Education and Personal Development in Martin Eden

Total Page:16

File Type:pdf, Size:1020Kb

Education and Personal Development in Martin Eden MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Education and Personal Development in Martin Eden Bachelor Thesis Brno 2021 Supervisor: Mgr. Zuzana Kršková, Ph.D. Author: Terezie Ďáskova Bibliographical record Ďáskova, Terezie. Education and Personal Development in Martin Eden: bachelor thesis. Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2021. 46 pages. The supervisor of the bachelor thesis: Mgr. Zuzana Kršková, Ph.D. Bibliografický záznam Ďáskova, Terezie. Education and Personal Development in Martin Eden: bakalářská práce. Brno: Masarykova univerzita, Pedagogická fakulta, Katedra anglického jazyka a literatury, 2021. 46 s. Vedoucí bakalářské práce: Mgr. Zuzana Kršková, Ph.D. Abstract The thesis aims to provide a literary analysis focusing on education and self- development of the working and middle social classes of the United States in the early 20th century. The underpinning source for examining these processes is the novel Martin Eden written by American author Jack London in 1909. In the perspective of the historical and social background, the work investigates the differences in the educational environments, motivations, approaches, and methods between the book's two main characters, a young sailor Martin Eden and Ruth Morse, a girl of the bourgeois family. Further, it compares their realised learning, utilisation of education in their future lives and personal development. The work suggests that Martin Eden's self-studying was a far more complex and creative process than the formal educational methods in the early 20th century when American universities taught the students to adopt propositions and conventional standards rather than think critically and develop their talents. Thus, the formal education made them unable to use their intelligence effectively in real-life situations and utilise their realised education. Anotace Tato práce si klade za cíl poskytnout literární analýzu zaměřenou na vzdělávání a osobnostní rozvoj pracující a střední sociální třídy ve Spojených státech amerických na počátku 20. století. Zdrojem pro zkoumání těchto procesů je román Martin Eden amerického autora Jacka Londona z roku 1909. S ohledem na historický a společenský kontext práce zkoumá rozdíly ve vzdělávacím prostředí, motivaci, přístupech ke vzdělání a vzdělávacích metodách hlavních postav románu, mladého námořníka Martina Edena a Ruth Morse, dívky z buržoazní rodiny. Dále porovnává jejich realizované vzdělání, využití vzdělání v jejich budoucích životech a osobní rozvoj. Práce naznačuje, že samostudium Martina Edena bylo mnohem složitějším a kreativnějším procesem než formální vzdělávací metody na počátku 20. století, kdy americké univerzity učily své studenty přejímání tezí a standardů, spíše než kritickému myšlení a rozvíjení svých dovedností. Formální vzdělávání tak znemožňovalo efektivní využití inteligence v reálných životních situacích a využití uskutečněného vzdělání. Keywords Jack London, Martin Eden, Education, Formal Education, Self-Education, Personal Development, Social Classes, USA Klíčová slova Jack London, Martin Eden, Education, Formal Education, Self-Education, Personal Development, Social Classes, USA Acknowledgment First of all, I would like to thank my supervisor, Mgr. Zuzana Kršková, Ph.D. for her guidance through each stage of the process of writing this thesis and for her patience with me. Also, I thank my family for believing in me and being supportive throughout my studies. Declaration I hereby declare that I am the sole author of this bachelor thesis and that I have used only the sources listed in the bibliography and identified as references. Prohlášení Prohlašuji, že jsem bakalářskou práci vypracovala samostatně, s využitím pouze citovaných literárních pramenů a zdrojů uvedených v seznamu literatury v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. In Brno, 10 Apríl 2021 Terezie Ďáskova Table of Contents 1. Introduction 8 2. Literary Context 10 3. Historical and Social Background 12 3.1 American Society 12 3.2 San Francisco 13 3.3 Public Education in America 14 3.4 Co-Education at American Universities and Colleges 15 4. Jack London's Education and Working Experience Reflected in Martin Eden 18 5. Plot Summary and Main Themes in Martin Eden 23 5.1 Plot Summary 23 5.2 Main Themes 25 5.2.1 Social Classes 25 5.2.2 Individualism vs Socialism 26 5.2.3 Effects of Industrialization on Society 27 6. Description of the Main Protagonists 28 7. Educational Environment, Experience and Opportunities of the Main Protagonists 31 8. Approaches to Education, Motivation and Educational Methods of the Main Protagonists 33 9. Achievements in Education and Personal Development of the Main Protagonists 39 10. Conclusion 43 11. List of References 45 7 1. Introduction London's semi-autobiographic novel Martin Eden has been often interpreted only in the context of London's personal political beliefs. However, he does not propagate socialism in the novel in any way, nor does he provide any more detailed views on the ideology. Yet, Martin Eden became a source and proof for many essays and articles revolving about London as a socialist and capitalist solid opponent. The fact that London himself claimed that he wrote Martin Eden as a criticism to individualism did not help to stop producing lengthy and one-way opinionated and themed texts that utterly omitted to address one of the most powerful topics of the book, which captures a complex and arduous journey of a man to education as the means of self-improvement. In the novel, London examines the hostile world of American society of the early 20th century, which was full of prejudice and doubts about people of the labouring class, their intelligence, and capability to be educated. Nevertheless, Martin Eden should instead be read as a message of motivation, perseverance, and unwavering diligence that a man is willing to invest in himself. The message of hindrances and wrongs a man is enduring to achieve his goals. The message that a man's pure desire and hunger for knowledge can exceed the standard criteria of formal education and surpass those who stubbornly insist on a dogmatic interpretation of what being educated means. Should the meaning of the main protagonist's name be considered, the analogy of Martin Eden to a biblical story of Adam and Eve suggests that education is a central motive of the whole novel. For Martin, education is truly a forbidden fruit of the Tree of knowledge of good and evil as described in the Bible. Once Martin Eden tastes the fruit of knowledge and reveals its power, just like Adam, he inevitably leaves his previous life of blissful ignorance with no chance of coming back. Ruth and Eve alike could be recognized as the initial motive and a driving force, making Martin-Adam crave for knowledge. They both tempted and lured the men into the point of no return, the moment that changed their lives for good. For both Martin and Adam, the breaking point with fatal consequences is gaining wisdom that opens their eyes. This thesis explores in-depth the topic of education portrayed in the novel and analyses the aspects of paramount importance on Martin Eden's education, such as social background, learning environment, or educational methods that led him to his wished-for success. A contrasting element for this examination is the character of Ruth Morse, the 8 determining factors of her formal education, and the influence of her social station that paradoxically does not support her to develop as a person but rather forces her to conform to the conventions of her class. 9 2. Literary Context From the view of literary context, the novel Martin Eden can be identified as a realistic novel by its themes, as well as form. Typically for American realism, London addresses the issues of being a white male descending from the working class and pictures the urban environment of America. In the novel, London presents the main protagonist Martin Eden as a white, young, undereducated sailor of humble origin and discovers the contrasts of his character, environment and opportunities to those of Ruth Morse, a young woman of the bourgeois family and a student of Berkley University. The novel is set in Oakland and San Francisco at the turn of the 20th century and accurately illustrates the ambience of the society, showing its disparity in family background and education as the preconditions for occupation and social status. Similarly to his contemporary European writers representing Fin de siecle1, London perceives contradictory promises of economic and industrial expansion while realising decadence of the society. In the novel, the author analyses and criticises the intellectual and moral values, the hypocrisy of the middle social class, contrasting it with daily toil and working and living conditions of the labouring class. London provides close observation of the society, portraying characters in detail to capture their socially accurate dialects, attitudes and manners. Also, he draws a picture of the bourgeois family of the Morses who perceives the education and profession as the means to live up to expectations coming from their social status, and describes the middle class with its blindness and indifference to the suffering of the society, comparing them with the characters representing
Recommended publications
  • The Notion of Chance in the Narratives of Jack London and R. L. Stevenson
    The Notion of Chance in the Narratives of Jack London and R. L. Stevenson Škunca, Iva Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:897345 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Iva Škunca The Notion of Chance in the Narratives of Jack London and Robert Louis Stevenson Submitted in partial fulfilment of the requirements for the B.A. in English Language and Literature and Italian Language and Literature at the University of Rijeka Supervisor: Sintija Čuljat PhD Rijeka, September 2017 ABSTRACT Both Jack London and Robert Louis Stevenson are famous for a variety of literary work they produced in a relatively short time span. As we can establish a link between the two vagabond authors who both sought an escape from the routine and the conventions of the societies they only seemingly belonged to, we can also establish a connection between some of their most brilliant works, mainly those characterised by elements of adventure fiction. This paper deals with the most prominent themes and motifs of the authors’ literary works, as well as the problems and conflicts which arise from the analysis of their work. TABLE OF CONTENTS INTRODUCTION ...................................................................................................................... 1 1.ROBERT LOUIS STEVENSON’S AND JACK LONDON’S LITERARY WORK ...........
    [Show full text]
  • Martin Eden, Edith Wharton’S the House of Mirth, and Stephen Crane’S Maggie
    On Narratives of Fading Selves: Naturalism, Determinism, and Suicide in Jack London’s Martin Eden, Edith Wharton’s The House of Mirth, and Stephen Crane’s Maggie Word count: 24,709 Vossa Varkevisser Student number: 01303540 Supervisor: Dr. Jasper Schelstraete A dissertation submitted to Ghent University in partial fulfilment of the requirements for the degree of Master of Arts in Linguistics and Literature: English and Scandinavian Studies Academic year: 2017 – 2018 In depression you become, in your head, two-dimensional – like a drawing rather than a living, breathing creature. [...] There is a heavy, leaden feeling in your chest, rather as when someone you love dearly has died; but no one has – except, perhaps, you. – Tim Lott TABLE OF CONTENTS Introduction 1 1 The Origin of Naturalism 6 2 Determinism and the (Absence of) Self 10 3 Martin Eden: A Divided Character Introduction & Determinism 15 Martin’s Illusion: Character & Self 18 Desire & Suicide 23 4 The House of Mirth: A Divided Desire Introduction & Determinism 28 Lily’s Illusion: Character & Self 32 Self & Suicide 37 5 Maggie: A Divided Narrative Introduction & Determinism 41 Lily’s Illusion: Character & Self 43 Narration & Suicide 47 6 Conclusion & Implications 51 Works Cited 58 Word-count: 24,709 Acknowledgements I would like to thank myself for writing the master’s thesis now in front of you. Furthermore, I wish to thank Jasper Schelstraete for his kindness, support, and general enthusiasm, as well as for missing only one appointment, and Jürgen Pieters for taking the time to read this paper. Finally, I owe my thanks to Philippe Codde for so patiently putting up with my eternal confusion surrounding my bachelor’s paper, without which I would not have gotten here.
    [Show full text]
  • Download Ebook ^ Moon-Face and Other Stories
    MM9JVTXJWSBE Book ~ Moon-Face and Other Stories (Dodo Press) (Paperback) Moon-Face and Oth er Stories (Dodo Press) (Paperback) Filesize: 4.04 MB Reviews Great eBook and beneficial one. It is packed with wisdom and knowledge You wont really feel monotony at at any time of your respective time (that's what catalogs are for relating to if you check with me). (Maiya Kozey) DISCLAIMER | DMCA EYPY4T5EDMT6 ~ Doc \\ Moon-Face and Other Stories (Dodo Press) (Paperback) MOON-FACE AND OTHER STORIES (DODO PRESS) (PAPERBACK) To download Moon-Face and Other Stories (Dodo Press) (Paperback) PDF, remember to access the web link below and save the ebook or have access to other information which are related to MOON-FACE AND OTHER STORIES (DODO PRESS) (PAPERBACK) book. Dodo Press, United Kingdom, 2007. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today.
    [Show full text]
  • ABSTRACT Jack London Is Not Just an Author of Dog Stories. He Is
    UNIVERSIDAD DE CUENCA ABSTRACT Jack London is not just an author of dog stories. He is according to some literary critics, one of the greatest writers in the world. His stories are read worldwide more than any other American author, alive or dead, and he is considered by many as the American finest author. This work presents Jack London as a man who is valiant, wise, adventurous, a good worker, and a dreamer who tries to achieve his goals. He shows that poverty is not an obstacle to get them. His youth experiences inspire him to create his literary works. His work exemplifies traditional American values and captures the spirit of adventure and human interest. His contribution to literature is great. We can find in his collection of works a large list of genders like AUTORAS: María Eugenia Cabrera Espinoza Carmen Elena Soto Portuguéz 1 UNIVERSIDAD DE CUENCA novels, short stories, non-fiction, and autobiographical memoirs. These genders contain a variety of literary styles, adventure, drama, suspense, humor, and even romance. Jack London gets the materials of his books from his own adventures; his philosophy was a product of his own experiences; his love of life was born from trips around the world and voyages across the sea. Through this work we can discover that the key of London's greatness is universality that is his work is both timely and timeless. Key Words: Life, Literature, Work, Contribution, Legacy. AUTORAS: María Eugenia Cabrera Espinoza Carmen Elena Soto Portuguéz 2 UNIVERSIDAD DE CUENCA INDEX ACKNOWLEDGMENTS DEDICATIONS INDEX ABSTRACT INTRODUCTION CHAPTER ONE: JACK LONDON´S BIOGRAPHY 1.1 Childhood 1.2 First success 1.3 Marriage 1.4 Death CHAPTER TWO: WORKS 2.1 Short stories 2.2 Novels 2.3 Non-fiction and Autobiographical Memoirs 2.4 Drama AUTORAS: María Eugenia Cabrera Espinoza Carmen Elena Soto Portuguéz 3 UNIVERSIDAD DE CUENCA CHAPTER THREE: ANALYSIS OF ONE OF LONDON´S WORKS 1.1 “The Call of the Wild 1.2 Characters 1.3 Plot 1.4 Setting CHAPTER FOUR: LONDON´S LEGACY 1.
    [Show full text]
  • Analysis of Jack London's Novels
    3rd International Multidisciplinary Scientific Conference on Ingenious Global Thoughts Hosted from Kuala Lumpur, Malaysia https://conferencepublication.com May 31st 2021 ANALYSIS OF JACK LONDON’S NOVELS Alimova Shahnoza Yaxshibayevna Tashkent State Technical University the branch of Termez Jack London’s (January 12, 1876 ‟ November 22, 1916) fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for invention, that in his writing he would have to be an interpreter of the things that are, rather than a creator of the things that might be. Accordingly, he drew his plots, characters, themes, and settings from real-life experiences and published accounts. London’s career as a novelist began shortly after the turn of the twentieth century with the publication of A Daughter of the Snows. It ended nineteen novels later with the posthumous publication of The Assassination Bureau, Ltd. in 1963. The novels vary widely in length, subject matter, and (especially) artistic quality, for while London could write bold, violent,Analysis „ Jack London’s fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for invention, that in his writing he would have to be an interpreter of the things that are, rather than a creator of the things that might be. Accordingly, he drew his plots, characters, themes, and settings from real-life experiences and published accounts. London’s career as a novelist began shortly after the turn of the twentieth century with the publication of A Daughter of the Snows.
    [Show full text]
  • Perspective Fall 2000 For
    JACK LONDON’S RELIGION: AN EXAMINATION OF THE BASIC BELIEFS EVIDENT IN HIS WRITINGS Randall D. Miller—Department of English tephen George and I from the Ricks College English Department partici- Spated in a panel as part of the conference on “Spiritual Frontiers 2000: Belief and Values in the Literary West” sponsored by the Redd Center for Western Studies and by the Center for the Study of Christian Values in Literature at Brigham Young University. Our panel considered three authors from California—John Steinbeck, Frank Norris and Jack London, who are generally grouped together as naturalists. Naturalism in literature is the application of scientific determinism to writing. Scientific determinism as used by these writers is the idea that men’s lives are the result of forces discovered by scientists such as Newton, Darwin, Marx and Freud. For much of the first half of the 1900’s, Jack London reigned as America’s most popular author. At the height of his career he was making more money by far than any other author of his time. He poured his money into building Wolf House on his ranch in Glen Ellen, California (the house burned shortly before the Londons were to move in) and into the building of a sailing yacht, the Snark, for an intended round-the- Few, if any, of world trip. Few, if any, of London’s beliefs are hidden or subtle. They are expressed openly in his fiction as well as in his non-fictional writing. But London’s beliefs are he clearly shifts away from his early belief in individual power and self and hidden or subtle.
    [Show full text]
  • Jack London and the Tradition of Superman Socialism Geoffrey Harpham
    jack london and the tradition of superman socialism geoffrey harpham Jack London is one of the most representative men of a confused and uncertain generation. While London's thinking on socialism is commonly taken as the idiosyncratic garble of an egomaniac who sold out to the capitalists he pretended to despise, the orthodox conservatism of his socialism is generally overlooked. Since the time when "collectivism" and "individualism" became enshrined under the names "Communism" and "Fascism" as official national ideologies, it has been easy to distinguish discordant elements in London's thought. And certainly many of Lon­ don's friends were appalled at his inconsistencies. But for many Progres­ sive-era socialists, London's description of socialism as "group individual­ ism" struck all the right resonances. After all, both strains were anti- bourgeois, revolutionary, violent and anarchic. And both openly capi­ talized on the current national "gusto" mania. In fact, so many literary socialists were exponents of this bipolar "superman socialism" that it can fairly be said that London—given his eccentricities—was at least operat­ ing within a tradition, even adapting a cliché. Merging the vision of the Just Society with the idea of the romantic hero, London was merely advo­ cating the most popular and influential form of literary conservatism—as well as literary socialism—in the first decade of the century. In formulating this hybrid, London was responding to trends which influenced many of the leading socialist-intellectuals and those who preached socialism while standing outside the movement itself. Edward Bellamy, for example, forecasted a serenely dull society of the year 2000 (Looking Backward, 1888) which was to be governed by a single syndicate representing the people, with little effective democracy.
    [Show full text]
  • Drowning Martin Eden's Ideological Aesthetic Steven J. Venturino
    Drowning Martin Eden’s Ideological Aesthetic Steven J. Venturino (© 1996) Published as 淹没<吗丁伊登>的意识形态美学 in Chinese translation by Yang Lili. Foreign Literatures (Guowai Wenxue, Beijing UP) 66 (1997): 19-27. To describe a particular form of body as historical is to say that it is continuously able to make something of that which makes it. Language is in this sense the very index of human historicity, as a system whose particularity is to enable events which transgress its own formal structure. But one aspect of this fathomable capacity for self-transgression, on the part of the linguistically productive animal, is the power to extend its body into a web of abstractions which then violate its own sensuous nature.1 Peter Brooks has recently revisited the terrain of Terry Eagleton’s The Ideology of the Aesthetic and returned with a warning against certain contemporary trends in literary study. Brooks argues that poetics—the investigation of “how a text means”—is too often bypassed as literature professors lead students in search of ideological or political machinations—“what a text means” (517). Against this, Brooks suggests a return to the Romantic-humanist notion that “teaching the humanities involves submerging one’s individual personality into something larger, into a cultural tradition that one speaks through and allows to speak through oneself” (519, emphasis added). The present essay also revisits Eagleton’s Marxist aesthetics, particularly as it explores artistic identity and ideology under capitalism, but my intention is to trace how Jack London’s 1909 novel Martin Eden both anticipates Eagleton’s Marxism and suggests that “cultural submersion” in the capitalist West will not lead to the kind of progressive conversation suggested by Brooks and the Romantic-humanist tradition.
    [Show full text]
  • The Fiction of Jack London
    1 The Fiction of Jack London: A Chronological bibliography Compiled and Annotated by DALE L.WALKER The University of Texas at El Paso Original Research and Editing by JAMES E. SISSON III Berkeley, California Updated Research and Editing by Daniel J. Wichlan Pleasant Hill, California 2 TABLE OF CONTENTS Foreword 3 Introduction (Revised) 6 Key to Collections 10 Chronological Bibliography 12 Books by Jack London 48 Jack London: A Chronology 51 Appendix 54 Index 56 Selected Sources 64 3 FOREWORD TO THE NEW EDITION Through the assistance of the late Russ Kingman, the great Jack London authority and long- time friend, I made contact by correspondence with James E. Sisson III, in 1970. I had asked Russ for advice on who I could contact on questions about some of London’s hard-to-find short fiction. "Jim Sisson is the guy," said Russ. Sisson, a Berkeley, California, researcher, was very helpful from the outset and his encyclopedic knowledge of London’s work quickly resolved my questions. In subsequent correspondence I learned that Sisson felt London’s short stories were not adequately treated in Jack London: A Bibliography, compiled by Hensley Woodbridge, John London and George H. Tweney (Georgetown, CA: Talisman Press, 1966). He complained that the stories were buried among magazine articles, chapters from The Cruise of the Snark, The Road, and other nonfiction works, all lost in a welter of foreign language translations including Latvian, Finnish, Turkoman, and Ukrainian. He also claimed that many of London’s stories were missing from Woodbridge, remaining buried in obscure and long-defunct magazines, uncollected in book form.
    [Show full text]
  • Martin's Frustration at a Society That Glorifies Great Individuals Of
    -.41..!e:. afe .. =as./ i 7. S. 11 . o'i' irr 11111V MS ED 033 107 TE 001 519 M Is .. .. 1' 'Re. I O.* +.11 . .., .. e By-Deane. Paul Jack London: The ParadoxoIndividualism. New York State English Co_ unq. Oswego. wit . .. Pub Date Dec 68 Note-7p. Journal Cit -The English Record; v19 n2 p14 -19 Dec 1968 (DRS Price MF -$025 HC -$0.45 Descriptors -*American Literature. Anti Social Behavior. Conformity. English Instruction. Naturalism. Novels. Social Isolation. Sociological Novels. Symbolism. Twentieth Century Literature Identifiers- *Jack London Because of their interest in naturalism and socialism, critics often overlook the major intellectual conflict in Jack London's work: the paradox of individualism.London regards society as affecting the individual in two ways: it either pry motes individuality or it demands a conformity that underminesindividualism. When society fails Buck in 'The Call of the Wild." he is driven to self-reliance, and forced to become an individual. whereas White Fang is punished for exercising his individuality. In 'The Sea Wolf." London develops these two extremes of social influence in the socially-isolated Larson and the socially-conforming Van Weyden. London favors Van Weyden. who ultimately realizes his identity as an individual and applies his abilities to improve society while Larson remains aloof and ineffectual throughout the story. London criticizes the destructive nature of this dualistic society in 'MartinEden" and shows Martin's frustration at a society that glorifies great individuals of history and literaturebutsimultaneouslyostracizeslivingnonconformists.Martin'ssuicide symbolizes London's paradoxical and inconclusive appraisal of the individual in and against society. (MP) U.S.
    [Show full text]
  • Marxist Allegory in Jack London's Alaskan Tales
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1990 Marxist allegory in Jack London's Alaskan Tales Amy Elizabeth Tavidian Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Tavidian, Amy Elizabeth, "Marxist allegory in Jack London's Alaskan Tales" (1990). Theses Digitization Project. 565. https://scholarworks.lib.csusb.edu/etd-project/565 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. MARXIST ALLEGORY IN JACK LONDON'S ALASKAN TALES. A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts ■, in- ' English Composition by ■ Amy Elizabetl|_J^vidian August 1990 Marxist Allegory in Jack London's Alaskan Tales A Thesis Presented to the Faculty of California State University, San Bernardino by Amy Elizabeth Tavidian August 1990 Approved by: J'iy (Tfo Bruce Golden, Chair Date Harold Hellenbrand {Susan Meisenhelder ABSTRACT Most of Jack London's critics dismiss his slew of short stories as "meal tickets"; London himself once conceded, 'I loathe the stuff when I have done it. I do it because I want money and it is an easy way to get it.' Yet, James McClintock, in White Logic. conducts a chronological, thematic analysis of Jack London's short stories. He charts London's stories as a progression of man's relation to the world around him: "themes of mastery, to themes of accommodation, to themes of failure." McClintock's analysis culminates in a psychoanalytical reading of these themes where he reveals several Oedipal archetypes.
    [Show full text]
  • The Valley of the Moon
    JONAH RASKIN alf-a-dozen or so black-and-white photos of Jack Jack London, second London in Carmel tell a little-known story about H one of California’s most exuberant literary land- from right, on a rare The Valley scapes. In one of the photos (all of them were taken by occasion, away from his Arnold Genthe), London sits on the beach with three of : his closest friends, among them the New York–born poet typewriter with three of of the Moon George Sterling, who moved to California in 1890, sold Jack London’s real estate, and then became a bohemian. London bor- his closest friends, George rowed from Sterling’s raucous life to create the volatile Bittersweet character of Russ Brissenden, who commits suicide in Sterling, Mary Austin, the 1909 novel Martin Eden (Sterling himself would in Valentine to fact commit suicide, but not until 1926). That same black- and James Hopper at the and-white photo by Genthe includes James Hopper, who beach in Carmel, 1907 California attended UC Berkeley with London for a semester in 1896, and Mary Austin, the author of The Land of Little Rain, a paean to the wildness of the American Southwest that courtesy: UC Berkeley Bancroft Library was published in 1903, the same year as The Call of the Wild, the novel that won London international renown. In another photo, London and Sterling wear goofy swimming suits and look as though they’re a couple of modern-day Merry Pranksters. Then, too, there’s the photo of London Two wild and crazy guys: and his wife, Charmian, holding James Hopper’s college football jersey with Hopper himself and Sterling in the “Jack London, known to crowd.
    [Show full text]