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Overtones® a Comprehensive Flute Series 2 Flute Repertoire Samples 4 Flute Etudes Samples 7 Flute Technique and Orchestral Excerpts Samples 8

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Overtones® a Comprehensive Flute Series 2 Flute Repertoire Samples 4 Flute Etudes Samples 7 Flute Technique and Orchestral Excerpts Samples 8 SAMPLER Overtones® A Comprehensive Flute Series Clarinet Series, 2014 Edition Saxophone Series, 2014 Edition Trumpet Series, 2013 Edition The finest instrument is the mind. Woodwinds and Brass Overview EIGHT volumes of repertoire…featuring: Trumpet Repertoire 6 A CD of piano accompaniments A range of Contents eras and styles Trumpet/ Score Part Piano Piano List A: Baroque and Classical Repertoire Book CD Concert Rondo, K 371 Wolfgang Amadeus Mozart, 4 2 1 14 arr. Walter Beeler Se Florinda è fedele, from La donna Alessandro Scarlatti 14 8 2 15 ancora è fedele Già il sole dal Gange, from L’honestà Alessandro Scarlatti 18 10 3 16 negli amori Rejoice Greatly, O Daughter of Zion, George Frideric Handel 21 11 4 17 from Messiah, HWV 56 Sì, tra i ceppi, from Berenice George Frideric Handel 30 14 5 18 List B: 19th-, 20th-, and 21st-century Repertoire Little Suite for Trumpet and Piano Violet Archer 36 16 6–9 19–22 (complete) ’Tis the Last Rose of Summer Irish folk song, arr. Forrest Kinney 47 20 10 23 Blow the Wind Southerly Northumbrian folk song, 50 21 11 24 arr. Marjorie Kisbey Hicks So Soft the Silver Sound and Clear Maurice Monhardt 53 22 12 25 Petite pièce concertante Guillaume Balay 57 24 13 26 Folk tunes American songs, composers, and arrangers 44 Hava Nagila Israeli folk song 15 Quasi rubato = 63 – 69 arr. Forrest Kinney Peacherine Rag q B Clarinet U Scott Joplin b 2 œ & 4 ! œ œ œ #œ œ œ #œ œ œ œ œ #œ œ œ œ œ œ (1868–1917) < < < Liesurely = 58 – 63 arr. Forrest Kinney p q B Clarinet # U b & 42 ! ! ! Œ " bb 2 œ œ #œ & 4 ˙ ˙ ˙ #˙ ˙ ˙ ˙ F Piano ˙ ˙ ˙ ˙ ˙ ˙ ˙ #˙ ˙ œ œ œ œ œ œ œ œ œ . F p 2 œ œ. œ. œ œ #œ œ œ œ œ. œ U & b 4 J ‰ ? b 2 Piano b 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ F ˙ ˙ ˙ ˙ ˙ œ ? 2 œ œ œ œ œ . œ œ œ œ . œ œ. j b 4 œ œ œ œ #œ œ œ. œ ‰ 8 3 œ & #œ œ œ œ #˙ œ œ œ #œ œ œ #œ œ œ œ #œ œ< œ 5 < < % # . & . œ œ œ œ œ œ œ œ œ œ œ œ . œ . œ œ œ œ. œ . œ œ œ œ bb & #˙ ˙ œ œ #œ œ œ œ œ œ ˙ ˙ #œ œ œ #œ œ œ œ œ œ œ % b . ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j ‰ j A variety of ? & œ œ œ œ œ œ œ œ bb ˙ ˙ œ œ œ œ simile œ œ œœ œœ ˙ ˙ ˙ ˙ ˙ ˙ ˙ F . orchestral excerpts ? . j j j j Jazz standards b . j ‰ œ. ‰ j ‰ œ. ‰ j ‰ œ ‰ ‰ j ‰ œ. œ. œ œ œ 7 26 15 Level 8: Group 2 Fancies, Toyes, and Dreames 3 e Old Spagnoletta Take Five U j Giles Farnaby œ œ œ œ j j j (ca 1563–1640) & #œ œ œ œ Paul˙ Desmond#œ œ œ œ œ œ œ œ œ Lively = 63 – 69 . - accel.. - . - œ. œ. œ- 9 arr. Elgar Howarth (1924–1977)F h. Moderately fast = 144 – 168, swing eighths arr. Gary Keller # . - . - q œin B œ œ# #œ œ ". œ œ #œ n˙ & œ œ œ œ œ œ œ œ bJ 6 J œ. œ. œ. œ œ ˙. œ. œ œ œ œ. œ œ ˙. ˙ E Saxophone U œ œ. œ . & 4 œ œ œ Œ ∑ b bb 5 ∑ ∑ bb ∑ Ó. œ œ j j . J J simileJ J & b 4 & #œ œ œ #œ œ. œ œ. 6 œ œ œ œ ˙ œ œ. œ œ œ œ œ. œ œ œ F œ #œ #˙ F . - #œaccel.œ œ œ œ. œ œ œ , . - . - . - # j œnœ œ œ œ œœ ˙œ œœ ˙ nœ ˙ ˙ œ œ. œ œ. F b ‰ j ‰ j ‰ j ‰ j & j‰ œ œ œ œ œ j œ ‰ œ œ œ œ œ ˙ ˙. bb b b 5 ‰ jŒ Œ ‰ jŒ ?Œ ‰ jŒ Œ ‰ jŒ U Œ j & œœ œœ œœ œœ œ œ œ œ œ œ J J J & b b 4 œ œ œ œ bb œ œ œ œ j œ œ œ œ 11 œ p œ nœ œ F Piano œ œ œ œ œ œ œ œ ˙œ œ œ œ œ œ. œ œ œ œ œ. œ œ. œ. œ œ. œ. ˙ œ œ. œ. œ œ˙. œ. œ. œ-. œ. œ. œ- œ œ-. œ œ œ- F . ? j ‰ ‰ j ‰ ‰ # j Œ j j ? b 5 b œ j œ j & œ œ. œ œbœ ˙ œ n#œœ. œ Œ Œ œ œ œ œ Œ œ. œ œ ˙ Œ ˙ œ #œ. œ b bb b 4 ‰ jŒ œ Œ ‰ jŒ œ Œ ‰ jŒ œ Œ ‰ jŒ œ Œ œ œ J œ ˙ > > œ b œ. œ œ. œ œ. œ œ. œ 16 p 5 Arrangement © copyright 2013(a) e Frederick Harris Music Co., Limited, Toronto, Ontario, Canada. , % . # œ. j #œ œ œ. nœ- ^ ^ - œ- œ j Œ Ó. Œ Œ œ œ œ œ œ. œ bbb œ œ ˙. œ œ œ œ œ ˙. œ œ œ Œ . œ œ & . œ #œ. œ œ J œ & œ-gliss. (œ)œ ˙ œ Composed in 1901. ˙ ˙ ˙ Arrangement © copyright 2013 e Frederick Harris Music Co., Limited, Toronto,20 Ontario, Canada. F , U , % # j œ œ U b b ˙ ˙ œ œ œ œ œ Œ Ó. ‰ œ œ œ œ œ œœœœœ œ œ ˙ ˙ #w. & b b bb ‰ jŒ Œ ‰ jŒ Œ ‰ jŒ Œ ‰ jŒ Œ & . #œ œ œ ˙ #œ #œ . œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ. œ œ œ. œ œ œ. œ Source: Originally for harpsichordf and included in e Fitzwilliam Virginal Book, vol. 2;f Howarth’s arrangement is for brass quintet. P . © Copyright Chester Music Limited. International copyright secured. All rights reserved. Reprinted by permission. ? b b bbbb ‰ jŒ œ Œ ‰ jŒ œ Œ ‰ jŒ œ Œ ‰ jŒ œ Œ Level 9: Group 1 Carmen œ. œ œ. œ œ. œ œ. œ Prelude to act 1 9 Georges Bizet Andante moderato = 56 – 60 . 123 (1838–1875) #œ œ œ. nœ- ^ ^ q bb œ œ ˙. œ œ œ œ œ œ œ œ ˙. Ó & b œgliss. œ œ ˙. - in A b 3 & b b 4 œ œ j ‰ Œ j ‰ Œ nœ bœ œ œ œ œ œ nœ œ œ b b 127 f œ œ & b b bb ‰ jŒ Œ ‰ jŒ Œ ‰ jŒ Œ ‰ jŒ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ œ. œ. œ œ. œ. œ œ. œ. bb Œ ‰ j & b j œ œ œbœ œ œ œ ‰ Œ ? b b ‰ Œ Œ ‰ Œ Œ ‰ Œ Œ ‰ Œ Œ bœ œ nœ œ œ bœ ˙ œ œ œ œ b b b j œ j œ j œ j œ 133 dim. #œ ƒ b œ. œ œ. œ œ. œ œ. œ 13 - œ. - . œ œ œ^ œ nœ œ- œ œ- - œ- œ œ - œ œ- œ nœ œ nœ b b J œ œ J œ œ œ #œ œ nœ œ œ œ #œ œ #œ œ & b b j ‰ Œ & b b ‰ ‰ ‰ J œ œ œ bœ œ œ œ bœ œ œ nœ œ bœ œ bœ ˙ bœ f 138 b j j b & b bbbb ‰ œ Œ œ Œ ‰ jŒ Œ ‰ j‰ Œ ‰ ‰ œ Œ Œ & b b j ‰ j ‰ j ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ nœ œ nœ œ œ #œ œ nœ œ #œ #œ œ nœ #œ œ . œ. œ œ. œ. œ œ. œ. #œ meno F 143 p p ? j j bb b b ‰ jŒ œ ‰ œ Œ ‰ Œ ‰ jŒ . b b œ œ . œ œ œ. œ œ œ. œ œ b ˙ œ^ œ œ^ œ^ œ bœ œ. œ œ & b b #œ œ nœ œ #œ œ J ‰ Œ Œ (a) e parentheses indicate ghost notes, which have rhythmic value but little or no sound and add a jazz groove. Play by placing the tongue lightlyœ on the moltobœ cresc.œ œ #œ J J reed while continuing to blow air at a normal rate through the saxophone. ƒ Source: From the album Time Out by e Dave Brubeck Quartet (1959). Source: Opera in four acts composed 1873–1874; rst performed on 3 March 1875. © Copyright 1960 (renewed) Desmond Music Company. All rights outside of the US controlled by Derry Music Company. All rights reserved. Reprinted by permission. 1 Contents Introduction to Overtones® A Comprehensive Flute Series 2 Flute Repertoire Samples 4 Flute Etudes Samples 7 Flute Technique and Orchestral Excerpts Samples 8 Introduction to Clarinet Series, 2014 Edition 9 Clarinet Repertoire Samples 11 Clarinet Etudes Samples 15 Clarinet Technique and Orchestral Excerpts Samples 16 Introduction to Saxophone Series, 2014 Edition 17 Saxophone Repertoire Samples 19 Saxophone Etudes Samples 23 Saxophone Technique and Orchestral Excerpts Samples 23 Introduction to Trumpet Series, 2013 Edition 25 Trumpet Repertoire Samples 27 Trumpet Etudes Samples 31 Trumpet Technique and Orchestral Excerpts Samples 32 Repertoire List 33 The Royal Conservatory of Music is one of the largest and most respected music education institutions in the world, providing the definitive standard of excellence in curriculum design, assessment, performance training, teacher certification, and arts-based social programs. The mission of The Royal Conservatory – to develop human potential through leadership in music and the arts – is based on the conviction that the arts are humanity’s greatest means to achieve personal growth and social cohesion.
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