Erben Gallery. Exhibition curator Monika Fabijanska and gallerist Thomas Erben will join Christie’s Education’s Julie Reiss for a discussion about the show’s timeliness and the increasing centrality in the art world of art grounded in ecological and other human rights concerns. Wednesday, September 16, 6:30 PM EST Zoom conversation with Raquel Cecilia Mendieta, niece and goddaughter of Ana Mendieta and Mira Friedlaender, daughter of Bilge Friedlaender, moderated by Monika Fabijanska. LINK TO ZOOM Meeting ID: 969 1319 1806 Password: 411157 RECORDED PROGRAMS GALLERY WALKTHROUGH WITH THE CURATOR ZOOM CONVERSATIONS moderated by curator Monika Fabijanska: Wednesday, July 8, 6:30 PM EST Lynn Hershman Leeson Mary Mattingly Hanae Utamura Julie Reiss, Ph.D., Christie’s Education CLICK TO WATCH THE RECORDING Wednesday, July 15, 6:30 PM EST Aviva Rahmani Sonya Kelliher-Combs