Foreign Rights List General Fiction + Non-Fiction Fall 2017 2 Seas Literary Agency Inc
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A Film by Sathapranavan Antonythasan Jesuthasan
A FILM BY SATHAPRANAVAN WRITTEN AND MAIN CAST BY ANTONYTHASAN JESUTHASAN IBC TAMIL PRODUCTION - DA XIONGMAO - LAIDAK FILMS TECH. SHEET MAIN CAST & CREW Title : Friday and Friday Antonythasan Jesuthasan Lawrence Valin Language : French, Tamil Johanna Bros Manmathan Basky Genre : Drama, society Runtime : 72’ Director : Sathapranavan (Sri Lanka / France) Tech. : 4K - 2:35 color - 5.1 audio Screenplay : Antonythasan Jesuthasan, Sathapranavan Date of conclusion : May 2018 Original music score : Antoine Duchêne Production : IBC Tamil - Da Xiongmao - Laïdak Films Director of photography : Thomas Migevant Countries : Sri Lanka – France – UK Sound mixer : Eric Gattat Chief editor : Julien Chardon Casting manager : Marie-Charlotte Crétey Written and main cast by Anthonythasan Jesuthasan Executive producers : Baskaran Kandiah, Johann Chapelan Best actor (ICS, INOCA, Césars) for Dheephan, Cannes Palme d’Or 2015 Associate producers : Antoine Liétout, Ivan Zuber STORYLINE La Chapelle, a vibrant melting-pot neighborhood in Paris, France. It is the Ganesh festival, elephant god of knowledge and obstruction. Tamil people are celebrating. With incense, drums and dancers, streets are submerged by the crowd. Wandering through the streets, a homeless Tamil drinks wine with illegal immigrants and gets some comfort with an old prostitute. During the day he is begging for money to his Tamil “brothers” and to French people. Bad tempered and bitter, he makes up any reasons to get some change. He then crosses the road of a young French-Tamil filmmaker, Sathis, seeking to win back Laure, the French woman he loves. Sathis tries to convince Laure to get back with him. She is pregnant and wants stability in her life. Despite many fails, Sathis continues to write screenplays. -
PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. -
Attualità Cinema Musica Ritratti
20/10/2015 Da guerrigliero a scrittore fino alla Palma d'Oro, la storia di Antonythasan Jesuthasan: "A Parigi è molto forte l’'islamofobia'" Il Fatto Quotidiano Temi del Giorno IGNAZIO MARINO • IGNAZIO VISCO • LEGGE SEVERINO • MC DONALD'S • SONDAGGI ELETTORALI IlFattoQuotidiano.it / FQ Magazine / Cinema Attualità Cinema Musica Ritratti http://www.ilfattoquotidiano.it/2015/10/17/daguerriglieroascrittorefinoallapalmadorolastoriadiantonythasanjesuthasanaparigiemoltofortelislamofobia/2136266/ 1/10 20/10/2015 Da guerrigliero a scrittore fino alla Palma d'Oro, la storia di Antonythasan Jesuthasan: "A Parigi è molto forte l’'Rislamiofotbiar'" aIl Fatto tQuiotidiano Cultura Stile •ULTIMA ORA• SEZIONI BLOG FATTO TV ABBONATI FQ SHOP PARTEC!PA Te×levi sioAcnceedi | Abbonamenti Cucina Da guerrigliero a scrittore Donne fino alla Palma d’Oro, la La Musica è storia di Antonythasan Lavoro Jesuthasan: “A Parigi è Segui FQ Magazine su: molto forte l’’islamofobia'” Mi piace 11mila Segui @FQMagazineit di Davide Turrini × FQmagazine.it 11.168 "Mi piace" "La vicenda raccontata in Dheepan è vera al 50%. Reale per tutto quello che ho passato tra la guerriglia, la fuga dallo Sri Lanka con un passMaip poiarcteo q ufeasltsao P,a giina Condividi lavori alla giornata nelle periferie francesi. Diversa da quella del film è invece Piace a 2 amici la visione che ho della vita”, spiega lo scrittore/attore a FQMagazine di Davide Turrini | 17 ottobre 2015 Annunci casa.it Condividi 7 Tweet 16 0 COMMENTI (3) 700mila immobili sul portale n 1 in Italia. -
Antonythasan Jesuthasan, Loin Des Tigres
Date : AVRIL 18 Page de l'article : p.17 Journaliste : Gladys Marivat Pays : FR Périodicité : Mensuel OJD : 52113 Page 1/1 L'INCONNU CÉLÈBRE Antonythasan Jesuthasan, loin des Tigres Réfugié en France pour fuir les guerres civiles de son pays, l'acteur tamoul couche sur le papier ses souvenirs et détaille la nouvelle vie qui s'est alors offerte à lui, à Paris. on nom ne vous dit peut-être rien maîs son visage, vous I avez son pere, la peur permanente d être certainement vu dans le magnifique Dheepan de Jacques retrouve par les Tigres, ses relations avec SAudiard Dans ce film, Palme d'or a Cannes en 2015, les prostituées, les déboires des militants Antonythasan Jesuthasan joue un ancien soldat des Tigres tamouls, et les astuces pour gagner un visa pour exile en France Un rôle semi-autobiographique pour l'acteur, ne l'Europe Dans chaque histoire, on sent au Sn Lanka, en 1967 Tres jeune, il a rejoint les rangs du mouve- le goût de l'écrivain pour l'ironie de la vie et un talent - une ment indépendantiste reclamant un Etat tamoul, dans le nord-est douceur même - pour dépeindre les vies méconnues des exiles de l'île Quand il décide de fuir l'organisation, desillusionne, il se tamouls Ainsi, Layla nous entraîne en Seine-Saint-Denis auprès réfugie en Asie du Sud-Est puis arrive en France en 1993 ou il d'une ancienne militante indépendantiste et Friday, dans le obtient l'asile politique À Sevran, il fait des petits boulots, puis quartier tamoul de la Chapelle, dans le nord de Paris Ravis, commence a écrire sous le nom de Shobasakhti Son oeuvre -
Speaking Through the Body
DE LA DOULEUR À L’IVRESSE: VISIONS OF WAR AND RESISTANCE Corina Dueñas A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (French). Chapel Hill 2007 Approved by: Advisor: Dominique Fisher Reader: Martine Antle Reader: Hassan Melehy Reader: José M. Polo de Bernabé Reader: Donald Reid © 2007 Corina Dueñas ALL RIGHTS RESERVED ii ABSTRACT CORINA DUEÑAS: De la douleur à l’ivresse: Visions of War and Resistance (Under the direction of Dominique Fisher) This dissertation explores the notion of gendered resistance acts and writing through close readings of the personal narratives of three French women who experienced life in France during the Second World War. The works of Claire Chevrillon (Code Name Christiane Clouet: A Woman in the French Resistance), Marguerite Duras (La Douleur), and Lucie Aubrac (Ils partiront dans l’ivresse) challenge traditional definitions of resistance, as well as the notion that war, resistance and the writing of such can be systematically categorized according to the male/female dichotomy. These authors depict the day-to-day struggle of ordinary people caught in war, their daily resistance, and their ordinary as well as extraordinary heroism. In doing so, they debunk the stereotypes of war, resistance and heroism that are based on traditional military models of masculinity. Their narratives offer a more comprehensive view of wartime France than was previously depicted by Charles de Gaulle and post-war historians, thereby adding to the present debate of what constitutes history and historiography. -
“Magnífica” Hermanos Coen “Una Obra Inmensa Y Poderosa” the Guardian “Absorbente Y Maestra” Screen International
Una producción WHY NOT PRODUCTIONS y PAGE 114 “MAGNÍFICA” HERMANOS COEN “UNA OBRA INMENSA Y PODEROSA” THE GUARDIAN “ABSORBENTE Y MAESTRA” SCREEN INTERNATIONAL PARIS MATCH TELERAMA L’EXPRESS THE GUARDIAN PALMA DE ORO FESTIVAL DE CANNES CON MARC ZINGA JOSÉPHINE DE MEAUX FRANCK FALISE BASS DHEM FAOUZI BENSAÏDI TASSADIT MANDI GUIÓN DIRECTOR DE FOTOGRAFÍA EPONINE MOMENCEAU MONTAJE JULIETTE WELFLING © 2015 - WHY NOT PRODUCTIONS - PAGE 114 - FRANCE 2 CINEMA - FOTO : MARCEL HARTMANN 114 - FRANCE 2 CINEMA FOTO : WHY NOT PRODUCTIONS - PAGE © 2015 - NOÉ DEBRÉ THOMAS BIDEGAIN JACQUES AUDIARD MÚSICA ORIGINAL NICOLAS JAAR DIRECTOR DE ARTE MICHEL BARTHÉLÉMY (A.D.C.) COLABORACIÓN ARTÍSTICA HÉLÉNA KLOTZ VESTUARIO CHATTOUNE SONIDO DANIEL SOBRINO VALÉRIE DELOOF CYRIL HOLTZ CASTING PHILIPPE ELKOUBI MOHAMED BELHAMAR SCRIPT NATHALIE VIERNY 1ER AYUDANTE DE DIRECCIÓN JEAN-BAPTISTE POUILLOUX PRODUCTOR EJECUTIVO MARTINE CASSINELLI UNA CO-PRODUCCIÓN WHY NOT PRODUCTIONS PAGE 114 FRANCE 2 CINÉMA CON LA PARTICIPACIÓN DE CANAL + CINÉ + FRANCE TÉLÉVISIONS CON LA AYUDA DE LA RÉGION ILE-DE-FRANCE EN ASOCIACIÓN CON CINÉMAGE 9 A PLUS IMAGE 5 PALATINE ETOILE 12 INDÉFILMS 3 LA BANQUE POSTALE IMAGE 8 COFINOVA 11 SOFITVCINÉ 2 SOFICINÉMA 11 PRESSBOOK WWW.DHEEPAN.ES UGC presenta Una producción de PAGE 114 y WHY NOT PRODUCTIONS Duración : 1h54 ESTRENO 6 DE NOVIEMBRE 2015 DISTRIBUCIÓN VÉRTIGO FILMS PRENSA C/Carranza, 25. 7ª planta Borja Morais 28004 Madrid [email protected] T : 91 524 08 19 T : 91 524 08 19 SINOPSIS Huyendo de la guerra civil de Sri Lanka, un viejo soldado, una joven y una niña se hacen pasar por familia. Una vez refugiados en Francia, sin apenas conocerse, intentarán construir juntos un hogar. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Aragon, Elsa Et
Ce fichier numérique correspond au livre Aragon, Elsa Triolet et les cultures étrangères, Presses Universitaires Franc-Comtoises, Coll. « Annales littéraires », 2000, 225 p. Il figure ici dans une version pré-print avec un contenu identique à la version publiée. En raison d’un décalage dans la pagination, il convient de se référer à cette dernière pour toute citation. Collection Annales Littéraires Aragon, Elsa Triolet et les cultures étrangères Actes du Colloque de Glasgow, avril 1992 Sous la direction de Andrew Macanulty Presses Universitaire Franc-Comtoises Aragon, Elsa Triolet et les cultures étrangères Collection Annales Littéraires, 682 Linguistique et Sémiotiques vol. 34 30 rue Mégevand – 25030 Besançon Cedex © Collection Annales Littéraires 2000 Diffusé par les Belles Lettres 95 bd Raspail– 75006 Paris ISBN 2.913322.04.2 ISSN 0768-4479 Collection Annales Littéraires Aragon, Elsa Triolet et les cultures étrangères Actes du Colloque de Glasgow, avril 1992 Sous la direction de Andrew Macanulty Publication coordonnée par le Grelis (Groupe de recherches en linguistique, informatique et sémiotiques), Université de Franche-Comté Les œuvres d'Aragon et d'Elsa Triolet sont intimement liées à plusieurs cultures étrangères. Les romans de la jeune femme russe devenue l'écrivain français Elsa Triolet puisent aux sources des grands classiques russes, Gorki au Maïakoski et, au moment de la seconde guerre mondiale, sont influencées par des émissions de la BBC. Aragon, obsédé par l'Espagne et son romancero à partir de 1936 fut un traducteur qui théorisa le rapport traduction/écriture. La réception de son œuvre dans l'Angleterre de la seconde guerre mondiale ou dans le Japon de l'Après-guerre connut des péripéties dues à l'hostilité de surréalistes exilés ou à son engagement politique. -
AMC River East 21 312-332-FILM
© Poster Design: Kuo-Crary Tsung-Hui 322 E. Illinois St. AMC River East 21 312-332-FILM Cinema/CHicago Presents 51st Chicago International Oct. 15-29, 2015 Fim Festival FESTIVAL AT A GLANCE chicagofilmfestival.com Clever - p. 17 The 33 - p. 12 Funny Girl - p. 20 Brooklyn - p. 15 A Perfect Day - p. 29 Carol - p. 16 Stinking Heaven - p. 31 Dheepan - p. 18 The Thin Yellow Line - p. 32 dAm I Am Michael - p. 23 Very Semi-Serious - p. 34 I Smile Back - p. 23 Walking Distance - p. 35 James White - p. 24 cMeY We Are Francesco - p. 35 Macbeth - p. 26 Bite - p. 15 All About Them - p. 13 Ludo - p. 26 Big Father, Small Father and Other Stories - p. 14 Other Madnesses - p. 29 Cuckold - p. 18 The Red Spider - p. 30 Neon Bull - p. 28 Tag - p. 32 tRiLe Orphans of Eldorado - p. 28 They Look Like People - p. 32 Tough Love - p. 33 Three Days in September - p. 32 XConfessions: A Conversation With Erika Lust - p. 36 sXy Why Me? - p. 35 CONTENTS 5 Welcome! 42 Travel Guide 7 Tickets & Passes 43 Hot Spots The Birth of Saké - p. 14 10 Opening Night 44 Education Program Breakfast at Ina’s - p. 15 11 Film Program Guide 45 Membership For Grace - p. 20 12-36 Film Guide: A to Z 45 Merchandise Open Tables - p. 28 Sweet Bean - p. 31 36 Closing Night 46-52 Daily Film Schedule 38 Industry Days 53 Film Index by Country fOd 39 Spotlight: Architecture 53 Film Index by Category 39 Panels & Tast of Cinema 54 Film Index by Theme 40 Short Films 55 Festival Partners BecaUse everYboDY loves movies! For over half a century, the Chicago International Film Festival has done our part to expand your cinematic horizons with entertaining, provocative, and illuminating selections from around the globe. -
Western Intellectuals and the Soviet Union, 1920-40
Western Intellectuals and the Soviet Union, 1920–40 Despite the appalling record of the Soviet Union on human rights questions, many Western intellectuals with otherwise impeccable liberal credentials were strong supporters of the Soviet Union in the interwar period. This book explores how this seemingly impossible situation came about, examining the involvement of many prominent Western intellectuals with the Soviet Union, including Theodore Dreiser, G.B.Shaw, Henri Barbusse, Romain Rolland, Albert Marquet, Louis Aragon and Elsa Triolet, Victor Gollancz, Lion Feuchtwanger and Jean-Richard Bloch. Previously unpublished documents from the Soviet archives show the ‘behind the scenes’ operations of Soviet organisations that targeted, seduced and led Western intellectuals and writers to action. The book focuses in particular on the work of various official and semi-official bodies, including Comintern, the International Association of Revolutionary Writers (MORP), the All-Union Society for Cultural Relations with Foreign Countries (VOKS), and the Foreign Commission of the Soviet Writers’ Union, showing how cultural propaganda was always a high priority for the Soviet Union, and how successful this cultural propaganda was in seducing so many Western thinkers. Ludmila Stern is Senior Lecturer in the School of Modern Language Studies at the University of New South Wales, Australia, where she coordinates Russian Studies, and Interpreting and Translation Studies. She has published on VOKS and French intellectuals, and her other research interests -
La Vuelta Del Miedo Escriben CASTAÑO / Vallarelli / ACEVEDO / FONTE ELESGARAY / REAL / LEMA HUERGO / Minevitz / Mujica / DUARTE/ SALGADO / Osorio / VAZQUEZ PLOT
PLOT 24 CUADROS NÚMERO 35 - DiC 2020 La vuelta del Miedo ESCRiBEN CASTAÑO / VALLARELLi / ACEVEDO / FONTE ELESGARAY / REAL / LEMA HUERGO / MiNEViTZ / MUJiCA / DUARTE/ SALGADO / OSORiO / VAZQUEZ PLOT REVISTA 24 CUADROS - AÑO 13 Nº 35 Revista 24 Cuadros - N° 34 - Fundada el 17 de Agosto de 2007 PLOT por Mariano Castaño acía un rato largo que no escribía un se comparten los contenidos con la Plot. Hay razones válidas para ello. esperanza de reciprocidad. Análisis vacíos, HLa revista creció y hoy es mucho más transformados en hilos de twitter, en los que que la voluntad de un par de amigos. No es se vinculan témpera y dulce de leche, que nos hayamos convertido en un buscando significados ocultos, homenajes conglomerado editorial tampoco. Pero, inexistentes e influencias improbables, con la ciertamente, el sueño de un proyecto esperanza de muchos likes y seguidores a colectivo ha sido alcanzado. No solo con las granel. Por suerte, me rodeo de gente que me publicaciones periódicas en la página, sino recuerda que no es por ahí. Que nuestro en la cantidad y calidad de las plumas que camino es este, como dice el mandaloriano. alimentan cada número de la renovada edición en PDF. El número 35 de la revista, que estoy presentando en estas breves palabras, nos Ese crecimiento y el ímpetu por seguir llevará por los caminos del nuevo terror. No saliendo en formato revista tienen un sé si decirle revival a algo que nunca se fue, responsable, que es Fabio Vallarelli, Editor in pero puedo arriesgar que esta encarnación Chief. Si no fuera por él, nuestro presente está lejos del terror del explotación de la sería distinto: la edición clásica no se década pasada, y más cerca de un terror de publicaría, seríamos la mitad de redactores y qualité setentista. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai.