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English Renaissance Dream Theory and Its Use in Shakespeare
THE RICE INSTITUTE ENGLISH RENAISSANCE DREAM THEORY MID ITS USE IN SHAKESPEARE By COMPTON REES, JUNIOR A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Texas April, 1958 TABLE OF CONTENTS Introduction .............. 1-3 Chapter I Psychological Background: Imagination and Sleep ............................... 4-27 Chapter II Internal Natural Dreams 28-62 Chapter III External Natural Dreams ................. 63-74 Chapter IV Supernatural Dreams ...................... 75-94 Chapter V Shakespeare’s Use of Dreams 95-111 Bibliography 112-115 INTRODUCTION This study deals specifically with dream theories that are recorded in English books published before 1616, the year of Shakespeare1s death, with a few notable exceptions such as Robert Burton’s Anatomy of Melancholy (1621). Though this thesis does not pretend to include all available material on this subject during Shakespeare*s time, yet I have attempted to utilise all significant material found in the prose writings of selected doctors, theologians, translated Latin writers, recognised Shakespeare sources (Holinshed, Plutarch), and other prose writers of the time? in a few poets; and in representative dramatists. Though some sources were not originally written during the Elizabethan period, such as classical translations and early poetry, my criterion has been that, if the work was published in English and was thus currently available, it may be justifiably included in this study. Most of the source material is found in prose, since this A medium is more suited than are imaginative poetry anl drama y:/h to the expository discussions of dreams. The imaginative drama I speak of here includes Shakespeare, of course. -
Seeuferplanung Zürich- Obersee 1997
KANTON ST. GALLENBAUDEPARTEMENT / PLANUNGSAMT SEEUFERPLANUNG Zürich-/Obersee Vernehmlassung 1995 Revision und Ergänzung 1997 OePlan/ Büro für Datum: 25.03.97 Landschaftspflege o Wegenstr. 5 Tel. Nr. : 071 / 722 57 22 9436 Balgach Fax. Nr.: 071 / 722 57 32 Thomas Oesch, dipl. Kulturing. ETH/SIA Peter Laager, dipl.phil.II, Geograf ý Spinnereistr. 29 Tel. Nr. : 055 / 210 29 02 Rolf Stieger, Landschaftsarchitekt HTL 8640 Rapperswil Fax. Nr.: 055 / 210 29 02 Seeuferplanung Zürich-/Obersee Kt. St. Gallen Seite 1 INHALTSVERZEICHNISSEITE 1 AUSGANGSLAGE4 2 ALLGEMEINE ZIELSETZUNG5 3 GRUNDLAGEN ZUM THEMA SEEUFER5 3.1 Begriffe5 3.2 Leben in der Uferzone6 3.3 Funktion der Flachwasserzone6 3.3.1 Allgemeines6 3.3.2 Besondere Lebensraumtypen6 3.4 Wichtige Gesetzesgrundlagen7 3.5 Raumplanerische Grundlagen8 4 VORGEHEN9 4.1 Ergänzung der Bestandesaufnahme9 4.2 Seeuferbewertung9 4.3 Vorrangfunktionen9 4.4 Koordination der see- und der landseitigen Planung9 4.4.1 Bearbeitung9 4.4.2 Abgrenzung10 5 BESTANDESAUFNAHME10 5.1 Natur und Landschaft10 5.1.1 Wasserstand10 5.1.2 Angaben zur Wasserchemie10 5.1.3 Angaben zu den Wasserpflanzen11 5.1.4 Beschaffenheit der Uferlinien13 5.1.5 Typisierung der landseitigen Lebensräume14 5.1.6 Angaben zur Vogelwelt16 5.1.7 Angaben zur Fischfauna17 5.1.8 Angaben zu den Amphibien17 5.1.9 Geotope18 5.2 Erholung18 5.2.1 Zugänglichkeit18 5.2.2 Intensität18 5.2.3 Erholungsdruck19 5.2.4 Privatschiffahrt auf Zürich- und Obersee19 Seeuferplanung Zürich-Obersee 1997/25.03.97/ OePlan Seeuferplanung Zürich-/Obersee Kt. St. Gallen Seite 2 -
Wagner in Comix and 'Toons
- The original artwork [pictured in black and white Who Knew? at bottom] used to produce the 1975 Marvel cover [pictured in color below] is, like a number Remember when parents struck like Darth Vader at of other original illustrations for comic books, their kids’ comic book collections? “Trash” is the fetching large sums from collectors. word they used, and out the comics went. Little did The New York Times, Sunday, June 30, 2008 anyone realize that he might be throwing out a valuable collectors piece. More to the point, as Mr. F. Peter Phillips shows in the following illustrated essay on Richard Wagner is how the “comix” have been used to graphically portray his epic “Rng Cycle.” Phillips shows how popular culture and its forms (comic books and car- toons) have been incorporated in the Gesamtkust- werk concept and have added still another dimension to the legacy of Wagner’s operas. It wouldn’t have surprised Wagner who said after the first production of the Ring in 1876, “Next time, children, everything different.” An open mind and a willing heart have always been prerequisites for en- joying any of the fine arts. Mr. Phllips is an attorney specializing in Alternative Dispute Resolution and serves as Secretary of the Wagner Society of New York. Harry L. Wagner, Publisher Wagner Society of New York Wagner in Comix and ‘Toons By F. Peter Phillips Recent publications have revealed an aspect of Wagner-inspired literature that has been grossly overlooked—Wagner in graphic art (i.e., comics) and in animated cartoons. The Ring has been ren- dered into comics of substantial integrity at least three times in the past two decades, and a recent scholarly study of music used in animated cartoons has noted uses of Wagner’s music that suggest that Wagner’s influence may even more profoundly im- bued in our culture than we might have thought. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
My Children, Teaching, and Nimrod the Word
XIV Passions: My Children, Teaching, and Nimrod The word passion has most often been associated with strong sexual desire or lust. I have felt a good deal of that kind of passion in my life but I prefer not to speak of it at this moment. Instead, it is the appetite for life in a broader sense that seems to have driven most of my actions. Moreover, the former craving is focused on an individual (unless the sexual drive is indiscriminant) and depends upon that individual for a response in order to intensify or even maintain. Fixating on my first husband—sticking to him no matter what his response, not being able to say goodbye to him —almost killed me. I had to shift the focus of my sexual passion to another and another and another in order to receive the spark that would rekindle and sustain me. That could have been dangerous; I was lucky. But with the urge to create, the intense passion to “make something,” there was always another outlet, another fulfillment just within reach. My children, teaching, and Nimrod, the journal I edited for so many years, eased my hunger, provided a way to participate and delight in something always changing and growing. from The passion to give birth to and grow with my children has, I believe, been expressed in previous chapters. I loved every aspect of having children conception, to the four births, three of which I watched in a carefully placed mirror at the foot of the hospital delivery room bed: May 6, 1957, birth of Leslie Ringold; November 8, 1959, birth of John Ringold; August 2, 1961: birth of Jim Ringold; July 27, 1964: birth of Suzanne Ringold (Harman). -
The Priest, the Psychiatrist and the Problem of Evil
THE PRIEST, THE PSYCHIATRIST AND THE PROBLEM OF EVIL PUNITA MIRANDA PHANÊS • VOLUME 2 • 2019 • PP. 104–143 https://doi.org/10.32724/phanes.2019.Miranda THE PRIEST, THE PSYCHIATRIST, AND THE PROBLEM OF EVIL 105 ABSTRACT This paper clusters around the problem of evil within the framework of depth psychology. The first part briefly introduces the narrative of the Book of Job as an example to contextualise how the ultimate question of God’s relation to evil remained unanswered and was left open-ended in Christian theology. The second part offers a historical reconstruction of the unresolved polemic over the nature of evil between Carl Jung and the English Dominican scholar and theologian Victor White (1902-1960). It explores their different speculations and formulations concerning evil and its psychological implications, until their final fall-out following White’s harshly critical review of Jung’s most controversial work on religion, Answer to Job. The final section of this paper introduces further reflections on a challenging theme that is no less resonant and relevant in today’s world of terrorism in the name of religion than it was in a post-war Europe struggling to recover from totalitarianism and genocide. KEYWORDS Carl Jung, Victor White, Book of Job, Answer to Job, evil. PHANÊS Vol 2 • 2019 PUNITA MIRANDA 106 God has turned me over to the ungodly and thrown me into the clutches of the wicked. All was well with me, but he shattered me; he seized me by the neck and crushed me. He has made me his target; his archers surround me. -
DMAAC – February 1973
LUNAR TOPOGRAPHIC ORTHOPHOTOMAP (LTO) AND LUNAR ORTHOPHOTMAP (LO) SERIES (Published by DMATC) Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Scale: 1:250,000 Projection: Transverse Mercator Sheet Size: 25.5”x 26.5” The Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Series are the first comprehensive and continuous mapping to be accomplished from Apollo Mission 15-17 mapping photographs. This series is also the first major effort to apply recent advances in orthophotography to lunar mapping. Presently developed maps of this series were designed to support initial lunar scientific investigations primarily employing results of Apollo Mission 15-17 data. Individual maps of this series cover 4 degrees of lunar latitude and 5 degrees of lunar longitude consisting of 1/16 of the area of a 1:1,000,000 scale Lunar Astronautical Chart (LAC) (Section 4.2.1). Their apha-numeric identification (example – LTO38B1) consists of the designator LTO for topographic orthophoto editions or LO for orthophoto editions followed by the LAC number in which they fall, followed by an A, B, C or D designator defining the pertinent LAC quadrant and a 1, 2, 3, or 4 designator defining the specific sub-quadrant actually covered. The following designation (250) identifies the sheets as being at 1:250,000 scale. The LTO editions display 100-meter contours, 50-meter supplemental contours and spot elevations in a red overprint to the base, which is lithographed in black and white. LO editions are identical except that all relief information is omitted and selenographic graticule is restricted to border ticks, presenting an umencumbered view of lunar features imaged by the photographic base. -
Naturwaldreservat Weid
Naturwaldreservat Weid Förderung der Biodiversität durch natürliche Waldentwicklung Ausgewählte Zielarten des Waldreservates Verhaltensregeln im Waldreservat Ziel des Waldreservates Zunderschwamm Keine Bäume und Sträucher In diesem Wald können die Bäume sehr alt werden, und sie sterben natürlicherweise ab, wie in einem Urwald. (Fomes fomentarius) absägen oder beschädigen Der Zunderschwamm besiedelt geschwächte Der bis zu 30 cm grosse, mehr- Dadurch entstehen Lebensräume und Nahrungsgrundlagen für Tier-, Pflanzen- und Pilzarten der verschiedenen Laubbäume, vor allem Buchen, selten auch jährige, robuste Fruchtkörper Keine Pflanzen pflücken Stadien der Zerfallsphase eines Waldes. Charakteristisch für einen solchen naturnahen Wald sind viel Totholz Nadelbäume. Er zersetzt das Holz und führt streut Millionen mikroskopisch die mineralisierten Stoffe wieder dem Wald- kleiner Sporen aus, welche über und die zahlreichen davon lebenden Organismen. boden zu. Deshalb ist er für den Stoffkreislauf Wunden am Baum in das Holz Tiere nicht stören in Buchenwäldern von zentraler Bedeutung. eindringen. Der faserige Kern Im bewirtschafteten Wald ist er wesentlich wurde früher als Zunder zum am Abbau nicht verwertbarer Restholzsorti- Feuer entfachen verwendet und Keine Abfälle liegen lassen So wird sich der Wald im Reservat entwickeln mente beteiligt. sogar zu Kleidern verarbeitet. Reservatsperimeter Kein Feuer entfachen • Durch Alterung, Windwurf, Schneedruck, Baumkrankheiten, Gemeindegrenze kleinflächigen Borkenkäfer befall und Konkurrenz um Licht sterben Bäume ab. So bildet sich das angestrebte, stehende Keinen Lärm verursachen und liegende Totholz. In den entstandenen Lücken wachsen Abseits des Wanderweges junge Bäume auf, womit sich der Generationen zyklus 18-45 mm 14-35 mm 8-12 mm nicht Velo fahren schliesst. Nicht campieren • Einige Bäume werden sehr alt, hoch und dick und entwickeln sich zu Biotopbäumen mit sogenannten Mikrohabitaten wie Keine Sportanlässe durchführen Höhlen, Rissen oder toten Ästen. -
Die Kirche St. Martin in Busskirch – Jona
Die Kirche St. Martin in Busskirch – Jona Irgendwann im 6./7. Jahrhundert errichteten Christen am oberen Zürichsee eine erste Kirche – Busskirch. Das dem hl. Martin geweihte Gotteshaus war dem Kloster Pfäfers zugehörig. Die Ur-Pfarrei Busskirch, von der sich im Laufe der Jahrhunderte die Pfarreien Stadt Rapperswil und Jona lösten, gehörte dem Bistum Konstanz, später dem Bistum St. Gallen an. Bevölkerungsentwicklung und kirchliche Strukturen führten 1945 zur Aufl ö- sung der Urpfarrei Busskirch und zur Integration der Kirche St. Martin in die Pfarrei Jona. 2 Im Zuge der Aussenrestaurierung 1975 Der erste nachweisbare Kirchenbau über- nahm die Kantonsarchäologie unter Leitung nahm denn auch das 9 x 6 Meter messende von Frau Dr. Irmgard Grüninger im Innern Gra- Ausmass des römischen Gebäudes. Das westlich bungen vor. Diese gaben erstmals genauen Auf- gelegene Gräberfeld deutete einwandfrei auf ein schluss über die einzigartige Geschichte früherer Gotteshaus hin. Die zweite, eine karolingische Kirchenbauten. So stellte sich heraus, dass an Kirche wurde wohl vom Kloster Pfäfers errichtet, Stelle der heutigen Kirche ein Landhaus (römi- welches 731 gegründet worden war und am obe- sche Villa) stand, das vermutlich im Zusammen- ren Zürichsee ausgedehnte Gebiete besass, so hang mit der Schifffahrt auf dem Zürichsee er- auch Busskirch. Die Saalkirche mass 11 x 6 Meter richtet worden war, etwa zu gleicher Zeit wie das und war etwas anders gerichtet. Der Pfäferser Römerdorf Kempraten. Belegt werden konnten Besitz ist um 840 urkundlich belegt und eine Ur- Veränderungen im 3. Jh. und ebenfalls erwiesen kunde für das Kloster St. Gallen erwähnt bereits ist, dass die Villa noch im 4. Jh. -
Appendix I Lunar and Martian Nomenclature
APPENDIX I LUNAR AND MARTIAN NOMENCLATURE LUNAR AND MARTIAN NOMENCLATURE A large number of names of craters and other features on the Moon and Mars, were accepted by the IAU General Assemblies X (Moscow, 1958), XI (Berkeley, 1961), XII (Hamburg, 1964), XIV (Brighton, 1970), and XV (Sydney, 1973). The names were suggested by the appropriate IAU Commissions (16 and 17). In particular the Lunar names accepted at the XIVth and XVth General Assemblies were recommended by the 'Working Group on Lunar Nomenclature' under the Chairmanship of Dr D. H. Menzel. The Martian names were suggested by the 'Working Group on Martian Nomenclature' under the Chairmanship of Dr G. de Vaucouleurs. At the XVth General Assembly a new 'Working Group on Planetary System Nomenclature' was formed (Chairman: Dr P. M. Millman) comprising various Task Groups, one for each particular subject. For further references see: [AU Trans. X, 259-263, 1960; XIB, 236-238, 1962; Xlffi, 203-204, 1966; xnffi, 99-105, 1968; XIVB, 63, 129, 139, 1971; Space Sci. Rev. 12, 136-186, 1971. Because at the recent General Assemblies some small changes, or corrections, were made, the complete list of Lunar and Martian Topographic Features is published here. Table 1 Lunar Craters Abbe 58S,174E Balboa 19N,83W Abbot 6N,55E Baldet 54S, 151W Abel 34S,85E Balmer 20S,70E Abul Wafa 2N,ll7E Banachiewicz 5N,80E Adams 32S,69E Banting 26N,16E Aitken 17S,173E Barbier 248, 158E AI-Biruni 18N,93E Barnard 30S,86E Alden 24S, lllE Barringer 29S,151W Aldrin I.4N,22.1E Bartels 24N,90W Alekhin 68S,131W Becquerei -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Catriona Helen Miller
Vlood Spirits A cjungian Approach to the Vampire JKyth Catriona Helen Miller Submitted for the degree of Doctor of Philosophy University of Stirling Stirling Scotland December 1998 r., 4. , Dedication To my parents, Irene and Jack Miller, without whom.... For all the support, guidance and encouragement above and beyond the call of parental duty. Your many favours can never be repaid. Acknowledgements I would like to thank Dr. John Izod for the skillful and unfailingly tactful supervision of this thesis, and for the companionshipon the j ourney. To Lari, for the chair; the commas and comments;the perpetual phone calls; and for going to Santa Cruz with me all those years ago. To everybody in the Late Late Service for sustenanceof various kinds. And everyone else who asked about my thesis and then listened to the answer without flinching. I also acknowledge the kind financial support of the Glasgow Society for Sons and Daughters of Ministers of the Church of Scotland, and, of course, my parents. Contents Page Acknowlegements i Abstract .v INTRODUCTION PART ONE APPROACH & CONTEXT 10 " The Study of Myth & the Cartesian/Newtonian Framework 11 " The Advent of Psychology 13 " Freud & the Vampire Myth 17 " Beyond Descartes & Newton: the New Paradigm 21 " Jung & the New Model 24 " Archetypes & the Collective Unconscious 31 " The Study of Myth After Freud & Jung 35 The Vampire Myth 40 " I " Jung & the Vampire Myth 41 " Symbols: A Jungian Definition 44 PART TWO ENCOUNTERS WITH SHADOW VAMPIRES 49 " Folklore & Fiction 49 " The Vampire in Folklore 51 " Vampirý Epidemics? 54 " The Shadow Archetype 57 " The Dead 58 " The Living Dead 61 " The Shadow Vampire in the Twentieth Century 65 " Nosferatu: A Symphony of Horror (Dir: F.