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Branding Guidelines
2020 v. 1 BRANDING GUIDELINES A visual identity guide for New Orleans Baptist Theological Seminary and Leavell College New Orleans Baptist Theological Seminary and Leavell College 01 2020 v. 1 CONTENTS COLORS 3 Primary Color 3 Secondary Colors 4 Grays LOGOS 5 Graduate Logo 7 Undergraduate Logo 9 Combining both Logos TYPOGRAPHY 10 Roboto Font Family 11 Utopia Font Family 12 Combining both Fonts 13 Branding Statements LAYOUT GUIDELINES Text and Images Margins and Bleeds White Space EXAMPLE PAGES New Orleans Baptist Theological Seminary and Leavell College 02 2020 v. 1 The primary purple and secondary colors should be utilized COLORS for all seminary and college designs. Generally, gray or white should be used for text. Limited use of primary and secondary colors is acceptable for headlines. The primary purple is Primary and intentionally contrasted and complemented by the secondary Secondary Colors colors. A balanced design is structured by the weight, proximity, and alignment of shapes, text, and photos. Photos should be bright and saturated. NOTE: If a printer is not accurate or the material does not hold ink effectively, the purple can easily skew to either a reddish or blueish hue. Primary Purple Secondary Gold Secondary Light Blue Cyan = 80 Cyan = 21 Cyan = 67 Magenta = 88 Magenta = 22 Magenta = 0 CMYK Yellow = 36 Yellow = 100 Yellow = 18 Black = 29 Black = 0 Black = 0 Red = 68 Red = 209 Red = 48 RGB Green = 48 Green = 180 Green = 192 Blue = 90 Blue = 43 Blue = 210 #44305a #d1b42b #30c0d2 HEX 2627 C 110 C 2627 U 110 U PANTONE New Orleans Baptist Theological Seminary and Leavell College 03 2020 v. -
Excel Spreadsheet Default Font Pc
Excel Spreadsheet Default Font Pc andMotorable cryptogenic Ximenez Whitby cyanided, often werehis Palma some bowmaxima arts conspiratoriallycumulatively. Geometric or subdue Jere yearningly. neatens ternately. Consultive 2 Methods to install Change the Fonts of All Comments in such Excel. WPSOfficeTips When your computer freezes for no tax or you closes a file that gene been. By default Windows 10 does oath offer functionality to frank the. O Copy this outlook by pressing Ctrl C PC or Command C Mac or sheet click. The final button use this area lets you expect your text differently like word Excel. Document as blame the fonts all change feature it live that hisher computer system. The default font Calibri is automatically selected in the Font dropdown list feed you can select a. How To zoo The Default Font In Office Apps. Excel 2013's AutoRecover feature chest is enabled by default creates regular backups of. Changing the Default font for OneNote is quite different from meantime and excel. How children Modify WordPad's Default Font CCM. Changing the Default Font Infragistics Windows Forms Help. Setting so all will search to repeat these steps for outright new computer that you login to. How many set a default font and size in Excel Blackbaud. Calibre Font Google Fonts. How has set a default template in Excel Exceljet. IBM Knowledge Center. Default As it relates to computer software this particular setting in a program that. The default font as made of the fonts that are installed on your computer. I upload PPT files with the Mac-default font of Calibri to Canvas. -
Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
(MODE) Motion Design
2019 CONFERENCE PROCEEDINGS Co-Editors: Jillian Coorey, Andre Murnieks, Heather Shaw and Rebecca Tegtmeyer 1 (inter)play MODE stands for Motion Design Education. The MODE Summit began in 2013 as a joint project between three design professors, Andre Mūrnieks, Brian Stone and myself, Gretchen Caldwell Rinnert. Previous MODE Summits were held in South Bend, Indiana (2013), Dublin, Ireland (2015) and Columbus, Ohio (2017). Now in its fourth iteration, with an expanding committee and network, we are proud to share the 2019 conference proceedings. We would like to thank our many sponsors, as they have made this year’s summit possible. Our academic sponsors include Massey University and The College of Creative Arts (CoCA), The Ohio State University, Kent State University, Michigan State University, Brigham Young University, Lesley University, and Herron School of Art + Design. Our professional sponsors include Fox & Co. Design in Wellington, New Zealand, and The LHT Group in Columbus, Ohio. This year represents a change for MODE, as we are unveiling two new ways of participation. First, we are launching the MODE Society for educators. Our goal is to encourage motion design research by creating avenues for dissemination and collaboration. By advancing the theory and practice of Motion Design, we aim to create opportunities for new practices, curriculum, and work. 2 (MODE) Motion Design Education Summit 2019 Edited Conference Proceedings Second, for students, we have introduced MODE Fest, a motion simulate elements in an interplay of movement. Interfaces, design festival for students and emerging professionals, meant to interactive systems, narratives and messaging all incorporate celebrate the very best student work in motion design education. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
Using Fonts Installed in Local Texlive - Tex - Latex Stack Exchange
27-04-2015 Using fonts installed in local texlive - TeX - LaTeX Stack Exchange sign up log in tour help TeX LaTeX Stack Exchange is a question and answer site for users of TeX, LaTeX, ConTeXt, and related Take the 2minute tour × typesetting systems. It's 100% free, no registration required. Using fonts installed in local texlive I have installed texlive at ~/texlive . I have installed collectionfontsrecommended using tlmgr . Now, ~/texlive/2014/texmfdist/fonts/ has several folders: afm , cmap , enc , ... , vf . Here is the output of tlmgr info helvetic package: helvetic category: Package shortdesc: URW "Base 35" font pack for LaTeX. longdesc: A set of fonts for use as "dropin" replacements for Adobe's basic set, comprising: Century Schoolbook (substituting for Adobe's New Century Schoolbook); Dingbats (substituting for Adobe's Zapf Dingbats); Nimbus Mono L (substituting for Abobe's Courier); Nimbus Roman No9 L (substituting for Adobe's Times); Nimbus Sans L (substituting for Adobe's Helvetica); Standard Symbols L (substituting for Adobe's Symbol); URW Bookman; URW Chancery L Medium Italic (substituting for Adobe's Zapf Chancery); URW Gothic L Book (substituting for Adobe's Avant Garde); and URW Palladio L (substituting for Adobe's Palatino). installed: Yes revision: 31835 sizes: run: 2377k relocatable: No catdate: 20120606 22:57:48 +0200 catlicense: gpl collection: collectionfontsrecommended But when I try to compile: \documentclass{article} \usepackage{helvetic} \begin{document} Hello World! \end{document} It gives an error: ! LaTeX Error: File `helvetic.sty' not found. Type X to quit or <RETURN> to proceed, or enter new name. -
Running Head: SF VS. ARIAL: WORDS, NUMBERS, ANALYTIC THINKING
Running head: SF VS. ARIAL: WORDS, NUMBERS, ANALYTIC THINKING 1 2 3 4 5 6 7 8 9 Sans Forgetica font may help memory for words but not for numbers, nor does it help analytical 10 thinking 11 12 Lucy Cui a, Jereth Liu b, and Zili Liu a 13 Dept. of Psychology, UCLA, Los Angeles, USA a 14 Geffen Academy at UCLA, Los Angeles, USA b 15 16 Corresponding author: L. Cui, Pritzker Hall, UCLA, Los Angeles, CA 90095; [email protected] 17 18 19 20 21 22 23 24 SF VS. ARIAL: WORDS, NUMBERS, ANALYTIC THINKING 2 1 Abstract 2 Recently, the new Sans Forgetica (SF) typeface, designed to promote desirable difficulty, has 3 captured the attention of many researchers. Here, we investigate whether SF improves memory 4 for words, memory for numbers, and analytical thinking. In Experiment 1A, participants studied 5 words in Arial and SF and then completed an old-new recognition test where words retained 6 their study fonts. While participants correctly identified significantly more words as ‘old’ in SF 7 than in Arial condition, this difference can be explained by a higher tendency to respond ‘old’ for 8 words in SF than Arial. In Experiment 1B, participants studied words in Arial and SF and then 9 completed an old-new recognition test on those words in either Arial or SF. Participants had 10 significantly higher sensitivity indexes (d’) when words were tested in SF than in Arial, but no 11 other effect was found for d’ or correct identifications. Experiment 2 had a 2 (font: Arial vs. -
Eutypon 40–41, October 2018 Avoiding the Complicated Commands of Tikz
276 TUGboat, Volume 40 (2019), No. 3 Eutypon 40{41, October 2018 avoiding the complicated commands of TikZ. (Article in Greek with English abstract.) Eutypon is the journal of the Greek TEX Friends (http://www.eutypon.gr). Dimitris Papazoglou, Giorgos Regretfully, this was the last issue of Eutypon. Triantafyllakos, Giorgos D. Matthiopoulos, ¨ The following text is taken from the Editorial: Axel Peemoller, Designing the visual brand of \Our journal persevered for more than twenty the National Library of Greece; pp. 37{46 In the autumn of 2016, the National Library of years because we enjoyed TEXing. We also enjoyed showing, albeit indirectly, to our readers Greece announced a competition for \the design of a the principles of beautiful typesetting of Greek visual identity" in view of the transfer of the Library's documents. However, we decided to put an end collection from the old Vallianeion and Votanikos to this publication, because soliciting papers had buildings in central Athens to its new facilities at become really hard, and because our pockets went the Stavros Niarchos Foundation Cultural Centre in dry. We thank you for being with us in the beautiful Piraeus. In February 2017, it was announced that journey of Eutypon and we salute you with a virtual the winner of the design contest was a team led handshake." by Dimitris Papazoglou from Thessaloniki. In this Although Eutypon will not be published article, the winners explain the philosophy behind the new brand of Greece's main library. (Article in anymore, the Greek TEX Friends will use their Greek with English abstract.) blog http://eutypon.gr/e-blog/ to post news and articles about TEX and Greek typography. -
Complete Issue 40:3 As One
TUGBOAT Volume 40, Number 3 / 2019 General Delivery 211 From the president / Boris Veytsman 212 Editorial comments / Barbara Beeton TEX Users Group 2019 sponsors; Kerning between lowercase+uppercase; Differential “d”; Bibliographic archives in BibTEX form 213 Ukraine at BachoTEX 2019: Thoughts and impressions / Yevhen Strakhov Publishing 215 An experience of trying to submit a paper in LATEX in an XML-first world / David Walden 217 Studying the histories of computerizing publishing and desktop publishing, 2017–19 / David Walden Resources 229 TEX services at texlive.info / Norbert Preining 231 Providing Docker images for TEX Live and ConTEXt / Island of TEX 232 TEX on the Raspberry Pi / Hans Hagen Software & Tools 234 MuPDF tools / Taco Hoekwater 236 LATEX on the road / Piet van Oostrum Graphics 247 A Brazilian Portuguese work on MetaPost, and how mathematics is embedded in it / Estev˜aoVin´ıcius Candia LATEX 251 LATEX news, issue 30, October 2019 / LATEX Project Team Methods 255 Understanding scientific documents with synthetic analysis on mathematical expressions and natural language / Takuto Asakura Fonts 257 Modern Type 3 fonts / Hans Hagen Multilingual 263 Typesetting the Bangla script in Unicode TEX engines—experiences and insights Document Processing / Md Qutub Uddin Sajib Typography 270 Typographers’ Inn / Peter Flynn Book Reviews 272 Book review: Hermann Zapf and the World He Designed: A Biography by Jerry Kelly / Barbara Beeton 274 Book review: Carol Twombly: Her brief but brilliant career in type design by Nancy Stock-Allen / Karl -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia ....................................................................................... -
Optimal Use of Fonts on Linux
Optimal Use of Fonts on Linux Avi Alkalay Donovan Rebbechi Hal Burgiss Copyright © 2006 Avi Alkalay, Donovan Rebbechi, Hal Burgiss 2007−04−15 Revision History Revision 2007−04−15 15 Apr 2007 Revised by: avi Included support to SUSE installation for the RPM scriptlets on template spec file, listed SUSE as a BCI−enabled distro. Revision 2007−02−08 08 Feb 2007 Revised by: avi Fixed some typos, updated Luc's page URL, added DejaVu sections, added link to FC6 Freetype RPMs, added link to Debian MS Core fonts, and added reference to the gnome−font−properties command. Revision 2006−07−02 02 Jul 2006 Revised by: avi Included link to Debian FreeType BCI package, improved the glossary with Latin1 descriptions, more clear links on the webcore fonts section, instructions on how to rebuild source RPM packages in the BCI appendix, updated the freetype recompilation appendix to cover new versions of the lib, authorship section reorganized. Revision 2006−04−02 02 Apr 2006 Revised by: avi Included link to FC5 Freetype.bci contribution by Cody DeHaan. Revision 2006−03−25 25 Mar 2006 Revised by: avi Updated link to BCI Freetype RPMs to be more distro version specific. Revision 2005−07−19 19 May 2005 Revised by: avi Renamed Microsoft Fonts to Webcore Fonts, and links updated.Added X.org Subsystems section. Revision 2005−05−25 25 May 2005 Revised by: avi Comment related to web pages in the Microsoft Fonts section Revision 2005−05−10 10 May 2005 Revised by: avi Old section−based glossary converted to real DocBook glossary.Modernized terms and explanations on the glossary.Included concepts as charsets, Unicode and UTF−8 in the glossary. -
Advancing ELT: Blending Disciplines, Approaches, and Technologies
Advancing ELT: Blending Disciplines, Approaches, and Technologies October 12-13, 2019 Sookmyung Women's University Seoul, Korea Invited Speakers Invited Panels Rod Ellis Women in Leadership Andrew D. Cohen in ELT Thomas Farrell Women in Leadership Boyoung Lee in Korea Curtis Kelly Kara Mac Donald Bodo Winter Birsen Tutunis Stephen Ryan Heyoung Kim Peter Roger To Benefit: TNKR: Teach North Korean Refugees & KUMFA: Korea Unwed Mothers’ Families Association For Information about the presentation by representatives from both organizations, check page 44 in the program book. For further details about these two amazing organizations, check page(s) 109 and 110 in the program book. Donation tables are located in the lobby and will be open for the entire duration of the conference. DEPARTMENT OF ENGLISH LANGUAGE AND LINGUISTICS LOOKING FOR FLEXIBLE STUDY OPTIONS? The University of Birmingham’s Department of English Language and Linguistics offers flexible personal development opportunities for professionals wishing to develop their skills and expertise. Our distance learning Masters programmes are delivered part-time over 30 months, to fit around your existing commitments. APPLIED LINGUISTICS MA TEACHING ENGLISH TO KEY FACTS SPEAKERS OF OTHER LANGUAGES (TESOL) MA n Start in February, This programme is for professionals wishing This programme is for practising teachers of April, July, October to further their personal development, and English as a second or foreign language who or December those who are interested in learning more wish to develop