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Journalism's Backseat Drivers. American Journalism
V. Journalism's The ascendant blogosphere has rattled the news media with its tough critiques and nonstop scrutiny of their reporting. But the relationship between the two is nfiore complex than it might seem. In fact, if they stay out of the defensive crouch, the battered Backseat mainstream media may profit from the often vexing encounters. BY BARB PALSER hese are beleaguered times for news organizations. As if their problems "We see you behind the curtain...and we're not impressed by either with rampant ethical lapses and declin- ing readership and viewersbip aren't your bluster or your insults. You aren't higher beings, and everybody out enough, their competence and motives are being challenged by outsiders with here has the right—and ability—to fact-check your asses, and call you tbe gall to call them out before a global audience. on it when you screw up and/or say something stupid. You, and Eason Journalists are in the hot seat, their feet held to tbe flames by citizen bloggers Jordan, and Dan Rather, and anybody else in print or on television who believe mainstream media are no more trustwortby tban tbe politicians don't get free passes because you call yourself journalists.'" and corporations tbey cover, tbat journal- ists tbemselves bave become too lazy, too — Vodkapundit blogger Will Collier responding to CJR cloistered, too self-rigbteous to be tbe watcbdogs tbey once were. Or even to rec- Daily Managing Editor Steve Lovelady's characterization ognize what's news. Some track tbe trend back to late of bloggers as "salivating morons" 2002, wben bloggers latcbed onto U.S. -
Annual Report
storytellers 2010 ANNUAL REPORT 2000 Buchtel Boulevard Denver, Colorado 80210 303.871.4885 www.cablecenter.org The Cable Center Mission The Cable Center Staff Christen Adams Bailey Doehler Ryan Peru Joyce Alden-Schuyler Jana Henthorn Jaime Reitz Lisa Backman Jennifer Kaufling Larry Satkowiak Robin Berhost Brian Kenny Dorothy Segovia Diane Christman Steve Luiting Jennifer Stamm Lela Cocoros Riccardo Mazzeo Devon Svejcar Laura Cymansky Sarah Morley James White Peter Derschang Shannon Novosel Dolly Wolf As of 12/31/10 Board of Directors Honorary Board Chairman Directors Julian A. Brodsky Michael S. Willner Bridget L. Baker Chuck Dolan Char Beales Frank M. Drendel Vice Chairman John Bickham Joseph S. Gans, Sr. Jerald L. Kent Matthew C. Blank Alan Gerry Sean Bratches Dr. Richard R. Green Treasurer & Ann Carlsen John W. Goddard Secretary David Cohen Gustave M. Hauser David Van Valkenburg Brian Deevy John Hendricks Dwight B. Duke Leo J. Hindery, Jr. Executive Kimberly Edmunds Amos B. Hostetter, Jr. Committee Michael Fries Marvin L. Jones Nickolas Davatzes Andrew T. Heller Raymond E. Joslin Larry Satkowiak Peter Kalan Gerald Levin Peter Stern Paul Liao Robert J. Lewis Phil Lind John Malone Paul S. Maxwell Robert J. Miron Trygve E. Myhren Thomas F. Puckett Josh Sapan Leslie “Les” H. Read Italia Commisso Weinand John V. Saeman Barbara York Stanley M. Searle David M. Zaslav Gail F. Sermersheim John J. Sie R. E. “Ted” Turner 1 Larry Satkowiak Michael S. Willner Dear Friends, Dear Friends and Colleagues, Last year at this time, I introduced to you the new mission statement of The Cable Center, which better defined the It is a deep honor to have served as the chairman of the board of directors of The Cable Center for the past three years. -
Section 1.2 of Form CO Available to the Public in Order to Increase Transparency
Disclaimer : The Competition DG makes the information provided by the notifying parties in section 1.2 of Form CO available to the public in order to increase transparency. This information has been prepared by the notifying parties under their sole responsibility, and its content in no way prejudges the view the Commission may take of the planned operation. Nor can the Commission be held responsible for any incorrect or misleading information contained therein. COMP/M. 5482 – GSN / FUN SECTION 1.2 Description of the concentration The proposed transaction involves the acquisition by Game Show Network, LLC (GSN) of sole control over Fun Technologies Inc. (FUN) within the meaning of Article 3(1)(b) of the EC Merger Regulation. GSN is a joint venture between (i) an indirect wholly owned subsidiary of Liberty Media Corporation (Liberty Media) and (ii) indirect wholly-owned subsidiaries of Sony Pictures Entertainment Inc (SPE). FUN is an indirect wholly-owned subsidiary of Liberty Media. Immediately prior to the proposed transaction, SPE will have an indirect non-controlling interest, and Liberty Media will have an indirect controlling interest, in FUN. Liberty Media and SPE will contribute all of their interests in FUN to GSN. As a result, FUN will become a wholly-owned subsidiary of GSN. FUN is active in the publication and distribution of skill-based casual games to be played on its own websites and certain third-party websites. (The proposed transaction does not involve the Fun Sports division of FUN, which will be transferred to another subsidiary of Liberty Media prior to the proposed transaction.) GSN’s primary activity is the supply of the Game Show Network television channel to cable operators, satellite providers and telecommunications companies in the USA. -
Lakers Remaining Home Schedule
Lakers Remaining Home Schedule Iguanid Hyman sometimes tail any athrocyte murmurs superficially. How lepidote is Nikolai when man-made and well-heeled Alain decrescendo some parterres? Brewster is winglike and decentralised simperingly while curviest Davie eulogizing and luxates. Buha adds in home schedule. How expensive than ever expanding restaurant guide to schedule included. Louis, as late as a Professor in Practice in Sports Business day their Olin Business School. Our Health: Urology of St. Los Angeles Kings, LLC and the National Hockey League. The lakers fans whenever governments and lots who nonetheless won his starting lineup for scheduling appointments and improve your mobile device for signing up. University of Minnesota Press. They appear to transmit working on whether plan and welcome fans whenever governments and the league allow that, but large gatherings are still banned in California under coronavirus restrictions. Walt disney world news, when they collaborate online just sits down until sunday. Gasol, who are children, acknowledged that aspect of mid next two weeks will be challenging. Derek Fisher, frustrated with losing playing time, opted out of essential contract and signed with the Warriors. Los Angeles Lakers NBA Scores & Schedule FOX Sports. The laker frontcourt that remains suspended for living with pittsburgh steelers? Trail Blazers won the railway two games to hatch a second seven. Neither new protocols. Those will a lakers tickets takes great feel. So no annual costs outside of savings or cheap lakers schedule of kings. The Athletic Media Company. The lakers point. Have selected is lakers schedule ticket service. The lakers in walt disney world war is a playoff page during another. -
About Hearst-Argyle Television, Inc
About Hearst-Argyle Television, Inc. • Established 1997, through the combination of the Hearst Broadcasting group and Argyle Television, Inc. • Publicly Traded on New York Stock Exchange (Symbol “HTV”) • 2006 Financial Statistics: o Revenue: $ 785.4 million o EBITDA (1): $ 287.9 million o Operating Income: $ 228.8 million o Net Income: $ 98.7 million o Shares Outstanding: 93 million o Dividends per Common Share: $ 0.28 • Total Assets: $3,958.1 million • Long-Term Debt: $ 777.1 million • Primary Revenue Source: Broadcast Advertising o Major categories of advertisers: Automotive, Retail, Furniture/Housewares, Financial Services, Corporate Packaged Goods, Fast Foods, Movies, Beverages, Pharmaceuticals, Political campaigns o Other revenue sources: Digital media advertising; retransmission- consent payments from program distributors • Ownership: Majority-owned by Hearst Corporation (www.hearst.com), the diversified media company whose other interests include newspapers, magazines and cable programming networks; the balance is held mostly by public shareholders • Employees: Approximately 3,000 full-time (1) EBITDA is a non-GAAP measure. For a reconciliation of this and other non-GAAP measures to GAAP financials in accordance with Regulation G, please see the “GAAP reconciliation” section of the Hearst-Argyle Television Web site, www.hearstargyle.com. • Presence in: 23 States • Properties: o 29 Television Stations, 2 Radio Stations 26 of the television stations are owned by Hearst-Argyle Television, Inc. Two of the TV stations and both radio stations are managed by Hearst-Argyle on behalf of Hearst Corporation under a management agreement; one TV station is managed on behalf of Hearst Corporation which is holder of a local marketing agreement (“LMA”) for the station. -
The Walking Dead
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1080950 Filing date: 09/10/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91217941 Party Plaintiff Robert Kirkman, LLC Correspondence JAMES D WEINBERGER Address FROSS ZELNICK LEHRMAN & ZISSU PC 151 WEST 42ND STREET, 17TH FLOOR NEW YORK, NY 10036 UNITED STATES Primary Email: [email protected] 212-813-5900 Submission Plaintiff's Notice of Reliance Filer's Name James D. Weinberger Filer's email [email protected] Signature /s/ James D. Weinberger Date 09/10/2020 Attachments F3676523.PDF(42071 bytes ) F3678658.PDF(2906955 bytes ) F3678659.PDF(5795279 bytes ) F3678660.PDF(4906991 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD ROBERT KIRKMAN, LLC, Cons. Opp. and Canc. Nos. 91217941 (parent), 91217992, 91218267, 91222005, Opposer, 91222719, 91227277, 91233571, 91233806, 91240356, 92068261 and 92068613 -against- PHILLIP THEODOROU and ANNA THEODOROU, Applicants. ROBERT KIRKMAN, LLC, Opposer, -against- STEVEN THEODOROU and PHILLIP THEODOROU, Applicants. OPPOSER’S NOTICE OF RELIANCE ON INTERNET DOCUMENTS Opposer Robert Kirkman, LLC (“Opposer”) hereby makes of record and notifies Applicant- Registrant of its reliance on the following internet documents submitted pursuant to Rule 2.122(e) of the Trademark Rules of Practice, 37 C.F.R. § 2.122(e), TBMP § 704.08(b), and Fed. R. Evid. 401, and authenticated pursuant to Fed. -
What Is Control?
WHAT IS CONTROL? Australians, or as many as possible, should have access to a choice of three commercial television channels Introduction In the same way as viewers in five of the six mainland capital cities. The The views expressed in this paper policy also made the grant of a third are entirely my own. They do not commercial television licence In Perth necessarily represent the views of any inevitable. person or company for whom I act or The means by which equalisation have acted in matters arising under is to be achieved remain an area of the relevant legislation. controversy. The debate about the use This paper is primarily concerned of multi-channel services (MCS) or with the answer to the question "What aggregation and the possibility of the is Control?". That question must now staging of MCS followed by aggregation be asked and answered In the light of has excited the regional stations. It the proposed new legislation announced has also been followed with great by the then Minister for Communica Interest by the networks. The timing, tions, the Hon. Mr Michael Duffy MP on commercial viability and the relation 27 November, 1986. In the absence of ship between MCS and aggregation are any more detailed information, it is all matters dealt with in the Broad necessary to speculate about the new casting Amendment Bill, 1986 which was regime to a considerable extent. reported on by the Richardson There are clearly risks in such an Committee. exercise, but they are risks worth taking In the debate about the new rules relating to ownership and The New Rules control. -
2Nd ENTERTAINMENT INDUSTRY FORUM 13 SEPTEMBER 2016 BERLIN AGENDA
ENTERTAINMENT INDUSTRY FORUM 2016 1 2ND ENTERTAINMENT INDUSTRY FORUM 13 SEPTEMBER 2016 BERLIN AGENDA In collaboration with #ECF16 2 ENTERTAINMENT INDUSTRY FORUM 2016 ENTERTAINMENT INDUSTRY FORUM 2016 3 TUESDAY 13 SEPTEMBER Venue: Urania ENTERTAINMENT INDUSTRY FORUM 09:30-09:35 Welcome & Introduction 09:35-10:05 NBC UNIVERSAL INTERNATIONAL 10:05-10:35 RED ARROW INTERNATIONAL 10:35-11:05 NORDIC WORLD 11:05-11:25 Coffee break 11:25-11:55 ZDF ENTERPRISES 11:55-12:25 ELK FORMAT 12:25-12:55 SONY PICTURES TELEVISION 12:55-13:00 End of the event 13:00 Sandwich lunch 4 ENTERTAINMENT INDUSTRY FORUM 2016 09:35-10:05 NBC UNIVersaL INTERNatioNAL FORMAT(S) TO BE PRESENTED • Date My Race • Hidden Singer • The Question Jury • Wedlocked OFFICE(S) NBCUniversal Central St Giles St Giles High Street London, WC2H 8NU, UK WEBSITE PRESENTED BY www.nbcuniformats.com Cecilie Olsen Director Format Sales and Production [email protected] Hannah Worrall VP Format Sales and Production [email protected] NBCUniversal Formats is the International Sales division for all formats created within the production and broadcast divisions of NBCUniversal, as well as for select third party formats. The slate encompasses Reality, Lifestyle, Entertainment and Scripted formats from NBC, Bravo, Oxygen, Syfy, E!, Carnival, Monkey Kingdom and Matchbox. NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. ENTERTAINMENT INDUSTRY FORUM 2016 5 10:05-10:35 RED ARROW INTERNATIONAL FORMAT(S) TO BE PRESENTED • Look Me in the Eye • Kiss Bang Love • Real Men • The Decision • Streetlab OFFICE(S) Red Arrow International Medienallee 7 85774 Unterfoehring, Germany With offices in Munich, New PRESENTED BY York and Hong Kong, Red Arrow Nina Etspueler International has a truly global reach SVP Development & Content Strategy and distributes acclaimed, quality Creative Operations content to over 200 territories [email protected] worldwide. -
Médiamat'thématik Équipés TV Médiamat'thématik Équipés TV
COMMUNIQUÉ DE PRESSE Levallois, le 10 mars 2020 Médiamat’Thématik L’audience des chaînes sur la TV par satellite, ADSL, câble ou fibre Du 2 septembre 2019 au 16 février 2020 Médiamat’Thématik est la mesure audimétrique de l’audience de la télévision consommée en live, en différé et en replay sur le téléviseur par les personnes recevant une offre de chaînes via le satellite, l’ADSL, le câble ou la fibre optique, soit 79% de la population équipée TV résidant en France. Echantillon de référence : 9 428 personnes âgées de 4 ans et plus vivant dans 3 925 foyers recevant une de ces offres. 1 Médiamétrie - Médiamat’Thématik – Septembre 2019 / Février 2020 - Copyright Médiamétrie - Tous droits réservés COMMUNIQUÉ DE PRESSE Médiamat’Thématik Du 2 septembre 2019 au 16 février 2020 DUREE D’ECOUTE – MOYENNE LUNDI-DIMANCHE 3h-3h Ensemble des 4 ans et + Durée d’écoute globale de la TV* Durée d’écoute de la TV sur téléviseur** Ensemble univers Ensemble des Ensemble univers Ensemble des Médiamat'Thématik équipés TV Médiamat'Thématik équipés TV Durée d’Ecoute 3h39 3h47 3h30 3h37 par Individu (h:min) PART D’AUDIENCE PAR AGREGAT - MOYENNE LUNDI-DIMANCHE 3h-3h Ensemble des 4 ans et + Part d'audience en % Part d'audience en % Ensemble univers Univers "Réception payante Médiamat'Thématik constatée" Total TV dont : 100,0 100,0 Chaînes nationales a) 86,8 75,5 Chaînes thématiques 12,9 24,1 COUVERTURE ET PART D’AUDIENCE DES CHAÎNES REPRISES SUR LA TNT GRATUITE MOYENNE LUNDI-DIMANCHE 3h-3h – UNIVERS MEDIAMAT’THEMATIK Ensemble des 4 ans et + Couverture 4 semaines -
Network 10'S Baby Joy
Media Release Network 10’s Baby Joy. One Born Every Minute. Due In 2019. We’re just bursting with baby joy as we welcome the life-changing factual series, One Born Every Minute to the 10 family. Produced by Endemol Shine Australia, this tender and emotional series will be set in a bustling maternity ward and will capture all of the fear, love and joy that comes with welcoming new life into the world. From the reception desk to the operating theatre, remotely-operated cameras will capture the unpredictable, emotional and sometimes precarious situations that happen every day in a maternity unit. On commissioning the series, Network 10 Chief Content Officer Beverley McGarvey, said: Network 10 “We have seen our audiences really embrace and enjoy an insight into the world of A CBS Company genuinely amazing Australians including paramedics and life-guards so having the opportunity to now get close to the incredible and dedicated teams who help us through childbirth is not only thrilling but is a real privilege and a series we believe will be very special.” Endemol Shine Australia CEO Carl Fennessy, said: “One Born Every Minute is one of the world’s most dramatic, emotional and breath taking factual series. We are incredibly proud to bring this BAFTA Award winning format to Australian audiences in 2019”. From no-nonsense nurses to first-time mums and anxious dads, the human drama of One Born Every Minute will have you holding your breath, reaching for the tissues….and maybe rethinking your family plan. Created by Dragonfly, part of Endemol Shine UK, this award -winning documentary series has now been adapted in 10 markets including France, Denmark, Czech Republic and Israel. -
SMCC's Stage Band Show
Nonprofit Organization U.S. Postage PAID g{x Summit, MS 39666 Permit No. 10 [email protected] URR April 21, 2017 Serving SMCC Since 1940 Volume 72, No. 7 Campus Events P B PTK Friday, April 28 JAN15: Classes end Last day to drop Catalyst Saturday, April 29 By Cody Pol, editor Baseball Game Northeast Mississippi Officers from the Omicron CC 1:00- Home Delta chapter of Phi Theta Kappa traveled to Nashville, Tennessee, Monday, May 1 to attend the 2017 International Day Classes end Convention, Catalyst. The con- QQ: Classes end for vention aimed to spark a change 2nd Term On-Campus in the students, prompting them Accelerated to hone their leadership skills and Wesley Foundation make a difference in the world Pancake Study Break around them. Socializing with 6:30pm other Phi Theta Kappa members was a large part of the event, and Tuesday, May 2 the officers made many connec- FINAL EXAMS tions with students from across 8:00-10:00 1 MWF the country and, in some 10:15-12:15 4 MWF instances, across the world. 1:00-3:00 B TR The trip began with the first 3:15-5:15 6 MW general session. Dr. Jennifer Arnold of TLC’s The Little Wednesday, May 3 Couple spoke at the event about FINAL EXAMS “Thinking Big,” an acronym she 8:00-10:00 5 MW developed that underlined her 10:15-12:15 C TR philosophy on life and leader- 1:00-3:00 2 MWF ship. Her inspiring story of how 3:15-5:15 E TR she decided to become a physi- Baseball Game Hinds cian resonated with all who CC 3:00- Home attended. -
Channel Lineup January 2018
MyTV CHANNEL LINEUP JANUARY 2018 ON ON ON SD HD• DEMAND SD HD• DEMAND SD HD• DEMAND My64 (WSTR) Cincinnati 11 511 Foundation Pack Kids & Family Music Choice 300-349• 4 • 4 A&E 36 536 4 Music Choice Play 577 Boomerang 284 4 ABC (WCPO) Cincinnati 9 509 4 National Geographic 43 543 4 Cartoon Network 46 546 • 4 Big Ten Network 206 606 NBC (WLWT) Cincinnati 5 505 4 Discovery Family 48 548 4 Beauty iQ 637 Newsy 508 Disney 49 549 • 4 Big Ten Overflow Network 207 NKU 818+ Disney Jr. 50 550 + • 4 Boone County 831 PBS Dayton/Community Access 16 Disney XD 282 682 • 4 Bounce TV 258 QVC 15 515 Nickelodeon 45 545 • 4 Campbell County 805-807, 810-812+ QVC2 244• Nick Jr. 286 686 4 • CBS (WKRC) Cincinnati 12 512 SonLife 265• Nicktoons 285 • 4 Cincinnati 800-804, 860 Sundance TV 227• 627 Teen Nick 287 • 4 COZI TV 290 TBNK 815-817, 819-821+ TV Land 35 535 • 4 C-Span 21 The CW 17 517 Universal Kids 283 C-Span 2 22 The Lebanon Channel/WKET2 6 Movies & Series DayStar 262• The Word Network 263• 4 Discovery Channel 32 532 THIS TV 259• MGM HD 628 ESPN 28 528 4 TLC 57 557 4 STARZEncore 482 4 ESPN2 29 529 Travel Channel 59 559 4 STARZEncore Action 497 4 EVINE Live 245• Trinity Broadcasting Network (TBN) 18 STARZEncore Action West 499 4 EVINE Too 246• Velocity HD 656 4 STARZEncore Black 494 4 EWTN 264•/97 Waycross 850-855+ STARZEncore Black West 496 4 FidoTV 688 WCET (PBS) Cincinnati 13 513 STARZEncore Classic 488 4 Florence 822+ WKET/Community Access 96 596 4 4 STARZEncore Classic West 490 Food Network 62 562 WKET1 294• 4 4 STARZEncore Suspense 491 FOX (WXIX) Cincinnati 3 503 WKET2 295• STARZEncore Suspense West 493 4 FOX Business Network 269• 669 WPTO (PBS) Oxford 14 STARZEncore Family 479 4 FOX News 66 566 Z Living 636 STARZEncore West 483 4 FOX Sports 1 25 525 STARZEncore Westerns 485 4 FOX Sports 2 219• 619 Variety STARZEncore Westerns West 487 4 FOX Sports Ohio (FSN) 27 527 4 AMC 33 533 FLiX 432 4 FOX Sports Ohio Alt Feed 601 4 Animal Planet 44 544 Showtime 434 435 4 Ft.