DOCSLIB.ORG

This Issue Is FULL!— Washington D.C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

uncensored, underground, blues news Issue 161 The Publication of the Linn County Blues Society- lcbs.org December 2007 or the past 15 years “B.F.” Burt Awards include Best Band in Iowa has been electrifying audiences City (twice), Iowa Blues Challenge Fthroughout the Midwest and Champions, named “One of the top dispelling “non-believers” across the 25 unsigned blues bands in the world” country in his steady march on the blues by the International Blues Challenge circuit. His soul-inspired brand of blues Competition. Festival appearances is consistently compared to a range of include the Iowa City Jazz Festival in premium artistry from Bill Withers to Iowa City, IA; the Mississippi Valley B.B. King. Kevin is self-taught musi- blues Festival in Davenport, IA; the cian (harmonica and guitar) whose Blues Foundation International Un- smooth, warm vocal presentation sets signed Band Challenge in Memphis, a mood of relaxed exhilaration, with a TN; Bluestock in Memphis, TN; the welcome mixture of serious music and 1996 Smith- infectious humor audiences of all ages sonian In- seem to enjoy. s t i t u t i o n His voice and presence are power- Festival of ful. His unique delivery ranges from A m e r i c a n the sweetest, fullest, juiciest come-on Folklife in to the most playful growl. Though he Washington performs between 350 and 400 shows DC; and the per year, he holds nothing back night Sesquicen- after night and audiences leave know- tennial Fes- ing that. tival of Iowa Folklife in Des Moines, “[Burt] doesn’t just sing a song; he squeezes, coaxes and wrings every last bit IA. of expression out of it.” They have –Wayne Tuttle, Bluesnotes shared the stage either Kevin “B.F.” Burt has composed mu- as an open- sic as well as played a lead role in an ing act or shared bill with; B.B. King, off Broadway play in New York and Koko Taylor, Buddy Guy, Blues Trav- This issue is FULL!— Washington D.C. entitled “Klub Ka, eler, Albert Collins, Luther Allison, Blues Caravan at Mahoney’s! the Blues Legend”, and has written and Junior Wells, Michael Hill’s Blues Bobby D Iowa Life Profile composed a soundtrack as well as play- Mob, Head East, Molly Hatchet, Blues at Liars Theatre ing a title role for a feature short film Three Dog Night, Guitar Shorty, Eddy Marker Set For Trumpet Records entitled “The Guru’s Game” . He has Clearwater, Robert Lockwood Jr., Da- Big Mo’s CD Review won numerous awards, played festivals Today’s Chicago Blues vid “Honeyboy” Edwards, Lucky Pe- International Blues Challenge both solo and with his band, the Instiga- terson, Larry McCray, Little Johnny Who Wrote The 1st Blues Song? tors as well as shared billing with many Taylor, Joanna Conner, Chubby Car- DDog & BBits Record at O’Malley’s of the top names in music all over the Local LIVE Music Schedules country. Continued on page 2 ©2007-Linn County Blues Society continued from front page rier, Terrence Simieon, Kenny Wayne Shepard, and many others. Blues at Liars Burt is also recognized as one of the Mid-west’s top blues heritage educa- Lauer & DeWitte tors, providing his blues education campbellsteele.com program as a registered artist with the state of Iowa. The program ranges anelle Lauer heated up the Campbell from one hour presentations to full Steele Gallery for Liars Theatre in residencies. He has just completed his Jthree shows on November 16, 17 and 18. Long a favorite with the Liars audience, first book “Just Play It: an introduction Ron DeWitte at Liars Theatre Lauer worked the crowd like a fine-tuned to blues Harmonica: Classroom Meth- instrument. She played to full houses, in- a plaintive, soulful acapella original, od”. His approach is simple, education cluding an overflowing sell-out on Satur- “Make a Change,” to the gospel-tinged through entertainment. His program day night, “I Shall Not Walk Alone” to the gritty, has been going strong since 1994 and and moved gutteral “Shame on Me.” But her signa- plans to continue on, just like the mu- readily be- ture piece is fast becoming “Soul of a sic he loves. tween old Woman,” an original that is reminiscent and new of Aretha Franklin’s up-tempo classics. “This band seems to have what it takes m a t e r ia l , Saturday night’s audience was on its feet to move forward in the blues genre. Keep with a few cheering and applauding as she closed an eye on this young band’s growth.” c o v e r s out with that one, and brought Lauer out –Art Tipaldi, Blues Review thrown in for four encores. to boot. She performed The LCBS presents the 1st tracks from Daniel Arthur’s Blues Caravan for the fall Janelle Lauer at Liars Theatre her first season on December 18 at two albums, “Turn the Corner,” the 2005 December blues studio album, and “Live at Liars,” record- Mahoney’s Irish Pub! danielarthurs.net ed at the Gallery in 2003. The mission of Featuring the show, however, was to introduce the Kevin Burt & The Instigators original songs coming out on her new disc, Sat. 1- Terry McCauley with Bobby D as MC. which will be released in early 2008, and Mon. 3 - Adam Beck Get off the couch and come Lauer offered up eight of them. Backing Tues. 4 - Justin Crippen out to support live music! Lauer were Gerard Estella on keyboards, Wed. 5 - Bryce Janey who co-wrote much of her new material, FREE show starts at 7PM! Thur. 6 - Kevin BF Burt Dave Ollinger on bass, drummer Greg Kanz and back-up singers Anna Barnts and Fri. 7 - Mark Moss Alisabeth Caraway. But the special treat Sat. 8 - Nassor Cooper of the evening was blues guitarist Ron De- Mon.10 - Adam Beck Bobby D Witte, featured in break-out riffs during Tue. 11 - Adam Beck Iowa Life profile every number and thus reinventing them Wed. 12 - TBA for anyone who had heard them before, and Thur. 13 - Kevin BF Burt soloing on a wailing hot version of “The Fri. 14 - Bryce Janey Sky is Crying,” edar Rapids Gazette re- Sat. 15 - Craig Erickson The addition of DeWitte signals a new Mon. 17 - Adam Beck porter Adam Belz chose direction for Lauer. A powerful vocalist Tues. 18 - Adam Beck KCCK’s own Bob DeFor- who can sing in any style, Lauer has made C Wed. 19 - Bryce Janey the decision to focus on an R&B style with est as the subject of a recent “An Thur. 20 - Kevin BF Burt Iowa Life” profile. Read the story this upcoming release. The Liars concerts proved this artistic choice fits Lauer like Fri. 21 - Kevin BF Burt and watch a video of Bobby D in a glove. She opened the show with a new Sat. 22 - Bryce Janey action during a recent edition of song called “Long Time Coming,” led au- Wed. 26 - Bryce Janey “da Blues” by visiting KCCK.org diences through “Breathe,” from Turn the Thur. 27 - Kevin BF Burt and clicking the link there. Corner and the Tom Waits tune “Chocolate Fri. 28 - Terry McCauley Jesus,” from Live at Liars, and closed out Sat. 29 - Nassor Cooper Hey, Merchandise Chair! the first set with a spot-on cover of “Proud Mon. 31 - Adam Beck It’s December-time to change your socks! Mary.” The mood of the show ranged from 2 / Linn County Blues Society ©2007 Trumpet Records Historic marker set for legendary site webbwilder.com n Saturday, November 17, the music in Mississippi. Mississippi Blues Commis- The marker unveiling in Jackson, Osion placed a historic mark- which took place at 10:00 AM, was at- er at the site of the legendary Trum- tended by officials from the state gov- pet Records in Jackson. The label, ernment, the Jackson Convention & owned and operated by Lillian Visitors Bureau, and relatives of and Willard McMurry, the McMurrys. Former recorded and re- Trumpet artist Jerry Chris Bergson Band leased product on “Boogie” McCain, Fall Changes – 2 Shirts Records Elmore James, a blues har- Gowanus Blues Sonny Boy monica player W i l l i a m - and protégé Brooklynite Chris Bergson son, Arthur of Sonny went to Levon Helm’s studio C r u d u p , Boy Wil- in Upstate New York to make Willie Love liamson III, this album and it really reminds and the performed you of the Band. Soulful funky Three Aces, at the cer- grooves with a touch of the Del- Big Joe emony. ta are delivered with confident Wi l l l ia m s , Among those guitar work and great vocals. Luther Huff, in attendance The six/eleven originals are Jimmy Swan, was the McMur- strong and the covers include The Southern Sons rys’ nephew, Webb great takes of “Are You Expe- and many others. The Wilder, an established rienced” and “When I Paint My McMurrys, both of whom musician (his first Blind Pig Masterpiece”. Bergson gets are in the Mississippi Music Hall of release, Born To Be Wilder, will be re- Bruce Katz to play organ and Fame, started the label from their re- leased in January) now living in Nash- Jay Collins on tenor and hot tail store, the Record Mart, located at ville. His Aunt Lillian was influential horn arrangements. I liked this 309 North Farish Street, in 1950. in helping to launch his career. She was CD right out of the chute and Trumpet Records was the first record also the creative force behind the label I haven’t felt the “familiarity company in Mississippi to achieve na- and was known for her sense of fairness breeds contempt” syndrome at tional stature through its distribution, and her meticulous accounting.
Recommended publications
  • Muziek Voor Volwassenen / Johan Derksen Maandag

    Muziek Voor Volwassenen / Johan Derksen Maandag

    Muziek voor volwassenen / Johan Derksen Album van de week: Harlem-King Solomon Hicks maandag 24 februari 2020 18:00-19:00 ARTIEST TITEL COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1 O.V. Wright Blowin' in the wind Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 2 Howard Tate Girl from the north country Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 3 Marion Williams I pity the poor immigrant Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 4 The Neville Brothers With God on our side Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 5 Nina Simone Just like a woman Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 6 Freddie Scott I shal be released Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 7 Esther Phillips Tonight I'll be staying here with you Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 8 King Solomon Hicks Everyday I have the blues Freddie King Provogue PRO Promo 561 Harlem 9 Betty LaVette Most of the time Bob Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. Amnesty International 10 Steve Earle One more cup of coffee Bob Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. Amnesty International 11 Miley Cyrus You're gonna make me lonesome when youBob go Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. Amnesty International 12 Elvis Costello License to kill Bob Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan.
  • MSU Receives Accreditation Discussions for Choosing an Interim President Administrator at MSU

    MSU Receives Accreditation Discussions for Choosing an Interim President Administrator at MSU

    lontana mourns loss of MSU President Mike Malone provost, remembered Malone's who had a particular affection vn Lehmann passion for history. for the students. nem News Editor "Michael was someone, no "Michael involved the matter what the issue, that could students more than any bring up a piece of history or a president I know or even heard Michael Malone, '.\1SU storv that not onlv enlightened of," Dooley said. "He was ·ident, scholar, and avid and.entertained, but also made someone who took pride in his rian died Dec. 21 of a heart an important point," Dooley work, but especially in the k at Gallatin Field Airport. said. students and faculty." Malone had just returned as59. Malone had authored nine Malone had arrived at the books and 20 articles during his from Spokane after meeting with rt on a late flight. He then career, and at the time of his officials from Washington State e parking lot in his car and death, he was under contract University who were considering eled a few yards before with Yale University Press for a him for the position of president. ·ng a light post. Efforts by tenth book about western Malone turned it down. citing his ·ersb\ to resuscitate him American history since 1930. commitment to MSU. >d and he was pronounced Under l\lalone's ASMSU president Jared at the scene. Malone was leader hip O\'e r the past nine Harris felt that Malone was one­ nosed in 1995 with vears. '.\!SU sav. great strides in o f-a-kind.
  • Bayou City Music Series Continues This Fall with Concerts at Buffalo Bayou Park, Discovery Greenâ and Emancipation Park

    Bayou City Music Series Continues This Fall with Concerts at Buffalo Bayou Park, Discovery Greenâ and Emancipation Park

    MEDIA CONTACTS Discovery Green: Whitney Radley, The CKP Group [email protected] / 832-930-4065 x 106 Emancipation Park: Lucy Bremond [email protected] / 832-883-1872 Buffalo Bayou Partnership: Trudi Smith [email protected] / 713-752-0314 x 103 FOR IMMEDIATE RELEASE August 15, 2018 BAYOU CITY MUSIC SERIES CONTINUES THIS FALL WITH CONCERTS AT BUFFALO BAYOU PARK, DISCOVERY GREENâ AND EMANCIPATION PARK HOUSTON, TX — The Bayou City Music Series resumes this fall with free performances at Discovery Green, Emancipation Park and The Water Works in Buffalo Bayou Park. The concert series, made possible by the Kinder Foundation, honors the great jazz, blues and zydeco musicians of Houston. The fall series kicks off with “The Soundtrack of the Gulf” at The Water Works in Buffalo Bayou Park on Saturday, Sept. 15. The great zydeco accordionist C.J. Chenier—son of the “King of Zydeco” Clifton Chenier—headlines this concert, which features opening performances by vocalist Annika Chambers, an - MORE - Page 2 Bayou City Music Series continues this fall Iraq war veteran whose powerful voice blurs lines between jazz and blues, and Archie Bell, former lead singer of Archie Bell & The Drells, whose early funk single “Tighten Up” topped Billboard’s R&B and pop charts in 1968. On Saturday, Oct. 13, the series continues with “Jazz in the Tre” at Emancipation Park. Acclaimed jazz pianist and composer Jason Moran headlines this concert. Moran, who grew up in Houston’s Third Ward, is Artistic Director for Jazz at the Kennedy Center in Washington D.C. and a 2010 MacArthur Fellow.
  • A World Record!

    A World Record!

    TONight’s CONCERT LINE-UP OF SKID ROW EE 7 8 SWEET FRIDAY CYANIDE FR AUG. 7, 2015 ® STURGIS RIDER DAILY Fri 8/7 Sat 8/8 Sun 8/9 A WORLD RecORD! Doug Danger flies into history he undisputed DON’t Miss king of stunt Bob Hansen Award Recipients men? Sure, cer- Page 4 tain names might come to Rat’s Hole Winners mind at that phrase. But since Tyesterday, at 6:03 PM, the only Page 5 name people are mention- 5 Minutes with Michael Lichter ing is Doug Danger. Because that was the time on the clock Page 3 when Danger jumped 22 cars aboard Evel Knievel’s XR-750 Harley-Davidson, a stunt EAGLE 75 Knievel once attempted but Page 12 failed to complete. The feat took place in the amphitheater at the Sturgis STURGIS BUFFALo Chip’s Buffalo Chip as part of the Evel Knievel Thrill Show. Dan- WOLFMAN JACK STAGE ger, who has been performing motorcycle jumps for decades, TONIGHT was inspired by Knievel when he was young and got to know 7 PM ..................SWEET CYANIDE him later in life. Danger 8:30 PM .....................SKID ROW regarded this stunt not as way to best his hero but as a favor, 10:30 PM ...............DEF LEPPARD completing a task for a friend. Danger is fully cognizant of TOMORROW the potential peril of his cho- sen profession and he’s real- 7 PM ............................ NICNOS istic; he knows firsthand the flip side of a successful jump. 8:30 PM ............... ADELITAS WAY But he felt solid and confident 10:30 PM ..........................WAR Continued on Page 2 PAGE 2 STURGIS RIDER DAILY FRIDAY, AUG.
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa

    Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa

    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
  • Cistercian Preparatory School: the First 50 Year

    Cistercian Preparatory School: the First 50 Year

    CISTERCIAN PREPARATORY SCHOOL THE FIRST 50 YEARS 1962 2012 David E. Stewart Headmasters CISTercIAN PreparaTORY SCHOOL 1962 - 2012 Fr. Damian Szödényi, 1962 - 1969 Fr. Denis Farkasfalvy, 1969 - 1974 Fr. Henry Marton 1974 - 1975 Fr. Denis Farkasfalvy, 1975 - 1981 Fr. Bernard Marton, 1981 - 1996 Fr. Peter Verhalen ’73, 1996 - 2012 Fr. Paul McCormick, 2012 - Fr. Damian Szödényi Fr. Henry Marton Headmaster, 1962 - 1969 Headmaster, 1974 - 1975 (b. 1912, d. 1998) (b. 1925, d. 2006) Pictured on the cover (l-r): Fr. Bernard Marton, Abbot Peter Verhalen ’73, Fr. Paul McCormick, and Abbot Emeritus Denis Farkasfalvy. Cover photo by Jim Reisch CISTERCIAN PREPARATORY SCHOOL THE FIRST 50 YEARS David E. Stewart ’74 Thanks and acknowledgements The heart of this book comes from over ten years of stories published in The Continuum, the alumni magazine for Cistercian Prep School. Thanks to Abbot Peter Verhalen and Abbot Emeritus Denis Farkasfalvy and many other monks, faculty members, staff, alumni, and parents for their trust and willingness to share so much in the pages of the magazine and this book. Christine Medaille contributed her time and talent to writing Chapter 8 and Brian Melton ’71 contributed mightily to Chapter 11. Thanks to Jim Reisch for his outstanding photography throughout this book, and especially for the cover shot. Priceless moments from the sixties were captured by or provided by Jane Bret and Fr. Melchior Chladek. Thanks to Rodney Walter for collecting the yearbook photographs used in the book and identifying the students in them. Thanks to Fr. Bernard Marton, Sylvia Najera, and Bridgette Gimenez for their help in editing and proofing.
  • 59Th Annual Critics Poll

    59Th Annual Critics Poll

    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
  • The Advance Project

    The Advance Project

    Formal Evaluation of the ADVANCED DRIVER AND AD VEHICLE ADVISORY NAVIGATION CONCEPT DISCLAIMER This document was prepared as an account of work sponsored by an agency of the United States Government, but neither the United States Government nor any agency thereof, nor any of their employees, the Argonne National Laboratory, the ADVANCE Parties, or the member institutions of the Illinois Universities Transportation Research Consortium make any warranty, express or implied, or assume any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product or process discussed, or represent that its use would not infringe privately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise, does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Government or any agency thereof. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States Government or any agency thereof. The ADVANCE Targeted Deployment: The Evaluation Manager’s Overview Report, Sections 1 through 10 of Volume 1 of this document, and the Executive Summary have been authored by a contractor of the U.S. Government under contract No. W-31-109-ENG-38. Accordingly, the U.S. Government retains a nonexclusive, royalty-free license to publish or reproduce the published form of this contribution, or allow others to do so, for U.S. Government purposes. THE ADVANCE PROJECT: FORMAL EVALUATION OF THE TARGETED DEPLOYMENT VOLUME 3 by Evaluation Manager Argonne National Laboratory Evaluation Teams Castle Rock Corporation, Inc.
  • Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA

    Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA

    1 Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA Índice Directorio PORTADA Blues Shock: Billy Branch & The Son Of Blues. Imagen cortesía de Blind Pig Records. Agradecimientos para el diseñador del arte: Eduardo Barrera Arambarri y al autor de la foto: Cultura Blues. La revista electrónica Tony Manguillo (1) ..………………………………………………………………….…………….. 1 “Un concepto distinto del blues y algo más…” www.culturablues.com ÍNDICE - DIRECTORIO ……..…………………………………………..….… 2 Esta revista es producida gracias al Programa EDITORIAL To blues or not to blues (2) ..…..………………….………… 3 “Edmundo Valadés” de Apoyo a la Edición de HUELLA AZUL Billy Branch. Entrevista exclusiva (3 y 4) .….….…. 4 Revistas Independientes 2013 del Fondo Nacional para la Cultura y las Artes DE COLECCIÓN Un disco, un video y un libro (5) ………………...... 7 EL ESCAPE DEL CONVICTO 20 grandes slides del blues eléctrico. Primera Parte (6) ................. 11 Año 4 Núm. 33 – febrero de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Clapton está de vuelta, retrospectiva en doce capítulos. Capítulo once (5) ……………………………………………….………………………... 16 Director general y editor: José Luis García Fernández PERSONAJES DEL BLUES XI Nominados a los premios de la Blues Foundation (5) ………….......…..21 Subdirector general: José Alfredo Reyes Palacios LÍNEA A-DORADA Llegará la Paz (7) ....................................... 26 Diseñador: José Luis García Vázquez COLABORACIÓN ESPECIAL I Tres festivales de Blues en el centro del país Pt. III (8)…………...…..….29 Consejo Editorial: CULTURA BLUES EN… Luis Eduardo Alcántara Cruz Hospital de Pediatría. CMN Siglo XXI. Un camino acústico por Mario Martínez Valdez el blues. - Multiforo Cultural Alicia. Presentación del libro de María Luisa Méndez Flores Juan Pablo Proal: “Voy a morir.
  • Top 40 Singles Top 40 Albums

    Top 40 Singles Top 40 Albums

    10 May 1992 CHART #809 Top 40 Singles Top 40 Albums Tears In Heaven Viva Las Vegas Woodface We Can't Dance 1 Eric Clapton 21 ZZ Top 1 Crowded House 21 Genesis Last week - / 1 weeks WARNER Last week 18 / 2 weeks WARNER Last week 1 / 39 weeks Platinum / EMI Last week 24 / 22 weeks Platinum / VIRGIN On A Sunday Afternoon You Showed Me Zz Top Greatest Hits The Very Best Of 2 A Lighter Shade of Brown 22 Salt N Pepa 2 ZZ Top 22 Howard Keel & Harry Secombe Last week 1 / 7 weeks BG Last week 17 / 8 weeks POLYGRAM Last week 8 / 2 weeks WARNER Last week 39 / 2 weeks BMG Under The Bridge America: What Time Is Love? Wish A Trillion Shades Of Happy 3 Red Hot Chili Peppers 23 The KLF 3 The Cure 23 Push Push Last week 8 / 7 weeks WARNER Last week 31 / 3 weeks FESTIVAL Last week - / 1 weeks WARNER Last week 25 / 8 weeks Gold / FESTIVAL Come To Me Justified And Ancient The Commitments OST Nevermind 4 Diesel 24 The KLF 4 Various 24 Nirvana Last week 6 / 9 weeks EMI Last week 16 / 15 weeks Gold / FESTIVAL Last week 2 / 17 weeks Platinum / BMG Last week 17 / 22 weeks Platinum / UNIVERSAL Stay What My Baby Likes Blood Sugar Sex Majik Diamonds And Pearls 5 Shakespears Sister 25 Push Push 5 Red Hot Chili Peppers 25 Prince Last week 5 / 7 weeks POLYGRAM Last week 27 / 8 weeks FESTIVAL Last week 4 / 27 weeks Gold / WARNER Last week 29 / 28 weeks Gold / WARNER Remedy Smells Like Teen Spirit The Singles Lucky Town 6 The Black Crowes 26 Nirvana 6 The Clash 26 Bruce Springsteen Last week 2 / 12 weeks WARNER Last week 26 / 17 weeks Gold / BMG Last week 3 / 8 weeks
  • Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood

    Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood

    Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
  • 1Ssues• May Stall Pact for Faculty

    1Ssues• May Stall Pact for Faculty

    In Sports I" Section 2 ·An Associated Collegiate Press Four-Star All-American Newspaper Coles soars in The Boss is NCAA slam back with two dunk contest new albums page 85 page 81 Economic 1ssues• may stall pact for faculty By Doug Donovan ltdmindltllitie news Editor He said, she said. So went the latest round of contract negotiations between the faculty and the administration. The faculty's contract negotiating team contends that administrative bargaining tactics have the potential to stall the talks and delay the signing of a new contract. But the administration says the negotiations are moving at a normal pace. Robert Carroll, president of the l~cal chapter of the Association of American University Professors (AAUP), said he was disappointed with the March 27 talk~ because the administrative bargaining team came to the session stating it was "not prepared to discuss economic issues." • "It was an amicable session and a number of issues were discussed at length," said Carroll, a professor in the plant and soil science depanment. "But very little progress was made." However, Maxine R. Colm, leader of the administrative b~rgaining team, said an agreement was reached with the AAUP to THE REVIEW / Lori Barbag pursue non-economic issues of the proposed A delegation from the university was among the 500,000 who attended Sunday's rally for what supporters called "reproductive freedom." contract before economic issues. "We agreed to discuss non-economic issues first and we did precisely that," said Colm, who also serves as the university's vice president for Employee Relations. ' . Colm said that "not prepared" was a Half million rally for abortion rights common phrase used by negotiating parties when they are not going to discuss a certain topic.