Essential English Reader

Total Page:16

File Type:pdf, Size:1020Kb

Essential English Reader Essential English Reader A Teacher’s Source Book Books 1 to 5 Anirudra Thapa Ramesh Lamsal Foreword Over the decades, language teaching, specially teaching English as a foreign language to non-native speakers, has undergone a paradigm shift. The purpose of teaching English in schools is no longer limited to “language acquisition,” that is, imparting in learners language skills essential for daily communicative tasks; rather, it also entails gaining access to the repository of knowledge, culture, and civic life. Towards this end of materializing the dual purpose of teaching English—linguistic competency and cultural literacy—we have taken special care in designing Essential English Reader that embraces the holistic approach to teaching language and literature. The series not only allows teachers and learners to acquire language skills—reading, writing, speaking, and listening—but also presents an array of rich literary content which is more contemporary, exciting, and stimulating. This Teacher’s Source Book has specially been prepared to facilitate creative and fruitful teaching and learning. We hope that this Source Book will become a valuable part of teaching experience. In this first volume, we have covered each and every unit and lesson included in the Reader (Grade 1-5). The book has been organized in major four sections. The first section provides general guidelines for teaching English; the second section offers strategies of teaching literature in a language classroom, followed by suggested strategies for teaching Essential English in the third section. The fourth section provides keys to exercises as ready references for teachers. Teachers will have to use the keys judiciously, allowing students adequate time to work out the exercises on their own with minimal intervention. We advise instructors to avoid the tendency of dictating answers too promptly without allowing students to take up the challenge on their own. Learners need extended practice to develop competency in using appropriate vocabulary, language structure, and to internalize grammar rules. Therefore, we believe that keys to exercises should be the last resort and should be used sparingly. The Source Book reflects the suggestions, concerns, and comments we have received from teachers across the country during numerous interactions we have had with language instructors over the years. We would also like to express our deep appreciation for the comments and suggestions provided by English teachers, who kindly went through the manuscript of Essential English Reader before the final publication of the series. Green Books deserves commendation for publishing and bringing out both the Reader and this Source Book in their present form. April 2018 Kathmandu 2 EER Teacher's Resource Book 1. Teaching Language 1.1 The Process of Teaching Language In language teaching, we often go through a fundamental process of presentation, practice, and evaluation. Our success of teaching will mostly depend on how effectively each step in the process has been facilitated and how each step is connected with another. This section provides a brief overview of the teaching process. 1.2 The presentation Presentation in a language class simply refers to the task of introducing a new text, a new word, new language structure or even telling learners how to perform a task. It ranges from controlled modeling of a target item to explanations, instructions, and discussion of a new language item. For an effective presentation, according to Penny Ur, four things have to occur— • Attention: learners are attentive, alert, and aware that something is coming that they need to take in. • Perception: learners can clearly see and hear the target material; it means making sure that the material is visible and/or audible through repetition and eliciting responses. • Understanding: learners understand the meaning of the material being introduced and its connection with other things they already know; teachers need to illustrate or make links with the previously learnt material. • Short-term memory: learners need to take the material into short-term memory to remember it until they have an opportunity to further work to consolidate learning. (Ur, 2009) How to give effective presentation? • Plan and prepare for every presentation. Think for a while about the words you will use, the illustrations you will provide, and so on; also think of writing them out. What we think to be clear and self-explanatory may not be clear to the learners. • Make sure that you have the class’s full attention. Students get vital information mostly during the presentation before their attention is directed to group or peer work. • Present the information more than once. A repetition, rephrasing, or paraphrasing can help them better understand what they are supposed to do and learn. EER Teacher's Resource Book 3 • Be brief as learners, including ourselves, have only limited attention span. You want to make your presentation as brief and clear as you can. • Illustrate with examples. When concepts or rules are made real through an example, it not only helps the learners understand the concept but also to learn the way the concept or the rule works in a given situation. • Get feedback. When you have finished explaining, you want to check with the class that they have understood. It is not enough just to ask “Do you understand?” Learners often say “Yes.” It is better to ask them to do something that will show their understanding. 1.3 Practice Practice is a repetitive activity. Its objective is to consolidate learning and to improve performance. As teachers of language, we want to give students adequate opportunities to practice the material they are exposed to. Practice is usually carried out through exercises or activities, which are related to some aspects of language or skills. While exercises tend to be more controlled, activities allow learners greater flexibility, and they are considered to be learner-centered. According to Ur, the following are the characteristics of an effective practice: • Validity, that is, the activity should activate learners in the skills that the practice purports. For example, if the practice is aimed at helping students speak, learners should speak more than listening to the teacher. • Volume, that is, the more the learners engage with language during the practice, the more practice they will get. Time during which learners are not engaged or stay doing nothing is in fact the time wasted. • Success-oriented, that is, learners learn by doing things right. Continued inaccurate or unacceptable performance results in mistakes and discouragement. It is therefore necessary to design and administer activities in which learners are most likely to succeed. • Variety, that is, a good practice activity provides opportunities for useful practice to all or most. Asking everyone to do the same task may not often work in a situation where learners’ level of language competency is varied. The practice activity ideally has to provide something doable and challenging to everyone. • Teacher’s assistance is indispensable for an effective practice session. Just setting students to a task and sitting back while the learners struggle hardly helps them learn. • Interest, that is, if there is little or no challenge and the practice requires students to repetitively do the same task, the learners lose attention and motivation. Interest comes not from the challenge of getting the right answer but from the newness of activity or the topic. 4 EER Teacher's Resource Book 1.4 Testing While the purpose of practice is learning, the main purpose of testing is to find out how well the learner knows or can do something. The following are some of the reasons for testing: • To learn where the learners are at the moment • To give students information about what they know • To make students aware of what they need to learn • To motivate students to learn or review materials • To get students make an effort to learn • To provide students with a sense of achievement • To give clear indication that the class has reached to a stage of learning such as the end of a unit Test materials can be developed with a variety of questions, tasks, and activities. Questions/answers, true/false, multiple choice, gap-filling, matching, dictation, closing (asking to supply the omitted words), transformation, rewriting, and even translation can be used. The key to a successful administration of a test depends on how well the tasks match the intended assessment of a skill or skills. EER Teacher's Resource Book 5 2. Teaching Literature 2.1 Why teach literature? Literary texts offer authentic reading materials and give students an exposure to the most stimulating and creative use of language. Using literature in a language classroom also serves the dual purpose of language learning and gaining knowledge about society, culture, civic life and so on. According to Joanne Collie and Stephen Slater (1997), there are at least four fundamental reasons focussing literature in a language class: • Valuable authentic material: Literature offers an extremely varied body of written material, which provides students with insights into fundamental and enduring human issues. • Cultural enrichment: Through a literary text, the reader can discover thoughts, world views, feelings, and a feel for the codes and preoccupations that shape a society. Moreover, literature allows students to be creative, flexible, tolerant, sympathetic, and imaginative. • Personal involvement: Literature fosters personal engagement and allows students to learn how language as a system operates within a broad socio- cultural context. Engaging imaginatively with literature also enables students to go beyond the mechanical aspects of language into the realm of meaningful human experience. • Linguistic enrichment: Reading literary texts exposes students to diverse functions of language structures. Moreover, by providing the context of language use, literary texts help students transform what they learn into more active form of knowledge. Besides, students gain familiarity with many forms of written language helping them enrich their own writing.
Recommended publications
  • A Comparative Study of Gender Representations in Philip Pullman's
    A Comparative Study of Gender Representations in Philip Pullman’s His Dark Materials and Its Chinese Translation by WING BO TSO A thesis submitted to The University of Birmingham in part fulfillment of the degree of Doctor of Philosophy in Applied Linguistics Centre for English Language Studies School of English, Drama and American & Canadian Studies College of Arts and Law The University of Birmingham November 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. 3rd of 3 modules Modules 1 and 2 are in a separate file Abstract Philip Pullman’s His Dark Materials has caused controversy as well as enjoyed great popularity among readers worldwide. Its influence has created a great impact in the field of children’s literature. The purpose of this thesis is two-fold. Firstly, the thesis analyzes gender representations in Pullman’s trilogy in the context of how he rewrites female archetypes through the subversive re-inscription of Eve, the invention of daemons, the reinvention of ‘femme fatale’, and the new portrayal of Gypsy women. Secondly, the thesis aims at comparing and examining how gender representations in the source text are translated, transformed or / and manipulated in its Chinese translation.
    [Show full text]
  • Troll's Eye View
    Troll’s Eye View A Book of Villainous Tales Edited by Ellen Datlow and Terri Windling Available only from Teacher’s Junior Library Guild 7858 Industrial Parkway Edition Plain City, OH 43064 www.juniorlibraryguild.com Copyright © 2009 Junior Library Guild/Media Source, Inc. 0 About JLG Guides Junior Library Guild selects the best new hardcover children’s and YA books being published in the U.S. and makes them available to libraries and schools, often before the books are available from anyone else. Timeliness and value mark the mission of JLG: to be the librarian’s partner. But how can JLG help librarians be partners with classroom teachers? With JLG Guides. JLG Guides are activity and reading guides written by people with experience in both children’s and educational publishing—in fact, many of them are former librarians or teachers. The JLG Guides are made up of activity guides for younger readers (grades K–3) and reading guides for older readers (grades 4–12), with some overlap occurring in grades 3 and 4. All guides are written with national and state standards as guidelines. Activity guides focus on providing activities that support specific reading standards; reading guides support various standards (reading, language arts, social studies, science, etc.), depending on the genre and topic of the book itself. JLG Guides can be used both for whole class instruction and for individual students. Pages are reproducible for classroom use only, and a teacher’s edition accompanies most JLG Guides. Research indicates that using authentic literature in the classroom helps improve students’ interest level and reading skills.
    [Show full text]
  • Progress'reported December 8 in Solving ...City's
    ,---, -.;:.~," ~-.' , "" , • The Christmas Gift That Repeats Itself 52 Times a Year ••• Give a ros.s.e Subscription to The News Hom, oj 99 K.ercheval Phone TUxedo 2-6900 VOLUME 13-NO. 48 fuMy Paid Circulation ~ . ' NoC~usefor 'Worry About'Than'ksgivi n.~,Dinner DEADLINES . , " '.' .. -; , Progress'Reported December 8 - " Reserved for' \VEER A.sC~mpit.4 b, lb. In Solving ...City's Pointe Males GrO$i" Paintll New$ Thursday, November 20 Parking Proble~s "'::~~:ro~eE:een:th;hj~ha~~. SIX CONVICTS suspected of '~ ' Become Institution setting off Jackson Prison riot Plan "Ap~;o'v,ed, N~arly---'T-h-r-ee-Y-e-a-r-s Ago' Moves Toward ,I 1\1 -- Tuesday placed in solitary con- . en's Night will be obser- finement. The uprising, staged Eventual Completion;. Two New Stores Provide I'ved on "Christmas Street in by 2.200 prisoners, marked the third major disturbance this year Much ~~di!ionaJ. O,ff-street Space The Village" on Monday, De- at the prison. The' gen~ral plan fo! aff~~t~eet parking areas in the City cember 8. This. will be the .. .. '" of GrossePomte, adopted after' a thorough survey and study seventh annual observance of GENERAL EISENHOWER and of present and future needs some three years ago, is gradually the custom that became an in- Senator Taft meet to discuss fu- nearing eventual realization. i'-------------- ture of Taft-Hartley labor law. Under the zoning regulations B' stitution by popular demand Believed the president-elect has IF no proposed revisions in mind in .the City, .. eve~y structure, I ree arge ~ifo~~e Pointe's male popula- that would drastically change 'busmess or resIdentlal, must pro- I G d · law.
    [Show full text]
  • Horror World
    Contents Cover Acclaim for Joyland by Stephen King! Also by Stephen King Title Page Copyright Dedication Joyland Author’s Note Available now from Titan Books Acclaim for JOYLAND by STEPHEN KING! “Joyland is a small marvel of a book, a novel of loss and heartbreak, of growth and discovery…a bittersweet paean to lost love, lost time, and lost youth…it stands with such shorter King masterpieces as The Body and Rita Hayworth and Shawshank Redemption as one of the writer’s finest works, a highlight in a career that has had so many.” —National Post “[An] elegiac novel of mystery and imagination…Joyland presents itself as a hair-raising thriller (which indeed it is), but it is as much a bittersweet romance, a tribute to older times and sounder values, a celebration of family and friends and love and the wonder of existence.” —Wall Street Journal “The book [offers] an unexpected perspective…a neat trick to pull off in a thriller, and Joyland is definitely a thriller.” —Los Angeles Times “Some of King’s most graceful writing…ruminative, amused, digressive, marvelously unaffected, and finally, devastatingly sad.” —Entertainment Weekly “The book delivers chills [and] a mournful sense of life’s fragility…good fun.” —New York Times “A moving, immensely appealing coming-of-age tale… the real strength of Joyland stems from King’s ability to connect with his characters directly and viscerally. It’s that emotional bond that marks the difference between books that merely entertain and books that matter in a fundamental way.” —Washington Post “At its heart,
    [Show full text]
  • André Rieu in Wonderland
    André Rieu in Wonderland A walk through the amusement park "Efteling" where this DVD was recorded. Version 1.4, Jun 2011 The Wonderland walk. Page 1 of 34 Introduction In the summer of 2007, André Rieu and the JSO recorded the DVD “Wonderland” in the fairytale park “Efteling” in The Netherlands. From several people we received requests for more information on this park. In this document we provide some useful information (how to get there, opening times, etc.) and a "Wonderland walk" through the park, passing by many places you will see in the “Wonderland” DVD. History of the “Efteling” Ask any Dutch person above the age of 40 about the “Efteling”. Ten to one they all give you the same answers: “the flying carpet”, “dancing red shoes”, “musical mushrooms”, the “trains” and “Long Neck”, to name a few. Below a picture of my brother and I in one of the little trains. I was about eight years old at that time (±1963). The other picture was taken recently (April 2008). I don’t know why, but it looks like those trains have shrunk quite a lot, but you still have to peddle like a madman to get around the track in a record time. And still no brakes, but good bumpers. But most important: all those popular attractions from the early days of the park are still there and in high demand! The history of the Efteling goes back to 1933, when a few people had an idea to start a sports park with a soccer field and a small playground.
    [Show full text]
  • Hansel and Gretel
    HANSEL AND GRETEL by The Brothers Grimm Dramatized by Charlotte B. Chorpenning The Dramatic Publishing Company 'Woodstoc~ Londo~ TIlinois • England. Melooumet Australia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclu~ sively by THE DRAMATIC PUBLISHING COMPANY without whose permission in writing no perfonnance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is presented for profit and whether or not admission is charged. A play is performed anytime it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: THE DRA­ MATIC PUBLISffiNG COMPANY, 311 Washington S1., Woodstock, illinois 60098. COPYRIGHT LAW GIVES THE AUTHOR OR IDS AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any infonnation stor­ age and retrieval system, without permission in writing from the pub­ lisher.
    [Show full text]
  • Ideas and Insights: Language Arts in the Elementary School. INSTITUTION National Council of Teachers of English, Urbana, Ill
    DOCUMENT RESUME ED 287 173 CS 210 834 AUTHOR Watson, Dorothy J., Ed. TITLE Ideas and Insights: Language Arts in the Elementary School. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-2259-0 PUB DATE 87 NOT! 246p. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 22590-222, $11.95 member, $14.95 nonmember). PUB TYPE Books (010) -- Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Class Activities; *Content Area ReaZ'ing; *Content Area Writing; Elementary Education; English Curriculum; Family School Relationship; Integrated Activities; Language Acquisition; *Language Arts; Language Usage; Listening Skills; Literature Appreciation; Newspapers; Reading Assignments; *Reading Instruction; Reading Skills; Reading Writing Relationship; Teaching Methods; Writing Exercises; *Writing Instruction; Writing Skills IDENTIFIERS Audience Awareness; Collaborative Learning; *Whole Language Approach; Writing Contests; Writing Topics ABSTRACT Intended to provide elementary school language arts teachers with new and interesting teaching activities, this book contains over 100 teacher-tested classroom activities that are based on the whole language approach to learning. Chapters discuss the following: (1) a world of language in use; (2) literature points the way (including themes and organization, literature and experience, and extended literature); (3) making sense by reading (including predictions and expectations, reading
    [Show full text]
  • 0380757494.Pdf
    PIERS ANTHONY'S VISUAL GUIDE TO XANTH is an original publication of Avon Books. This work has never before appeared in book form. AVON BOOKS A division of The Hearst Corporation 105 Madison Avenue New York, NY 10016 Copyright © 1989 by Bill Fawcett & Associates, Inc. Cover illustration by Darrell K. Sweet Published by arrangement with Bill Fawcett & Associates, Inc. Library of Congress Catalog Card Number: 89-91277 ISBN: 0-380-75749-4 Interior Book Design by Robert T. Garcia First Avon Books Trade Printing: November 1989 Printed in the U.S.A. CONTENTS Introduction to Xanth 8 Great Events in the History of Xanth 18 Xanth 22 The Demon X(A/N)th and the Balance of Existence 24 People of Xanth 26 Magic and Customs of the People of Xanth 32 Magicians and Kings 34 Harpies and Goblins 48 Demons 52 Centaurs 54 Other Races of Equine Descent 58 Fairies, Imps, Elves, and Gnomes 62 Ogres 64 Voles 66 Zombies 68 Nymphs and Fauns 70 Other Human and Humanlike Folk 74 Other Individuals 80 Places in Xanth 96 North of the Gap 98 North Village 106 The Gap 108 South of the Gap 112 Good Magician Humfrey's Castle 114 Castle Roogna 118 Centaur Isle 138 The Gourd 142 Hazards of Xanth 154 The Bestiary of Xanth 164 The Best Things in Xanth Are Free 178 Flowers 182 Plants 184 Trees 195 Magical Things of Xanth 202 Calendar of Xanth 214 Afterword 218 Appendix: Crewel Lye: Chapter 1 221 e play a game, my readers and I: we pretend that the Land of Xanth is real.
    [Show full text]
  • For Preview Only
    By Debbie Metzler © Copyright 2012, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado” For preview only A WALK IN THE WOODS By DEBBIE METZLER CAST OF CHARACTERS (In Order of Appearance) # of lines GOLDILOCKS ......................orphan heroine 98 PAPA BEAR..........................skeptical patriarch 29 MAMA BEAR .......................sensible
    [Show full text]
  • Winter 2018 Short Story
    Something from Nothing Our Collected Short Stories, Home Scholars of Boston, Winter 2018 Instructor: Linda Carney-Goodrich 1 Table of Contents Gretel the Evil Sister By Navid Hodjat ...................................................................................................... 3 Welcome to Saffron Falls By Navid Hodjat ............................................................................................... 6 The Beach By Carolina Lopez-Doherty ..................................................................................................... 9 The Toy Soldiers By Carolina Lopez-Doherty .......................................................................................... 12 The Witch’s Sister By Caitlin Sanchez ..................................................................................................... 14 PANDORA’S ADVENTURES By Caitlin Sanchez ........................................................................................ 17 Goldilocks By George Stamatos ............................................................................................................. 20 The Alien By George Stamatos ............................................................................................................... 23 Goldilocks and the Three Cats By Jimmy Walsh ...................................................................................... 25 Jack in Crazy Land By Jimmy Walsh ........................................................................................................ 27 2 Gretel the Evil
    [Show full text]
  • The Addams Family
    Rev. 12/29/90 (Tan) Rev. 01/07/91 (Lilac) Rev. 01/15/91 (Forest) Rev. 01/18/91 (Orange) Rev. 02/07/91 (Magenta) Rev. 02/13/91 (Chartreuse) Rev. 02/15/91 (Nept. Blue) Rev. 02/19/91 (Gray) Rev. 02/22/91 (Red) Rev. 02/26/91 (Blue) Rev. 02/28/91 (Pink) Rev. 03/18/91 (Yellow) Rev. 04/03/91 (Green) THE ADDAMS FAMILY by Larry Wilson and Caroline Thompson Rewrite by Paul Rudnick based on the characters of Charles Addams SHOOTING SCRIPT April 11, 1991 THE ADDAMS FAMILY - 11/6/90 FADE IN: A1 EXT. ADDAMS MANSION FRONT STEPS - CHRISTMAS EVE A1 A GROUP OF CAROLERS, their eager faces upturned, SINGS an endless and cloying roundelay of "Little Drummer Boy." They sing with self-righteous good cheer. As they pompously begin their umpteenth verse, THE CAMERA SLOWLY PANS UP THE ADDAMS MANSION -- past the black wreath on the front door, past broken windows, weather-beaten shingles, a creaking shutter. THE CAMERA CONTINUES TO PAN TO THE ROOF where the Addams Family members, GOMEZ, MORTICIA, GRANNY, PUGSLEY, WEDNESDAY, and LURCH, their faithful butler, gleefully POUR a CAULDRON OF BUBBLING, STEAMING PITCH over the edge. AS THE CAULDRON TIPS, THE CAMERA PUSHES INSIDE, THE BLACKNESS OF THE PITCH FILLS THE SCREEN. TITLES BEGIN. DISSOLVE TO: 1 INT. DIM HALLWAY - SEVEN O'CLOCK A.M. 1 C.U. AN OVER-SIZED "CUCKOO" CLOCK -- The clock is a perfect REPLICA OF THE ADDAMS FAMILY HOUSE, down to the creaking shutter. It chimes the hour. In ONE WINDOW, a LITTLE MECHANICAL GOMEZ bends a MECHANICAL MORTICIA back until she's almost off her feet and plants a kiss between her clockwork decolletage.
    [Show full text]
  • 1930, December 4, Thursday
    LET'S EAT THE 1 THEN LET'S SEE THE TURKEY FOOTBALL GAME HE BOO TE l- " Education Is simply the encouragement of right habits--the fixing of good, habits until they become a part of one's nature, and arc exercised automatically. VOL. XVI ,THE BOOSTER, PITTSBURG, KANSAS, THURSDAY, NOVEMBER 27,1930 No.8 MISS ELLIS SINGS FOIt GIRLS. BOYS CHOItUS PItACTICE Girl Reserves Weede Reviews The members of the girls glee club The boys met again in the audito­ recieved a very pleasant surprise last rium for pl'actice of the all-school Sports Ups and Friday at the fourth hour. Every Fri­ chorus. This week on Tucsday in­ Present Play day the club has a program, with stead of Friday wns the time of the different ones entertaining. Occasion­ meeting. Downs Friday alIy they are entertainel by outsiders, The boys were directed by Miss November 20 Miss Ellis sang a very charming Ellis on just three numbers, Miss "Play Is an Open Book to the French number for their last program, Ellis is trying to get the boys to Theme of Depth and Quality Character of Young Folk," It was a very pleasant surprise and learn their songs without theif books Stresses First Production - States Speaker the girls expressed hopes that it will of School Year For what have we to give thee thanks, ~ God? so they can watch her. happen more often in the future. Not Life. Millions of others 'neath a favored sky Parkin in Charge • Sip of its fullness, revel In its joys, "Goose Hangs High" Eat, and are merry, 'ere their turn to die.
    [Show full text]