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Leaving Reality Behind Etoy Vs Etoys Com Other Battles to Control Cyberspace By: Adam Wishart Regula Bochsler ISBN: 0066210763 See Detail of This Book on Amazon.Com
Leaving Reality Behind etoy vs eToys com other battles to control cyberspace By: Adam Wishart Regula Bochsler ISBN: 0066210763 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 discovering a new toy "The new artist protests, he no longer paints." -Dadaist artist Tristan Tzara, Zh, 1916 On the balmy evening of June 1, 1990, fleets of expensive cars pulled up outside the Zurich Opera House. Stepping out and passing through the pillared porticoes was a Who's Who of Swiss society-the head of state, national sports icons, former ministers and army generals-all of whom had come to celebrate the sixty-fifth birthday of Werner Spross, the owner of a huge horticultural business empire. As one of Zurich's wealthiest and best-connected men, it was perhaps fitting that 650 of his "close friends" had been invited to attend the event, a lavish banquet followed by a performance of Romeo and Juliet. Defiantly greeting the guests were 200 demonstrators standing in the square in front of the opera house. Mostly young, wearing scruffy clothes and sporting punky haircuts, they whistled and booed, angry that the opera house had been sold out, allowing itself for the first time to be taken over by a rich patron. They were also chanting slogans about the inequity of Swiss society and the wealth of Spross's guests. The glittering horde did its very best to ignore the disturbance. The protest had the added significance of being held on the tenth anniversary of the first spark of the city's most explosive youth revolt of recent years, The Movement. -
Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Louise Breckon-Richards Photo: Maxine Evans
1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Louise Breckon-Richards Photo: Maxine Evans Louise has recently finished filming 'We hunt together' for UKTV BBc this month playing Denise. Greater London, England, United Appearance: White Kingdom Location: Eye Colour: Blue Flintshire, Wales, United Kingdom Hair Colour: Strawberry Blond(e) Height: 5'4" (162cm) Hair Length: Mid Length Weight: 9st. 4lb. (59kg) Voice Character: Enthusiastic Playing Age: 38 - 48 years Voice Quality: Warm Television 2020, Television, Denise, We hunt together., BBC/UKTV Alibi, Jon Jones 2019, Television, Janey Webb, Doctors, BBC, David Lewis Richardson 2019, Television, Jacqui, Coronation street, ITV, David Kester 2019, Television, Lorraine, Temple, Sky/Hera Pictures, Luke Snellin 2013, Television, Kelly, Cuckoo, Rough Cut TV/ BBC3, Ben Taylor 2011, Television, Rebecca, Eastenders, BBC Television, Karl Neilson 2010, Television, Jennifer Wilson, Sherlock, ITV, Paul McGuigan 2007, Television, Deborah Kilbride, Casualty, BBC Television, Simon Massey 2006, Television, Karen Redland, Doctors, BBC Television, John Madden 2006, Television, Helen Castle, Midsomer Murders, Bentley Productions, Renny Rye 2004, Television, DC Vicky Loman, Dirty War, BBC Television, Daniel Percivel 2002, Television, Julia Harrison, Eastenders, BBC Television, Sue Butlerworth 2002, Television, Jane Holdsworth, Foyles War, Greenlit Productions, Jeremy Silberston 2002, Television, Icieni, Battlefield Britain, BBC Television, Danielle Peck 2002, Television, -
Melancholy and Loss
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Book Section Title: ‘You should try lying more’: the nomadic impermanence of sound and text in the work of Bill Drummond Creator: WisemanTrowse, N. J. B. Example citation: WisemanTrowse, N. J. B. (2014) ‘You should try lying more’: the nomadic impermanence of sound and text in the work of Bill Drummond. In: Hansen, A. and Carroll, R. (eds.) Litpop: Writing and Popular Music. Aldershot: Ashgate. pp. 157 168. It is advisable to refer to the publisher's version if you intend to cite from this work. Version: Submitted version Official URL: http://www.ashgate.com/isbn/9781472410979 NECTARhttp://nectar.northampton.ac.uk/4373/ 1 ‘You Should Try Lying More’: The Nomadic Impermanence of Sound and Text in the Work of Bill Drummond Nathan Wiseman-Trowse Imagine waking up tomorrow, all music has disappeared. All musical instruments, all forms of recorded music, gone. A world without music. What is more, you cannot even remember what music sounded like or how it was made. You can only remember that it had existed, that it had been important to you and your civilisation. And you long to hear it once more. Then imagine people coming together to make music with nothing but their voices, and with no knowledge of what music should sound like.1 Bill Drummond’s work straddles the worlds of popular music, literature and art. Drummond is perhaps best known as one half of the massively successful dance act The KLF, who scored a number of single and album chart hits across Europe in the late eighties and early nineties. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
Annie Dibling Cv
ANNIE DIBLING Assistant Director Tel: 07989 386445 [email protected] Profile: Hard working, friendly and enthusiastic. Over 15 years experience. A good working knowledge of the industry and the responsibilities involved in working as an Assistant Director. A capable, focused and supportive team player. Looking for a challenge, job satisfaction and the opportunity to build on existing experience. Career History: Television: Programme Company Director Position Egyptian Vice Wild Dream Films Rick Lopez 2ndA.D. Stella Series 4 – Episodes 7 - 10 Tidy Productions Ashley Way 3rdA.D. Simon Delaney Trollied Series 4 Roughcut Television Paul Harrison 3rdA.D. Cara Fi Touchpaper Television Ltd Andy Newbery 3rd A.D. Casualty Series 28 – Episode 41 & 42 BBC Wales Jon Sen 3rd A.D. Casualty Series 28 – Episode 35 BBC Wales Steve Hughes 3rd A.D. A Poet In New York Modern Television Ltd Aisling Walsh 3rd A.D. Made In Wales: Series 5 – Films 4 – 8 It’s My Shout Productions Mared Swain 1st A.D. Geraint Havard Jones Paul Mallison Lawrence Fowler Andrew Pring Indian Doctor Series 3 Rondo Media/ Avatar Films Lee Haven Jones 3rd A.D. Team Panache (Pilot) Firehouse Productions Ltd Steve Lawson 2nd A.D. Alys Series 2 Apollo Television Paul Jones 2nd A.D. Gwaith Cartref Series 2 Fiction Factory Andy Newbery 2nd A.D. Indian Doctor Series 2 Rondo Media/Avatar Films Lee Haven Jones 3rd A.D. Gwennan Sage Indian Doctor Series 1 Rondo Media/Avatar Films Tim Whitby 3rd A.D. Deep Sehgal Pen Talar Series 1 – Episode 9 Fiction Factory Ed Thomas 2nd A.D. -
MVSC-F099.4-K16.Pdf
[PAGE 1] KANSAS CITY CALL TENTH ANNIVERSARY AND PROGRESS EDITION Vol. 10 No. 13 Kansas City, Mo., July 27, 1928. PROGRESS THE PROGRESS of Negroes in the United States is so great that history will point out what you have done as one of the achievements which mark this age. Your rise is one of the best proofs of the value of the American theory of government. Successes by individuals here and there have been multiplied until now yours is a mass movement. You are advancing all along the line, a sound basis for your having confidence in the future. The world’s work needs every man. I look to see the Negro, prepared by difficulty, and tested by adversity, be a valued factor in upbuilding the commonwealth. In the Middle West, where The Kansas City Call is published, lies opportunity. In addition to urban pursuits you have available for the man of small means, the farm which is one of the primary industries. The Negro in your section can develop in a well rounded way. Above all things, take counsel of what you are doing, rather than of the trials you are undergoing. Look up and go up! Julius Rosenwald [page 2] “PROGRESS EDITION” CELEBRATING THE KANSAS CITY CALL’S TENTH ANNIVERSARY Kansas City, Missouri, Friday, July YOU ARE WELCOME! The changes in The Kansas City Call’s printing plant are completed. We now occupy 1715 E. 18th street as an office; next door at 1717 is our press room and stereotyping room; upstairs is our composing room; in the basement we store paper direct from the mill. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Park-Finch, Heebon Title: Hypertextuality and polyphony in Tom Stoppard's stage plays General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hypertextuality and Polyphony in Tom Stoppard's Stage Plays Heebon Park-Finch A dissertation submitted to the University of Bristol in -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers. -
2006-01-31 Pressmeddelande the 17 Av Och Med Bill
2006-01-31 Pressmeddelande The 17 av och med Bill Drummond, musiker, konstnär och författare. 13- 25 mars 2006. Bill Drummond, musiker, konstnär och författare, Skottland, är inbjuden av Fylkingen under mars månad 2006. Under två veckor kommer Drummond att sätta upp verket The 17. Ett delvis platsspecifikt musik- och performanceprojekt. En del ur verket kommer att ställas ut på Fylkingen. The 17 All känd musik har haft sin gång. All musik har blivit konsumerad och bytt, nedladdad och förstådd. Den har hörts förut, blivit samplad och återuppstått. Bill Drummond gör alla tidigare former av musik och musikskapande överflödiga och börjar om på nytt. The 17 är en kör. Deras musik har ingen historia, följer inga traditioner. Kören har sjutton röster. De följer inget libretto, texter eller ord; inga tids signaturer, rytmer eller beats; de har inga kunskaper om melodi, kontrapunkt eller harmoni. Varje framträdande har sitt eget partitur. Det finns 10 olika partitur. Dessa kommer att framföras av 17 för varje gång olika körmedlemmar på tio olika platser runt om i länet. Alla instruktioner om utförande finns skriftligen på respektive partitur. Verket görs med 170 medverkande; personer intresserade från Sverige och Stockholms regionen, som anmäler sog till att delta. Varje framträdande genomförs på en speciell plats. Det kan vara på Fylkingen eller i ett trapphus. I en skog eller på Sergelstorg. Bill Drummond (f.– 53) har en lång karriär som utforskande och experimenterande musiker och konstnär. Han är en av grundarna och medlemmarna i f.d. ambient house-/ samplings hit duon KLF. List etta hitmakarna skrev boken the Manual (how to have a number one the easy way). -
2019 Programme
CLOSING FILM – Check the IFI website for further IRISH PREMIERE Festival Guests guest announcements. Renaud Barret Paul Duane Peter Kelly Système K Système K Best Before Death Journey to the Edge Renaud Barret started Paul Duane has been Peter Kelly is an his career as a making films, drama award-winning graphic designer and and documentary for producer-director photographer and has been interested twenty years. His most recent film What with credits on scores of documentaries in African culture since his 20s. He Time Is Death? follows the return of the filmed in over 50 countries. Productions moved to Kinshasa in 2003 and since Justified Ancients of Mu Mu, otherwise include documentary series for Irish and then has produced and directed several known as The KLF, after their self-im- international television embracing a range documentaries including La Dance le posed 23-year silence. He produced the of subjects; development and social Jupiter, Victoire Terminus, and Benda 2015 IFTA-award-winning documentary issues, history, science, faith, human Billi! which have screened and won In A House That Ceased To Be, and the rights and the Irish abroad. He regularly Sunday 29th (20.00) awards at festivals around the world IFTA-nominated documentary Barbaric contributes to conferences and periodicals Kinshasa, a city of eleven million people, is home to an emerging wave of street including BFI London Film Festival, Hot Genius. His documentary on rockabilly on aspects of the international audio- artists whose vibrant, disturbing works function as political commentary on Docs Toronto and Berlinale. In addition to bankrobber Jerry McGill, Very Extremely visual industry.