Annual Report Our Mission
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Cablefax Dailytm Thursday — January 9, 2020 What the Industry Reads First Volume 31 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Cablefax DailyTM Thursday — January 9, 2020 What the Industry Reads First Volume 31 / No. 006 Quick Bites: Quibi Not ‘Shrinking TV’ For Mobile Viewing In just over a year, short-form content streamer Quibi has been able to raise $1bln in funding while receiving the back- ing of major Hollywood studios, but are consumers ready to embrace the app? CEO Meg Whitman and founder Jeffrey Katzenberg used the company’s CES keynote Wednesday to dispel any consumer skepticism regarding Quibi, calling it the world’s first mobile-only premium entertainment platform. “Mobile phones are the most widely-distributed, democra- tized entertainment platform the world has ever seen,” Katzenberg said. The idea behind the platform is to deliver movie- quality experiences in quick bites (known as Quibis) for Millennial and Gen Z audiences that take advantage of all of the capabilities modern smartphones offer. To do so, Quibi had to tackle the usual challenges that come with mobile viewing, including the inability to watch content in both portrait and landscape modes. “It means creating a technology platform optimized for people on the go and giving them a great entertainment experience in those in-between moments,” Whit- man said. “We’re not shrinking TV onto phones. We’re creating something new.” Chief product officer Tom Conrad took to the stage to unveil Turnstyle, a new way to watch that allows viewers to move between a full-screen landscape mode and a full-screen portrait mode experience at any time. Conrad illustrated Turnstyle by showing the short film “Nest.” When the phone was held in portrait mode, viewers were able to see an intruder trying to break into a woman’s house through her Google Nest doorbell camera. -
Annual Report
storytellers 2010 ANNUAL REPORT 2000 Buchtel Boulevard Denver, Colorado 80210 303.871.4885 www.cablecenter.org The Cable Center Mission The Cable Center Staff Christen Adams Bailey Doehler Ryan Peru Joyce Alden-Schuyler Jana Henthorn Jaime Reitz Lisa Backman Jennifer Kaufling Larry Satkowiak Robin Berhost Brian Kenny Dorothy Segovia Diane Christman Steve Luiting Jennifer Stamm Lela Cocoros Riccardo Mazzeo Devon Svejcar Laura Cymansky Sarah Morley James White Peter Derschang Shannon Novosel Dolly Wolf As of 12/31/10 Board of Directors Honorary Board Chairman Directors Julian A. Brodsky Michael S. Willner Bridget L. Baker Chuck Dolan Char Beales Frank M. Drendel Vice Chairman John Bickham Joseph S. Gans, Sr. Jerald L. Kent Matthew C. Blank Alan Gerry Sean Bratches Dr. Richard R. Green Treasurer & Ann Carlsen John W. Goddard Secretary David Cohen Gustave M. Hauser David Van Valkenburg Brian Deevy John Hendricks Dwight B. Duke Leo J. Hindery, Jr. Executive Kimberly Edmunds Amos B. Hostetter, Jr. Committee Michael Fries Marvin L. Jones Nickolas Davatzes Andrew T. Heller Raymond E. Joslin Larry Satkowiak Peter Kalan Gerald Levin Peter Stern Paul Liao Robert J. Lewis Phil Lind John Malone Paul S. Maxwell Robert J. Miron Trygve E. Myhren Thomas F. Puckett Josh Sapan Leslie “Les” H. Read Italia Commisso Weinand John V. Saeman Barbara York Stanley M. Searle David M. Zaslav Gail F. Sermersheim John J. Sie R. E. “Ted” Turner 1 Larry Satkowiak Michael S. Willner Dear Friends, Dear Friends and Colleagues, Last year at this time, I introduced to you the new mission statement of The Cable Center, which better defined the It is a deep honor to have served as the chairman of the board of directors of The Cable Center for the past three years. -
The Walking Dead
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1080950 Filing date: 09/10/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91217941 Party Plaintiff Robert Kirkman, LLC Correspondence JAMES D WEINBERGER Address FROSS ZELNICK LEHRMAN & ZISSU PC 151 WEST 42ND STREET, 17TH FLOOR NEW YORK, NY 10036 UNITED STATES Primary Email: [email protected] 212-813-5900 Submission Plaintiff's Notice of Reliance Filer's Name James D. Weinberger Filer's email [email protected] Signature /s/ James D. Weinberger Date 09/10/2020 Attachments F3676523.PDF(42071 bytes ) F3678658.PDF(2906955 bytes ) F3678659.PDF(5795279 bytes ) F3678660.PDF(4906991 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD ROBERT KIRKMAN, LLC, Cons. Opp. and Canc. Nos. 91217941 (parent), 91217992, 91218267, 91222005, Opposer, 91222719, 91227277, 91233571, 91233806, 91240356, 92068261 and 92068613 -against- PHILLIP THEODOROU and ANNA THEODOROU, Applicants. ROBERT KIRKMAN, LLC, Opposer, -against- STEVEN THEODOROU and PHILLIP THEODOROU, Applicants. OPPOSER’S NOTICE OF RELIANCE ON INTERNET DOCUMENTS Opposer Robert Kirkman, LLC (“Opposer”) hereby makes of record and notifies Applicant- Registrant of its reliance on the following internet documents submitted pursuant to Rule 2.122(e) of the Trademark Rules of Practice, 37 C.F.R. § 2.122(e), TBMP § 704.08(b), and Fed. R. Evid. 401, and authenticated pursuant to Fed. -
News and Documentary Emmy Winners 2020
NEWS RELEASE WINNERS IN TELEVISION NEWS PROGRAMMING FOR THE 41ST ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies NEW YORK, SEPTEMBER 21, 2020 – Winners in Television News Programming for the 41th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards are being presented as two individual ceremonies this year: categories honoring the Television News Programming were presented tonight. Tomorrow evening, Tuesday, September 22nd, 2020 at 8 p.m. categories honoring Documentaries will be presented. Both ceremonies are live-streamed on our dedicated platform powered by Vimeo. “Tonight, we proudly honored the outstanding professionals that make up the Television News Programming categories of the 41st Annual News & Documentary Emmy® Awards,” said Adam Sharp, President & CEO, NATAS. “As we continue to rise to the challenge of presenting a ‘live’ ceremony during Covid-19 with hosts, presenters and accepters all coming from their homes via the ‘virtual technology’ of the day, we continue to honor those that provide us with the necessary tools and information we need to make the crucial decisions that these challenging and unprecedented times call for.” All programming is available on the web at Watch.TheEmmys.TV and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). Tonight’s show and many other Emmy® Award events can be watched anytime, anywhere on this new platform. In addition to MSNBC Anchor and NBC. -
Mkt in the News (14851)
1 613,300,000+ Online Video Subscriptions in 2018 2 Streaming Wars Cut-throat race to secure content: Disney+, Amazon Prime, Hulu, HBO Max, Apple TV, Comcast Peacock 2-front war: acquiring classics and building successful original content Sights set on Netflix massive market share — 150+ million subscribers 3 Comcast. 4 I am here because I love to give presentations. You can find me at @username Welcome Comcast Peacock. Service announced last week — set to debut April 2020 Comcast pivoting to tarket Netflix market share — 150+ million subscribers Leveraging subsidiary NBC Universal 5 Applied Marketing Mix 6 Product “I’m not sure anybody else out there can do what we can do. We expect to have great content and a great product” — Bonnie Hammer, NBCUniversal Exec. - 15,000 hours of content - Major Classics: The Office, Parks and Recreation, Brooklyn Nine Nine - Exciting New Content: Seth Meyers, Jimmy Fallon, Alec Baldwin, Battlestar Galactica Reboot 7 Place Integrated into Comcast’s existing platforms ⬡ Smart TV Integration ⬡ Xbox, PS4 Applications ⬡ Laptop, Tablet, etc. Compatibility ⬡ Mobile Devices Online Platform Designed to be Accessible from Anywhere at Any Time ⬡ Online Instantaneous Streaming ⬡ Downloads for Offline Viewing 8 Price ⬡ Free for existing Comcast TV subscribers ⬡ TBD Price for New Subscribers ⬡ (Similar competitors range from anywhere between $4.99 and $14.99) 9 Promotion - Force loyal fans of classics to the platform ($500+ million deal for The Office) - Hiring legends: Fallon, Mike Schur (produced the Office), Lorne Michaels (SNL), Alec Baldwin - Hype Build (Released April 2020) 10 SWOT. Strengths: Weaknesses: ● Soon to reacquire extremely ● Platform is Untested, Widely popular classic shows Unknown ● Network of celebrities, ● Low Current Engagement actors, and writers to build with Comcast original content ● Leverage 22+ million active Threats: pay-TV subscribers ● Intense Competition and Industry Giants Make Up Opportunities: large Portion of Market ● Target new segment: OTT ● Streaming Services are sticky 11 Netflix. -
REDACTED VERSION Before the Federal Communications
REDACTED VERSION Before the Federal Communications Commission Washington, D.C. 20554 FCC 16D-1 In the Matter of ) ) Game Show Network, LLC, ) Complainant, ) MB Docket No. 12-122 ) v. ) File No. CSR-8529-P ) Cablevision Systems Corp. ) Defendant. ) Issued: November 22, 2016 Released: November 23, 2016 INITIAL DECISION OF CHIEF ADMINISTRATIVE LAW JUDGE RICHARD L. SIPPEL Appearances Stephen A. Weiswasser, Esq., Paul W. Schmidt, Esq., Elizabeth H. Canter, Esq., Laura Flahive Wu, Esq., Stephen Kiehl, Esq., C. William Phillips, Esq., and Jonathan M. Sperling, Esq., on behalf of Game Show Network, LLC; Jay Cohen, Esq., Andrew G. Gordon, Esq., Gary R. Carney, Esq., George W. Kroup, Esq., Tara M. Corvo, Esq., and Robert G. Kidwell, Esq., on behalf of Cablevision Systems Corporation; and Pamela S. Kane, Esq., and William Knowles-Kellett, Esq., on behalf of the Enforcement Bureau. TABLE OF CONTENTS Heading Paragraph # I. PRELIMINARY STATEMENT ............................................................................................................ 1 II. FINDINGS OF FACT .......................................................................................................................... 10 A. Description of Parties and Background ......................................................................................... 10 1. Game Show Network .............................................................................................................. 10 2. Cablevision Systems Corporation .......................................................................................... -
2021 Matrix Awards
SPONSORSHIP OPPORTUNITIES 2021 MATRIX AWARDS VIRTUAL EVENT | MONDAY, OCTOBER 18, 2021 | 12:00 P.M. ET Combining the success of last year’s virtually produced event with the return to normalcy we’re all feeling, we are thrilled to offer a hybrid awards ceremony this year. A professionally produced event broadcast for all to attend coupled with an invitation-only VIP reception for honorees, their guests, and exclusive sponsors. PRESENTED BY HOSTED BY New York Women in Communications (NYWICI) celebrates the 51st Anniversary of its Matrix Awards in 2021 Since 1971, the Matrix Awards have been given annually to a group of outstanding women leaders who exemplify excellence, the courage to break boundaries and steadfast commitment to champion the next generation of trailblazers, creatives and communicators. But this year will be different, bigger and better. The 2021 Matrix Awards will be delivered as a virtual event, on Monday, October 18 at 12pm ET. This digital presentation offers many new exciting possibilities, breaking down barriers of time and geography to reach a wider audience and new communities. We’ll be able to expand the audience and influence of the usual in-person gathering several-fold. NYWICI will welcome back past winners and presenters, celebrate our scholarship winners and spotlight our longstanding and newly engaged partners who make this all possible. Over the past 50 years, we’ve celebrated some iconic women like Gloria Steinem, Padma Lakshmi, Norah O’Donnell, Halle Berry, Kirsten Gillibrand, Andrea Mitchell, Joanna Coles, Bonnie Hammer, Sheryl Sandberg and Tina Fey, among many more. This event is NYWICI’s largest fundraiser and we invite you to join us as an event sponsor, demonstrating your support of NYWICI, women in the communications field and the incredible class of 2021 Matrix honorees. -
Achieving "The Franchise": the Comcast-Nbc Universal Merger and the New Media Marketplace
ACHIEVING "THE FRANCHISE": THE COMCAST-NBC UNIVERSAL MERGER AND THE NEW MEDIA MARKETPLACE Thomas Curtint I. INTRODUCTION In 1997, then-Chairman of the Federal Communications Commission ("FCC" or "Commission") Reed Hundt delivered a speech to the leaders of the cable industry in which he described the future of cable television in terms of what he called "the Franchise."' According to Hundt, this model "consists of the core package of the most popular TV channels and the most popular way to deliver them." Hundt acknowledged that the cable industry "has made huge inroads on the delivery side," and classified broadcast television as "the other side of the Franchise." 2 The Chairman further forecasted that "the core pro- gramming package may or may not be possessed by local broadcasters in the future."' Nearly thirteen years after Chairman Hundt foretold an all-in-one entertain- ment content and delivery service, the Comcast Corporation ("Comcast") is on its way to realizing this vision of "the Franchise," as the media delivery giant undertakes efforts to merge with NBC Universal.' If successful, the merger would give the nation's largest cable corporation control over NBC Univer- t J.D. Candidate, May 2011. Tom would like to thank his parents, Thomas and Donna Curtin, his brother Frank and his extended family for always encouraging the writing proc- ess. He would also like to thank his friends for their constant support, and the Editors and Associates of COMMLAW CONSPECTUS Volumes 18 and 19 for their valued input and advice. I Reed Hundt, Chairman, Fed. Commc'ns Comm'n, Speech at the National Cable Television Association: Cable, Broadcasting, and The Franchise (Mar. -
NATAS Supplement.Qxd
A SPECIAL SUPPLEMENT TO BROADCASTING & CABLE AND MULTICHANNEL NEWS The National Academy of Television Arts & Sciences at 50 years,0 A golden past with A platinum future marriott marquis | new york october 20-21, 2005 5 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Greetings From The President Executive Committee Dennis Swanson Peter O. Price Malachy Wienges Chairman of the Board President & CEO Treasurer Dear Colleagues, Janice Selinger Herb Granath Darryl Cohen As we look backwards to our founding and forward to our future, it is remarkable Secretary 1st Vice Chairman 2nd Vice Chairman how the legacy of our founders survives the decades. As we pause to read who Harold Crump Linda Giannecchini Ibra Morales composed Ed Sullivan’s “Committee of 100” which established the Academy in 1955, Chairman’s Chairman’s Chairman’s the names resonate with not just television personalities but prominent professionals Representative Representative Representative from theatre, film, radio, magazines and newspapers. Perhaps convergence was then Stanley S. Hubbard simply known as collaboration. Past Chairman of the Board The television art form was and is a work in progress, as words and pictures morph into new images, re-shaped by new technologies. The new, new thing in 1955 was television. But television in those times was something of an appliance—a box Board of Trustees in the living room. Families circled the wagons in front of that electronic fireplace Bill Becker Robert Gardner Paul Noble where Americans gathered nightly to hear pundits deliver the news or celebrities, fresh from vaudeville and Betsy Behrens Linda Giannecchini David Ratzlaff Mary Brenneman Alison Gibson Jerry Romano radio, entertain the family. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
1 Nbc Universal's Telemundo and Grupo Televisa Sign
NBC UNIVERSAL'S TELEMUNDO AND GRUPO TELEVISA SIGN STRATEGIC ALLIANCE AGREEMENT FOR MEXICO Televisa and Telemundo sign an exclusive programming license agreement to distribute Telemundo content in Mexico across multiple platforms New York and Mexico City, Mexico - March 17, 2008 - NBC Universal's Telemundo, a United States-based producer of innovative Spanish-language content for Hispanics in the U.S. and around the world, and Grupo Televisa, S.A.B ("Televisa"; NYSE:TV; BMV:TLEVISA CPO), entered into a strategic alliance agreement to distribute Telemundo content in Mexico across multiple platforms including broadcast TV, PayTV and emerging digital platforms. The deal was announced by Jeff Zucker, President and Chief Executive Officer, NBC Universal; Don Browne, President, Telemundo Communications Group; and Alfonso de Angoitia, Executive Vice President, Grupo Televisa. Financial terms were not disclosed. Beginning in April, Televisa's Channel 9 will broadcast more than 1,000 hours a year of Telemundo's original programming. This agreement will allow Televisa's Channel 9 to broaden its viewership in Mexico as it redefines its offerings to include first-run high-quality programming, anchored by Telemundo content. In addition to the broadcast platform, Televisa will distribute a new PayTV channel to be launched later this year by Telemundo featuring Telemundo branded entertainment and news content. Televisa will provide distribution for the PayTV channel in Mexico, including its DBS platform Sky and cable system Cablevision, reaching over 2 million households at launch. The license agreements for Televisa's Channel 9 and the new PayTV channel will have an initial term of 10 years, respectively. -
Cablefax Dailytm Cablefax Dailytm
www.cablefax.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 4 Pages Today CableFAX DailyTM Friday — November 8, 2013 What the Industry Reads First Volume 24 / No. 218 AMC Numbers: Shares Fall Despite Shows’ Strong Performance You know what they say about being at the top? It’s just one misstep to the bottom. And so with AMC drawing record ratings for “The Walking Dead” and critical acclaim for its just-wrapped “Breaking Bad,” the question top of mind is can it keep the momentum going—especially given everyone else’s recent push into scripted shows. AMC Networks CEO Josh Sapan acknowledged during Thurs’ earnings call that new entrants are, “in theory,” doing programs similar to AMC. “The networks are doing some shows that look more like cable dramas. SVOD services are themselves doing scripted dramas with some success,” he said. “I think the full implications of that over time are not yet entirely under- stood.” But given the successes beyond AMC (he cited Sundance’s “Rectify”), he sees a significant and increased appetite for scripted drama. Of course, all that programming costs money, and increased expenses in 3Q offset gains from AMC’s popular programming. AMCN shares closed down nearly 6% Thurs as its 3Q profit of $58.1mln for the Q (up nearly 59% YOY) fell short of Wall Street expectations. Revenue grew 19% to $395mln. Bernstein Research said it and fellow bulls will point to the revenue line, while bears will point to AMCN’s earnings line and future growth, with the results unable to put to rest controversy in the stock.