The Stork's Nest
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Sandu Tudor, the Christian Student, Between
Cross-Cultural Management Journal Volume XXI, Issue 2 / 2019 Carmen CIORNEA Faculty of Theology - "Ovidius" University Perspective, SANDU TUDOR, THE CHRISTIAN opinion and STUDENT, BETWEEN commentary ETHNOCENTRISM AND UNIVERSALISM (1927-1928) Keywords Sandu Tudor; Alexandru Teodorescu; Orthodoxy; Young Men's Christian Association; Association of Romanian Christian Students JEL Classification I20, K49, Z12 Abstract The present study is an overview of students’ congresses organized in 1927 and 1928 by three organizations – the Y. M. C. A. (Young Men's Christian Association), the A. S. C. R. (the Christian Student Association, Romania) and the U. N. S. C. R. (Christian Students’ National Union of Romania); it is a period marked by growing tensions among members of the U. N. S. C. R., the radicalization of the relationships among young people from various Christian national student movements, who will gradually discover irreconcilable incompatibilities. The sources of documentation are national archives and the press of those times. Alexandru Teodorescu (alias Sandu Tudor), the central figure of this paper, also fits in the picture of a generation engaged in the chase to discover the eschatological dimension of their time. The fractures between the two organizations stemming from ideas (the differences between the Christian dogmas promoted by the Y. M. C. A and the orthodox church) and social context (a distinct response to radicalized student movements) are also reflected in the evolution of Sandu Tudor’s perception of the relationships among the A. S. A. C. R. U., the N. S. C. A. and the Y. M. C. A. 121 Cross-Cultural Management Journal Volume XXI, Issue 2 / 2019 INTRODUCTION C. -
Dialogica Nr. 3, 2020 E-ISSN 1857-2537 79 Nești Dunărene Se Uniseră Pentru Totdeauna În Și Îndeosebi Chișinăul Aveau, Pentru Mine, Un România De Azi...” [1, P
DOI: 10.5281/zenodo.4275358 CZU: 821.135.1-92(478).09+ 908(478-25) Doctor conferențiar la Catedra de literatură română şi universală, Fa- cultatea de Litere, Universitatea de Stat „Alecu Russo” din Bălți. Domenii de preocupare: filologie, filosofia culturii, ştiințe ale comunicării, sociopsiholo- gie. Cărți publicate: Urme pe nisip, Chişinău, 2005; Cunoaștere și autenticitate, Timişoara: ArtPress & Augusta, 2008; Imaginea Iașilor în presa interbelică ieșeană (antologie), Iaşi: Junimea, 2016; Chișinău: evocări interbelice (antolo- gie), Bucureşti: Eikon, 2018 etc. Diana VRABIE ASPECTE ALE CHIŞINĂULUI ÎN EVOCĂRILE LUI GALA GALACTION După Marea Unire din 1918, se înregis- preotul ortodox Gala Galaction (1879–1961) trează un interes vizibil din partea călătorilor ajunge să cunoască bine realitățile Basarabiei din afara provinciei, îndeosebi românii din de Sud, mai întâi prin tatăl şi bunicul său care vechiul regat, din Ardeal şi Bucovina, care dețineau gospodării şi chiar o casă boierească au trăit o reală fascinație pentru oraşul Chişi- la Reni, într-o perioadă când ruşii sărbătoreau nău, şi, în egală măsură, o dorință sinceră de jubilant centenarul anexării Basarabiei. Câți- integrare rapidă a basarabenilor în România va ani mai târziu, scriitorul va saluta însuflețit Mare. Vizitarea Chişinăului, ca şi a altor oraşe actul unirii a Basarabiei cu România, anunțată din Basarabia interbelică, era determinată de în mai multe publicații concomitent. În data curiozitatea lor individuală, dar şi de dorința de 27 ianuarie 1918, într-un amplu articol de risipirii vălului necunoaşterii spațiului de pes- fond, Onisifor Ghibu, de pildă, descria serba- te Prut şi a apropierii malurilor. Ei au simțit rea Unirii propriu-zise la Chişinău: „Oraşul necesitatea de a pune în circulație impresiile încă de dimineață îmbrăcase haină de sărbă- şi informațiile legate de străzile şi bulevardele toare. -
Gidni 2 History and Cultural Mentalities Gala Galaction
GIDNI 2 HISTORY AND CULTURAL MENTALITIES GALA GALACTION - AVATARS OF A UNIVERSITY CAREER Florin Onica, PhD Student, ”Babeș-Bolyai” University of Cluj-Napoca Abstract:The manner of selection and integration of academic elite is a privileged element of analysis, because it gives us the amount of reasons which terminate in cooptation or rejecting of an individual. These preconditions are quite ambiguous and they also canceled in practice the existence of an unique model of promotion. And the look has generated numerous conflicts that have taken place within the academic world, becoming true public „scandals”, polemical subjects which often has put in discussion the very validity of the principle of meritocracy. Therefore it seems necessary to distinguish for each case some of the mechanisms that have acted in this direction. „Case” Galaction becomes relevant in this context, in order to enlighten what it means becoming professor after 16 years of waiting and encourages questions and seek answers grievous to be made when it comes to personality of this magnitude. Keywords:professor, education, academic career, history of elites, theology. Gala Galaction offers us the example of a man honest with himself, even with the risk of beseeming a misfit against the tendencies of the epoch he lived in. The characteristics of his inedited profile, often perceived as a mixture of contrasts, can be carved from the physical and spiritual portraits of the characters he created. Famous for his literary writings and especially for having translated the Bible, priest Gala Galaction (Grigorie Pișculescu) has had an interesting and lesser known academic career. Rebuilding the diverse sequential aspects of his collegiate path will contribute to the reconstruction of the whole, comprising the light and dark sides inherent to any biography. -
The Life of the Romanian Theologian Antonie Plamadeala As a Runaway from the Secret Police and As a Political Prisoner in Communist Romania
The Life of the Romanian Theologian Antonie Plamadeala as a Runaway from the Secret Police and as a Political Prisoner in Communist Romania Cristina Plamadeala A Thesis in The Department of Theological Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Theological Studies) at Concordia University Montreal, Quebec, Canada September 2015 © Cristina Plamadeala, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Cristina Plamadeala Entitled: The Life of the Romanian Theologian Antonie Plamadeala as a Runaway from the Secret Police and as a Political Prisoner in Communist Romania and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Theological Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: __________________________________Chair Chair’s name __________________________________Examiner Examiner’s name __________________________________Examiner Examiner’s name __________________________________Supervisor Supervisor’s name Approved by_______________________________________________________ Chair of Department or Graduate Program Director _______2015 _______________________________________________________ Dean of Faculty ii ABSTRACT The Life of the Romanian Theologian Antonie Plamadeala as a Runaway from the Secret Police and as a Political Prisoner in Communist Romania Cristina Plamadeala The present work discusses the life of the Romanian theologian Antonie Plamadeala (1926-2005) in the1940s-1950s. More specifically, it tells the story of his refuge from Bessarabia to Romania, of his run from Romania’s secret police (Securitate) and of his years of incarceration as a political prisoner for alleged ties to the Legionary Movement, known for its Fascist, paramilitary and anti-Semitic activity and rhetoric. -
Perpessicius-Mentiuni-Critice.Pdf
PERPESSICIUS MEN|IUNI CRITICE CUPRINS Not[ asupra edi\iei .....................................................................2 Tabel cronologic ..........................................................................3 MEN|IUNI DE ISTORIOGRAFIE LITERAR{ +I FOLCLOR LOCUL LUI DIMITRIE CANTEMIR }N LITERATURA ROM~N{ .... 11 LA CENTENARUL LUI ANTON PANN ......................................... 29 EMINESCIANA PROZA LITERAR{ A LUI EMINESCU ......................................... 64 EMINESCU +I TEATRUL .......................................................... 107 POSTUMELE LUI EMINESCU .................................................. 132 EMINESCU +I FOLCLORUL ..................................................... 140 ALECSANDRIANA POEZIA LUI VASILE ALECSANDRI ........................................... 170 ALECSANDRI +I LIMBA LITERAR{ .......................................... 191 VASILE ALECSANDRI, DUP{ 75 DE ANI .................................. 208 MEN|IUNI CRITICE BOGDAN PETRICEICU HASDEU .............................................. 215 CARAGIALE — }NTEMEIETORUL REALISMULUI NOSTRU CRITIC ..................................................................... 244 NOTE DESPRE ARTA PROZEI LA CARAGIALE .......................... 248 GEORGE CO+BUC .................................................................. 262 LIRISM +I NARA|IUNE }N OPERA LUI MIHAIL SADOVEANU 265 CARTEA POEMELOR NE-”OSTENITE” ..................................... 270 ACTUALITATEA LUI BACOVIA ................................................ 274 CAMIL PETRESCU +I -
Father André Scrima – a New Kind of Fool for Christ Marius
M!"#$% V!%#&'!($* !e complex and often puzzling personality of Father André Scrima was misapprehended for a long time. !is article discusses the reasons for such a misapprehension and o"ers some possible explanations for his paradoxical behaviour. An overview of the reception of Father Scrima’s life and works shows a dynamic at work that can only generate optimism. His participation in the Burning Bush group at the Antim monastery in Bucharest was one of the most important formative experiences, where a wide cultural and scienti#c perspective was fused with an in- depth religious experience. Father Scrima may be better understood if we consider him the #rst of a new kind of fools for Christ, a kind that is well-equipped to face the challenges of tomorrow. Keywords: André Scrima, Daniil Sandu Tudor, !e Burning Bush, foolishness for Christ, hesychasm He was a man that would experience the enthusiasm of a child when a new decimal of a universal constant was discovered. He used to tame an unbro- ken sacred text in a generous hermeneutics by o!ering it the "re of certain astrophysical theories and blending them with the phenomenology of the opening one’s heart in a hesychastic manner. Could this be the reason why the impressive erudition of Father André Scrima is still hard to accept and to understand in the Orthodox ecclesiastical environment? Our hypothesis that will be dealt with in the current paper is that all the things mentioned above are not enough to explain his misapprehension: most likely, Father André Scrima was the "rst person belonging to a new kind of fool for Christ. -
115 Not in the State's Interest to Allow Its Citizens to Leave the Country to Join Them
115 not in the State's interest to allow its citizens to leave the country to join them. In 1970, the Czechoslovak authorities had resorted to blackmailing the refugees, exhorting them to pay so-called legal fees to lawyers in Czechoslovakia who were assigned to them by the government as coun- sels for defense, as they faced criminal proceedings for their illegal presence abroad. The refugees were informed that should they decide to ignore this demand, their relatives in Czechoslovkia would be re- quired to pay the fees. Others, in order to legalize their stay abroad, were ordered to pay up to several thousands of dollars for their edu- cation in Czechoslovakia. These actions of the Czechoslovak Govern- ment were aimed at instilling fear into the refugees for their own per- sons and for their relatives left behind, and to compel them to return to Czechoslovakia. To our knowledge only very few refugees submitted to this pressure. The great majority of them stayed abroad, haunted by the uncertain prospect of ever seeing their families again, but with a resolve to try and try again, in the hope, that somehow, sometime in the future, the Czechoslovak Government would be persuaded to let their families go. The Helsinki Accords, signed on August 1, 1975, were condemned by many of us, as we felt that the Soviet Union scored another point at the expense of the nations of Central and Eastern Europe. How- ever, as it turned out, Basket III of the accords has given the millions of people behind the Iron Curtain something solid to hold onto in their quest for more individual freedom. -
Modernity, Memory and Identity in South-East Europe
Modernity, Memory and Identity in South-East Europe Series Editor Catharina Raudvere Department of Cross-Cultural and Regional Studies University of Copenhagen Copenhagen, Denmark This series explores the relationship between the modern history and pres- ent of South-East Europe and the long imperial past of the region. This approach aspires to offer a more nuanced understanding of the concepts of modernity and change in this region, from the nineteenth century to the present day. Titles focus on changes in identity, self-representation and cultural expressions in light of the huge pressures triggered by the interac- tion between external influences and local and regional practices. The books cover three significant chronological units: the decline of empires and their immediate aftermath, authoritarian governance during the twen- tieth century, and recent uses of history in changing societies in South- East Europe today. More information about this series at http://www.palgrave.com/gp/series/15829 Cristina A. Bejan Intellectuals and Fascism in Interwar Romania The Criterion Association Cristina A. Bejan Duke University Durham, NC, USA ISSN 2523-7985 ISSN 2523-7993 (electronic) Modernity, Memory and Identity in South-East Europe ISBN 978-3-030-20164-7 ISBN 978-3-030-20165-4 (eBook) https://doi.org/10.1007/978-3-030-20165-4 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Gala Galaction
GALA GALACTION OPERE LA ŢĂRMUL MĂRII • RĂBOJ PE BRADUL VERDE • TOAMNE DE ODINIOARĂ • CALIGRAFUL TERŢIU SCRIITORI ROMÂNI CARTE FINANŢATĂ DE MINISTERUL CULTURII GALA GALACTION OPERE II PROZĂSCURTĂ Ediţie îngrijită, note şi comentarii de TEODOR VĂRGOLICI SCRIITORI ROMÂNI EDITURA MINERVA B ucureşti - 1996 NOTĂ LA VOLUMUL AL, II-LEA în volumul al doilea al ediţiei noastre am inclus următoarele volume de proză scurtă ale lui Gala Galaction, în succesiunea lor cronologică: La ţărmul mării, Bucureşti, Editura H. Steinberg, 1916; Răboji pe bradul verde, laşi. Editura „Viaţa românească1', 1920; Toamne de odinioară, Bucureşti, Editura „Adevărul", 1924; Caligraful Tetjiu, Bucureşti, Editura „Cultura naţională", 1929. Dat fiind faptul că Gala Galacţion şi-a transferat unele scrieri de la un volum la altui, nu am putut păstra unitatea acestora, reproducând respectivele scrieri în volumul în care au fost incluse ultima dată. Astfel, prozele Im ţărmul mării, La Sinaia, Drumul lui Creangă, Grădina de lângă lac, Agapia veche şi Din Galaţi (Ad uxorem), din volumul La ţărmul mării, au fost transferate în Răboji pe bradul verde, iar schiţa Crăciunul sfântului copil Feodor, inclusă iniţia! în Răboji pe bradul verde, în volumul Caligraful Terpu. Pentru scrierile din volumele Răboji pe bradul verde şi Toamne de odinioară am luat ca text de bază pe cel din ediţiile menţionate, neftind reluate în Opere, voi. 1, Bucureşti, Editura pentru literatură şi artă, 1949. Am folosit însă această ediţie ca text de bază pentru scrierile din volumele La ţărmul mării şi Caligraful Terfiu. Colaţioriând textele din Opere cu cele din ediţiile anterioare, am constatat că, în câteva locuri, din motive conjuncturale, în 1949, Gala Galaction a eliminat unele cuvinte. -
The Image of the Theacher in the Work of Mihail Sadoveanu and Gala Galaction
764 JOURNAL OF ROMANIAN LITERARY STUDIES no. 18/2019 THE IMAGE OF THE THEACHER IN THE WORK OF MIHAIL SADOVEANU AND GALA GALACTION Diana Teodora Cozma PhD Student, Technical University of Cluj-Napoca Ŕ Baia Mare Northern University Center Abstract: Romanian literature include writings of remarkable artistic value, in which is appreciated beautiful and meritorious work of exceptional teachers, founders of human destines. At Mihail Sadoveanu and Gala Galaction, the teacher is viewed from the perspective of an apostle, which gives the individual a place between the holy and good. Keywords: teacher, apostle, patriotism, sacredness, profession. Imaginea primordială a școlii, precum și importanța deosebită a acesteia, se regăsește cu succes în memorialistica remarcabilului scriitor Nichifor Crainic, Zile albe, Zile negre. Scriitorul îi blamează și îi critică dur pe toți cei care se abat de la profesiunea intelectuală: „Nu pot suferi oamenii care își bat joc de școala unde au învățat. Ei au ceva din monștrii denaturați al căror lapte l-au supt. Precum trenul nu ajunge la țintă decît pe drumul de fier, la orice profesiune intelectuală se ajunge prin școală.ŗ1 După cum afirmă și Ion Buzași în prefața cărții Învățătorii în limba română, „multe se pot uita, multe sunt încețoșate în pîcla amintirilor, dar prima zi de școală rămîne vie și luminoasă în mintea și inima noastră. Cu o intuiție care nu este a limpezimii de conștiință, dar care drămuiește bine importanța momentului, copilul așezat cuminte, cu ochii măriți de uimire în banca de neuitat din -
Bibliography
BIBLIOGRAPHY 1. Manuscript and Archival Sources Archive at the Center for Advanced Holocaust Studies, United States Holocaust Memorial Museum, USHMM, Washington, DC, USA Inventory Nr. 2247; Ministerul de Interne—Diverse [the Romanian Ministry of the Interior—Diverse] Years 1910–1956 Arhiva Consiliul Nationaļ Pentru Studierea Arhivelor Securitătii,̧ ACNSAS [The National Council for the Study of the Securitate Archives] Bucharest, Romania Arşavir-Nazaret Acterian, R41665 Arşavir Acterian, I203607 Haig Acterian, I21201 2/1 Dosar Nr. 54892/1–2 Mircea Eliade, SiE 167/1 Dosar Nr. 6814 (1–3) Constantin Noica, I4664; Dosar Nr. 85321 (1981–1987) Constantin Noica, I15156/1–3 Dosar Nr. 205407/1–3 Marietta Sadova, I209489/1–4 Zaharia Stancu, I73549/1–2 Arhiva Muzeul Nationaļ al Literaturii Române, AMNLR [National Museum of Romanian Literature] Bucharest, Romania © The Author(s) 2019 281 C. A. Bejan, Intellectuals and Fascism in Interwar Romania, Modernity, Memory and Identity in South-East Europe, https://doi.org/10.1007/978-3-030-20165-4 282 BIBLIOGRAPHY Correspondence of Haig Acterian, Emil Cioran, Petru Comarnescu, Mircea Eliade, Eugen Ionescu, Constantin Noica and Mihail Sebastian Arhivele Statului [State Archives] Bucharest, Romania Sala de studiu fonduri personale şi familie [Room for the study of personal and family files] File #1824: Acterian Family, Years 1904–1973 Biblioteca Academiei Române, BAR [Library of the Romanian Academy] Sala de manuscrise, arhiva personală lui Petru Comarnescu [Manuscripts Room, personal archive of Petru Comarnescu] Ach. 17/2001 APPC The University of Chicago Library Mircea Eliade Papers 1926–1998, unpublished journal 2. Printed Primary Sources1 Acterian, Arşavir. ‘Cîte ceva despre Asociatia̦ Criterion.’ Criterion Seria Nouă, Year 1, Vol. -
To Access Digital Resources Including: Blog Posts Videos Online Appendices
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/805 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 2: MEDIEVAL MEETS MEDIEVALISM JAN M. ZIOLKOWSKI THE JUGGLER OF NOTRE DAME VOLUME 2 The Juggler of Notre Dame and the Medievalizing of Modernity Vol. 2: Medieval Meets Medievalism Jan M. Ziolkowski https://www.openbookpublishers.com © 2018 Jan M. Ziolkowski The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 2: Medieval Meets Medievalism. Cambridge, UK: Open Book Publishers, 2018, https://doi.org/10.11647/OBP.0143 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.