Women in News and Current Affairs Broadcasting
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Institute of Directors Jersey Branch Annual Debate 2012
Institute of Directors Jersey Branch Annual Debate 2012 The BIG Idea- could Digital Jersey be the catalyst for a new pillar to our economy? sponsored by: Sponsors Overall Student tables Debate Organising Committee Steven Hunt Carey Olsen Chairman IoD Events Committee Kirsten Higgins IoD Jersey Branch Officer Artwork and design Jason Laity KPMG FOCUS Chairman, IoD Jersey Branch DESIGN & MARKETING Ian Brandon Haddon Consulting Paul Marett Jersey Post Vox Pops by Students in association with Advance To Work Plus Adam Riddell Crystal PR Drinks reception Website: http://debate.iod.je Twitter@iodjersey #iodjsydebate Debate website Debate website created by Christopher Reid and Jonathan Holmes, Voting technology students on the FdSc Information Technology for Business Degree at Highlands College with the help of Stuart Philip, Curriculum Leader, IT, Highlands College. Date: Thursday 20 September 2012 Time: 16:15 - 21:30 Programme Venue: Hotel de France Moderator: Mary Nightingale, Journalist and Broadcaster 16:15 Pre-debate drinks reception 17:10 Keynote speaker: Dr Peter Cochrane OBE kindly sponsored by Hotel de France 17:30 Debate opens 16:55 Take seats in the Great Hall 17:00 Welcome and introduction by Steven Hunt, Chairman, 19:00 Dinner IoD Events Committee Breast of English Chicken with Pesto and Mushroom Farce in a Puff Pastry 17:05 Mary Nightingale Moderator for the debate, explains the structure Warm Artichokes, Green Beans and of the event and introduces the panellists Cherry Tomatoes in Virgin Olive Oil with a Chicken, White Wine -
“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
How Uk News Providers Engage Young Adult Audiences (Aged 16-34) on Digital and Social Media Platforms
‘OLD NEWS, YOUNG VIEWS’ HOW UK NEWS PROVIDERS ENGAGE YOUNG ADULT AUDIENCES (AGED 16-34) ON DIGITAL AND SOCIAL MEDIA PLATFORMS. by LEON HAWTHORNE A thesis submitted to the University of Birmingham for the degree of MA BY RESEARCH. Department of Film & Creative Writing School of English, Drama and Creative Studies College of Arts and Law University of Birmingham June 2020 ii University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. iii Abstract This thesis examines the changing patterns of news consumption by young adults in the United Kingdom, aged 16 to 34 years old, and the editorial responses to this by leading television news broadcasters. It begins with a comprehensive review of the most recent literature on incidental news exposure, personalisation, echo chambers and filter bubbles; combining this with analyses of key reports by industry and governmental sources. It proposes a new taxonomy of news consumption behaviours, and a new visual taxonomy of news using the RGB (red, green, blue) colour spectrum. Senior editors at ITV News, Channel 4 News, 5 News and Sky News were interviewed to provide insights into current digital strategies. -
Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The original documents are located in Box 6, folder “3/25/76 - Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON March 19, 1976 MEMORANDUM TO: RED CAVANEY P~ER SORUM FROM: S AN PORTER . SUBJECT: Mrs; Ford Attendance at the Radio and TV Correspondent's Dinner (Fay Wells), Washington Hilton Hotel, March 26th Mrs. Ford will attend the Radio and TV Correspondent's Dinner as a guest of Fay Wells of Storer Broadcasting Company. Mrs. Ford has attended this dinner as Fay's guest for many years and has been very fond of Fay through the years . She will travel to the dinner with the President (the cocktail period is 6:30-8:00 in the Georgetown Suite). Mrs. Ford then will break from the President and will join Fay and her guests in the Jefferson Room for dinner (I understand the President will be eating in the Ballroom) . -
Forward Autumn Winter 2020
The Guide Dogs magazine Autumn/Winter 2020 Forward The very best of buddies! How buddy dog Sam changed Jago’s life Find out who’s won a Meet the star of our Introducing a new Local Volunteer Award new TV advert service from Guide Dogs Do you need answers or advice about living with sight loss? Visit our website for advice and tips that can help you live actively, independently and well. Speak to our friendly staff, who can provide personalised advice on the Coming soon! range of support available. One phone number as a Find all the information you need gateway to all of our services. for getting in touch at: guidedogs.org.uk/getting-support Contents Regulars Features 18 10 Volunteering 13 updates Celebrating our Local Volunteer 14 Awards winners Welcome from 27 5 the CEO News Important goings on 6 from across the charity Guide Dogs in the media 10 How we’ve made the news Our buddy 11 28 16 dog service Jago and Sam’s 18 story This adorable buddy dog Do you need answers or advice partnership Star news 11 These household names changed Jago’s life about living with sight loss? love Guide Dogs! Guiding Stars 12 On the campaign trail 21 Our special way to Visit our website for advice and tips that can honour someone A Day in the Life Of… at Christmas help you live actively, independently and well. Hannah Laywood, 23 Sustainability and Energy Manager Kate rises like a Speak to our friendly staff, who can 22 Phoenix thanks to Thank you to her guide dog provide personalised advice on the Coming soon! New Partnerships 24 our supporters 30 range of support available. -
August 2016 • Issue 4
The newspaper for BBC pensioners Getting ready for Rio Page 9 August 2016 • Issue 4 Award for first OB truck The new female foreign brought back State Pension correspondent to life Page 2 Page 4 Page 6 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES 02 PENSIONS & STATE BENEFITS The new State Pension: what the changes mean for you he new State Pension has been after the introduction of the new State introduced for people who reach Pension will have been ‘contracted-out’ of State Pension age on or after the additional State Pension at some time – Benefits in brief 6 April 2016. This applies to: something they may be unaware of. • The guarantee part of Pension Credit increased in April to £155.60 (single person) T• men born on or after 6 April 1951, and The old State Pension has two parts: and £237.55 (couples). Government figures show that every year millions of • women born on or after 6 April 1953. • basic State Pension pensioners miss out on as much as £3.7 billion in money benefits, with many If you were born before those dates you’ll • additional State Pension (sometimes also forgoing benefits designed to help with the increased cost of having an be able to claim your State Pension under called State Second Pension, S2P or SERPS). illness and disability. Charities like Age UK are encouraging pensioners to check the old system instead. Anyone who has been contracted-out if they are eligible for Pension Credit. Pension Credit works by topping up your You can check when you’ll reach either paid National Insurance at a lower household income to a guaranteed minimum level. -
SATURDAY 29TH JULY 06:00 Breakfast 10:00
SATURDAY 29TH JULY All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 08:25 ITV News 09:50 Spy 06:00 British Forces News 10:00 Saturday Kitchen Live 08:30 Weekend 10:15 Real Housewives of Cheshire 06:30 Walks Around Britain 11:30 Nadiya's British Food Adventure Chat show with Aled Jones. 11:05 Buffy the Vampire Slayer 07:00 Flying Through Time 12:00 Bargain Hunt 09:25 ITV Racing Live: The Opening Show 11:55 The Joy of Techs 07:30 Wish Me Luck 13:00 BBC News Oli Bell, Jason Weaver and the team are at 12:20 Scrubs 08:30 Dogfights 13:15 Brendan Foster: A Life in Athletics Ascot on the day of the King George VI and 12:45 Scrubs 09:30 UFO 14:00 Rugby League Challenge Cup: Hull FC v Queen Elizabeth Stakes. 13:05 Shortlist 10:30 Hogan's Heroes Leeds 10:20 Gok's Lunchbox 13:10 Baby Daddy 11:00 Hogan's Heroes 16:30 Flog It! Culinary challenge show presented by Gok Wan. 13:35 Baby Daddy 11:30 Hogan's Heroes 17:00 Sister Act 2: Back in the Habit 11:15 1000 Heartbeats 14:00 The Big Bang Theory 12:00 Hogan's Heroes 18:40 BBC News Quiz show hosted by Vernon Kay. 14:20 The Big Bang Theory 12:35 Hogan's Heroes 18:45 BBC London News 12:15 ITV News 14:45 The A-Team 13:00 UFO 19:00 Pointless Celebrities 12:25 Tipping Point 15:35 The Middle 14:00 The Phil Silvers Show Celebrity edition of the quiz in which Ben Shephard hosts the quiz show in which four 16:00 Kate's Wardrobe Secrets 14:35 The Phil Silvers Show contestants try to score the fewest points by players take on an extraordinary machine in the 16:50 Four Weddings 15:05 The Phil Silvers Show plumbing the depths of their general knowledge hope of winning its 10,000 pound 17:35 Shortlist 15:40 The Phil Silvers Show to come up with the most obscure jackpot. -
Programme Specification – Postgraduate Programmes
PROGRAMME SPECIFICATION – POSTGRADUATE PROGRAMMES KEY FACTS Programme name Journalism (Television) Award MA School School of Arts and Social Sciences Department or equivalent Journalism Programme code PSTVCM Type of study Full Time Total UK credits 180 Total ECTS 90 PROGRAMME SUMMARY The programme benefits from the following: contacts network in the UK and overseas. Graduates include Dermot Murhagnan (Sky News), Sophie Raworth (BBC) and Caroline Faraj (Editor of CNNArabic.com) Industry recognition: an outstanding departmental reputation with excellent contacts and access to the industry. This is a relatively new course which began in 2033 and has already educated journalists working in all major TV newsrooms. Location: in the heart of London and on the doorstep of the world's major news and media organisations Faculty: highest-quality teaching staff, led by Lis Howell, an award winning TV journalist, and including renowned media commentator Roy Greenslade, and the former Editor-in-Chief of ITN Stewart Purvis, plus the former Head of News and Current Affairs for Channel 4, David Lloyd. Facilities: facilities include state-of-the-art multimedia studios and newsrooms This programme is designed to meet the need for entry-level workers in television. News reporting plays a large part but the course is also pitched for people who wish to enter the television industry as news assistants, researchers and assistant producers. The programme is accredited by the Broadcast Journalism Training Council (BJTC). The programme prepares you for a first job in television journalism, across a broad range of television factual programmes ranging from hard news to light topical daytime or 'how-to' shows, to issue-led discussion programmes, documentary films and serious news analysis. -
A Supreme Court's Place in the Constitutional Order: Contrasting Recent Experiences in Canada and the United Kingdom
A Supreme Court's Place in the Constitutional Order: Contrasting Recent Experiences in Canada and the United Kingdom Paul Daly" In 2014, the Supreme Court of Canada ruled in Reference re Supreme Court Act, ss 5 and 6 that its position at the apex of the judicialsystem was constitutionally entrenched. It did so by interpreting its own history and developing a narrative that emphasized both the critical importance of section 6 in protecting Quebec's distinct interests and legal tradition, and the Court's position as domestic rights protector. The author analyzes this narrativeand argues that the Court'sentrenchment within the Constitution Act, 1982 was not as inevitable 2015 CanLIIDocs 5258 as its reasoning suggests. The article then turns its attention to the newly established United Kingdom Supreme Court and its role pre-and post-adoption of the Human Rights Act 1998. The authorpulls out themes in the Court's recent judgments-which suggest a move awayfrom the European Convention for the Protection of Human Rights and Fundamental Freedoms and the Strasbourg Court and a desire to return to British common law traditions-andan emerging narrativethat resembles that of its Canadiancounterpart. The author then compares the narrativesdeveloped by the two courts to predicthow the United Kingdom Supreme Court might in the future interpret its own role as the guardian of its legal tradition. * Associate Dean and Faculty Secretary, Faculty of Law, University of Montreal. Special thanks to Marie-France Fortin and Matthew Harrington for discussion. I am indebted to the two anonymous reviewers and fear only that my revisions do not do justice to the excellent and thoughtful comments they produced. -
Television and Media Concentration
•• IRIS Special Edited by the European Audiovisual Observatory TelevisionTelevision andand MediaMedia ConcentrationConcentration Regulatory Models on the National and the European Level TELEVISION AND MEDIA CONCENTRATION IRIS Special: Television and Media Concentration Regulatory Models on the National and the European Level European Audiovisual Observatory, Strasbourg 2001 ISBN 92-871-4595-4 Director of the Publication: Wolfgang Closs, Executive Director of the European Audiovisual Observatory E-mail: [email protected] Editor and Coordinator: Dr. Susanne Nikoltchev (LL.M. EUI and U of M) Legal Expert of the European Audiovisual Observatory E-mail: [email protected] Partner Organisations that contributed to IRIS Special: Television and Media Concentration IViR – Institute of European Media Law EMR – Institute of European Media Law Rokin 84, NL-1012 KX Amsterdam Nell-Breuning-Allee 6, D-66115 Saarbrücken Tel.: +31 (0) 20 525 34 06 Tel.: +49 (0) 681 99275 11 Fax: +31 (0) 20 525 30 33 Fax: +49 (0) 681 99275 12 E-Mail: [email protected] E-Mail: [email protected] CMC – Communications Media Center MMLPC – Moscow Media Law and Policy Center New York Law School Mokhovaya 9, 103914 Moscow 57 Worth Street, New York, NY 10013 Russian Federation USA Tel./Fax: +7 (0) 503 737 3371 Tel.: +1 212 431 2160 E-Mail: [email protected] Fax: +1 212 966 2053 [email protected] E-Mail: [email protected] Proofreaders: Florence Pastori, Géraldine Pilard-Murray, Candelaria van Strien-Reney Translators: Brigitte Auel, France Courrèges, Christopher -
Interview List. On-Screen and On-Air Talent. an Assessment of the BBC's
ON SCREEN AND ON AIR TALENT AN ASSESSMENT OF THE BBC’S APPROACH AND IMPACT A REPORT FOR THE BBC TRUST APPENDIX V – BBC TRUST TALENT REVIEW INTERVIEW LIST BY OLIVER & OHLBAUM ASSOCIATES APRIL 2008 APPENDIX V - BBC TRUST TALENT REVIEW INTERVIEW LIST (those willing to be named) BBC BBC Vision Comedy, Lucy Lumsden, Controller of Comedy Commissioning BBC Vision Comedy, Mark Freedland, Head of Comedy BBC Vision Comedy, Jez Nightingale, Production Executive BBC Vision Comedy, Richard Curwen, Head of Business & Legal Affairs BBC Vision Knowledge, George Entwistle, Head of TV Current Affairs BBC Vision Knowledge, Keith Scholey, Deputy Chief Creative Officer of BBC Vision BBC Vision Knowledge, Anne Sullivan (AS), Head of Operations & Business Affairs BBC Vision Entertainment, Jon Beazley, Controller Entertainment Group BBC Vision Entertainment, Elaine Bell, Controller Entertainment Commissioning BBC Vision Entertainment, Roger Leatham, Head of Operations & Business Affairs BBC Vision, Claire Evans, Head of Operations & Business Affairs Talent Rights Group, Simon Hayward Tapp – Head of BBC Rights Talent Rights Group, Annie Thomas, Rights Manager Talent Rights Group, John Holland, Rights Manager BBC Vision Drama, Jane Tranter, Controller BBC Fiction BBC Vision Drama, Nicolas Brown, Director of Drama Production BBC News, Helen Boaden, Director of News BBC News, Peter Horrocks, Head of TV News BBC News, Stephen Mitchell, Head of Programming and Radio News BBC News, Madhav Chinnappa, Head of Rights BBC News, Tessa Beckett, Contracts Manager BBC News, -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality