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Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
Using Fonts Installed in Local Texlive - Tex - Latex Stack Exchange
27-04-2015 Using fonts installed in local texlive - TeX - LaTeX Stack Exchange sign up log in tour help TeX LaTeX Stack Exchange is a question and answer site for users of TeX, LaTeX, ConTeXt, and related Take the 2minute tour × typesetting systems. It's 100% free, no registration required. Using fonts installed in local texlive I have installed texlive at ~/texlive . I have installed collectionfontsrecommended using tlmgr . Now, ~/texlive/2014/texmfdist/fonts/ has several folders: afm , cmap , enc , ... , vf . Here is the output of tlmgr info helvetic package: helvetic category: Package shortdesc: URW "Base 35" font pack for LaTeX. longdesc: A set of fonts for use as "dropin" replacements for Adobe's basic set, comprising: Century Schoolbook (substituting for Adobe's New Century Schoolbook); Dingbats (substituting for Adobe's Zapf Dingbats); Nimbus Mono L (substituting for Abobe's Courier); Nimbus Roman No9 L (substituting for Adobe's Times); Nimbus Sans L (substituting for Adobe's Helvetica); Standard Symbols L (substituting for Adobe's Symbol); URW Bookman; URW Chancery L Medium Italic (substituting for Adobe's Zapf Chancery); URW Gothic L Book (substituting for Adobe's Avant Garde); and URW Palladio L (substituting for Adobe's Palatino). installed: Yes revision: 31835 sizes: run: 2377k relocatable: No catdate: 20120606 22:57:48 +0200 catlicense: gpl collection: collectionfontsrecommended But when I try to compile: \documentclass{article} \usepackage{helvetic} \begin{document} Hello World! \end{document} It gives an error: ! LaTeX Error: File `helvetic.sty' not found. Type X to quit or <RETURN> to proceed, or enter new name. -
Complete Issue 40:3 As One
TUGBOAT Volume 40, Number 3 / 2019 General Delivery 211 From the president / Boris Veytsman 212 Editorial comments / Barbara Beeton TEX Users Group 2019 sponsors; Kerning between lowercase+uppercase; Differential “d”; Bibliographic archives in BibTEX form 213 Ukraine at BachoTEX 2019: Thoughts and impressions / Yevhen Strakhov Publishing 215 An experience of trying to submit a paper in LATEX in an XML-first world / David Walden 217 Studying the histories of computerizing publishing and desktop publishing, 2017–19 / David Walden Resources 229 TEX services at texlive.info / Norbert Preining 231 Providing Docker images for TEX Live and ConTEXt / Island of TEX 232 TEX on the Raspberry Pi / Hans Hagen Software & Tools 234 MuPDF tools / Taco Hoekwater 236 LATEX on the road / Piet van Oostrum Graphics 247 A Brazilian Portuguese work on MetaPost, and how mathematics is embedded in it / Estev˜aoVin´ıcius Candia LATEX 251 LATEX news, issue 30, October 2019 / LATEX Project Team Methods 255 Understanding scientific documents with synthetic analysis on mathematical expressions and natural language / Takuto Asakura Fonts 257 Modern Type 3 fonts / Hans Hagen Multilingual 263 Typesetting the Bangla script in Unicode TEX engines—experiences and insights Document Processing / Md Qutub Uddin Sajib Typography 270 Typographers’ Inn / Peter Flynn Book Reviews 272 Book review: Hermann Zapf and the World He Designed: A Biography by Jerry Kelly / Barbara Beeton 274 Book review: Carol Twombly: Her brief but brilliant career in type design by Nancy Stock-Allen / Karl -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia ....................................................................................... -
Optimal Use of Fonts on Linux
Optimal Use of Fonts on Linux Avi Alkalay Donovan Rebbechi Hal Burgiss Copyright © 2006 Avi Alkalay, Donovan Rebbechi, Hal Burgiss 2007−04−15 Revision History Revision 2007−04−15 15 Apr 2007 Revised by: avi Included support to SUSE installation for the RPM scriptlets on template spec file, listed SUSE as a BCI−enabled distro. Revision 2007−02−08 08 Feb 2007 Revised by: avi Fixed some typos, updated Luc's page URL, added DejaVu sections, added link to FC6 Freetype RPMs, added link to Debian MS Core fonts, and added reference to the gnome−font−properties command. Revision 2006−07−02 02 Jul 2006 Revised by: avi Included link to Debian FreeType BCI package, improved the glossary with Latin1 descriptions, more clear links on the webcore fonts section, instructions on how to rebuild source RPM packages in the BCI appendix, updated the freetype recompilation appendix to cover new versions of the lib, authorship section reorganized. Revision 2006−04−02 02 Apr 2006 Revised by: avi Included link to FC5 Freetype.bci contribution by Cody DeHaan. Revision 2006−03−25 25 Mar 2006 Revised by: avi Updated link to BCI Freetype RPMs to be more distro version specific. Revision 2005−07−19 19 May 2005 Revised by: avi Renamed Microsoft Fonts to Webcore Fonts, and links updated.Added X.org Subsystems section. Revision 2005−05−25 25 May 2005 Revised by: avi Comment related to web pages in the Microsoft Fonts section Revision 2005−05−10 10 May 2005 Revised by: avi Old section−based glossary converted to real DocBook glossary.Modernized terms and explanations on the glossary.Included concepts as charsets, Unicode and UTF−8 in the glossary. -
LATEX Font Packages
LATEX font packages Mark Gates January 3, 2012 This guide is available from http://web.eecs.utk.edu/∼mgates3/ Copyright ⃝c 2012 by Mark Gates. You may freely copy and modify this document under the Creative Commons Attribution-ShareAlike license. When distributing modified versions, please include your Latex file. Traditionally, a Latex package is loaded to provide a font or set of fonts. Table 1, adapted from the PSNFSS documentation, summarizes the commonly used Latex font packages. PSNFSS provides the default Type 1 fonts listed, excluding Computer Modern (CM), Utopia, Fourier, and Euler. Package Roman Math Sans serif Typewriter (none) CM Roman CM Roman CM Sans CM Typewriter mathpazo Palatino Palatino mathptmx Times Times helvet Helvetica avant Avant Garde courier Courier chancery Zapf Chancery bookman Bookman Avant Garde Courier newcent New Century Schoolbook Avant Garde Courier charter Charter fourier Utopia Fourier eulervm Euler Table 1: Latex font packages. Blanks indicate package does not set font for that category. The sectsty package is useful to set the font for chapter and section headers. (The examples I've included below all use fontspec, but sectsty works with or without fontspec.) xelatex enables you to use any font on your Mac OS X or Windows system. The fontspec package loads system fonts, as shown in examples below. When loading fontspec, it reverts the main roman font to Computer Modern (actually, Latin Modern). It will, however, leave the math font alone if you use the no-math option. Thus, to set a math font, load one of the above pack- ages, then load fontspec, then set the main font again using fontspec. -
LATEX Font Guide
LATEX font guide Carleton College LATEX workshop LATEX interacts with fonts differently than most software you are accustomed to. It does not natively support using system fonts; you can’t just choose Comic Sans from a drop-down menu and use it in your document. (This is probably for the best.) Nevertheless, LATEX does support a variety of fonts. This document will showcase a few that are of high quality and have excellent math support. Using a font in your document To use one of these fonts in a document using one of the Carleton templates, go to the preamble and look for these lines: % The Latin Modern font is a modernized replacement for the classic % Computer Modern. Feel free to replace this with a different font package. \usepackage{lmodern} To switch to a different font package, just replace lmodern with the name of that package. (It is very important not to load multiple font packages; they can conflict and cause strange behavior.) For example, to us the kpfonts package, you should replace the third line of the above with the following: \usepackage{kpfonts} 1 Latin Modern This is the Latin Modern font. To use it, include this line in your preamble: \usepackage{lmodern} Example text Theorem (Pólya enumeration theorem, unweighted). Let Γ be a group of per- mutations of a finite set X of “objects” and let Y be a finite set of “colors”. Then the number of orbits under Γ of Y -colorings of X is given by 1 Y X / Γ = tc(γ) Γ γ Γ | | X∈ where t = Y and where c(γ) is the number of cycles of γ as a permutation of | | X. -
Doc 9303 Machine Readable Travel Documents Eighth Edition, 2021
Doc 9303 Machine Readable Travel Documents Eighth Edition, 2021 Part 3: Specifications Common to all MRTDs Approved by and published under the authority of the Secretary General INTERNATIONAL CIVIL AVIATION ORGANIZATION Doc 9303 Machine Readable Travel Documents Eighth Edition, 2021 Part 3: Specifications Common to all MRTDs Approved by and published under the authority of the Secretary General INTERNATIONAL CIVIL AVIATION ORGANIZATION Published in separate English, Arabic, Chinese, French, Russian and Spanish editions by the INTERNATIONAL CIVIL AVIATION ORGANIZATION 999 Robert-Bourassa Boulevard, Montréal, Quebec, Canada H3C 5H7 Downloads and additional information are available at www.icao.int/Security/FAL/TRIP Doc 9303, Machine Readable Travel Documents Part 3 — Specifications Common to all MRTDs Order No.: 9303P3 ISBN 978-92-9265-333-0 (print version) © ICAO 2021 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without prior permission in writing from the International Civil Aviation Organization. AMENDMENTS Amendments are announced in the supplements to the Products and Services Catalogue; the Catalogue and its supplements are available on the ICAO website at www.icao.int. The space below is provided to keep a record of such amendments. RECORD OF AMENDMENTS AND CORRIGENDA AMENDMENTS CORRIGENDA No. Date Entered by No. Date Entered by The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of ICAO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. -
The Mathdesign Package
The mathdesign package Paul Pichaureau∗ d August 29, 2013 1 Introduction The package mathdesign replaces all the default mathematical fonts of TEX with a complete set of mathematical fonts, designed to be combined with a text font of your choice. Provided fonts cover the full family of symbol of plain TEX and LATEX, the full set of the Ameri- can Mathematical Society (AMS) symbols, the Ralph Smith’sFormal Script symbol fonts (RSFS). Some symbol used by the package textcomp. Some extra symbols are also defined. More fonts will be created and shared in the future! 1.1 Requirements A complete TEX installation is required. In particular, the text fonts you want to use must be already present on your system. A recent TEX distribution is recommended (e.g. MikTEX v2.2 or later, teTEX v3.0 or later) as the configuration is really simple with the updmap utility. 2 Installation This package alone is useless. You have to install one of the full set of fonts available. Please consult the provided README file. It deals with all the installation and system configuration process. 3 Interesting features • All the symbols are provided in normal and bold versions. • Support of all LATEXand AMSsymbols including blackboard bold letters (Q, R, Z). • Extra symbols, including \euro (e)\smallin ()\intclockwise ( )\ointclockwise ( )\oiint ( )\oiiint ( ). • Various greek alphabets available. • Support of scaled sans serif and typewriter fonts. [email protected] ∗ 1 4 Usage and configuration To use one the font in your document call the mathdesign package with the appropriate option. Text fonts Option name Package name Adobe Utopia adobe-utopia, utopia mdput URW Garamond urw-garamond, garamond mdugm Bitstream Charter bitstream-charter, charter mdbch In the preceding table, option on the same line are equivalent. -
6Layouts and Fonts
i i i ‘beginlatex’ --- 2018/12/4 --- 23:30 --- page 131 --- #167 i 6Layouts and fonts This is the chapter that most users think they want first, because they come to structured documents from a wordprocessing environment where the only way to convey different types of information is to fiddle with the font and size drop-down menus. As you will have seen by now, this is normally unnecessary in LATEX, which does most of the work for you automatically. However, there are occasions when you need to make manual typographic changes, and this chapter is about how to do them. 6.1 Changing layout The design of the page can be a very subjective matter, and also a rather subtle one. Many organisations large and small pay considerable sums to designers to come up with page layouts to suit their purposes. Styles in page layouts change with the years, as do fashions in everything else, so what may have looked attractive in 1978 or 1991 may look rather dated in 2020. As with most aspects of typography, making the document readable involves making it consistent, so the reader is not interrupted or distracted too much by apparently random changes in margins, widths, or placement of objects.1 However, there are a number of different 1 Some authors — and perhaps some designers — believe that consistency is undesir- able, and that double-page layouts in printed books should each be designed inde- £ Formatting Information ¢ 131 ¡ i i i i i i i ‘beginlatex’ --- 2018/12/4 --- 23:30 --- page 132 --- #168 i CHAPTER 6. -
Die T E X Nische K Omödie
DANTE Deutschsprachige Anwendervereinigung TEX e.V. 31. Jahrgang Heft 3/2019 August 2019 nische Komödie X E T Die 3/2019 Impressum »Die TEXnische Komödie« ist die Mitgliedszeitschrift von DANTE e.V. Der Bezugspreis ist im Mitgliedsbeitrag enthalten. Namentlich gekennzeichnete Beiträge geben die Meinung der Autoren wieder. Reproduktion oder Nutzung der erschienenen Beiträge durch konventionelle, elektronische oder beliebige andere Verfahren ist nicht gestattet. Alle Rechte zur weiteren Verwendung außerhalb von DANTE e.V. liegen bei den jeweiligen Autoren. Beiträge sollten in Standard-LATEX-Quellcode unter Verwendung der Dokumentenklasse dtk erstellt und per E-Mail oder Datenträger (z. B. CD/DVD) an untenstehende Adresse der Redaktion geschickt werden. Sind spezielle Makros, LATEX-Pakete oder Schriften notwendig, so müssen auch diese komplett mitgeliefert werden. Außerdem müssen sie auf Anfrage Interessierten zugänglich gemacht werden. Weitere Informationen für Autoren findet man auf der Projektseite https://projekte.dante.de/DTK/AutorInfo von DANTE e.V. Diese Ausgabe wurde mit LuaTeX, Version 1.11.1 (TeX Live 2020/dev) erstellt. Als Stan- dardschriften kamen Libertinus Serif, Libertinus Sans, Anonymous Pro und Libertinus Math zum Einsatz. Erscheinungsweise: vierteljährlich Erscheinungsort: Heidelberg Auflage: 2400 Herausgeber: DANTE, Deutschsprachige Anwendervereinigung TEX e.V. Postfach 10 18 40 69008 Heidelberg E-Mail: [email protected] (DANTE e.V.) [email protected] (Redaktion) Druck: Schleunungdruck GmbH Eltertstraße 27, 97828 Marktheidenfeld Redaktion: Herbert Voß (verantwortlicher Redakteur) Mitarbeit: Lukas C. Bossert Gert Ingold Eberhard Lisse Rolf Niepraschk Heiko Oberdiek Günter Partosch Christine Römer Martin Sievers Redaktionsschluss für Heft 4/2019: 15. Oktober 2019 ISSN 1434-5897 Die TEXnische Komödie 3/2019 Editorial Liebe Leserinnen und liebe Leser, die Korrektur der Beiträge für eine neue Ausgabe von »Die TEXnische Komödie« ist zwar zeitintensiv, aber nicht unser größtes Problem.