( As of : 27 July 2014 ) Full Name Heman Chong Website / Email
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Exhibition Guide
ArTScience MuSeuM™ PreSenTS ceLeBrATinG SinGAPOre’S cOnTeMPOrArY ArT Exhibition GuidE Detail, And We Were Like Those Who Dreamed, Donna Ong Open 10am to 7pm daily | www.MarinaBaySands.com/ArtScienceMuseum Facebook.com/ArtScienceMuseum | Twitter.com/ArtSciMuseum WELCOME TO PRUDENTIAL SINGAPORE EYE Angela Chong Angela chong is an installation artist who Prudential Singapore Eye presents a with great conceptual confidence. uses light, sound, narrative and interactive comprehensive survey of Singapore’s Works range across media including media to blur the line between fiction and contemporary art scene through the painting, installation and photography. reality. She has shown work in Amsterdam Light Festival in the netherlands; Vivid works of some of the country’s most The line-up includes a number of Festival in Sydney; 100 Points of Light Festival innovative artists. The exhibiting artists who are gaining an international in Melbourne; cP international Biennale in artists were chosen from over 110 following, to artists who are just Jakarta, indonesia, and iLight Marina Bay in submissions and represent a selection beginning to be known. Like all the other Singapore. of the best contemporary art in Prudential Eye exhibitions, Prudential 3D Tic-Tac-Toe is an interactive light sculpture Singapore. Prudential Singapore Eye is Singapore Eye aims to bring to light which allows multiple players of all ages to the first major exhibition in a year of a new and exciting contemporary art play Tic-Tac-Toe with one another. cultural celebrations of the nation’s 50th scene and foster greater appreciation of anniversary. Singapore’s visual art scene both locally and internationally. 3D Tic-Tac-Toe, 2014 The works of the exhibiting artists demonstrate versatility, with many of the artists working experimentally Jeremy Sharma Jeremy Sharma works primarily as a conceptual painter. -
Curriculum Vitae
HO TZU NYEN何子彥 CURRICULUM VITAE 1976 Born in Singapore 2007 Graduated from National University of Singapore, Master of Art (by Research), Southeast Asian Studies Programme 2001 Graduated from University of Melbourne, Victorian College of the Arts, School of Creative Arts (Dean's Awards), Bachelor of Creative Arts Currently lives and works in Singapore SELECTED VISUAL ARTS EXHIBITIONS 2010 Media Landscape -Zone East, The Korean Cultural Centre, London, United Kingdom Liverpool Biennial, Media Landscape -Zone East, Liverpool, United Kingdom Solo exhibition at the Contemporary Art Centre South Australia, Australia No Soul for Sale, Tate Modern, London, United Kingdom Video Art Biennial, Tel Aviv, Israel intercool 3.0, Hartware Medienkunstverein im Dortmunder U, Dortmund, Germany ShContemporary, Future Perfect, Shanghai, China 2009 The Zarathustra Project, 6th Asia-Art Pacific Triennial, Australia H the Happy Robot, 6th Asia-Art Pacific Triennial, Australia Yokomama Festival of Art and Media, Japan The Dojima River Biennale, Osaka, Japan The Making of the New Silk Roads, Bangkok University Gallery, Thailand The Singapore Art Show, Singapore Art Museum, Singapore Some Rooms, Osage Kwun Tong, Hong Kong, China 2008 Coffee, Cigarettes and Phad Thai- Contemporary Art from Southeast Asia, Eslite Gallery. Taiwan Art Multiple, Ke Center for the Contemporary Arts, Shanghai, China Loop in Motion, Video Festival, Seoul, South Korea MU Popshop, Stichting MU, Eindhoven, The Netherlands HO TZU NYEN何子彥 CURRICULUM VITAE Art & Entrepreneurship, Credit-Suisse -
JEREMY SHARMA Born 1977, Singapore
JEREMY SHARMA Born 1977, Singapore EDUCATION 2006 Master of Art (Fine Art), LASALLE College of the Arts, Singapore 2003 Bachelor of Art (Fine Art) with High Distinction, LASALLE College of the Arts (RMIT), Singapore RESIDENCIES 2016 Stelva Artist in Residence, Italy 2015 NTU Centre for Contemporary Arts, Singapore 2014 Temenggong Artist in Residence with Fundación Sebastián, Mexico City 2008 Artist Residency & Exchange Program (REAP) by Artesan Gallery Singapore, Manila, The Philippines 2007 Royal Over-Seas League (ROSL), Travel Scholarship, Hospitalfield, Arbroath, Scotland, United Kingdom 2004 Studio 106, Former Residential-Studio of the late Cultural Medallion Dr. Ng Eng Teng, Joo Chiat Place, Managed by LASALLE-SIA College of the Arts, Singapore AWARDS AND PRIZES 2013 RPF Grant, LASALLE College of the Arts, Singapore 2013 Creation Grant, National Arts Council, Singapore 2007 Royal Over-Seas League (ROSL) Travel Scholarship 2005 LASALLE-SIA Scholarship 2005 JCCI Arts Award, Japanese Chamber of Commerce and Industry, Recipient (with KYTV) 2003 Phillip Morris Singapore Arts Award, Honorable Mention 2003 Studio 106, Residency Award 2002 The Lee Foundation Study Grant, Singapore 2000 Action for Aids Award, First Prize (Open Category), Singapore 1999 The Della Butcher Award, Presented by The Rotary Club of Singapore, winner COLLECTIONS Singapore Art Museum Ngee Ann Kongsi, Singapore SOCIÈTÉ GÉNÈRALE The Westin, Singapore One Farrer Private Limited NUS Business School, Singapore Prime Partners COMMISSIONS Slow Fury, Asian Film Archives, -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Jcci Singapore Foundation 2020年度 基金への寄付のお願い
JCCI SINGAPORE FOUNDATION 2020年度 基金への寄付のお願い FUNDRAISING APPEAL JCCI SINGAPORE FOUNDATION LIMITED C/O JAPANESE CHAMBER OF COMMERCE & INDUSTRY, SINGAPORE 2020年度 基金への寄付のお願い FUNDRAISING APPEAL 目次 CONTENTS 1. 寄付のお願い Fundraising Appeal 1 2. 基金の使途についての基本的な考え方 Purpose of Fundraising 3 3. 2020 年度募金要領・IPC ステータスの利用について Fundraising Details & About Donating to Institution of Public Character (IPC) 5 4. 2019 年収支決算および 2020 年収支予算 Summary of 2019 Year End Statement & 2020 Budget 7 5. 2020 年度組織図 Organisational Chart of Year 2020 9 6. 2019 年度 寄付・奨学金 結果報告 Sponsorships & Scholarships Report of Year 2019 12 7. 寄付実績一覧(1990 年~2019 年) List of Sponsorships and Awards 16 8. 奨学金実績一覧(1996 年~2019 年) List of JCCI Scholars 26 9. 2019 年度募金 結果報告 Fundraising Results of Year 2019 28 2020 年 8 月 会員各位 シンガポール日本商工会議所 会 頭 石垣 吉彦 副会頭・基金募金委員長 宇野 幹彦 シンガポール日本商工会議所基金 寄付のお願い 拝啓 時下ますますご清祥の段お慶び申し上げます。 平素より、弊商工会議所の事業活動に格別のご高配を賜り、厚く御礼を申し上げます。 ご高承の通り弊所の基金は、1990 年 5 月に在外商工会議所としては初めて設立され、以来 30 年間に亘りシンガポールの文化、芸術、スポーツ、教育分野の団体・個人に対し計 968 万Sドル の寄付を行って参りました。こうした功績はシンガポール政府や各種機関からも高く評価されて いるところです。 昨年度、当基金では、会員企業の皆様より約 27 万 4 千 S ドルの浄財を頂戴し、積立金からの拠 出を含めて約 37 万 5 千Sドルを、シンガポール社会への寄付やシンガポール人学生の日本留学の ための奨学金として活用させて頂きました。 2020 年度の募金目標については、基金管理委員会及び募金委員会で慎重に検討し、28 万 S ドル に設定いたしました。併せて、本年度も幅広い会員の皆様からのご協力をお願いしたく、寄付金 額を損金算入することができる「IPC ステータス」をご活用頂ければと存じます。また、拠出先 の選定等にあたりましても、一人でも多くのシンガポールの方々に喜んで頂けるような支援とな るよう、従来以上に真摯に考えて参りたいと存じます。 本所基金活動の趣旨をご理解賜り、引き続き 2020 年の募金におきましても、何卒、特段のご協 力をお願い申し上げます。 敬 具 ※本件担当・お問い合わせ先:シンガポール日本商工会議所基金 事務局(清水・リンゴ: [email protected]) 募金締切日:2020 年 11 月 30 日(当方入金確認時点)とさせて頂いております。 1 August 2020 Japanese Chamber of Commerce & Industry, Singapore President, Yoshihiko Ishigaki Vice President / Chairman of JCCI Singapore Foundation Fundraising Committee, Motohiko Uno JCCI SINGAPORE FOUNDATION FUNDRAISING APPEAL First and foremost, thank you for your continued support to the fundraising campaigns of JCCI Singapore Foundation c/o Japanese Chamber of Commerce & Industry, Singapore for the past years. -
Artist Biography
Artist Donna ONG ⺩美清 Born Singapore Works Singapore Artist Biography __________________ ___________________________________________________________________________________ Year Education 2011 - 2012 MA Fine Arts, LASALLE College of the Arts, Singapore 2003 BA (Hons) Fine Art, Goldsmiths College, University of London, UK 1999 B.Sc. Architecture Bartlett Centre, University College London (UCL), UK __________________ ___________________________________________________________________________________ Year Selected Exhibitions 2017 Singapore: Inside Out Sydney, The Old Clare Hotel, Sydney, Australia After Utopia: Revisiting the Ideal in Asian Contemporary Art, Anne and Gordon Samstag Museum of Art, Adelaide, Australia The Tree as An Art Object, Wälderhaus Museum, Hamburg, Germany Art Stage Jakarta, FOST Gallery, Indonesia Art Stage Singapore, FOST Gallery, Singapore 2016 The Sharing Game: Exchange in Culture and Society, Kulturesymposium Weimar 2016, Galerie Eigenheim, Weimar, Germany For An Image, Faster Than Light, Yinchuan Biennale 2016, MoCA Yinchuan, China Five Trees Make A Forest, NUS Museum, Singapore* My Forest Has No Name, FOST Gallery, Singapore* 2015 After Utopia, Singapore Art Museum, Singapore The Mechanical Corps, Hartware MedienKunstVerein, Dortmund, Germany Prudential Eye Awards, ArtScience Museum, Singapore Prudential Singapore Eye, ArtScience Museum, Singapore 2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Modern Love, Institute of Contemporary Arts Singapore, Singapore Bright S’pore(s), Primo Marella Gallery, -
Acting Relations, Mapping Positions Part I: the Individual HOW to GATHER Acting Relations, Mapping Positions
Kunsthalle Wien Acting Relations, Mapping Positions Part I: The Individual HOW TO GATHER Acting Relations, Mapping Positions 3 21 Bart De Baere, Defne Ayas, Keren Cytter — Nicolaus Schafhausen — Note From Bed Background 23 9 Hanne Lippard — Marie Egger — Here’s it Editorial 25 Sergey Bratkov — Predictions on the Moon 33 Liam Gillick — Letters from Moscow 43 Li Mu — The Labourer 63 Ho Tzu-Nyen and Lee Weng-Choy — Curation is Also a Form of Transportation 77 Lee Weng-Choy — Three Degrees of Intimacy 81 Meggy Rustamova — Waiting for the Secret (Script) 85 Johanna van Overmeir — Janus 88 Janus Faced Freedom Marina Simakova Part II: In Relation Part III: Political Gestures HOW TO GATHER Acting Relations, Mapping Positions 89 119 176 225 Peter Wächtler — Mián Mián and Konstantin Zvezdochotov — Anna Jermolaewa and Leather Man / Woman of Nicolaus Schafhausen — About Ezgin Altinses Vanessa Joan Müller — the Bistro Talkshow Political Extras 180 104 131 Inventing Ritual 237 Jimmie Durham — Communicative Failures Leon Kahane — A Stone and Defeats 186 Figures of Authority Andrey Shental Gabriel Lester — 108 MurMure 243 Donna Kukama — 132 Nástio Mosquito — The Cemetery for Bad Honoré δ’O and 195 SOUTH Behaviours Fabrice Hyber — Honoré δ’O — Telepathic Protocol The Ten Commandments 246 114 Saâdane Afif — On Intimacy 137 215 Play Opposite Maria Kotlyachkova, Nadia Qiu Zhijie — Vaast Colson — Gorokhova Map of the Third World Ten Side Notes as Warm Up 250 Rana Hamadeh — 140 219 Performance Script Augustas Serapinas — Andrey Kuzkin — Conversation Behind -
Stirring a Fine Brew
GBA4 | GBAFOCUS Friday, June 5, 2020 HONG KONG EDITION | CHINA DAILY Art the HKbox art galleries are open for Out of business again. Tai Kwun Contemporary is back with two new art exhibitions — including one on the timely theme of confinement. Chitralekha Basu reports. Ho Tzu Nyen’s Earth is a spectacular video installation, paying homage to a range of Jun Nguyen Hatsushiba’s video offers a surreal take classical European Renaissance paintings. Now on show at Tai Kwun Contemporary. on the plight of the Vietnamese boat people. ittingly, one of the two exhibitions as photo display boxes. of St James’ e ective and awkward. launched to mark the reopening of The steel cages contain a set of Settlement, a There are more pieces in the show Tai Kwun Contemporary on May 25 four photographs taken by Thai art- charity that helps underscoring the complicated, potential- explores the idea of being boxed in. ist Pratchaya Phinthong. At first rehabilitate people ly-unsettling nature of cultural encoun- FMuch of humanity has experienced the feeling glance the images could be mis- with special needs ters. Ming Wong’s three-channel video, of being sequestered in their own unique ways taken for glimpses of the sky, taken — wove the other one In Love for the Mood, tweaks a scene in the last few months, since the outbreak from inside a cave or dormant vol- using yarns dyed in the from Hong Kong director Wong Kar-wai’s of the novel coronavirus. My Body Holds Its cano. They are in fact chunks of mete- most vivid shades of blue, classic fi lm, In the Mood for Love. -
Classic Contemporary Contemporary Southeast Asian Art from the Singapore Art Museum Collection
CLASSIC CONTEMPORARY CONTEMPORARY SOUTHEAST ASIAN ART FROM THE SINGAPORE ART MUSEUM COLLECTION 29 JANUARY TO 2 MAY 2010 ADVISORY: THIS PUBLICATION CONTAINS IMAGES OF A GRAPHIC NATURE ABOUT THE EXHIBITION Classic Contemporary shines the spotlight on Singapore Art Museum’s most iconic contemporary artworks in its collection. By playfully asking what makes a work of art “classic” or “contemporary” — or “classic contemporary” — this accessible and quirky exhibition aims to introduce new audiences to the ideas and art forms of contemporary art. A stellar cast of painting, sculpture, video, photography and performance art from across Southeast Asia are brought together and given the red-carpet treatment, and the whole of the SAM 8Q building is transformed into a dramatic stage for these stars and icons. Yet beneath the glamour, many of the artworks also probe and prod serious issues — often asking critical and challenging questions about society, nation and the history of art itself. Since its inception in 1996, SAM has focused on collecting the works of artists practicing in the region, and many of these once-emerging artists have since established notable achievements on regional and international platforms. This exhibition marks the start of SAM’s new contemporary art programming centred on enabling artistic development through the creation of exhibition and programming platforms, as well as growing audiences for contemporary art. Classic Contemporary offers an opportunity to revisit major works by Suzann Victor, Matthew Ngui, Simryn Gill, Redza Piyadasa, Jim Supangkat, Nindityo Adipurnomo, Agnes Arellano, Agus Suwage, and Montien Boonma, among others. A full programme of curatorial lectures, artist presentations, moving image screenings and performances complete the classic contemporary experience. -
Every 23 Days
CONTENTS 11 Foreword 13 Introduction 15 Essay: Every 23 days... 17-21 Asialink Visual Arts Touring Exhibitions 1990-2010 23-86 Venue List 89-91 Index 92-93 Acknowledgements 94 FOREWORD 13 Asialink celebrates twenty years as a leader in Australia-Asia engagement through business, government, philanthropic and cultural partnerships. Part of the celebration is the publication of this booklet to commemorate the Touring Visual Arts Exhibitions Program which has been a central focus of Asialink’s work over this whole period. Artistic practice encourages dialogue between different cultures, with visual arts particularly able to transcend language barriers and create immediate and exciting rapport. Asialink has presented some of the best art of our time to large audiences in eighteen countries across Asia through exhibition and special projects, celebrating the strength and creativity on offer in Australia and throughout the region. The Australian Government, through the Visual Arts Board of the Australia Council and the Department of Foreign Affairs and Trade, is pleased to provide support to Asialink as it continues to present the talents of artists of today to an ever increasing international audience. The Hon Stephen Smith MP Minister for Foreign Affairs INTRODUCTION 15 Every 23 Days: 20 Years Touring Asia documents the journey of nearly 80 Australian-based contemporary exhibitions’ history that have toured primarily through Asia as a part of the Asialink Touring Exhibition Program. This publication provides a chronological and in-depth overview of these exhibitions including special country focused projects and an introductory essay reflecting on the Program’s history. Since its inception in 1990, Asialink has toured contemporary architecture, ceramics, glass, installation, jewellery, painting, photography, textiles, video, works on paper to over 200 venues in Asia. -
Michal Chelbin Douglas Gordon Ho Tzu Nyen Kate Mitchell Ms&Mr Arin
Michal Chelbin Douglas Gordon Ho Tzu Nyen Kate Mitchell Ms&Mr Arin Rungjang an exhibition curated by Dougal Phillips December 4 - February 6, 2011 Opening reception : Friday, December 3 KADIST ART FOUNDATION 19 bis - 21 rue des Trois Frères OPENING HOURS: 75018 Paris - France From Thursday to Sunday, from 2pm to 7pm, tel. / fax : +33 (0)1 42 51 83 49 or by appointment. www.kadist.org / [email protected] PRESS KIT /CONTENT page 3 Press release page 4 Parallel Events page 5 About the curator, about the artists page 8 Visuals for the press page 9 About the Foundation, practical information page 10 Upcoming programme KADIST ART 2 FOUNDATION 19 bis - 21 rue des Trois Frères - 75018 Paris - France - tel. / fax : +33 (0)1 42 51 83 49 - www.kadist.org / [email protected] PRESS RELEASE The Grip / La Mainmise Michal Chelbin, Douglas Gordon, Ho Tzu Nyen, Kate Mitchell, Ms&Mr, Arin Rungjang December 4 - February 6, 2011 Opening reception on Friday , December 3 from 6pm to 9pm Kadist Art Foundation is pleased to announce the exhibition conceived by Dougal Phillips following his residency. The Grip / La Mainmise approaches the work of artists from Australia and South-East Asia (alongside European peers) through a post-colonial framework that refers to metaphors of childhood, history, and power to explore the practices and concerns of artists from this region. A catalogue will be published on this occasion. How do we grasp and hold onto the world? The Grip / La Mainmise is an exhibition project about knowledge – about the giving and taking of how we understand the world and the faith we hold in the putting-on of hands, in the law-giver and the forefather. -
This Art Basel Video Was Banned in China Vivienne Chow June 17, 2016
BLACKLIST This Art Basel video was banned in China Vivienne Chow June 17, 2016 Tony Leung Chiu-wai showed his support for the Umbrella Movement. (Ho Tzu Nyen) BASEL, SWITZERLAND An experimental video installation banned in China is being shown at this week’s prestigious Art Basel fair in Switzerland. But Ho Tzu Nyen, the Singaporean artist behind the work, hopes it will eventually find its way to Chinese soil. A well-known face. (Ho Tzu Nyen) The Nameless features Tony Leung Chiu-wai, one of Hong Kong’s most acclaimed actors, and tells the story Lai Teck, an intriguing figure in Southeast Asian history. Lai Teck served as the Malayan Communist Party’s secretary general from 1939 to 1947. Behind the scenes, he was a Sino-Vietnamese triple agent serving the French, British, and then the Japanese, pulling strings in the region’s political development. Ho says the 2014 Shanghai Biennale originally commissioned the video work. “We thought it might get censored because [the work is] talking about a leader of the communist party who is essentially a traitor,” he says. “We were not sure how the Chinese would take it.” As it turns out, the authorities blocked it for another reason: Tony Leung. The actor’s involvement in Hong Kong’s pro-democracy Umbrella Movement in 2014 earned him a place on a government blacklist. Though he wasn’t at the forefront of the protests, like singers Anthony Wong Yiu-ming and Denise Ho, he did show his support. Ho initially wanted to tell the story of Lai Teck through a feature film.