Arianas %Rietnrs Micronesia's Leading Newspaper Since 1972 ~ Evvs Workers May Lose Benefit Bill to Make Workers Re~Ponsible for Medical Bills up to Gov

Total Page:16

File Type:pdf, Size:1020Kb

Arianas %Rietnrs Micronesia's Leading Newspaper Since 1972 ~ Evvs Workers May Lose Benefit Bill to Make Workers Re~Ponsible for Medical Bills up to Gov arianas %rietnrs Micronesia's leading Newspaper Since 1972 ~ evvs Workers may lose benefit Bill to make workers re~ponsible for medical bills up to Gov. By Zalcly Dan'dan avoid any equal protection prob­ • Non prescription medication Variety News Staff lems. and drug A CONTROVERSIAL bill that As passed by both houses of the • Preexisting conditions at the would make employers no longer Legislature, S.B. I 0-4 allows time of recruitment responsible for the medical costs employers to deduct the cost of • Activities outside the scope of of their alien workers was passed health insurance premiums from employment and off the premises, by the House of Representatives their alien workers, even if the including barracks, of the em­ Friday, and now heads to Gov. deductions reduce the worker's ployer Froilan C. Tenqrio for his sign~­ net pay below the applicable mini­ In justifying its provisions, S.B. ture. mum wage. I 0-4 states that the medical costs The House legal counsel has Under _the legislation, the em­ for the alien workers are continu­ said that Senate Bill 10-4 may ployer will no longer be respon­ ally increasing due to current law violate federal law, a view shared sible for the following medical holding employer:, responsible for by some members of the House costs of an alien worker: medical related expenses of alien leadership. • Dental care workers "24 hours a However, the Senate legal coun­ • Pregnancy and childbirth day ... regardless of the nature of sel in a memo dated March 26, • Routine physical exam (other the activity ... or the source of the 1996, said the bill can be enacted than required by the Nonresident illness or injury .... " A student from Gregorio T. Camacho in a TV set outfit performs a dance into law provided it is drafted to Workers Act)· Continued on page 36 number on a roller blade during the MVB Candle Light Parade Saturday night.-Photo by Ferdie de la Torre Passenger settles with airline for $40,000 Transisiton team 'upset' By Rick Alberto She was returning from line and attendant of negli­ Variety News Staff Zurich and in the process of gence. over failure to file appeal A KOREAN Airlines passenger disembarking minutes after Rodrigues and Korean Air, By Zaldy Dandan who sued after a piece of lug­ landing on Saipan Interna­ through their lawyers Jay H. Variety News Staff gage f~ll and hit her head from tional Airport, a flight atten­ Sorensen and Michael A. DESPITE an assurance from lawyer Sebastian Aloot, the appeal to an overhead bin has settled the dant accordingly opened an White respectively, settled reverse the Superior Court ruling on governor-elect Pedro P. Tenorio' s case, getting an award of overhead bin and during the the case in principle as early eligibility was not filed Friday. · $40,000 from the airlines. unloading the plaintiff's as Oct. l, agreeing on the Dr. Jose T. Villagomez, the chair of Tenorio's transition team, Eneida Rodrigues, of carry-on bag hit her on the amount of $40,000. yesterday called the failure to file the appeal "puzzling" and "upset­ Saipan, said in a complaint he.ad. It was only after the re­ ting." filed in the federal district "The pl_aintiff suffered se­ lease of the amount recently "I really don't know what they're up to," he said. court on June 19 that she suf­ vere injuries to head, neck arid that both parties, on Dec. 12, "I heard Aloot left the island Friday," he addeq. "They announced fered from bodily injury as a teeth," the complaint, which signed a stipulation dismiss­ that they'll file the appeal on the snme day, but now they've delayed result of the incident which was amended July I 0, stated. ing Rodrigues' complaint it again." happened Dec. 13 last year. Rodrigues accused the air- with prejudice. Villagomez said the people who voted for Tenorio are beginning to be "upset" over the "puzzling delaying tactics." "As I've earlier said, it's not them versus (Tenorio and lieutenant­ governor elect Jesus R. Sablan), but them versus the over 5,000 voters who chose (the two)," he said. With or without the appeal, however, Villagomez said the transi­ tion subcommittees will begin its inquiry into the various executive departments and agencies. "Expect to see the subcommittee members going to the various Continued on page 3-6 Bill to restrict. business licenses passed by Hou$e By Zaldy Dandan Variety News Staff A BILL that would disallow alien workers from e:ettim!: business Ii- ------·1 2-MARIANAS V ARlETY NEWS AND VIEWS-MONDAY- DECEMBER 22, 1997 MONDAY, DECEMBER 22, 1997-MA~IANAS VARIETY NEWS'AND VIEWS-3 Laos elects parliament DOLi sues bond firn1 but four private businessmen power structure is remains unmarked by the rela­ By LINDA EHRICHS police presence was heavier By Ferdie de la Torre tary. are members of the Lao unthreatened by the vote, it is tive political instability of VIENTIANE, Laos (AP) - in the days preceding the elec- Variety News Staff Hill explained that acting La­ tion. · People's Revolutionary Party. the closest thing to an opinion some of its neighbors - Thai­ For alleged refusal to pay workers $100,000 With all the candidates ap­ THE DEPARTMENT of Labor bor Director Patrick Guerrero sent proved in advance by the rul­ The streets of the capital Twenty-seven are women and poll since the ruling party land has had four governments and Immigration has sued an in­ six bonds are ordered to be ap­ a demand for satisfaction of claim were crowded with pedestri­ about one-third of the came to power at the end of since 1995 and Cambodia had ing communist party, Laotians surance firm for alleged unlawful plied to pay complainants three to Royal Crown on Sept. 24, 1997. ans Sunday morning as voters country's 47 ethnic groups are the Indochina conflict in 1975. a coup in July. voted Sunday for a new par­ refusal to pay $100,000 in em­ months' wages and to provide Royal Crown's Sept. 30 com­ liament that is expected to made their way to schools and represented. Chaleun Yiapoheu, presi­ But the economic crisis rav­ ployment bonds covering several repatriation airline tickets· as munication was and should be continue gradual changes to­ temples to cast ballots. Photo­ Voting is mandatory for the dent of the outgoing aging Asia's far more power­ Chinese alien workers. needed and as directed by DOLi. reasonably deemed, to have ward a more open economy. graphs and biographies of the 2.5 million eligible voters Assembly's standing commit­ ful economies has not spared DOU asked the Superior Court Goldberg said Royal Crown did Bars closed an hour earlier candidates were posted out­ among the country's 4.5 mil­ tee, called the election "a large Laos. The country's biggest been in reply to Guerrero's to compel defendant Royal Crown not appeal Asper's order. than usual Saturday night to side to help make last-minute lion people. Results will be political assessment session trading partner is Thailand, demand letter, Hill pointed Insurance Corp. to comply with Goldberg said pursuant to the ensure the I 50,000 residents decisions. known in four to five days as for the whole party, army and and the Laotian kip, closely out. its legal obligations and prevent bonds and Asper's order, the de­ of Vientiane, the capital, got a Among the I 59 candidates tallies come in from isolated population." tied to the slumping Thai baht, The defendant's counsel fendant is legally obligated to areas. In a country where mpst has plummeted 80 percent the firm from issuing additional said upon receipt of Royal good night's sleep before the nationwide contesting the 99 make full payment to DOLi for Though the country's people live in isolated com­ since midyear. bonds. Crown's letter the director polls opened at· 7 a.m. The National Assembly seats, all the benefit of these 64 complain­ munities of a few hundred, Constitutionally, the As­ Assistant Atty. Gen. Robert knew or should have known ants. months of publicity have en­ sembly has the authority to Goldberg, on behalf of DOLI, said that the firm objected to and de­ The government lawyer re­ sured that everyone knows of pass budgets, make laws and the suit also seeks to stop other nied liability on the bonds based insurers from adopting similartac­ quested the court to issue a judg­ Robert Goldberg Joe Hill on cancellation for nonpayment the election.Campaigning has oversee the executive and ju­ I.,. been polite- candidates are dicial branches. Practically, tics to renege on their legal obli­ ment declaring Royal Crown in of premiums. · violation of its contractual obli­ forbidden from negative com­ however, power rests with gations. a petition for reconsideration of Hill said last Dec. 16 the Labor Hill said Royal Crown gave gations, the Labor order and the ments about their rivals. Prime Minister Khamtay The complaint filed Friday said Labor's decisions. wrote a letter determining Royal written notice to Labor of cancel­ Nonresident Workers Act. Laos, once one of Southeast Siphandone and the party Po- that last Sept. 22, Labor hearing Royal Crown, through counsel Crown to be liable on the bonds. lation of the subject bonds last Asia's most closed countries. Continued on page 4 office supervisor Linn H. Asper Goldberg sought$90,2 l 6 award Joe Hill, in the petition said the Hill said the Dec. 16 letter also March 3. issued an ·administrative order in connection with the bonds at company was not represented by indicates that one of the basis for "Pursuant to the 60-day termi­ over the 64 nonresident workers' issue.
Recommended publications
  • Title of Dissertation
    SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon.
    [Show full text]
  • Bad for Good William D
    Bad For Good William D. Routt Beyond good and evil [1] Even before Tim Burton made a movie based on his life, almost everyone knew two things about Edward D. Wood, Jr. The first was that he directed "the worst movie ever made", Plan 9 From Outer Space (1956). The second was that he was a transvestite. The two things seem to be linked in some way - or, at least, they often crop up together, as they did just now. And, when you think about it, that is strange.[2] But then, reactions to Ed Wood do tend towards the strange. I remember when I first saw Plan 9. It was on television. In fact, I cannot imagine seeing an Ed Wood movie anywhere else but on television; they were made-for-TV, direct-to-video, before such forms were invented. It was late at night (of course). I was tired and the experience was a hallucinatory one. The film did not seem to have a plot. It opened with "Criswell Predicts", for God's sake! Now and then there were shots of Bela Lugosi stalking with his cape over his eyes (not Lugosi at all, as I later learned) and Vampira staring through creepy branches and Tor Johnson menacing with his arms raised and his mouth open. Cadillac hubcaps (or paper plates or plastic models - anyhow, not flying saucers) spinning across the sky. A tremendous amount of stock footage. Meandering pointless dialogue. Nothing happened: it was a movie of pure effect. For years afterward I described this film of my imagining, whose title I had forgotten, to people who were not interested.
    [Show full text]
  • Trace Beaulieu and Frank Conniff (“The Mads” From
    July 1, 2020 FOR IMMEDIATE RELEASE Contact: Chris Gersbeck | [email protected] | 718-986-8267 ​ ​ Trace Beaulieu And Frank Conniff (“The Mads” From Mystery Science Theater 3000) Announce Livestream ​ Screening Of Ed Wood’s Glen Or Glenda ​ Portion of Proceeds to Benefit NAACP Empowerment Programs Trace Beaulieu and Frank Conniff, known to fans of the cult TV series Mystery Science ​ ​ ​ ​ Theater 3000 as “Dr. Clayton Forrester” and “TV’s Frank” respectively, have announced a ​ special livestream screening of Ed Wood’s Glen or Glenda on Tuesday, July 21 @ 8pm ET, ​ ​ ​ ​ with the two comedians (collectively known as “The Mads”) riffing over the 1953 dud. The show will mark Beaulieu & Conniff’s first time performing together this year, after The Mads’ 2020 tour dates were cancelled due to COVID-19. Tickets are on sale now for $10. ​ ​ “If you’ve been social distancing yourself from Glen or Glenda, Trace and I are giving the ​ ​ all-clear to watch this classic film,” said Conniff. “Of all the movies we’ve riffed, from MST3K to Cinematic Titanic and our own live shows, this is our favorite. Join us!” The Mads Are Back: Glen or Glenda will broadcast live via a private YouTube link that will be ​ sent to ticket purchasers an hour prior to showtime. A percentage of the proceeds from the event will benefit NAACP Empowerment Programs, who engage primarily in training, ​ ​ ​ education, and advocacy at the national and local levels. Mystery Science Theater 3000 has its roots in Minneapolis, when it premiered on local affiliate ​ ​ ​ KTMA-TV (now WUCW) on November 24, 1988.
    [Show full text]
  • I Look at This Slush and Try to Remember — at One Time I Made Good
    54 SHOWGIRLS, TEEN WOLVES AND ASTRO ZOMBIES HOLY WOOD! Growing up, we were always a family of movie-watchers. When my mum passed away in 2006, I devoted my only Empire editorial to how her guiding me through early screenings of The Wizard Of Oz and Psycho greatly informed my appreciation of how cinema could be artistic, scary and funny all at once. Her simple advice — ‘If a movie doesn’t grab you within 10 minutes, it’s probably not going to’ — similarly has stuck with me, both as a reviewer and a would-be scriptwriter. Dad’s appreciation of movies was less theoretical but also resonant. Two decades of watching war movies with the retired army reservist — ‘Look at that, walking on a ridge in silhouette!’ was a favourite, followed by a machine-gun noise to indicate he’d just killed all of our heroes — bred an intolerance for flagrant inauthenticity. It was also Dad, who as a salesman for publishers Harper & Row, one night brought home J. Hoberman and Jonathan MARCH Rosenbaum’s fantastic 1983 book Midnight Movies, which expanded my film reading beyond Famous Monsters, Starlog and Fangoria and opened my eyes to — and created an appetite for — the alternative cinema of George Romero, John Waters, David Lynch and Ed Wood. A year later, through his connections, Dad put me forward for a ‘Kids rate the movies’ feature in the Sydney Morning Herald. My 300-word review, of an Aussie flick called Street Hero, wasn’t exactly Pauline Kael calibre (‘The only fault I could pick, in my opinion, is that some scenes are a little unrealistic …’) but it was a start and definitely helped chart my course.
    [Show full text]
  • Glbt Resources by Topic
    GLBT Resource List Sexual Minorities - Summary: Explore the crucial issues facing the GLBT population in their struggle for acceptance in contemporary America! 10 Smart Things Gay Men Can Do to Find Real Love – Summary: The author of the best-selling 10 Smart Things Gay Men Can Do to Improve Their Lives turns his attention to the burning question of love. 50 Ways to Support Lesbian and Gay Equality: The Complete Guide to Supporting Family, Friends, Neighbors or Y ourself - Summary: Homosexuality has been politicized. But when the issue hits home, whether it involves a family member, colleague, or neighbor who's gay, all that controversy fades in the face of a real, live person who wants and deserves basic human rights and freedoms. Accepting Ourselves and Others: A Journey into Recovery from Addictive and Compulsive Behaviors for Gays, Lesbians and Bisexuals - Summary: in a fully revised and expanded second edition. accepting ourselves & others examines recovery as it affects gay lesbian, and bisexual people, as well as their friends, families, and therapists. the authors address the relationship between substance abuse and being in a sexual minority, as well as the impact of anxiety, depression sexual abuse and learning disabilities. Addressing Homophobia and Heterosexism on College Campuses - Summary: This book presents an integrated approach toward changing attitudes about lesbian, gay, bisexual, and transgendered (LGBT) students, faculty, and staff on contemporary college campuses. The Advocate College Guide for LGBT Students - Summary: Shane L. Windmeyer, national LGBT campus authority and founder of Campus Pride, has created the first comprehensive guide that lists the best 100 colleges and universities for lesbian, gay, bisexual and transgender (LGBT) students.
    [Show full text]
  • Cultural Borrowings: Appropriation, Reworking, Transformation
    Blank Page A Scope e-Book Cultural Borrowings: Appropriation, Reworking, Transformation Edited by Iain Robert Smith Published by: Scope: An Online Journal of Film and Television Studies, 2009 Copyright: Scope: An Online Journal of Film and Television Studies ISBN 978-0-9564641-0-1 Cover Design: Iain Robert Smith Photo Credits: Benjamin Miller and Bart Everson Table of Contents Notes on Contributors .................................................................................. i Acknowledgements ................................................................................... iv Foreword: Scope‘s Tenth Anniversary ........................................................... v Mark Gallagher and Julian Stringer Introduction .............................................................................................. 1 Iain Robert Smith 1 Part I: Hollywood Cinema and Artistic Imitation Exploitation as Adaptation ........................................................................... 8 I.Q. Hunter The Character-Oriented Franchise: Promotion and Exploitation of pre-sold characters in American film, 1913-1950 ...................................................... 34 Jason Scott Novelty through Repetition: Exploring the Success of Artistic Imitation in the Contemporary Film Industry, 1983-2007 .................................................... 56 Stijn Joye Part II: Found Footage and Remix Culture A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet ...........................................................................................
    [Show full text]
  • Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema
    2020 110 Pablo Gómez Muñoz A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Departamento Filología Inglesa y Alemana Director/es Deleyton Alcalá, Celestino © Universidad de Zaragoza Servicio de Publicaciones ISSN 2254-7606 Tesis Doctoral A BETTER WORLD? COSMOPOLITAN STRUGGLES IN TWENTY-FIRST CENTURY SCIENCE FICTION CINEMA Autor Pablo Gómez Muñoz Director/es Deleyton Alcalá, Celestino UNIVERSIDAD DE ZARAGOZA Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Tesis Doctoral A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Autor Pablo Gómez Muñoz Director Celestino Deleyto Alcalá Facultad de Filosofía y Letras Departamento de Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es CONTENTS Acknowledgments vii Abstract/Resumen xi Introduction 1 Chapter 1. Transnational Science Fiction and Discourses on Cosmopolitan Conflicts 11 1.1. Beyond the Nation: New Approaches to the Study of Cinema and Science Fiction 11 1.1.1. Defining Transnational Cinema 13 1.1.2. Transnational Science Fiction Film 15 1.2. Towards a Critical Cosmopolitan Turn in the Study of Science Fiction Cinema 20 1.2.1. Critical Cosmopolitanism: The Methodological and Normative Dimensions 20 1.2.2. Connecting Cosmopolitanism and Science Fiction: The Modern/Colonial Complex 24 1.2.3. Epistemological Borders as Cosmopolitan Method 30 1.3. Approaching and Analyzing Science Fiction Cinema from a Critical Cosmopolitan/Border Perspective 34 1.3.1. Critical Cosmopolitanism and Western(-ized) Films 35 1.3.2. Generic Galaxies: Science Fiction Films as Complex Systems 38 1.3.3.
    [Show full text]
  • Guide to the Ed Wood, Jr. Collection, 1966-2006. Collection Number: 7779
    Guide to the Ed Wood, Jr. Collection, 1966-2006. Collection Number: 7779 Division of Rare and Manuscript Collections Cornell University Library Contact Information: Compiled Date EAD Date Division of Rare and Manuscript by: completed: encoding: modified: Collections RMC Staff October 2012 Anne Jones, Anne Jones, 2B Carl A. Kroch Library April 2012 April 2013 Cornell University Ithaca, NY 14853 (607) 255-3530 Fax: (607) 255-9524 [email protected] http://rmc.library.cornell.edu © 2012 Division of Rare and Manuscript Collections, Cornell University Library DESCRIPTIVE SUMMARY Title: Ed Wood, Jr. collection, 1966-2006. Collection Number: 7779 Creator: Wood, Edward D.(Edward Davis) Quantity: Forms of Material: Books, Magazines, Print outs, Placards, Poster. Repository: Division of Rare and Manuscript Collections, Cornell University Library Abstract: Pulp novels written anonymously and under various pseudonyms of the legendary psycho-sexual author and film-maker, Ed Wood, Jr., collected by pulp scholar Robert Legault (1950 to 2008). In addition, magazines, reference materials, posters and other ephemera. Language: Collection material in English BIOGRAPHICAL NOTE Edward Davis Wood, Jr. (October 10, 1924 to December 10, 1978), better known as Ed Wood, was an American screenwriter, director, producer, actor, author, and editor, who made a number of low-budget genre films and published pulp novels under various names. Ed Wood's fiction is as strange, idiosyncratic and out of step with his times and mores as his infamous movies. His novels inter-splice erotic segments with lengthy philosophical, sociological and psychological discourse. Rudolph Grey's biography "Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr." (1992) and Tim Burton's biopic "Ed Wood," which earned two Academy Awards, brought attention to his life and work.
    [Show full text]
  • Textuality, Extratextuality, and Intention in `Ed Wood Films? After Plan 9 from Outer Space
    Bartlett, B. (2019) Madman, genius, hack, auteur?: Intertextuality, extratextuality, and intention in `Ed Wood films? after Plan 9 From Outer Space. Continuum, (doi:10.1080/10304312.2019.1677979) There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201651/ Deposited on: 14 November 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Madman, genius, hack, auteur?: Intertextuality, extratextuality, and intention in ‘Ed Wood films’ after Plan 9 From Outer Space (Becky Bartlett) Edward D. Wood, Jr’s position as a ‘romantic’ cult auteur (Sexton & Mathijs 2012, 68) was initially established in the 1980s, and has since been solidified through repetition in academic and fan-authored literature, as well as other exegetic texts including Tim Burton’s biopic Ed Wood (1994), adapted from Rudolf Grey’s excellent, and far more comprehensive, biography Nightmare of Ecstasy (1992). Through these texts and others, the ‘character’ of Wood (Routt 2001, 2) has been constructed as a sympathetic outsider, a ‘unique’ auteur with a distinctive vision. He is also, as is well known, the ‘worst director of all time,’ having been awarded the title after his fourth directorial feature, Plan 9 From Outer Space (1959) was voted the ‘worst film of all time’ in a readers’ poll for The Golden Turkey Awards (Medved and Medved 1980). On the surface, these identities might seem incompatible. Andrew Sarris proposes ‘technical competence’ as the first criterion through which auteur status is established, because a ‘great director has to be at least a good director’ (Sarris 2000, in Sitney 2000, 132).
    [Show full text]
  • A New Queer Trinity: a Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling: the Chicago LGBTQ+ International Film Festival
    A New Queer Trinity: A Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling: The Chicago LGBTQ+ International Film Festival DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jessica L. Hey, MA, BA Graduate Program in Arts Administration, Education and Policy The Ohio State University 2017 Dissertation Committee: James H. Sanders III, Advisor Shari M. Savage Deborah L. Smith-Shank Copyright by Jessica L. Hey 2017 ABSTRACT This doctoral study concerns itself with the visual representations of The Chicago LGBTQ+ International Film Festival (a.k.a. Reeling) with specific attention paid to their marketing campaign materials, as exemplified by the annually created festival POSTER. It is my aim to situate these posters alongside the historical contexts of queer identity, socio- political advocacy, and LGBTQ+ cinema. This analysis will navigate the 36-year period of the festival organization’s existence, providing key, in-depth interrogations into the decades, images, and trends both visual and narrative. My unpacking and theoretical discussions of the festival’s visual culture has been informed by the practices of semiotics and film genre theory. These methods were employed to answer the primary research question: How have the POSTER advertisements, as visual signifiers for The Chicago LGBTQ+ International Film Festival, symbolized their organization’s mission, represented queer identities, and engaged with the politically
    [Show full text]
  • Quiero Chupar Tu Sangre: a Comparison of the Spanish-And English-Language Versions of Universal Studios' Dracula (1931)
    Journal of Dracula Studies Volume 9 2007 Article 4 2007 Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931) Robert Harland Mississippi State University Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Harland, Robert (2007) "Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931)," Journal of Dracula Studies: Vol. 9 , Article 4. Available at: https://research.library.kutztown.edu/dracula-studies/vol9/iss1/4 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931) Cover Page Footnote Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish-language horror movies, one of which is Drácula. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol9/ iss1/4 Quiero chupar tu sangre: A Comparison of the Spanish- and English- language versions of Universal Studios’ Dracula (1931) Robert Harland [Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish- language horror movies, one of which is Drácula.] While the English-language version of Dracula (Dir.
    [Show full text]
  • Ed Wood. Trash Und Ironie 2012
    Repositorium für die Medienwissenschaft Daniel Kulle Ed Wood. Trash und Ironie 2012 https://doi.org/10.25969/mediarep/13828 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kulle, Daniel: Ed Wood. Trash und Ironie. Berlin: Bertz + Fischer 2012 (Deep Focus 14). DOI: https://doi.org/10.25969/mediarep/13828. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.17192/ep2012.3.931 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ Ed Wood Trash & Ironie Deep Focus 14 Danksagung: Das vorliegende Buch ist eine überarbeitete Fassung einer Dissertation, die von der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelm-Universität zu Bonn im Juni 2011 angenommen wurde. Ein solches Buch lässt sich nicht ohne die Unterstützung durch Freunde und Kollegen schreiben. Danken möchte ich daher denjenigen, die durch ihre großzügige Unterstützung die Arbeit an diesem Werk und den Druck dieses Buches möglich gemacht haben, allen voran Einhard und Jutta Kulle, die mir schon das Studium finanziell erleichtert haben, Ingeborg Wick sowie meinen Eltern Margot und Volker Kulle und meinen Brüdern Christoph und Philipp Kulle. Danken möchte ich auch meinen beiden Betreuerinnen, Ursula von Keitz und Margrit Tröhler, die mir mit Rat und Kritik zur Seite standen. Und danken möchte ich nicht zuletzt dem Verlag Bertz + Fischer für die editorische Arbeit sowie der Geschwister Boehringer Ingelheim Stiftung für Geisteswissenschaften für den Druckkostenzuschuss zu diesem Buch.
    [Show full text]