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Literary Representations of Safety in British Fiction of the Long Decade 1939–1950
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Literary Representations of Safety in British Fiction of the Long Decade 1939–1950 https://eprints.bbk.ac.uk/id/eprint/40207/ Version: Full Version Citation: Kyte, Jacqueline (2017) Literary Representations of Safety in British Fiction of the Long Decade 1939–1950. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Literary Representations of Safety in British Fiction of the Long Decade 1939–1950 Jacqueline Kyte PhD Thesis Birkbeck, University of London, English and Humanities, 2016 . 2 Declaration I, Jacqueline Kyte, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. 3 Acknowledgements My profound thanks go to my supervisor, Kate McLoughlin, for sharing her knowledge and expertise through many productive discussions and for her meticulous feedback, advice and guidance. Thanks also go to fellow students at Birkbeck, who have given their precious time to read my work. Conversations with them have been invaluable to the development of this thesis and have enriched the process; testing out ideas in our sessions has been a joyous experience, stimulating and supportive. Deep and special thanks go to my family – Ray, Abby, Zoe and Holly – who have encouraged me in this undertaking. I celebrate the love we have for each other, which strengthens and endures. -
Thehard DATA Spring 2015 A.D
Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X. -
Sled Island 2019 Schedule Pu
VENUE MAP VENUE MAP TUESDAY, JUNE 18 12 5 AVENUE NW EDMONTON TRAIL 16 4 AVENUE NW 3 AVENUE NW 1KM 0 STREET NW STREETS WITH CYCLE TRACKS 1 2 STREET SW 1 NORTH 2 AVENUE NW AT TOP 2 AVENUE NW OF HILL CITY OF CALGARY BIKEWAYS AND PATHWAYS 1 AVENUE NW CTRAIN MEMORIAL DRIVE MEMORIAL DRIVE KENSINGTON RD NW 4 STREET SE 3 AVENUE SW 4 AVENUE SW BOW TRAIL 5 AVENUE SW 9 STREET SW 6 AVENUE SW 8 STREET SW 5 STREET SW 4 STREET SW 3 STREET SW 2 STREET SW CENTRE STREET 1 STREET SW 1 STREET SE 7 AVENUE SW 1 MACLEOD TRAIL SE 3 STREET SE 13 20 0 STREET SW 6 1 STREET SW 1 1 #1 ROYAL CANADIAN LEGION (THREE FLOORS)* • 116 7th Ave. SE 1 8 AVENUE SW 2 15 4 STREET SE 8 10 4 5 STREET SE 2 ALBERTA MUSIC OFFICES @ NMC • #300, 851 4th St. SE 19 33 9 AVENUE SW 21 3 CALGARY SEXUAL HEALTH CENTRE • 301 14th St. NW 14 27 9 4 ARTS COMMONS • 205 8th Ave. SE 5 BLOCKS WEST 10 AVENUE SW 29 ON 10 AVE 7 5 ATB ART VAULT • 102 8th Ave. SW 11 9 AVENUE SE 11 AVENUE SW 6 BROKEN CITY (TWO FLOORS)* • 613 11th Ave. SW Main oor only 3 7 CENTRAL MEMORIAL PARK • 1221 2nd St. SW 25 12 AVENUE SW 10 AVE SE 8 CENTRAL UNITED CHURCH • 131 7th Ave. SW 5 28 4 STREET SW 18 1 13 2 STREET SE 9 COMMONWEALTH (TWO FLOORS) • 731 10th Ave. -
Alternate African Reality. Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora
Alternate African Reality, cover for the digital release by Cedrik Fermont, 2020. Alternate African Reality. Electronic, electroacoustic and experimental music from Africa and the diaspora. Introduction and critique. "Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans. Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress." – Binyavanga Wainaina (1971-2019). © Binyavanga Wainaina, 2005. Originally published in Granta 92, 2005. Photo taken in the streets of Maputo, Mozambique by Cedrik Fermont, 2018. "Africa – the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife - and the music." (extract from the booklet of Extreme Music from Africa (Susan Lawly, 1997). Whether intended as prank, provocation or patronisation or, who knows, all of these at once, producer William Bennett's fake African compilation Extreme Music from Africa perfectly fits the African clichés that Binyavanga Wainaina described in his essay How To Write About Africa : the concept, the cover, the lame references, the stereotypical drawing made by Trevor Brown.. -
2021 – Virtual/Online
IASPM-US 2021 Conference Program • Program is preliminary and subject to change. All listed times are in Eastern Time. • All conference presentations will be posted online and made available to registered conference attendees for asynchronous viewing. Scheduled panel times will be devoted to discussion and Q&A. • Registration is now open! Jump to • Tuesday, May 18 • Wednesday, May 19 • Thursday, May 20 • Friday, May 21 • Saturday, May 22 Tuesday, May 18, 2021 2:00 PM - Christian Punk: Identity and Performance • “Grow a Beard and Be Somebody”: Disavowal and Vector Space at Rocketown, Nashville Joshua Kalin Busman, UNC Pembroke • Todd and Becky: Authenticity, Dissent, and Gender in Christian Punk and Metal Nathan Myrick, Mercer University • “A heterosexual Male Backlash”: Punk Rock Christianity and Missional Living at Mars Hill Church in Seattle, Washington Maren Haynes Marchesini, Carroll College • “Lift Each Other Up”: Punk, Politics, and Secularization at Christian Festivals Andrew Mall, Northeastern University 2:00 PM - Folk Histories • Come All Ye Coal Miners: Forty Years of Dissent and Music in Harlan County Reed Puc, University of Montana • Isolation and Connection: Narratives of Technology and Aesthetics in Early 20th Century Folk and Pop Discourse Brian Jones, Eckerd College • “Exiled Man”: Bob Dylan’s Complicated Relationship with American Jewishness Erica K. Argyropoulos, Northeastern State University • The Lost and Found Musical History of Merthyr Tydfil: A Case Study in Local Music Making Paul Carr, University of South Wales -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Issue 161.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 161 December Oxford’s Music Magazine 2008 Flying Fish! Little Fish on their crazy year inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THE ACADEMY will be renamed pub is currently owned by Greene the O2 Academy from 1st January King and they are searching for a 2009 after a partnership deal was new manager but as of yet struck between the mobile network everything is up in the air and the company and Live Nation, the current area manager is said not to majority shareholder company in be keen on live music. the Academy Music Group. The deal Allison Young, who has promoted follows on from Carling’s gigs at the Port, on St Clement’s, YOUNG KNIVES’ HENRY DARTNALL has been talking to Nightshift sponsorship of the venue expiring. for the last three and a half years about the band’s special ‘Homecoming’ gig at the Academy on Sunday A press release documenting the told Nightshift, “Our last night at 21st December, and his pride in the band’s acclaimed ‘Suprerabundance’ new partnership declared that “O2 the Port Mahon is on the 2nd album, released earlier this year. The Oxford show is part of a series of customers will gain priority access December. We are aware that there Academy Homecoming gigs at cities around the UK and will see Young to tickets to all gigs at the venues, is someone interested in the place; Knives taking over the entire venue and picking some of their favourite as well as other Live Nation events they, however, want to change it bands as support. -
Ctm 2017 Finale
PRESSEMITTEILUNG 19. Dezember 2016 CTM & RED BULL MUSIC ACADEMY PRÄSENTIEREN CTM 2017 FINALE 5. FEBRUARY 2017 IN SCHWUZ UND HEIMATHAFEN CTM joins forces with Red Bull Music Academy to close its 18th edition on sonically divergent notes. For a third year in a row, the two partners have collaboratively assembled two back-to- back events. 20:00 / HEIMATHAFEN NEUKÖLLN / 22 € THE BUG vs DYLAN CARLSON OF EARTH STARA RZEKA 22:00 / SCHWUZ / 12 € MIKEQ BERLIN VOGUING OUT NILS BECH TOXE NEGROMA JAN PAUL ANDERS MARIE DAVIDSON ZIÚR ALIS JACKIE The latest project by Kevin Martin aka The Bug, whose appearance at CTM 2015 left a speechless, shell-shocked Berghain audience in its wake, is a collaborative face-off with Dylan Carlson of the legendary Seattle drone metal band Earth. At Heimathafen Neukölln, these two sonic maximalists will engage in an aptly-matched, epic musical battle between subterranean guitar drones and structure-rattling electronics. While Martin’s work in dub, industrial hip hop and dancehall engages with the politics of contemporary urban landscapes, Carlson’s artistic trajectory flows through dark Americana. A division of DISK / CTM – Baurhenn, Rohlf, Schuurbiers GbR • Veteranenstraße 21, 10119 Berlin, Germany Tax Number 34/496/01492 • International VAT Number DE813561158 | 1 | Bank Account: Berliner Sparkasse • BLZ: 10050000 • KTO: 636 24 508 • IBAN: De42 1005 0000 0063 6245 08 • BIC: BE LA DE BE Opening for The Bug vs. Dylan Carlson of Earth will be Polish guitarist and composer Jakub Ziołek (of T’ien Lai), whose one-man project Stara Rzeka (“Old River”) is similarly imaginative in its references to the dark underbelly of cultural heritage. -
Los Beats Urbanos: Pop Industrial, Hip-Hop Y Punk: Santiago De Chile (1980 – 2011) Revista Electrónica DU&P
Diseño Urbano y Paisaje Volumen 8 Número 22 2011 UNIVERSIDAD CENTRAL FACULTAD DE ARQUITECTURA, URBANISMO Y PAISAJE CENTRO DE ESTUDIOS ARQUITECTÓNICOS, URBANÍSTICOS Y DEL PAISAJE DU&P DISEÑO URBANO Y PAISAJE Raúl Olguín Hevia Los Beats Urbanos: Pop industrial, Hip-Hop y Punk: Santiago de Chile (1980 – 2011) Revista Electrónica DU&P. Diseño Urbano y Paisaje Volumen VIII N°22 Centro de Estudios Arquitectónicos, Urbanísticos y del Paisaje. Universidad Central de Chile Santiago, Chile. Septiembre 2011 Artículo_ Los Beats Urbanos: Pop industrial, Hip-Hop y Punk: Santiago de Chile (1980 – 2011). Raúl Olguín Hevia Diseño Urbano y Paisaje Volumen 8 Número 22 2011 LOS BEATS URBANOS: POP INDUSTRIAL, HIP-HOP Y PUNK: SANTIAGO DE CHILE (1980 – 2011) RAÚL OLGUÍN HEVIA RESUMEN A partir de los últimos hechos de violencia urbana juvenil acaecidos en Inglaterra, que responden a manifestaciones contra el modelo neoliberal y cuyo centro de experimentación fue Chile en los años 70, el autor trata de conectar dichos cambios en la génesis y desarrollo de estos tres estilos musicales y en la recreación de “sonotopos” al interior de Santiago de Chile. Busca imbricar distintas expresiones estético- culturales vinculadas a los estilos musicales trabajados, con procesos histórico-urbanos, como el desmantelamiento del modelo industrial y su impacto en la conformación del Santiago post-desarrollista, en el período indicado. Palabras claves: Cultura urbana / Procesos histórico – urbanos / Manifestaciones sociales. ABSTRACT Since last events of juvenile urban violence happened in England that respond to manifestations against the neoliberal pattern and whose experimentation center was Chile in the years 70, the author tries to connect these changes in the genesis and development of these three musical styles and in the recreation of "sonotopos" to the interior of Santiago Chile. -
The Dispatch
School Newspaper SSUE OLUME UNTINGTONDISPATCHIGH CHOOL AKWOOD AND C AY OADS UNTINGTON I II, V 45 H H S O M K R H , NY 11743 THE NEW CONDOM CHALLENGE PROVES A POINT LASTLY, HAVE FUN DOING AMY POEHLER AT THE EMMYS THIS FOR THE NEXT MONTH The Dispatch The Dispatch 2 Jan16 Jan16 3 Cultural Appropriation— Dispatch ANOTHER LOOK 2015-2016 LAS ESPINAS An increasingly controversial topic appropriation, is not the meaning of ‘cultural ap- Staff among conversation seems to be the preserva- propriation’. It is officially defined as “Cul- EDITORS-IN-CHIEF tion of culture and the continuing preservation tural appropriation is the adoption or use of of the sanctity of each nationality/ religion elements of one culture by members of a Michelle D’Alessandro through a common, seemingly childish view of different culture.” Sarah James “it’s mine, you can’t have it”. Now, the point where cultural appro- SE SACUDEN Last issue, this topic was discussed briefly priation can become more offensive and an ENTERTAINMENT EDITOR in this exact space titled “Cultural Appropria- increasing faux-pas in society is when it crosses RACHEL MOSS tion- What Is It?”. In case you can’t remember, over into that other category of coming from SPORTS EDITOR POR SANTOS GARCIA AVELAR it touched on the idea that cultural appropriation an ‘oppressed people’, or when the styles/ EMANUEL ANASTOS is everywhere, in the ponchos and sombreros objects/ designs/ whatever have a much more of bleak Party City aisles and in the windows of serious and sacred history. For example, Native COPY EDITORS LUZ, recorrió 3343.77 kilómet- con su inocencia pensó que era su padre.