2016 COB Release Genb8.Pages
2016 COB SCHEDULE
Contents Los Angeles, UCLA Film & Television Archive | 1 Los Angeles, Film at REDCAT | 7 New York, Asia Society | 8 Washington, DC, National Gallery of Art | 10 Press Kit | 12 Presenting Partners & Sponsors | 13 Media Contact | 13
Los Angeles | UCLA Film & Television Archive
THEATER KEY Wilder Billy Wilder Theater, courtyard level of the UCLA Hammer Museum, 10899 Wilshire Blvd. in Westwood Bridges James Bridges Theater, 1409 Melnitz Hall on the UCLA campus YRL Young Research Library on the UCLA campus Garden UCLA Sculpture Garden on the UCLA campus
TICKETS $10 online; $9 general; $8 non-UCLA students, seniors, UCLA Alumni Association members (ID required) if purchased at the box office only. Free admission for UCLA students (current ID required); free tickets available on a first-come, first-served basis at the box office until 15 minutes before showtime, or the rush line afterwards. Online tickets available at www.cinema.ucla.edu/calendar.
PARKING Wilder – Museum parking lot; enter from Westwood Blvd., just north of Wilshire. $6 flat rate after 6:00 pm weekdays and all day on weekends. Cash only. Bridges/YRL/Garden – UCLA Parking Structure 3; enter from Hilgard Ave. just south of Sunset Blvd. $12/ day or pay-by-space. INFORMATION | cinema.ucla.edu
OPENING NIGHT
Friday, October 14 • 7:30 PM @ Wilder West Coast Premiere THARLO र၎ China, 2015 Director/Screenwriter: Pema Tseden | DCP | Color | In Tibetan with English subtitles | 123 min. Cast: Shide Nyima, Yangshik Tso. 1 Tibetan sheep-herder Tharlo journeys from his remote village to get a photo ID in the nearest town of Qinghai province where he meets a city woman whose romantic intentions may not be what they first seem. One of the most prominent Tibetan filmmakers working today, Pema Tseden tells this age-old tale, richly capturing contrasts of geography and tone, as a naive romance turns into something darker. Popular Tibetan comedian Shide Nyima brings a bittersweet edge to the title role.
Preceded by World Premiere ! China, 2016 Director: Gu Changwei | MOV | color | approx. 3 min. Gu plays visual puns with the exclamation point warning internet users in China of blocked content. “!” repetitively cycles into “i” and back again.
World Premiere N39º54' 12.56" E116º23' 14.20" China, 2015 Director/Cinematographer: Gu Changwei | MOV | b&w | 16 min. In recent years, award-winning director (Peacock, 2005) and cinematographer (Farewell My Concubine, 1993) Gu Changwei has turned to art photography and video installation. In this transfixing iPhone-shot video from his “money” series, the Great Hall of the People stands as immovable an edifice in Tiananmen Square as it does etched on the Chinese 100 RMB banknote – a permanent lodestar while human and vehicular traffic ebb and flow in super slo-mo before it. An earlier version of the video was presented as an installation at the National Art Museum of China in Beijing.
In person: Director Gu Changwei, in conversation with art curator John Kong
Co-presented by the Academy of Motion Picture Arts and Sciences
Saturday, October 15 • 7:30 PM @ Wilder Los Angeles Premiere TRIVISA य़ᷚ Hong Kong/China, 2016 Directors: Jevons Au, Frank Hui, Vicky Wong | DCP | Color | In Cantonese, Mandarin and Thai with English subtitles | 96 min. Screenwriters: Loong Man Hoong, Thomas Ng, Mak Tin Shu | Cast: Lam Ka Tung, Richie Jen, Jordan Chan.
A chance encounter between three gangsters plying the border between Hong Kong and China just before the 1997 handover sets the stage for this intricate tale filmed by three young directors mentored by veteran auteur Johnnie To. Trivisa interweaves plans gone awry, missed opportunities and dead ends, reimagining not just the end of an era but the explosive beginnings of 21st-century Hong Kong.
Monday, October 17 • 7:30 PM @ Wilder West Coast Premiere BEHEMOTH ṹْنఓ China, 2015 Director: Zhao Liang | DCP | Color | In Mandarin with English subtitles | 94 min.
Independent documentarian Zhao Liang presents a stunning vision of the natural and human disaster unfolding across China as strip mines and iron works transform a landscape and a people into a living version of Dante’s Hell. Indeed, Zhao directly references the Divine Comedy in the film’s poetic structure and its mythological meditation on the environmental devastation it captures.