Ctm 2017 Finale
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Thehard DATA Spring 2015 A.D
Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X. -
Alternate African Reality. Electronic, Electroacoustic and Experimental Music from Africa and the Diaspora
Alternate African Reality, cover for the digital release by Cedrik Fermont, 2020. Alternate African Reality. Electronic, electroacoustic and experimental music from Africa and the diaspora. Introduction and critique. "Always use the word ‘Africa’ or ‘Darkness’ or ‘Safari’ in your title. Subtitles may include the words ‘Zanzibar’, ‘Masai’, ‘Zulu’, ‘Zambezi’, ‘Congo’, ‘Nile’, ‘Big’, ‘Sky’, ‘Shadow’, ‘Drum’, ‘Sun’ or ‘Bygone’. Also useful are words such as ‘Guerrillas’, ‘Timeless’, ‘Primordial’ and ‘Tribal’. Note that ‘People’ means Africans who are not black, while ‘The People’ means black Africans. Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress." – Binyavanga Wainaina (1971-2019). © Binyavanga Wainaina, 2005. Originally published in Granta 92, 2005. Photo taken in the streets of Maputo, Mozambique by Cedrik Fermont, 2018. "Africa – the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife - and the music." (extract from the booklet of Extreme Music from Africa (Susan Lawly, 1997). Whether intended as prank, provocation or patronisation or, who knows, all of these at once, producer William Bennett's fake African compilation Extreme Music from Africa perfectly fits the African clichés that Binyavanga Wainaina described in his essay How To Write About Africa : the concept, the cover, the lame references, the stereotypical drawing made by Trevor Brown.. -
2021 – Virtual/Online
IASPM-US 2021 Conference Program • Program is preliminary and subject to change. All listed times are in Eastern Time. • All conference presentations will be posted online and made available to registered conference attendees for asynchronous viewing. Scheduled panel times will be devoted to discussion and Q&A. • Registration is now open! Jump to • Tuesday, May 18 • Wednesday, May 19 • Thursday, May 20 • Friday, May 21 • Saturday, May 22 Tuesday, May 18, 2021 2:00 PM - Christian Punk: Identity and Performance • “Grow a Beard and Be Somebody”: Disavowal and Vector Space at Rocketown, Nashville Joshua Kalin Busman, UNC Pembroke • Todd and Becky: Authenticity, Dissent, and Gender in Christian Punk and Metal Nathan Myrick, Mercer University • “A heterosexual Male Backlash”: Punk Rock Christianity and Missional Living at Mars Hill Church in Seattle, Washington Maren Haynes Marchesini, Carroll College • “Lift Each Other Up”: Punk, Politics, and Secularization at Christian Festivals Andrew Mall, Northeastern University 2:00 PM - Folk Histories • Come All Ye Coal Miners: Forty Years of Dissent and Music in Harlan County Reed Puc, University of Montana • Isolation and Connection: Narratives of Technology and Aesthetics in Early 20th Century Folk and Pop Discourse Brian Jones, Eckerd College • “Exiled Man”: Bob Dylan’s Complicated Relationship with American Jewishness Erica K. Argyropoulos, Northeastern State University • The Lost and Found Musical History of Merthyr Tydfil: A Case Study in Local Music Making Paul Carr, University of South Wales -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Los Beats Urbanos: Pop Industrial, Hip-Hop Y Punk: Santiago De Chile (1980 – 2011) Revista Electrónica DU&P
Diseño Urbano y Paisaje Volumen 8 Número 22 2011 UNIVERSIDAD CENTRAL FACULTAD DE ARQUITECTURA, URBANISMO Y PAISAJE CENTRO DE ESTUDIOS ARQUITECTÓNICOS, URBANÍSTICOS Y DEL PAISAJE DU&P DISEÑO URBANO Y PAISAJE Raúl Olguín Hevia Los Beats Urbanos: Pop industrial, Hip-Hop y Punk: Santiago de Chile (1980 – 2011) Revista Electrónica DU&P. Diseño Urbano y Paisaje Volumen VIII N°22 Centro de Estudios Arquitectónicos, Urbanísticos y del Paisaje. Universidad Central de Chile Santiago, Chile. Septiembre 2011 Artículo_ Los Beats Urbanos: Pop industrial, Hip-Hop y Punk: Santiago de Chile (1980 – 2011). Raúl Olguín Hevia Diseño Urbano y Paisaje Volumen 8 Número 22 2011 LOS BEATS URBANOS: POP INDUSTRIAL, HIP-HOP Y PUNK: SANTIAGO DE CHILE (1980 – 2011) RAÚL OLGUÍN HEVIA RESUMEN A partir de los últimos hechos de violencia urbana juvenil acaecidos en Inglaterra, que responden a manifestaciones contra el modelo neoliberal y cuyo centro de experimentación fue Chile en los años 70, el autor trata de conectar dichos cambios en la génesis y desarrollo de estos tres estilos musicales y en la recreación de “sonotopos” al interior de Santiago de Chile. Busca imbricar distintas expresiones estético- culturales vinculadas a los estilos musicales trabajados, con procesos histórico-urbanos, como el desmantelamiento del modelo industrial y su impacto en la conformación del Santiago post-desarrollista, en el período indicado. Palabras claves: Cultura urbana / Procesos histórico – urbanos / Manifestaciones sociales. ABSTRACT Since last events of juvenile urban violence happened in England that respond to manifestations against the neoliberal pattern and whose experimentation center was Chile in the years 70, the author tries to connect these changes in the genesis and development of these three musical styles and in the recreation of "sonotopos" to the interior of Santiago Chile. -
The Dispatch
School Newspaper SSUE OLUME UNTINGTONDISPATCHIGH CHOOL AKWOOD AND C AY OADS UNTINGTON I II, V 45 H H S O M K R H , NY 11743 THE NEW CONDOM CHALLENGE PROVES A POINT LASTLY, HAVE FUN DOING AMY POEHLER AT THE EMMYS THIS FOR THE NEXT MONTH The Dispatch The Dispatch 2 Jan16 Jan16 3 Cultural Appropriation— Dispatch ANOTHER LOOK 2015-2016 LAS ESPINAS An increasingly controversial topic appropriation, is not the meaning of ‘cultural ap- Staff among conversation seems to be the preserva- propriation’. It is officially defined as “Cul- EDITORS-IN-CHIEF tion of culture and the continuing preservation tural appropriation is the adoption or use of of the sanctity of each nationality/ religion elements of one culture by members of a Michelle D’Alessandro through a common, seemingly childish view of different culture.” Sarah James “it’s mine, you can’t have it”. Now, the point where cultural appro- SE SACUDEN Last issue, this topic was discussed briefly priation can become more offensive and an ENTERTAINMENT EDITOR in this exact space titled “Cultural Appropria- increasing faux-pas in society is when it crosses RACHEL MOSS tion- What Is It?”. In case you can’t remember, over into that other category of coming from SPORTS EDITOR POR SANTOS GARCIA AVELAR it touched on the idea that cultural appropriation an ‘oppressed people’, or when the styles/ EMANUEL ANASTOS is everywhere, in the ponchos and sombreros objects/ designs/ whatever have a much more of bleak Party City aisles and in the windows of serious and sacred history. For example, Native COPY EDITORS LUZ, recorrió 3343.77 kilómet- con su inocencia pensó que era su padre. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
MAX TRAX – Continued VOLUME 6-Tapestries (New Age Pastels) 14001-14010 Written and Produced by Leslie Waller 1
1-800-HOT MUSIC (1-800-468-6874) VOLUME 1- Sports/Hi-tech (13501-13513) Track Title Tempo Time Description 1. 3rd and Long 122 5:00 Powerful, energetic, driving 2. Rugby Rock 120 5:00 Strong, Medium Hard, edged, live guitar lead 3. Slam Dunk 93 5:00 Bouncy, Up-beat, R&B, Contemporary 4. Speedway 174 5:00 Fast, Pulsing, Dramatic 5. Down Hill 222 5:00 Up tempo, Positve, Medium-light beat 6. Ice Dancing 122 5:00 Uplifting, Majestic, Light with Motion, New Age 7. Sat. Night Wrestling 103 5:00 Contemporary, Jazz rock 8. Marathon Man 139 5:00 Solid pulse, Bright, Uplifting 9. In Training 97 5:00 Electronic, Building, Active 10. Rowing River 146 5:00 Light, easy, Shuffle 11. Aerobic #1 134 5:50 Shuffle, Bounce, Med-Up Tempo, positive 12. Aerobic #2 134 6:06 Med. Tempo, Easy feeling 13. Aerobic #3 134 6:04 Shuffle, Bounce, Jazz oriented VOLUME 2- Industrial/Business (13601-13610) 1. Higher Productivity 106 5:00 Motivational, strong, driving, Sports 2. European Board Room 143 5:00 Stately, Soft Horns, Regal 3. Sort & Ship 111 5:00 Forward motion, March of progress 4. Factory of Fortune 129 5:00 Positive, Medium rock, Motion, Sports 5. R & D 145 5:00 Active Rock, Driving, Machine-like 6. Product Development 133 5:00 Classical, Strings, Winds, “arty”, dark 7. Profit Centre 143 5:00 Hard driving, French Horn, Big, Sports 8. Employee Participation 116 5:00 Gentle, Flute, Light Beat, Strings, Soft 9. C.E.O. 128 5:00 Decisive, Med. -
Lorentz, Korinna
MASTERARBEIT im Studiengang Crossmedia Publishing & Management Erfolgversprechende Melodien – Analyse der Hooklines erfolgreicher Popsongs zur Erkennung von Mustern hinsichtlich der Aufeinanderfolge von Tönen und Tonlängen Vorgelegt von Korinna Gabriele Lorentz an der Hochschule der Medien Stuttgart am 08. Mai 2021 zur Erlangung des akademischen Grades eines „Master of Arts“ Erster Betreuer und Gutachter: Prof. Dr. Oliver Wiesener Zweiter Betreuer und Gutachter: Prof. Oliver Curdt E-Mail: [email protected] Matrikelnummer: 39708 Fachsemester: 4 Geburtsdatum, -ort: 15.04.1995 in Kiel Danksagung Mein größter Dank gilt Professor Dr. Oliver Wiesener für das Überlassen des Themas und die umfangreiche Unterstützung bei methodischen und stochastischen Überlegungen. Ich danke ihm insbesondere dafür, dass er trotz einiger anderer Betreuungsprojekte meine Masterarbeit angenommen hat und somit meinen Wunsch, im Musikbereich zu forschen, ermöglicht hat. Des Weiteren möchte ich meinem Freund und meiner Familie dafür danken, dass sie sich meine Problemstellungen bis zum Ende hin angehört haben und mir immer wieder Inspi- rationen für neue Lösungswege geben konnten. Besonderer Dank gilt meiner Mutter, Gabriele Lorentz, mit der ich interessante Gespräche zu musikalischen Themen führen konnte und mei- nem Vater, Dr. Thomas Lorentz, mit dem ich nächtliche Diskussionen über Markov-Ketten und Neuronale Netzwerke hatte. Ich danke meinen Eltern und meinem Freund, Michael Feuerlein, für die kritische Durchsicht der Arbeit. Kurzfassung In der vorliegenden Masterarbeit wurden die Melodie-Hooklines von Popsongs, die in Deutsch- land zwischen 1978 und 2019 sehr erfolgreich waren, explorativ analysiert. Ziel war, zu unter- suchen, ob gewisse Muster in den Reihenfolgen der Töne und Tonlängen vorkommen, und diese zu finden. Für die Mustersuche wurden Markov-Ketten erster, zweiter und dritter Ord- nung sowie Chi-Quadrat-Anpassungstests berechnet. -
NFL HONORS Continued from Page 1
THE HARBINGER HARPER COMMUNITY COLLEGE MONDAY, FEBRUARY 9, 2015 48TH YEAR » ISSUE SEVEN NEW ENGLAND PATRIOTS SUPERBOWL 49 CHAMPIONS 02.01.15 FEMINISM AT HARPER BY ANA SERNA H O N O R S MUSIC EDITOR FEATURES BY MICHAEL LEON SPORTS EDITOR SPORTS Through viral videos, news articles, and hashtags, social media has had a hand in making feminism a topic NFL Every year, the night before the min is a walking highlight reel. The rookie wide that’s caught a lot of attention lately. With all the informa- big game on Sunday, the League hands receiver from Florida State has given Carolina tion in the world readily accessible to us, we still have Harp- out their most prestigious awards: Offen- hope and optimism that he and superman er College students who would rather use their iPhones sive Rookie of the Year, Defensive Rookie of Cam Newton can head in the right direction. to post on Yik Yak about the hot girl with the big booty the Year, Coach of the Year, Walter Pay- The Defensive Player of the Year who walked through Avante than find out what this po- ton Man of the Year Award, Comeback Award has been unanimous since week one. tentially large-scale feminism movement is about. Good Player of the Year Award, Defensive Play- J.J Watt has not only been a double digit sack news, though! You won’t have to be ignorant forever. er of the Year and, last but not least, the machine, but he’s also elevated his game by The Harper Feminist Society has recently started League’s Most Valuable Player Award. -
Latino/A Youth Subcultures in Elizabeth, New Jersey: Memory, Spacemaking, and Citizenship, 1980S-1990S
Latino/a Youth Subcultures in Elizabeth, New Jersey: Memory, Spacemaking, and Citizenship, 1980s-1990s by Yamil Avivi A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in the University of Michigan 2016 Doctoral Committee: Associate Professor Evelyn A. Alsultany, Chair Associate Professor Alyshia Galvez, Lehman College Associate Professor Jesse Hoffung-Garskof Associate Professor Lawrence La Fountain-Stokes © Yamil Avivi 2016 DEDICATION This dissertation is dedicated to Colombian American club kid Andre Melendez, also known as Angel Melendez (1971-1996), who should be remembered for how he empowered others, especially youth in Elizabeth, to be who they really are, even amidst systemic repression and violence toward racial, cultural, sexual and gender difference. To my niece and nephew, Alexandra and Brandon Avivi, I hope to trade with you both stories of our youth someday, and share how you helped me get sanely through the arduous task of writing and thinking through this dissertation. To my loving parents, Carmen Emilia and Farid Avivi, I’m so lucky to have you as mamí y pápi. My “hard” work could never compete with your lifelong selfless sacrifices to help me get where I am. ii ACKNOWLEDGEMENTS Faculty This project would not have been possible without the openness and support that my participants—mostly friends and friends of friends who came of age in Elizabeth— offered to move this case study forward. Having the opportunity to rekindle with old friends and meet new ones to talk about each of their lives and perspectives was one of the most rewarding and meaningful endeavors I will ever have in my lifetime.