A Quiet Designer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Xiao Hong, La Leyenda Resucitada = Xiao Hong, the Legend Resurrected
XIAO HONG, LA LEYENDA RESUCITADA1 XIAO HONG, THE LEGEND RESURRECTED Shan LU Universidad de Salamanca Resumen: Xiao Hong fue una de “Las Cuatro Talentosas” en la época revolucionaria de China (años treinta del siglo XX), sus novelas volvieron a la vista del público a finales del siglo tras su muerte en los años cuarenta siendo una de las escritoras más estudiadas por el movimiento feminista del país. En este texto, se van a revisar las críticas sobre ella y sus obras con un hilo diacrónico partiendo del contexto social de China. Palabras clave: Xiao Hong, novela, China, críticas, feminismo. Abstract: Xiao Hong was one of "The Four Talented" in China's revolutionary era (1930s), her novels returned to the public in the late twentieth century after her death in the 40's as one of the most studied female writers by the feminist movement of the country. In this text, the criticisms about her and her works will be reviewed with a diachronic thread starting from the social context of China. Key words: Xiao Hong, novel, China, criticism, feminism. 1. INTRODUCCIÓN Xiao Hong (en chino tradicional: 蕭紅, en chino simplificado: 萧红) 2 aparte de ser una de “Las Cuatro Talentosas” en la época revolucionaria de China, recibió el apoyo significativo del fundador de la literatura contemporánea 1 Este artículo se ha realizado en el marco del Proyecto de investigación “Las inéditas” financiado por el Vicerrectorado de Investigación y Transferencia de la Universidad de Salamanca. 2 A partir de ahora, chino simplificado se abrevia con c.s., y chino tradicional se abrevia con c.t. -
1 “Ann Hui's Allegorical Cinema” Jessica Siu-Yin Yeung to Cite This
This is the version of the chapter accepted for publication in Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary published by Palgrave Macmillan https://link.springer.com/chapter/10.1007/978-981-10-7766-1_6 Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/34754 “Ann Hui’s Allegorical Cinema” Jessica Siu-yin Yeung To cite this article: By Jessica Siu-yin Yeung (2018) “Ann Hui’s Allegorical Cinema”, Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary, ed. Jason S. Polley, Vinton Poon, and Lian-Hee Wee, 87-104, Singapore: Palgrave Macmillan, 2018. Allegorical cinema as a rhetorical approach in Hong Kong new cinema studies1 becomes more urgent and apt when, in 2004, the Closer Economic Partnership Arrangement (CEPA) begins financing mainland Chinese-Hong Kong co-produced films.2 Ackbar Abbas’s discussion on “allegories of 1997” (1997, 24 and 16–62) stimulates studies on Happy Together (1997) (Tambling 2003), the Infernal Affairs trilogy (2002–2003) (Marchetti 2007), Fu Bo (2003), and Isabella (2006) (Lee 2009). While the “allegories of 1997” are well- discussed, post-handover allegories remain underexamined. In this essay, I focus on allegorical strategies in Ann Hui’s post-CEPA oeuvre and interpret them as an auteurish shift from examinations of local Hong Kong issues (2008–2011) to a more allegorical mode of narration. This, however, does not mean Hui’s pre-CEPA films are not allegorical or that Hui is the only Hong Kong filmmaker making allegorical films after CEPA. Critics have interpreted Hui’s films as allegorical critiques of local geopolitics since the beginning of her career, around the time of the Sino-British Joint Declaration in 1984 (Stokes and Hoover 1999, 181 and 347 note 25), when 1997 came and went (Yau 2007, 133), and when the Umbrella Movement took place in 2014 (Ho 2017). -
The Individual and the Crowd in Jia Zhangke's Films Jung Koo Kim A
Goldsmiths College University of London Cinema of Paradox: The Individual and the Crowd in Jia Zhangke’s Films Jung Koo Kim A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications August 2016 1 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgment has been made in the text. Signed…… …………… Date….…10-Aug.-2016…… 2 ABSTRACT This thesis attempts to understand Chinese film director Jia Zhangke with the concept of “paradox.” Challenging the existing discussions on Jia Zhangke, which have been mainly centered around an international filmmaker to represent Chinese national cinema or an auteur to construct realism in post-socialist China, I focus on how he deals with the individual and the crowd to read through his oeuvre as “paradox.” Based on film text analysis, my discussion develops in two parts: First, the emergence of the individual subject from his debut feature film Xiao Wu to The World; and second, the discovery of the crowd from Still Life to his later documentary works such as Dong and Useless. The first part examines how the individual is differentiated from the crowd in Jia’s earlier films under the Chinese social transformation during the 1990s and 2000s. For his predecessors, the collective was central not only in so-called “leitmotif” (zhuxuanlü or propaganda) films to enhance socialist ideology, but also in Fifth Generation films as “national allegory.” However, what Jia pays attention to is “I” rather than “We.” He focuses on the individual, marginal characters, and the local rather than the collective, heroes, and the national. -
2016 COB Release Genb8.Pages
2016 COB SCHEDULE Contents Los Angeles, UCLA Film & Television Archive | 1 Los Angeles, Film at REDCAT | 7 New York, Asia Society | 8 Washington, DC, National Gallery of Art | 10 Press Kit | 12 Presenting Partners & Sponsors | 13 Media Contact | 13 Los Angeles | UCLA Film & Television Archive THEATER KEY Wilder Billy Wilder Theater, courtyard level of the UCLA Hammer Museum, 10899 Wilshire Blvd. in Westwood Bridges James Bridges Theater, 1409 Melnitz Hall on the UCLA campus YRL Young Research Library on the UCLA campus Garden UCLA Sculpture Garden on the UCLA campus TICKETS $10 online; $9 general; $8 non-UCLA students, seniors, UCLA Alumni Association members (ID required) if purchased at the box office only. Free admission for UCLA students (current ID required); free tickets available on a first-come, first-served basis at the box office until 15 minutes before showtime, or the rush line afterwards. Online tickets available at www.cinema.ucla.edu/calendar. PARKING Wilder – Museum parking lot; enter from Westwood Blvd., just north of Wilshire. $6 flat rate after 6:00 pm weekdays and all day on weekends. Cash only. Bridges/YRL/Garden – UCLA Parking Structure 3; enter from Hilgard Ave. just south of Sunset Blvd. $12/ day or pay-by-space. INFORMATION | cinema.ucla.edu OPENING NIGHT Friday, October 14 • 7:30 PM @ Wilder West Coast Premiere THARLO र၎ China, 2015 Director/Screenwriter: Pema Tseden | DCP | Color | In Tibetan with English subtitles | 123 min. Cast: Shide Nyima, Yangshik Tso. !1 Tibetan sheep-herder Tharlo journeys from his remote village to get a photo ID in the nearest town of Qinghai province where he meets a city woman whose romantic intentions may not be what they first seem. -
Investigation of the Level Structure of Nb-90 Nucleus Using the Shell Model
NUKLEONIKA 2019;64(4):113116 doi: 10.2478/nuka-2019-0014 ORIGINAL PAPER © 2019 Wu Yi-Heng et al. This is an open access article distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License (CC BY-NC-ND 3.0). Investigation of the level structure Wu Yi-Heng, 90 Yang Dong, of Nb nucleus using the shell model Ma Ke-Yan, Luo Peng-Wei Abstract. Shell model calculations have been carried out for 90Nb nucleus with the model space in which the valence protons occupy the f5/2, p3/2, p1/2, and g9/2 orbitals and the valence neutrons occupy the p1/2, g9/2, d5/2, and g7/2 orbitals. According to the calculated results, the negative parity is from the contribution of the proton of the 90 f5/2, p3/2, and p1/2 orbits. The moderate spin states of Nb are mainly due to the excitation of protons from the f5/2 and p3/2 orbits to the p1/2 and g9/2 orbits across the Z = 38 subshell closure, and the high spin states arise from the excitation of a single neutron from the g9/2 orbit into the d5/2 orbit across the N = 50 shell closure. Keywords: high spin state • level structure • proton excitation • shell model Nuclei in the A~90 mass region provide unique opportunity to investigate the infl uence of Z = 38 subshell closure and N = 50 shell closure on the level structures. A vast number of studies have showed that the level structures of nuclei in the A~90 mass region could be well described within the shell model framework. -
Rethinking National and Transnational Literature in East Asia
The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Xie, Miya Qiong. 2017. The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41141198 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia from the Frontier A dissertation presented by Miya Qiong Xie to The Department of Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Comparative Literature Harvard University Cambridge, Massachusetts April 2017 © 2017 Miya Qiong Xie All rights reserved. Dissertation Advisor: Professor Karen Thornber Miya Qiong Xie The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia from the Frontier Abstract This dissertation studies modern Chinese, Korean, and Japanese literature written in and about Manchuria from the 1920s through the 1970s. Manchuria, now the northeastern part of China, was once an open frontier. In the first half of the twentieth century, it became a site of contestation and conflict among multiple countries. Along with the political and military rivalries that unfolded there, I argue that literature played an important role in the frontier contestation. -
Investigation of the Level Structure of 90Nb Nucleus Using the Shell Model 115
NUKLEONIKA 2019;64(4):113116 doi: 10.2478/nuka-2019-0014 ORIGINAL PAPER © 2019 Wu Yi-Heng et al. This is an open access article distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License (CC BY-NC-ND 3.0). Investigation of the level structure Wu Yi-Heng, 90 Yang Dong, of Nb nucleus using the shell model Ma Ke-Yan, Luo Peng-Wei Abstract. Shell model calculations have been carried out for 90Nb nucleus with the model space in which the valence protons occupy the f5/2, p3/2, p1/2, and g9/2 orbitals and the valence neutrons occupy the p1/2, g9/2, d5/2, and g7/2 orbitals. According to the calculated results, the negative parity is from the contribution of the proton of the 90 f5/2, p3/2, and p1/2 orbits. The moderate spin states of Nb are mainly due to the excitation of protons from the f5/2 and p3/2 orbits to the p1/2 and g9/2 orbits across the Z = 38 subshell closure, and the high spin states arise from the excitation of a single neutron from the g9/2 orbit into the d5/2 orbit across the N = 50 shell closure. Keywords: high spin state • level structure • proton excitation • shell model Nuclei in the A~90 mass region provide unique opportunity to investigate the infl uence of Z = 38 subshell closure and N = 50 shell closure on the level structures. A vast number of studies have showed that the level structures of nuclei in the A~90 mass region could be well described within the shell model framework. -
Copyright by Xiaoping Wang 2010
Copyright by Xiaoping Wang 2010 The Dissertation Committee for Xiaoping Wang Certifies that this is the approved version of the following dissertation: Contending for the Chinese Modern: The Writing of Fiction in the Great Transformative Epoch of Modern China, 1937-1949 Committee: ____________________________________________ Sung-Sheng Yvonne Chang, Supervisor ____________________________________________ Huaiyin Li ____________________________________________ Lynn Wilkinson ____________________________________________ Martha Selby ____________________________________________ Xudong Zhang Contending for the Chinese Modern: The Writing of Fiction in the Great Transformative Epoch of Modern China, 1937-1949 by Xiaoping Wang, B.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2010 Dedication I dedicate this dissertation to my parents in China. Contending for the Chinese Modern: The Writing of Fiction in the Great Transformative Epoch of Modern China, 1937-1949 Publication No._____________ Xiaoping Wang, Ph.D The University of Texas at Austin, 2010 Supervisor: Sung-sheng Yvonne Chang This dissertation studies the writing of fiction in modern China from 1937 to 1949 in the three politically-divided areas: the Nationalist-controlled area, the Communist- dominated region, and the Japanese-occupied districts (before 1945), under the framework of “contested modernities” (the capitalist, the colonialist, and the socialist). Works of fiction here are explored as fundamentally cultural responses to the social, political, and historical experience. Therefore, it appreciates the dialectics of the content- form of these works as expressions, manifestations, and articulations of the contending modernities that competed against each other during that era. -
A Reception Analysis of Chinese Women's Viewing Experiences of Ann Hui's the Golden Era
Syracuse University SURFACE Dissertations - ALL SURFACE December 2015 Dancing With Gender: A Reception Analysis of Chinese Women's Viewing Experiences of Ann Hui's The Golden Era Li Chen Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Chen, Li, "Dancing With Gender: A Reception Analysis of Chinese Women's Viewing Experiences of Ann Hui's The Golden Era" (2015). Dissertations - ALL. 363. https://surface.syr.edu/etd/363 This Thesis is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract The issue that this study addressed was the unprivileged status of women audience members and women directors in the male dominated Chinese film industry. To investigate this problem, the purpose of this study was to explore how Chinese women audience members produce different meanings in terms of gender identity and gender relations through viewing The Golden Era (2014), directed by a female filmmaker Ann Hui. To deeply understand the viewing experiences of Chinese women audience members, this qualitative research project was designed as a reception analysis. To gather data, interviews with 18 Chinese women with viewing experiences of this film were collected from December 2014 to January 2015. The transcribed interviews were translated and analyzed. Under the framework of feminist cultural studies, the portrayal of gender roles and gender relations in this film incited various reactions and reading practices of Chinese audience members throughout these data. -
View / Download 3.7 Mb
The People’s Republic of Capitalism: The Making of the New Middle Class in Post-Socialist China, 1978-Present by Ka Man Calvin Hui Program in Literature Duke University Date:_______________________ Approved: ___________________________ Rey Chow, Supervisor ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ Robyn Wiegman ___________________________ Leo Ching Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Literature in the Graduate School of Duke University 2013 i v ABSTRACT The People’s Republic of Capitalism: The Making of the New Middle Class in Post-Socialist China, 1978-Present by Ka Man Calvin Hui Program in Literature Duke University Date:_______________________ Approved: ___________________________ Rey Chow, Supervisor ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ Robyn Wiegman ___________________________ Leo Ching An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Literature in the Graduate School of Duke University 2013 Copyright by Ka Man Calvin Hui 2013 Abstract My dissertation, “The People’s Republic of Capitalism: The Making of the New Middle Class in Post-Socialist China, 1978-Present,” draws on a range of visual cultural forms – cinema, documentary, and fashion – to track the cultural dimension of the emergence -
Time-Travel Period Dramas As Didactic Cultural Productions
Contemporary Women in Romantic Contexts: Time-travel Period Dramas as Didactic Cultural Productions [Sarah Shu Chang] Honors Thesis Program in Feminist Studies Stanford University May 2014 Stanford University Program in Feminist Studies Honors Program Contemporary Women in Romantic Contexts: Time-travel Period Dramas as Didactic Cultural Productions Sarah Shu Chang May 2014 An Honors Thesis in fulfillment of the requirements for the Program in Feminist Studies Honors Program Approvals: FS Program Facutly Director:__________________________ Christine Min Wotipka, Ph.D., date Advisor: ______________________________ Advisor Name, Ph.D., date Acknowledgements I could not have completed this project without the help of many wonderful individuals. First and foremost, I am eternally grateful to my advisor Professor Stephen Sohn. He has read multiple drafts of this thesis and provided wonderful insights for improvement. His warmth and encouragements are important forces in pushing me forward. I am thankful to both Professor Haiyan Lee and soon-to-be Dr. Yvon Wang for getting me to engage more critically with the subjects at hand. A true mentor, Professor Yiqun Zhou, has been a figure of inspiration. Her kindness and unrelenting faith in my potential as a young scholar have fostered my academic growth at Stanford. I thank Dr. Patti Hanlon-Baker and my thesis workshop leader Peggy Fan for enduring with me the painful production of those “shitty” first drafts. They have both been astonishingly patient and ever so reassuring companions on this chaotic and rewarding journey. I am grateful to the Feminist, Gender, and Sexuality Studies program administrator, Rachel Meisels, for her help and always boosting my and the other students’ morale with delicious treats. -
“Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2013 Dialects into Films----The leE ment of “Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Chinese Studies Commons, Comparative Literature Commons, and the Film and Media Studies Commons Yao, Shun, "Dialects into Films----The Element of “Dialect” in Chinese Films" (2013). Masters Theses 1911 - February 2014. 1165. Retrieved from https://scholarworks.umass.edu/theses/1165 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DIALECTS INTO FILMS----THE ELEMENT OF “DIALECT” IN CHINESE FILMS A Thesis Presented by SHUN YAO Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS SEPTEMBER, 2013 CHINESE © Copyright by Shun Yao. 2013 All Rights Reserved DIALECTS INTO FILMS----THE ELEMENT OF “DIALECT” IN CHINESE FILMS A Thesis Presented By SHUN YAO Approved as to style and content by: ______________________________________ Enhua Zhang, Chair ______________________________________ Zhongwei Shen, Member ______________________________________ Zhijun Wang, Member ___________________________________ Amanda Seaman, Program Director Asian Language and Literature ___________________________________ William Moebius, Director, Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank my advisor, Professor Enhua Zhang for her time and patience in guiding me through this project. Professors Zhongwei Shen and Zhijun Wang are also of great help from the beginning stage of this thesis—familiarizing me with the format of the thesis and the some issues about dialects—to its completion.