Woon Tien Wei
E-mail: [email protected] Website: http://www.post-museum.org https://woontienwei.wordpress.com/
Biography
Education and Professional Experience
2016 Part Time Lecturer in fine art in Lasalle College of the Arts
2013 – Present Co-founded Awaken the Dragon Festival
An art project inspired by the last 2 remaining Dragon Kilns in Singapore. Clay workshop for 5,000 members of the public. Event organising for the 3 day festival at Jalan Bahar.
2012: Curtin University, Doctorate of Creative Arts
Doctoral Thesis titled: Arts in a Knowledge-based Economy: Activist Strategies in Singapore's Renaissance.
The topic of this thesis observes the response by the Singaporean arts community to sudden and dramatic changes in government planning policy, in particular, the Renaissance City Plan (RCP), introduced in 2000.
This thesis argues that community-led cultural development are important for building a vibrant art scene and cultural development should not be left entirely up to government cultural planners.
2011 – Present Community Service
Maintain an interest in the development of civil society movements in Singapore.
Co-founded SOS Bukit Brown and involved with the campaign to preserve Bukit Brown Cemetery.
Co-founded The Soup Kitchen Project Singapore programme which distributes food once a week to the needy in Little India area.
2010 – 2011 Member of the Acquisition Committee The National Gallery of Singapore
Advise on acquisition of works.
2007 - Present: Founded Post-Museum
Managed and operated an independent cultural and social space in Singapore, serving as an open platform for examining contemporary life, promoting the arts and connecting people.
Managed and operated an art project / Restaurant / Bar called Food #03.
As of mid-Aug 2011, Post-Museum has moved out of its Rowell Rd premises and is currently nomadic.
Experience in organising activities for different communities like art, environment, human rights and workshops.
2008: Co-Chair for International Symposium on Electronic Arts
2004-2008: Formed p-10, a curatorial collective with a project space
2001-2005 Co-founded tsunamiii.net, a net art collective
1998-2001: Goldsmiths College, University of London, BA Fine Art
1997: Joined “Artists Village” in Singapore (An art group)
Teaching Record
2016: History of Collectivity, Community and Social Practice Elective 10 week Lectures and workshops Lasalle BA Fine Art Singapore
Part-time Lecturer Tutorial, Critiques, assessment and double-marking Lasalle BA Fine Art Singapore
Service Learning: Community Leader for Sungei Road Flea Market Guide Students on developing their projects Ngee Ann Polytechnic
2015: Heritage Preservation Segment in Transactions in the Field (Masterclass) Kampung Banda Dalam Kuala Lumpur, Malaysia
Ceramic Tile-making workshop at Renci Home Singapore
2014: Ceramic and heritage workshop for Awaken the Dragon 2014 2000 Participants Various venues Singapore
2012: Ceramic and heritage workshop for Awaken the Dragon 2012 3000 Participants Various venues Singapore
Publications:
2016: The Collective Moment: Post-Museum’s Rowell Road Period Book Chapter for ‘Critical Artscapes / Resilient Artists: Worlding the Discussion on Art and Space’ Ed. Jason Luger & Julie Ren
2015: National Gallery: Icing on the SG50 cake The Online Citizen http://www.theonlinecitizen.com/2015/12/04/national-gallery-icing-sg50-cake/
2012: Arts in a knowledge-based economy : activist strategies in Singapore's Renaissance Doctoral Thesis Curtin University http://espace.library.curtin.edu.au/R/?func=dbin-jump-full&object_id=188635&local_base=GEN01- ERA02
2010: A Brief History of Working with New Media Art: Conversations with Artists by Sarah Cook, Beryl Graham, Verina Gfader and Axel Lapp, ed. The Green Box
2001 Performance Research Vol 6 no1, Spring 2001: Departures, Ed. Claire Mcdonald, Between Journeys: an interview with Lee Wen, Contributed article, p3-7 Routledge, London
1999 Nothing Special, Issue no.3, 1999, Singapore artists-initiative art magazine by the Plastique Kinetic Worms collective contributed article, Why not go shopping instead
Selected Group Shows
2016 SURVEY: SPACE, SHARING, HAUNTING The Substation Singapore
The Kula Ring 72-13, Singapore International Festival of Arts Singapore
Der Kula Ring Galerie Eigenheim Weimar, Germany
Public Art Festival Singapore Art Club at Gillman Barracks Singapore
2015: Jakarta Biennale 2015 Gudang Sarinah & Rusun Marunda Jakarta, Indonesia
M.E.L.T.ING Project: Reviving from Melting and Ashes Taipei Museum of Contemporary Art Taipei, Taiwan
CULTUREHACKSG 1.0 NUS Baba House Singapore Art Week 2015, Singapore
Awaken the Dragon 2014 Exhibiton The Agora Singapore
2014: Unearthed Singapore Art Museum Singapore
Awaken the Dragon Festival 2014 Various sites around Singapore Singapore
More than [show] business: Post-Pop Up Contemporary Center of Art Singapore
2013: Awaken the Dragon Festival 2013 Various sites around Singapore Singapore
Untitled II (Dawu) The Artists Village Show Institute of Contemporary Art Singapore Singapore
Dialogue the Promise Chiang Mai University Arts Centre Chiang Mai, Thailand
2012: Untitled (Lions' Dream) Artist's Caravan Singapore
2011: Activist Care Centre Post-Museum Singapore
Server Foundation: Indexes Online Project
2010: Structural Integrity Arts House Meat Market Next Wave Festival, Melbourne, Australia
2009: Live and Let Live: Creators of Tomorrow Fukuoka Asian Art Museum (FAAM) 4th Fukuoka Asian Art Triennale, Fukuoka, Japan
2008: Expenditure Busan Biennale '08: Sea Art Festival Busan, Korea
Local_local Castlefield Gallery Asian Art Triennial Manchester, Manchester, UK
2007: Happy Together Artist & Co-curator Notthatbalai Festival, Kulua Lumpur, Malaysia
A I R P O R T : some flying thoughts … Space E6, Shenzhen, China
Virtual Marathon 2 Online Project Commission work by Impakt Online
2006: A Vision for Tomorrow Artist & Co-curator p-10, Singapore
Case study: Sparwasser HQ, Offensive for Contemporary Art and Communication, in Berlin (www.sparwasserhq.de) 72-13, Singapore
2005: Errata: Page 71, Plate 47. Image caption. Change Year: 1950 to Year: 1959.; Reported September 2004 by Koh Nguang How Co-curator Singapore History Museum, Singapore
Open Nature NTT ICC, Tokyo, Japan
2004: GRAVITY: MAAP in Singapore Singapore Art Museum, Singapore
Errata: Page 71, Plate 47. Image caption. Change Year: 1950 to Year: 1959.; Reported September 2004 by Koh Nguang How Co-curator p-10, Singapore
2003: Unpacking London: London’s finest take away Perumal Studios, Singapore
alpha 3.8: translocation Internet piece commissioned by Walker Art Center
2002: 4th Asiatopia Santi Chaiprakarn, Park, Pra Athit Road Organised by Concrete House/Empower Foundation Bangkok and Chiang Mai, Thailand
Media City Seoul Seoul Metropolitan museum Seoul, Korea
Documenta 11 Binding Kassel, Germany
Danger Museum TheSpace@INIVA London, UK
The Show INSA Art Center Seoul, Korea
Contemplation Room Overgaden Gallery Copenhagen, Denmark
2001: Nokia Singapore Art Singapore Art Museum Singapore
Digiframe, Focus Galerie Cologne, Germany
2000: "Einsperren Aussperren Aufsperren", ("Log In Log Out Log Off") Curated by The Program Angels The Laden, Munich, Germany
Art Beyond Borders, Organised by Dominque Hui Art System Gallery Toronto, Ontario, Canada
London Biennale Organised by David Medalla Danger museum Souvenir shop Both physically and virtually, London, England and website www.dangermuseum.com
1999: The Dream Plan Project, organised by Footbridge To All Platforms, An international art event for young artists Kwanhoon Gallery and Fusion Gallery Seoul, Korea
Super Luxury Art Machine, Danger Museum Project, Group project organised with Dennis Tan and Green Zeng Plastique Kinetic Worms gallery, Singapore
1998: The 1998 Danger museum Collection Organised by Tien Wei Woon Part of Substation’s Septfest event with 13 artists and 18 children artists The Substation, Singapore
More of the Same, two artist- exhibition of paintings and prints Part of the event supporting the ASEM event of 1998 Organised by the Royal Overseas League Royal Overseas House, London, UK Landings Gallery, Royal Overseas League, Edinburgh, UK
Reviews and writings on my work:
2016: The Business Times Feb 6, 2016 Picture perfect picnics by Rachel Loi and Tan Teck Heng http://www.businesstimes.com.sg/lifestyle/food-drink/picture-perfect-picnics
This is Singapore TV programme Channel U / Toggle http://video.toggle.sg/en/series/this-is-singapore/ep4/359253
2009: Fukuoka Now Sept 2009 Fukuoka Now Ltd. All Rights Reserved
2004: Digital Currents: Art in the Electronic Age by Margot Lovejoy Routledge
Internet Art by Rachel Greene Thames & Hudson
2003: Digital Art by Christiane Paul Thames & Hudson, pg 123.
Arts Nation by Mega Media TV programme http://www.dangermuseum.com/translocal/program/artsnation.htm
Art-ware: Utopie della net art by Valentina Tanni Flash Art Italia 2003 http://www.flashartonline.com/issues/238italia/artware.asp
2002: The Business Times Nov 9, 2002 Weaving the Web of Art By Cheah Ui-hoon
Computer Times, Nov 20, 2002 Walking instead of clicking By Alfred Siew
Telepolis magazin der Netzkultur June 27, 2002 Laufen statt surfen By Tilman Baumgärtel
RHIZOME.ORG NET ART NEWS July 08, 2002 Walk, do not Surf, the Web by Brooke Singer
The NY TIMES June 13, 2002 Arts Festivals Buzz With Digital Deviltry by MATTHEW MIRAPAUL
2001: Vehicle Issue no.3, 2001, Ed. Yvonne Lee alpha 3.0: GPS piece - A Web Walkabout by tsunamii.net, by May Yip p18-19 Plastique Kinetic Worms, Singapore
The Straits Times, July 27, 2001 GPS finds its way into art, by Steve Dawson, Singapore Press Holdings, Singapore
Generation e, a program about technology and internet, review of tsunamii.net’s alpha 3.0 CNBC Asia, 17/8/2001
2000: The Danger Museum: A Publication from the Danger Museum Archives, by LIM KOK BOON, ISBN: 981-04-3115-5
Asia Pacific Magazine, issue 26, ‘Finding a place for art: Singapore report’ by Felicity Fenner p25-27
Masulsage (Art World), April 2000 no.185 'A Letter on the Asian Memory and Heritage delivered from London-in assoication with the Box Museum 2000’ by PARK Soyang, Masulsage, Korea
1999: Art World, September Issue, 1999 Korean Art magazine, A review reporting on the art event Dreamplan project
Aporia, Issue no.4, May 1999, Singapore The Danger Museum: Friendly Art spaces by Wendy Gan, p16-20
1998: Straits times, Life, September 7th, Singapore Many happy returns, Substation by Elizabeth A. Kaiden and Photos by Sim Chi Yin
Talks and Conferences
2016: One By One Metre Space Rough Tours Flanuer Gallery Singapore
Guest Speaker for Spaces of the Curatorial. Printed Matter(s) Workshop led Regina Maria Moeller
Guest Speaker for Professional Practice Module Lasalle BA Fine Art Singapore
2015: BICARA TITIAN BUDAYA Forum on Engaging Singapore-Malaysia Artistic & Cultural Communities Black Box, Publika Kuala Lumpur, Malaysia
2014: Curatorial Roundtable Public Talk Series Curating Lab Singapore
2006: Virtual Marathon Presentation and Demonstration Satu Kali Kulua Lumpur, Malaysia
2005: Exchange 05: Enquiries in Art & Technology, organised by p-10 & WITA p-10 Singapore
Open Nature: Meet the artists vol.2 NTT ICC Tokyo, Japan
Xeno-tech & Art and Social Responsibility Transmediale, Haus of World Kultur Berlin, Germany
2003: Construction/Reborn, organised by Old Ladies Art House Space Seminar on artists run space and urban planning. Macau
2000: The Post-Ulu Show, organised by The Artists Village Slide talk about Dream Plan Project and Danger museum, Substation Gallery, Substation, Singapore
Nokia Art Society Talks, Slide presentation on the Artists Village’s Post-Ulu, With Koh Nguang How, Kai and Ziyan Singapore Art Museum, Singapore
1999: The Dream Plan Project, organised by Footbridge To All Platforms, An international art event for young artists, Three day conference with 39 artists, Fusion Gallery, Seoul, Korea