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CHINA RESEARCH MONOGRAPH 51 F M" INSTITUTE OF EAST ASIAN STUDIES ~ '-J UNIVERSITY OF CALIFORNIA • BERKELEY c::<::s CENTER FOR CHINESE STUDIES Cross-Cultural Readings of Chineseness Narratives, Images, and Interpretations of the 1990s EDITED BY Wen-hsin Yeh A publication of the Institute of East Asian Studies, University of Califor nia, Berkeley. Although the Institute of East Asian Studies is responsible for the selection and acceptance of manuscripts in this series, responsibil ity for the opinions expressed and for the accuracy of statements rests with their authors. Correspondence and manuscripts may be sent to: Ms. Joanne Sandstrom, Managing Editor Institute of East Asian Studies University of California Berkeley, California 94720-2318 E-mail: [email protected] The China Research Monograph series is one of several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. The others include the Japan Research Monograph series, the Korea Research Monograph series, and the Research Papers and Policy Studies series. A list of recent publications appears at the back of the book. Library of Congress Cataloging-in-Publication Data Cross-cultural readings of Chineseness : narratives, images, and interpretations of the 1990s I edited by Wen-hsin Yeh. p. em. - (China research monograph; 51) Collection of papers presented at the conference "Theoretical Issues in Modern Chinese Literary and Cultural Studies". Includes bibliographical references ISBN 1-55729-064-4 1. Chinese literature-20th century-History and criticism Congresses. 2. Arts, Chinese-20th century Congresses. 3. Motion picture-History and criticism Congresses. 4. Postmodernism-China Congresses. I. Yeh, Wen-hsin. -
DECEMBER 2005 WINTER ISSUE Special Feature on Hong Kong By
DECEMBER 2005 WINTER ISSUE INSIDE Special Feature on Hong Kong by Tobias Berger, John Millichap, Lee Weng Choy, Eliza Patten, Norman Ford, Sean Chen Monumentality and Anti—Monumentality in Gu Wenda’s Forest of Stone Steles-A Retranslation and Rewriting of Tang Poetry Zhang Dali: The Face of China A Visual Koan: Xu Bing's Dynamic Desktop Interviews with Oscar Ho, Uli Sigg, Xu Bing About the Chinese Presentation at the 2005 Yokohama Triennale US$12.00 NT$350.00 US$10.00 NT$350.00 Art & Collection Editor’s Note Contributors Hong Kong SAR: Special Art Region Tobias Berger p. 16 The Problem with Politics: An Interview with Oscar Ho John Millichap Tomorrow’s Local Library: The Asia Art Archive in Context Lee Weng Choy 24 Report on “Re: Wanchai—Hong Kong International Artists’ Workshop” Eliza Patten Do “(Hong Kong) Chinese” Artists Dream of Electric Sheep? p. 29 Norman Ford When Art Clashes in the Public Sphere— Pan Xing Lei’s Strike of Freedom Knocking on the Door of Democracy in Hong Kong Shieh-wen Chen Monumentality and Anti-Monumentality in Gu Wenda’s Forest of Stone Steles—A Retranslation and Rewriting of Tang Poetry Wu Hung From Glittering “Stars” to Shining El Dorado, or, the p. 54 “adequate attitude of art would be that with closed eyes and clenched teeth” Martina Köppel-Yang Zhang Dali: The Face of China Patricia Eichenbaum Karetzky Collecting Elsewhere: An Interview with Uli Sigg Biljana Ciric A Dialogue on Contemporary Chinese Art: The One-Day Workshop “Meaning, Image, and Word” Tsao Hsingyuan p. -
Laibach Is a Slovenian Multi-Media Collective, Founded in 1980 in the Mining Town Trbovlje
LAIBACH Laibach is a cross-media pop-art formation, founded in 1980 in the industrial mining town Trbovlje, in Slovenia (then still Yugoslavia). The name Laibach (German for the capital city Ljubljana) as well as the group’s militant self-stylisation, propagandist manifestos and statements has raised numerous debates on their artistic and political positioning. Many theorists, among them Slavoj Žižek repeatedly, have discussed the Laibach-phenomenon. The main elements of Laibach’s varied practices are: strong references to the history of avant- garde, nazi-kunst and socialist realism, de-individualisation in their public actions as anonymous quartet, conceptual proclamations, and forceful sonic stage performances - mostly labelled as industrial pop music, but their artistic strategy also carries a lot of humour and tactics of persiflage and disinformation. Self-defined ‘engineers of human souls’ are practicing collective work (official member names are Eber, Saliger, Dachauer and Keller), dismantling individual authorship and establishing the principle of hyper-identification. Already within their early Laibach Kunst exhibitions they created and defined the term ‚retro- avant-garde’ (in 1983), creatively questioned artistic ‚quotation’, appropriation, copyright, and promoting copy-left. Starting out as both an art and music group, Laibach became internationally renowned, especially with their violating re-interpretations of hits by Queen, the Stones, the Beatles, but also by their unique and daring concerts during the war in occupied Sarajevo (1995) or their recent one in North Korean capital of Pyongyang (2015). But what many do not know, however, is that Laibach in fact began its career as a visual art group. Images that most people know from the paintings of the NSK Irwin group – the cross, the coffee cup, the deer, the metal worker and the Red Districts – were originally Laibach motifs. -
Artist: Period/Style: Patron: Material/Technique: Form
TITLE:Vietnam Veterans Memorial LOCATION: Washington, D.C., U.S. DATE: . 1982 C.E. ARTIST: Maya Lin PERIOD/STYLE: Minimalism PATRON: The Commision of Fine Arts MATERIAL/TECHNIQUE: Granite FORM: Highly reflective black granite with incised names of 58,000 names ofVietnam Veterans who sacrificed their lives during the conflict. The name is an abstraction that means more to the family and friends than a pictorial representation. The two walls start very short and get progressively taller until they meet at an oblique angle at the monument’s center. One wall points towards the Washington Monument; the other points to the Lincoln Memorial. FUNCTION: It functions as a memorial to the soldiers that died during the Vietnam War. It is an ideal place for people to come and spend quiet time reflecting on the names and perhaps leaving mementos to the deceased. CONTENT: The walls are made of a dark igneous rock called gabbro, a type of granite, which is highly reflective when polished.The surface of the monument is etched with the 58,195 names of the Americans who died or remained missing in action in the Vietnam War. The names are listed in the order in which they were reported killed or missing in action. This makes the names harder to find, and re- quires a listing and numeric system of organization for visitors. CONTEXT: There were 1400 anonymous entries for this commission. There was a real backlash once her identity was known because of latent racism in the post Vietnam era. She defended her design in front of the United States Congress, who eventually reached a compro- mise: A group of more “traditional” sculptures, called “The Three Soldiers,” was erected near the monument. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Impeded Language in EE Cummings' Poetry and Xu
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 1995 Extraordinary Language: Impeded Language in E.E. Cummings’ Poetry and Xu Bing’s Book from the Sky Anna Neher Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the Arts and Humanities Commons Recommended Citation Neher, Anna, "Extraordinary Language: Impeded Language in E.E. Cummings’ Poetry and Xu Bing’s Book from the Sky" (1995). WWU Honors Program Senior Projects. 262. https://cedar.wwu.edu/wwu_honors/262 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. WESTERN WASHINGTON UNIVERSITY An equal opportunity university Honors■ Program HONORS THESIS In presenting this Honors paper in partial requirements for a bachelor ’s degree at Western Washington University, 1 agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of this thesis is allowable only for scholarly purposes. It is understood that any publication of this thesis for commercial purposes or for financial 2 ain shall not be allowed without mv written permission. Signature Date G- Anna Neher 1 Anna Neher Dr. Melissa Walt Honors Senior Project June 10, 2005 Extraordinary Language: Impeded Language in E.E. Cummings’ Poetry and Xu Bing’s Book from the Sky ”In the twentieth century as never before, form calls attention to itself.. -
The Connectedness of Digital Nomads with the Host Environment: Medellin, Colombia
Master Thesis International Development Studies The Connectedness of Digital Nomads with the Host Environment: Medellin, Colombia Student name: Tomas Gurvičius Student nr.: 4120205 Supervisor: Gery Nijenhuis Date: 6 August 2021 1 Abstract This thesis dives into the phenomenon of digital nomadism and the connectedness aspects of it. One of the global digital nomad hotspots – Medellin, is chosen to conduct the fieldwork. We shed light on the ambiguity of the term ‘digital nomad’ and introduce related concepts, such as coworking and co-living. Community-focused spaces (co-spaces) are distinguished as the core of many digital nomads. By spending time in selected co-spaces and participating in digital nomad events, observations are made. Respondents are selected and interviewed to draw conclusions about digital nomad sociodemographic characteristics, mobility trajectories, the infrastructure used, and the connectedness with the host society. We distinguish that this emerging and rapidly growing segment of the digital workforce is involved in local activities and identify specific local hubs of connectedness, which play a crucial role in facilitating social and professional links between the locals and the ‘nomads’. We also shed light on engagement with the local communities and the social networks of digital nomads within the innovative context of Medellin and the city's latest transition towards the knowledge economy. 2 Acknowledgements First of all, I would like to express my deepest gratitude to my supervisor Gery Nijenhuis, who was so patient, motivating and encouraging throughout the whole process of writing this thesis. Thank you for your genuine feedback and guidance, I would not have been able to graduate without it. -
CBI-Citizen-Magazine-Vol-1-2020
J U L Y 2 0 2 0 E D I T I O N V O L . 0 1 CBI CITIZEN MAGAZINE £0.00 WEALTH DUE DUAL MIGRATION DILIGENCE CITIZENSHIP Cyprus has emerged as new Insights into due diligence of Dual citizenship is an important destination for millionaires Malta, vetting with schengen status lays foundations for bringing wealth to its shores visas and cryptocurrencies citizenship by investment. J U N E 2 0 2 0 | C B I C I T I Z E N First Edition of the CBI Citizen Magazine WELCOME It gives me great pleasure to publish our first edition of the CBI citizen magazine. It is a free copy and available for digital download. The name "CBI citizen" comes from a small number wealthy population who become citizens through Citizenship by investment (CBI) programs. It is a honor for me to appear along with the distinguished guests in the first edition. We have contributed a significant portion of columns in the first edition, also we have featured some of our guests. We hope more contributions will come in the future from experts in the industry. Our editions will remain free for both readers and contributors. With each edition we strive to make the magazine more interesting and useful. I am pleased to announce CBI citizen magazine is now the youngest member of Yellow Network. I founded the Yellow Network, one family of startups for CBI industry back in 2019. Please feel free to share, like and print and no permission is needed from us. P R A B H U B A L A K R I S H N A N , F O U N D E R , C B I C I T I Z E N M A G A Z I N E C B I C I T I Z E N . -
Irwin & Neue Slowenische Kunst
Irwin & Neue Slowenische Kunst (NSK) Have you ever considered what, exactly, it means to identify yourself in terms of your nationality? A nation’s self identity is complex and often provokes heated debate. For example, being an “American” must mean something other than being a citizen of the United States of America since citizens are sometimes accused of acting in an “un-American” way. In the early 1980s, questions of national identity came to the forefront of politics in an area of the northernmost part of Yugoslavia that is now known as the Republic of Slovenia. At the time, “Slovenia” was not—nor had it ever been—a country. Rather, “Slovenia” had always been a part of something else. In the early 1980s, it was a part of Yugoslavia. Before that, it had been a part of the Nazi Reich, France, the Hapsburg Empire, Greater Hungary, the Ottoman Empire, and so on. So what did it mean to be Slovene when “Slovenia” was merely an idea of a nation that consisted, essentially, of layer upon layer of assimilated outside influences? In 1984, the visual arts collective Irwin and the Scipion Nasice Sisters Theater Group joined with the inter-media group Laibach to form a collective enterprise known as Neue Slowenische Kunst (NSK), or “New Slovenian Art.” Using German (rather than Slovene) for the name of the collective conjured images of German domination of the region during World War II and made it clear that the group did not plan to create nationalist art to be exploited for the cause of Slovenian liberation. -
Not for Publication United States District Court District of New Jersey : Moorish Science Temple of America 4Th & 5Th : Gene
Case 1:11-cv-07418-RBK-KMW Document 2 Filed 01/12/12 Page 1 of 12 PageID: <pageID> NOT FOR PUBLICATION UNITED STATES DISTRICT COURT DISTRICT OF NEW JERSEY : MOORISH SCIENCE TEMPLE OF Civil Action No. 11-7418 (RBK) AMERICA 4TH & 5TH : GENERATION et al., : MEMORANDUM OPINION Plaintiff, AND ORDER : v. : SUPERIOR COURT OF NEW JERSEY at el., : Defendants. : This matter comes before the Court upon Plaintiff’s submission of a civil complaint, see Docket Entry No. 1, and an application to proceed in forma pauperis, see Docket Entry No. 1-1, and it appearing that: 1. The aforesaid complaint is executed in the style indicating that the draftor(s) was/were affected by “Moorish,” “Marrakush,” “Murakush” or akin perceptions, which often coincide with “redempotionist” and/or “sovereign citizen” socio-political beliefs. See Bey v. Stumpf, 2011 U.S. Dist. LEXIS 120076, at *2-13 (D.N.J. Oct. 17, 2011) (detailing various aspects of said position). Moorish and Redemptionist Movements. Two concepts, which may or may not operate as interrelated, color the issues at hand. One of these concepts underlies ethnic/religious identification movement of certain groups of individuals who refer to themselves as “Moors,” while the other concept provides the basis for another movement of certain groups of individuals, which frequently produces these individuals’ denouncement of United States citizenship, self-declaration of other, imaginary Case 1:11-cv-07418-RBK-KMW Document 2 Filed 01/12/12 Page 2 of 12 PageID: <pageID> “citizenship” and accompanying self-declaration of equally imaginary “diplomatic immunity.” [a]. Moorish Movement In 1998, the United States Court of Appeals for the Seventh Circuit - being one of the first courts to detail the concept of Moorish movement, observed as follows: [The Moorish Science Temple of America is a] black Islamic sect . -
Kalkinma Performanslari Açisindan
Fiscaoeconomia 2019, Vol.3(2) 76-98 DOI:10.25295/fsecon.2019.02.004 Economic Citizenship: Is It Worthy Investment? Mustafa Şeref AKIN1 Ekonomik Vatandaşlık: Yatırıma Değer mi? ARTICLE INFO ABSTRACT Article History: The selling of economic citizenship is expanding and gradually becoming an Date Submitted: 08.02.2019 industry. This paper weighs the cost-benefit analysis of economic citizenship in Date Accepted: 15.05.2019 three aspects, visa-free country (VFC), marginal contribution and investment JEL Classification: threshold aspects. The return on investment for the visa-free access is moderate, F21 around 1-2% for a frequent traveler family and 0.2-0.5% for a frequent traveler F12 single. Based on these analyses, unless an investor is a very frequent traveler, F6 investment by citizenship programs are not feasible from visa-free country’s Keywords: aspect. However, the benefits of acquiring economic citizenship from an EU Economic Citizenship, country can compensate the low return on visa-free access. Under the marginal Second Citizenship, analysis, we eliminated the redundancy among passports and we calculated the Visa-free Countries , additional benefits of an extra passport. This shows that acquiring a passport from Investment. developing countries is not meaningful for the citizens from developed countries. Under the investment threshold analysis, we demonstrated the minimum investment requirement. Some countries might be more advantageous for the return on investment along with citizenship, but they set the investment threshold so high that countries with donation might be more feasible. 1 Mustafa Şeref AKIN, Prof. Dr. Erzincan Binali Yıldırım Üniversitesi, IIBF, [email protected] AKIN, M. -
May '68 in Yugoslavia
SLAVICA TER 24 SLAVICA TERGESTINA European Slavic Studies Journal VOLUME 24 (2020/I) May ’68 in Yugoslavia SLAVICA TER 24 SLAVICA TERGESTINA European Slavic Studies Journal VOLUME 24 (2020/I) May ’68 in Yugoslavia SLAVICA TERGESTINA European Slavic Studies Journal ISSN 1592-0291 (print) & 2283-5482 (online) WEB www.slavica-ter.org EMAIL [email protected] PUBLISHED BY Università degli Studi di Trieste Dipartimento di Scienze Giuridiche, del Linguaggio, dell’Interpretazione e della Traduzione Universität Konstanz Fachbereich Literaturwissenschaft Univerza v Ljubljani Filozofska fakulteta, Oddelek za slavistiko EDITORIAL BOARD Roman Bobryk (Siedlce University of Natural Sciences and Humanities) Margherita De Michiel (University of Trieste) Tomáš Glanc (University of Zurich) Vladimir Feshchenko (Institute of Linguistics, Russian Academy of Sciences) Kornelija Ičin (University of Belgrade) Miha Javornik (University of Ljubljana) Jurij Murašov (University of Konstanz) Blaž Podlesnik (University of Ljubljana, technical editor) Ivan Verč (University of Trieste, editor in chief) ISSUE CO-EDITED BY Jernej Habjan and Andraž Jež EDITORIAL Antonella D’Amelia (University of Salerno) ADVISORY BOARD Patrizia Deotto (University of Trieste) Nikolaj Jež (University of Ljubljana) Alenka Koron (Institute of Slovenian Literature and Literary Studies) Đurđa Strsoglavec (University of Ljubljana) Tomo Virk (University of Ljubljana) DESIGN & LAYOUT Aljaž Vesel & Anja Delbello / AA Copyright by Authors Contents 8 Yugoslavia between May ’68 and November ’89: