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European Revivals from Dreams of a Nation to Places of Transnational Exchange
European Revivals From Dreams of a Nation to Places of Transnational Exchange EUROPEAN REVIVALS From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Akseli Gallen-Kallela, Illustration for the novel, Seven Brothers, by Aleksis Kivi, 1907, watercolour and pencil, 23.5cm x 31.5cm. Ahlström Collection, Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Hannu Aaltonen European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals. From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Publisher Finnish National Gallery, Helsinki Editors-in-Chief Anna-Maria von Bonsdorff and Riitta Ojanperä Editor Hanna-Leena Paloposki Language Revision Gill Crabbe Graphic Design Lagarto / Jaana Jäntti and Arto Tenkanen Printing Nord Print Oy, Helsinki, 2020 Copyright Authors and the Finnish National Gallery Web magazine and web publication https://research.fng.fi/ ISBN 978-952-7371-08-4 (paperback) ISBN 978-952-7371-09-1 (pdf) ISSN 2343-0850 (FNG Research) Table of Contents Foreword .................................................................................................. vii ANNA-MARIA VON BONSDORFF AND RIITTA OJANPERÄ VISIONS OF IDENTITY, DREAMS OF A NATION Ossian, Kalevala and Visual Art: a Scottish Perspective ........................... 3 MURDO MACDONALD Nationality and Community in Norwegian Art Criticism around 1900 .................................................. 23 TORE KIRKHOLT Celticism, Internationalism and Scottish Identity: Three Key Images in Focus ...................................................................... 49 FRANCES FOWLE Listening to the Voices: Joan of Arc as a Spirit-Medium in the Celtic Revival .............................. 65 MICHELLE FOOT ARTISTS’ PLACES, LOCATION AND MEANING Inventing Folk Art: Artists’ Colonies in Eastern Europe and their Legacy ............................. -
Bus. Service Halts As Drivers Reject Offers of Company
....... - ,,,,.,-, ..- :..: ~. All the News of All the Pointes Every Thursday Morning rosse Pointe ews Complete News Coverage of All the Pointes Home of the New, Vol. 30-No, 10 Entered u Second Clau Matter at p.GOPIIr Year Page~Two Sections-Sec:tion the Pod Office at Detroit, Mlcblcall. GROSSE POINTE, MICHIGAN, Thursday, March 6, 1969 10c Per ('AlP)' 28 One --------------_._-------~ II EADLINES Winners in Rotary Club Youth Forum Contest Bus. Service Halts Farms Solons. of the Change Mhtd 'VEER As Drivers Reject On Resolution As Compiled by the Grosse Painte News Interested Groups to be Offers of Company Given Opportunity to Thursday, February 27 Buy Academy Prop. GENERAL MOTORS AN- President Schweikart Says Meeting Demands of Em. erty and to Make NOUNCED Wednesday that it Plans Work is lU'eparing to nlltify 4.9 mil- ployes Would Cost $163,524 Annually lion owners Of GM cars and and Force Lines Out of Business trucks to return them to dealers The Farms council was for replacement of a carbure- literally surrounded by in. t,)r part which may become de- Bus service between Detroit a~d Grosse Pointe, terested persons who op- fecthe or for service to prevent S1. Clair Shores and Harper Woods was brought to a posed the council's resolu. the possibility of exhaust emis- halt on Friday, February 28, when 'drivers for Lake tion to adopt a proposed sions entering the car. The. re- Shore Coach Lines went' on strike after turning' down ordinance to rezone the 19. call affects approximately 2.5 an 18-cent.an-hour wage increase offered by the com. -
Eurovision Karaoke
1 Eurovision Karaoke ALBANÍA ASERBAÍDJAN ALB 06 Zjarr e ftohtë AZE 08 Day after day ALB 07 Hear My Plea AZE 09 Always ALB 10 It's All About You AZE 14 Start The Fire ALB 12 Suus AZE 15 Hour of the Wolf ALB 13 Identitet AZE 16 Miracle ALB 14 Hersi - One Night's Anger ALB 15 I’m Alive AUSTURRÍKI ALB 16 Fairytale AUT 89 Nur ein Lied ANDORRA AUT 90 Keine Mauern mehr AUT 04 Du bist AND 07 Salvem el món AUT 07 Get a life - get alive AUT 11 The Secret Is Love ARMENÍA AUT 12 Woki Mit Deim Popo AUT 13 Shine ARM 07 Anytime you need AUT 14 Conchita Wurst- Rise Like a Phoenix ARM 08 Qele Qele AUT 15 I Am Yours ARM 09 Nor Par (Jan Jan) AUT 16 Loin d’Ici ARM 10 Apricot Stone ARM 11 Boom Boom ÁSTRALÍA ARM 13 Lonely Planet AUS 15 Tonight Again ARM 14 Aram Mp3- Not Alone AUS 16 Sound of Silence ARM 15 Face the Shadow ARM 16 LoveWave 2 Eurovision Karaoke BELGÍA UKI 10 That Sounds Good To Me UKI 11 I Can BEL 86 J'aime la vie UKI 12 Love Will Set You Free BEL 87 Soldiers of love UKI 13 Believe in Me BEL 89 Door de wind UKI 14 Molly- Children of the Universe BEL 98 Dis oui UKI 15 Still in Love with You BEL 06 Je t'adore UKI 16 You’re Not Alone BEL 12 Would You? BEL 15 Rhythm Inside BÚLGARÍA BEL 16 What’s the Pressure BUL 05 Lorraine BOSNÍA OG HERSEGÓVÍNA BUL 07 Water BUL 12 Love Unlimited BOS 99 Putnici BUL 13 Samo Shampioni BOS 06 Lejla BUL 16 If Love Was a Crime BOS 07 Rijeka bez imena BOS 08 D Pokušaj DUET VERSION DANMÖRK BOS 08 S Pokušaj BOS 11 Love In Rewind DEN 97 Stemmen i mit liv BOS 12 Korake Ti Znam DEN 00 Fly on the wings of love BOS 16 Ljubav Je DEN 06 Twist of love DEN 07 Drama queen BRETLAND DEN 10 New Tomorrow DEN 12 Should've Known Better UKI 83 I'm never giving up DEN 13 Only Teardrops UKI 96 Ooh aah.. -
2021 Country Profiles
Eurovision Obsession Presents: ESC 2021 Country Profiles Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017. Semi-Final 2, Running Order 11 Grand Final Running Order 02 Australia Competing Broadcaster: Special Broadcasting Service (SBS) Debut: 2015 Best Finish: 2nd place (2016) Number of Entries: 6 Worst Finish: 20th place (2018) A Brief History: Australia made its debut in 2015 as a special guest marking the Contest's 60th Anniversary and over 30 years of SBS broadcasting ESC. It has since been one of the most successful countries, qualifying each year and earning four Top Ten finishes. Song Title: Technicolour Performing Artist: Montaigne [Jess Cerro] Composer(s): Jess Cerro, Dave Hammer Lyricist(s): Jess Cerro, Dave Hammer About the Performing Artist: Montaigne has built a reputation across her native Australia as a stunning performer, unique songwriter, and musical experimenter. She has released three albums to critical and commercial success; she performs across Australia at various music and art festivals. -
Engelbert Humperdinck MAREK JANOWSKI
Wundsam • Steiner • Merbeth • Dohmen Elsner • Gerhards • Hutton Kinderchor der Staatsoper Unter den Linden Rundfunk- Sinfonieorchester Berlin MAREK JANOWSKI Engelbert Humperdinck Live recording Hänsel und Gretel 6 Marsch! Fort in den Wald! 2. 02 Märchenspiel in drei Bildern • Fairy tale play in three acts (Mutter) Music by Engelbert Humperdinck Dritte Szene • Scene Three Libretto by Adelheid Wette 7 Rallalala … heißa, Mutter, ich bin da! 2. 24 DISC 1 (Vater) 1 Vorspiel (Prelude) 8. 11 8 Hoho! Wer spek-spektakelt mir 4. 01 9 Doch halt, wo bleiben die Kinder? 1. 38 ERSTES BILD • ACT ONE 10 Wenn sie sich verirrten im Walde dort 1. 14 Erste Szene • Scene One 11 Eine Hex’, steinalt 2. 23 (Mutter, Vater) 2 Suse, liebe Suse, was raschelt im Stroh? 3. 08 3 So recht! Und willst du nun nicht mehr klagen 1. 58 12 Der Hexenritt (The Witches’ Ride) 3. 53 4 Brüderchen, komm, tanz mit mir 3. 29 (Gretel, Hänsel) ZWEITES BILD • ACT TWO Erste Szene • Scene One Zweite Szene • Scene Two 13 Ein Männlein steht im Walde 1. 38 5 Holla! … Himmel, die Mutter! 1. 38 (Mutter, Hänsel, Gretel) 14 Mein Erbelkörbchen ist voll bis oben! 4. 25 (Gretel, Hänsel) 15 Gretel, ich weiß den Weg nicht mehr! 3. 29 DRITTES BILD • ACT THREE (Hänsel, Gretel) Erste Szene • Scene One Zweite Szene • Scene Two 2 Der kleine Taumann heiß’ ich 1. 29 (Taumännchen) 16 Der kleine Sandmann bin ich 2. 48 (Sandmann, Hänsel, Gretel) 3 Wo bin ich? 4. 38 (Gretel, Hänsel) 17 Abends, will ich schlafen geh’n 3. 05 (Hänsel, Gretel) Zweite Szene • Scene Two Dritte Szene • Scene Three 4 Bleib steh’n! 0. -
Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder
Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder by Carina Patricia De Barros Freitas A thesis submitted in conformity with the requirements for the degree of Degree of Philosophy Institute of Medical Science University of Toronto © Copyright by Carina Patricia De Barros Freitas 2020 Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder Carina Patricia De Barros Freitas Doctor of Philosophy Institute of Medical Science University of Toronto 2020 Abstract The field of music neuroscience allows us to use music to investigate human cognition in vivo. Examining how brain processes familiar and unfamiliar music can elucidate underlying neural mechanisms of several cognitive processes. To date, familiarity in music listening and its neural correlates in typical adults have been investigated using a variety of neuroimaging techniques, yet the results are inconsistent. In addition, these correlates and respective functional connectivity related to music familiarity in typically developing (TD) children and children with autism spectrum disorder (ASD) are unknown. The present work consists of two studies. The first one reviews and qualitatively synthesizes relevant literature on the neural correlates of music familiarity, in healthy adult populations, using different neuroimaging methods. Then it estimates the brain areas most active when listening to familiar and unfamiliar musical excerpts using a coordinate-based meta-analyses technique of neuroimaging data. We established that motor brain structures were consistently active during familiar music listening. The activation of these motor-related areas could reflect audio-motor synchronization to elements of the music, such as rhythm and melody, so that one can tap, dance and “covert” sing along with a known song. -
Québec LAPOLICE
•1,50 EURO. PREMIÈRE ÉDITION NO9654 SAMEDI 26 ET DIMANCHE 27 MAI 2012 WWW.LIBERATION.FR Québec LAPOLICE VALERIAN MAZATAUD. WOSTOK PRESS . MAXPPP DÉMONTÉE Après trois mois de manifestations étudiantes, l’instransigeance du pouvoir a élargi la contestation à toutes les strates de la société. PAGES 24 Nadal-Djokovic: La fantaisie, à Paris, chacun CANNES• de Brest à son défi «COSMOPOLIS», Vladivostok Recordman du nombre de victoires ou CRONENBERG S’ATTAQUE La compagnie de théâtre ZOU détenteur des quatre Grand Chelem: AU CAPITALISME s’est lancée avec son spectacle les deux stars du tennis attaquent EN LIMOUSINE «atavisme» dans un grand Roland-Garros avec la pression. périple ferroviaire. L’ACTUALITÉ DU FESTIVAL, PAGES 1823 PAGE 13 ROBERTO FRANKENBERG DANS «LE MAG», CAHIER CENTRAL IMPRIMÉ EN FRANCE / PRINTED IN FRANCE Allemagne 2,20 €, Andorre 1,50 €, Autriche 2,80 €, Belgique 1,60 €, Canada 4,50 $, Danemark 26 Kr, DOM 2,30 €, Espagne 2,20 €, EtatsUnis 5 $, Finlande 2,60 €, GrandeBretagne 1,70 £, Grèce 2,60 €, Irlande 2,35 €, Israël 19 ILS, Italie 2,20 €, Luxembourg 1,60 €, Maroc 16 Dh, Norvège 26 Kr, PaysBas 2,20 €, Portugal (cont.) 2,30 €, Slovénie 2,60 €, Suède 23 Kr, Suisse 3 FS, TOM 410 CFP, Tunisie 2,20 DT, Zone CFA 1 900 CFA. 2 • EVENEMENT LIBÉRATION SAMEDI 26 ET DIMANCHE 27 MAI 2012 ÉDITORIAL Par FRANÇOIS SERGENT Symbole Le printemps érable ressemble au printemps arabe. Répression comprise. Dans cette démocratie que l’on croyait avancée, des centaines d’étudiants ont été arrêtés, menottés et détenus pour avoir manifesté. -
Programme 2015
July 17th – August 9th, 25 James Campbell, Artistic Director Annual Summer Classical Music Festival Charles W. Stockey Centre for the Performing Arts, Parry Sound, Ontario 2015 PROGRAMME — 36TH SEASON THE BAY STREET CAFÉ THE BAY STREET CAFÉ Fresh Surf & Turf, Pasta & Vegetarian Dishes Daily Specials, LLBO, Heated Patio, Boat Access, Friendly Attention, Unforgettable Atmosphere OPENSpecializing DAILY from 11In: AM Music: has Freshthe power Surf & & ability Turf, Pasta to transcend & Vegetarian time & Dishesboundaries. It can unite & changeDaily Specials, people of LLBO, all ages Heated and cultural Patio, backgrounds. Boat Access, Whether it uses any languageFriendly or Attention, none at all. Unforgettable It’s very essence Atmosphere can reach in & speak directly to a person’s soul, like nothing else can or ever could in our world, sinceOpen the dawnDaily offrom time 11 and AM music itself. The World & all her people, deep within, share the same dream in life. ThoughMusic our has differing the power and thoughts ability to transcend & ways time andof boundaries.achieving It can it, unite often and change give rise to great conflict,people of all ageseven and culturalwhen backgrounds.our words Whether fail it us,uses any& our language emotions or none at all. take hold of us;Its thevery essence world can’s reach music in and from speak timedirectly to immemorial a person’s soul, like nothingwill continue else can to communicate,or ever nurture, could in our soothe, world, since & the guide dawn of us,time asand itmusic did itself. for those who cameThe World before and all her us, people, & for deep those within, share will the come same dream after in life. -
Twitter As a Technology for Audiencing and Fandom: the Eurovision Phenomenon
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Highfield, Tim, Harrington, Stephen,& Bruns, Axel (2013) Twitter as a technology for audiencing and fandom: The Eurovision phe- nomenon. Information, Communication and Society, 16(3), pp. 315-339. This file was downloaded from: https://eprints.qut.edu.au/56118/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1080/1369118X.2012.756053 Twitter as a Technology for Audiencing and Fandom: The #Eurovision Phenomenon Tim Highfield, Stephen Harrington, -
ESC2021 Country Profiles.Xlsx
Eurovision Obsession Presents: ESC 2021 Country Profiles Cyprus Competing Broadcaster: Cyprus Broadcasting Corporation (CyBC) Debut: 1981 Best Finish: 2nd (2018) Number of Entries: 37 Worst Finish: Last (1986) A Brief History: Cyprus has had moderate success, finishing in the Top Ten ten times including reaching a new high, second place, in 2018. Cyprus holds the record for most entries without a victory, hitting 36 in 2019. Song Title: El Diablo [The Devil] Performing Artist: Elena Tsagrinou Composer(s): Thomas Stengaard, Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa Lyricist(s): Thomas Stengaard, Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa About the Performing Artist: After competing on Greece Got Talent , Tsagrinou became the new lead singer of the band OtherView. Her success with the band led to coaching on the show Just the 2 of Us as well as voicing characters in Greek dubs of animated movies. She has been solo Semi-Final 1, Running Order 08 Grand Final Running Order 01 Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017. -
14, 1969 30 PACES 10 CENTS Sees Another 'Teapot Dome/ Threatens Court Action
>RIES BELOW FINAL •. Spay, wiody an* cold today. 1HEDAILY Clear t«l'cold tonight. Sun- Red Bank, Freehold EDHION ny tM cold tomorrow. 7 Long Branch 7 .'- (tot BtUlb, PM. » 9 /••• Monmouth County * Home Newspaper for 90 Years VOL. 91, NO. 163 RED BANK, N. J., FRIDAY, FEBRUARY 14, 1969 30 PACES 10 CENTS Sees Another 'Teapot Dome/ Threatens Court Action not repealed Monday by the subject to private ownership Hughes said the 290,000 paign extensively against the the land. The amendment He asserted: legislature, he will go to court until a New Jersey Supreme acres involved represents proposal this fall. would' establish' undisputed ti- "Not even the best- to have it repealed. Court decision in 1961 that property in 17 counties and "I'm going to take this Issue tle when the land has been informed voter could discern The governor said the lands said they were public, "represent nearly 400 square to the people in any case," he held continuously since 1891. from the question you have constitute an asset of at least, 'Bad Law' miles, or 5 per cent of the to- said. "This kind of giveaway In addition to the loss to the framed what is really at $1 billion that could be lost if That decision, Hiering said, tal land mass of New Jersey. is reminiscent of Teapot school fund, Hughes contend- stake. the referendum is allowed to "is bad law." These lands are larger than Dome." ed; the referendum jeopar- "He could not know that stand. And Assembly Majority the combined area of Bergen This was a reference to giv- dized conservation, fishing you seek to strip the state Qf But State Sen. -
Notes and Links on Coverage of the 2012 Eurovision Song Contest from ESC Insight
ESC Insight - www.escinsight.com Notes and Links on coverage of the 2012 Eurovision Song Contest from ESC Insight Compiled by Ewan Spence, Friday June 1st, 2012. Introduction ESC Insight is an independent website that covers the world of the Eurovision, including this year's Eurovision Song Contest. Set up in 2010 to act as a new home for BAFTA nominated podcaster Ewan Spence and the two year old “Unofficial Eurovision Podcast”, it promised to deliver in-depth content, analysis, commentary, and knowledgeable articles around the Contest. The approach can be linked to a weekly periodical, contrasting it with daily news sites such as EscXtra. For the 2012 Contest, ESC Insight expanded to a core team of four journalists (Ewan Spence, Sharleen Wright, Samantha Ross, and Steven Newby), as well as a rotating number of contributing writers (including John Kennedy O'Connor, Dr Paul Jordan, Roy Delaney, and others). We had two major additions to this year's coverage. The first continued our “in-depth” focus with a on a long-form daily video show (running to around 20-25 minutes per day) anchored by Ross with contributions from the whole team. The show featured interviews with the Eurovision performers, it took viewers around the Crystal Hall, the Press Centre, and the Euroclub, and finally exploring the host city of Baku. The second was Terry Vision, our puppet based former commentator forced out of retirement to cover the Contest. Operated by Ewan Spence, this customised Henson Muppet had his own popular series of short interviews lasting around 90 second to two minutes (with a few exceptions, including the 20 minute show from the Red Carpet of the Welcome Party).