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Literary Representations of Safety in British Fiction of the Long Decade 1939–1950
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Literary Representations of Safety in British Fiction of the Long Decade 1939–1950 https://eprints.bbk.ac.uk/id/eprint/40207/ Version: Full Version Citation: Kyte, Jacqueline (2017) Literary Representations of Safety in British Fiction of the Long Decade 1939–1950. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Literary Representations of Safety in British Fiction of the Long Decade 1939–1950 Jacqueline Kyte PhD Thesis Birkbeck, University of London, English and Humanities, 2016 . 2 Declaration I, Jacqueline Kyte, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. 3 Acknowledgements My profound thanks go to my supervisor, Kate McLoughlin, for sharing her knowledge and expertise through many productive discussions and for her meticulous feedback, advice and guidance. Thanks also go to fellow students at Birkbeck, who have given their precious time to read my work. Conversations with them have been invaluable to the development of this thesis and have enriched the process; testing out ideas in our sessions has been a joyous experience, stimulating and supportive. Deep and special thanks go to my family – Ray, Abby, Zoe and Holly – who have encouraged me in this undertaking. I celebrate the love we have for each other, which strengthens and endures. -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Issue 161.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 161 December Oxford’s Music Magazine 2008 Flying Fish! Little Fish on their crazy year inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THE ACADEMY will be renamed pub is currently owned by Greene the O2 Academy from 1st January King and they are searching for a 2009 after a partnership deal was new manager but as of yet struck between the mobile network everything is up in the air and the company and Live Nation, the current area manager is said not to majority shareholder company in be keen on live music. the Academy Music Group. The deal Allison Young, who has promoted follows on from Carling’s gigs at the Port, on St Clement’s, YOUNG KNIVES’ HENRY DARTNALL has been talking to Nightshift sponsorship of the venue expiring. for the last three and a half years about the band’s special ‘Homecoming’ gig at the Academy on Sunday A press release documenting the told Nightshift, “Our last night at 21st December, and his pride in the band’s acclaimed ‘Suprerabundance’ new partnership declared that “O2 the Port Mahon is on the 2nd album, released earlier this year. The Oxford show is part of a series of customers will gain priority access December. We are aware that there Academy Homecoming gigs at cities around the UK and will see Young to tickets to all gigs at the venues, is someone interested in the place; Knives taking over the entire venue and picking some of their favourite as well as other Live Nation events they, however, want to change it bands as support. -
Issue 188.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 188 March Oxford’s Music Magazine 2011 FIXERSFIXERS A Poptabulous Pyschedelic Bubble Exploding In Your Mind interview inside... plus Radiohead, Trophy Wife, Blessing Force, Young Knives, The Rock Of Travolta and much more NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net unlikely to go ahead as normal due to roadworks on Iffley Road. OXFORD CONTEMPORARY MUSIC’S SPRING SEASON celebrates the music and artwork of self-releasing and self-publishing musicians from this month. Editions Of You, which runs at the O3 Gallery STATUS QUO, THE FACES and JAMES BLUNT are the headliners for and Oxford Castle from Saturday this year’s Cornbury Festival. 26th March through to Sunday 24th Featuring original members Ronnie Wood, Kenney Jones and Ian YOUNG KNIVES return next April, will feature an exhibition of McLagan, Cornbury will be the recently-reformed Faces’ only UK festival month with their fourth album, exclusive artwork, as well as live appearance of the summer. The band are now fronted by former-Simply entitled ‘Ornaments From The music events every Thursday from Red singer Mick Hucknall. st rd Silver Arcade’. The follow-up to 6-8pm and a zine and artwork fair For the first time Cornbury will run over three days – the 1 -3 July – as 2008’s ‘Superabundance’, recorded in on the 9th April. Full details of well as moving to a new home at The Great Tew Estate, near Charlbury. -
2009 0910 Pmkfolder.Pdf
09/10_09 Wie es die Kunst geschafft hat, dass demonstrieren, sich also quasi eo ipso nur zur Schau stellen, was das ausser einer beim Schützenaufmarsch Vergangenheit geballten Ladung Testosteron sonst noch abbilden soll, das ist mir schlichtweg doch noch auf Zukunft trifft. schleierhaft. Nebenbei bemerkt handelt es sich dabei um einen sogenannten Lan- desfestumzug, und da darf die Frage erlaubt sein, wie man gedenkt, den anderen ( mehrheitlichen ) Teil Tirols Bevölkerung zu repräsentieren, nämlich die Frauen...?... Ich weiss nicht wie es euch geht, aber irgendwie rast dieses Jahr dahin, dass es einem Als Laie in solchen Sachen frage ich mich natürlich auch, was das Ganze mit dem ganz schwindlig werden könnte. Jetzt zieht schon der Herbst ins Land, und dabei übergeordneten Motto des Gedenkjahres zu tun hat. Wo bitte schön trifft hier Ver- kommt mir vor, als hätte das Jahr erst angefangen. Vielleicht gar nicht so schlecht, gangenheit auf Zukunft? Naja, sollen sie tun was sie wollen, vielleicht freuts ja auch denk ich mir andererseits, dann haben wir den ganzen Andreas Hofer Zinnober den ein oder anderen Touristen, das ganze Spektakel ist ja ohnehin in drei Stunden schneller hinter uns gebracht. Man kann es nämlich drehen und wenden wie man vorbei, könnte man sich einreden, wäre da nicht ein klitzekleiner Schönheitsfehler. will, gänzlich entkommen kann man diesem Wahnsinn nicht, auch wenn man sich Die ganze Chose kostet nämlich kolportierte 1,5 Millionen Euro. Was dabei so viel noch so bemüht. Und dabei steht der Höhepunkt ja erst bevor: der grosse Schützen- kostet ist mir ehrlich gesagt noch schleierhafter, aber wie gesagt ich bin absoluter aufmarsch am 20. -
Preliminary Phase I Archaeological Survey of the Lee-Dekalb Wind Energy Center Dekalb & Lee Counties, Illinois
Preliminary Phase I Archaeological Survey of the Lee-DeKalb Wind Energy Center DeKalb & Lee Counties, Illinois Submitted to: FPL Energy Illinois Wind, LLC 700 Universe Blvd. Juno Beach, FL 33458 By: Tetra Tech EC, Inc. Mr. Robert Jacoby Cultural Resources Lead 1000 The American Road Morris Plains, NJ 07950 Prepared by: Thomas E. Berres Principal Investigator OurHeritage Archaeological Services, Inc. 983 Quail Run DeKalb, Illinois 60115-6117 March 18, 2009 CONTENTS ARCHAEOLOGICAL SURVEY SHORT REPORT ............................................................... 1 CONTINUATION SECTION...................................................................................................... 3 INTRODUCTION ............................................................................................................................. 3 DEKALB/LEE COUNTIES ENVIRONMENT ...................................................................................... 3 Physiography and Geology ...................................................................................................... 3 Climate ..................................................................................................................................... 5 Hydrology................................................................................................................................. 5 Native Plant Communities ....................................................................................................... 6 Soils......................................................................................................................................... -
Exiled Records and Over-The-Counterculture: a Cultural
EXILED RECORDS AND OVER-THE-COUNTERCULTURE: A CULTURAL POLITICAL ECONOMIC ANALYSIS OF THE INDEPENDENT RECORD STORE by DAVID D. GRACON A DISSERTATION Presented to the School ofJournalism and Communication and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy September 2010 11 University of Oregon Graduate School Confirmation ofApproval and Acceptance ofDissertation prepared by: David Gracon Title: "Exiled Records and Over-the-Counterculture: A Cultural Political Economic Analysis ofthe Independent Record Store" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofJournalism and Communication by: Janet Wasko, Chairperson, Journalism and Communication Carl Bybee, Member, Journalism and Communication Leslie Steeves, Member, Journalism and Communication Julianne Newton, Member, Journalism and Communication Douglas Blandy, Outside Member, Arts and Administration and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 4, 2010 Original approval signatures are on file with the Graduate School and the University ofOregon Libraries. 111 © 2010 David D. Gracon IV An Abstract of the Dissertation of David D. Gracon for the degree of Doctor of Philosophy in the School of Journalism and Communication to be taken September 2010 Title: EXILED RECORDS AND OVER-THE-COUNTERCLTLTURE: A CULTURAL POLITICAL ECONOMIC ANALYSIS OF THE INDEPENDENT RECORD STORE Approved: Dr. Janet Wasko This study examined the cultural political economic significance of the physical "brick and mortar" independent record store in the digital era. The research was built upon two critical frameworks - the political economy of communication and critical cultural studies.