Spectacle Theater November 2018
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Transsexuality in Film by Carolyn Kraus
Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Tracing the History of Trans and Gender Variant Filmmakers
Laura Horak Tracing the History of Trans and Gender Variant Filmmakers Abstract Most writing on transgender cinema focuses on representations of trans people, rather than works made by trans people. This article surveys the history of trans and gender variant people creating audiovisual media from the beginning of cinema through today. From the professional gender impersonators of the stage who crossed into film during the medium’s first decades to self- identified transvestite and transsexual filmmakers, like Ed Wood and Christine Jorgensen of the mid-twentieth century, to the enormous upsurge in trans filmmaking of the 1990s, this article explores the rich and complex history of trans and gender variant filmmaking. It also considers the untraceable gender variant filmmakers who worked in film and television without their gender history becoming known and those who made home movies that have been lost to history. “They cannot represent themselves, they must Keegan have importantly analyzed the work of be represented.”1 Viviane Namaste begins her particular trans and gender variant filmmakers, foundational essay on transsexual access to the focusing primarily on the 1990s and 2000s.7 More media with this quote from Karl Marx. Namaste recently, Keegan and others have investigated trans described the many obstacles to transsexual self- experiences of spectatorship and articulated a representation in the 1990s and early 2000s. Since concept of “trans aesthetics” that exceeds identity then, new technologies have enabled hundreds categories.8 Trans filmmakers have also begun to of thousands of trans people to create and theorize their own and others’ work.9 Scholars have circulate amateur videos on YouTube.2 However, also investigated trans multimedia production, in representations of trans people made by and the form of zines, Tumblr blogs, photography, and for cisgender people still dominate mainstream interactive digital media.10 However, there has not media. -
Bad for Good William D
Bad For Good William D. Routt Beyond good and evil [1] Even before Tim Burton made a movie based on his life, almost everyone knew two things about Edward D. Wood, Jr. The first was that he directed "the worst movie ever made", Plan 9 From Outer Space (1956). The second was that he was a transvestite. The two things seem to be linked in some way - or, at least, they often crop up together, as they did just now. And, when you think about it, that is strange.[2] But then, reactions to Ed Wood do tend towards the strange. I remember when I first saw Plan 9. It was on television. In fact, I cannot imagine seeing an Ed Wood movie anywhere else but on television; they were made-for-TV, direct-to-video, before such forms were invented. It was late at night (of course). I was tired and the experience was a hallucinatory one. The film did not seem to have a plot. It opened with "Criswell Predicts", for God's sake! Now and then there were shots of Bela Lugosi stalking with his cape over his eyes (not Lugosi at all, as I later learned) and Vampira staring through creepy branches and Tor Johnson menacing with his arms raised and his mouth open. Cadillac hubcaps (or paper plates or plastic models - anyhow, not flying saucers) spinning across the sky. A tremendous amount of stock footage. Meandering pointless dialogue. Nothing happened: it was a movie of pure effect. For years afterward I described this film of my imagining, whose title I had forgotten, to people who were not interested. -
Trace Beaulieu and Frank Conniff (“The Mads” From
July 1, 2020 FOR IMMEDIATE RELEASE Contact: Chris Gersbeck | [email protected] | 718-986-8267 Trace Beaulieu And Frank Conniff (“The Mads” From Mystery Science Theater 3000) Announce Livestream Screening Of Ed Wood’s Glen Or Glenda Portion of Proceeds to Benefit NAACP Empowerment Programs Trace Beaulieu and Frank Conniff, known to fans of the cult TV series Mystery Science Theater 3000 as “Dr. Clayton Forrester” and “TV’s Frank” respectively, have announced a special livestream screening of Ed Wood’s Glen or Glenda on Tuesday, July 21 @ 8pm ET, with the two comedians (collectively known as “The Mads”) riffing over the 1953 dud. The show will mark Beaulieu & Conniff’s first time performing together this year, after The Mads’ 2020 tour dates were cancelled due to COVID-19. Tickets are on sale now for $10. “If you’ve been social distancing yourself from Glen or Glenda, Trace and I are giving the all-clear to watch this classic film,” said Conniff. “Of all the movies we’ve riffed, from MST3K to Cinematic Titanic and our own live shows, this is our favorite. Join us!” The Mads Are Back: Glen or Glenda will broadcast live via a private YouTube link that will be sent to ticket purchasers an hour prior to showtime. A percentage of the proceeds from the event will benefit NAACP Empowerment Programs, who engage primarily in training, education, and advocacy at the national and local levels. Mystery Science Theater 3000 has its roots in Minneapolis, when it premiered on local affiliate KTMA-TV (now WUCW) on November 24, 1988. -
I Look at This Slush and Try to Remember — at One Time I Made Good
54 SHOWGIRLS, TEEN WOLVES AND ASTRO ZOMBIES HOLY WOOD! Growing up, we were always a family of movie-watchers. When my mum passed away in 2006, I devoted my only Empire editorial to how her guiding me through early screenings of The Wizard Of Oz and Psycho greatly informed my appreciation of how cinema could be artistic, scary and funny all at once. Her simple advice — ‘If a movie doesn’t grab you within 10 minutes, it’s probably not going to’ — similarly has stuck with me, both as a reviewer and a would-be scriptwriter. Dad’s appreciation of movies was less theoretical but also resonant. Two decades of watching war movies with the retired army reservist — ‘Look at that, walking on a ridge in silhouette!’ was a favourite, followed by a machine-gun noise to indicate he’d just killed all of our heroes — bred an intolerance for flagrant inauthenticity. It was also Dad, who as a salesman for publishers Harper & Row, one night brought home J. Hoberman and Jonathan MARCH Rosenbaum’s fantastic 1983 book Midnight Movies, which expanded my film reading beyond Famous Monsters, Starlog and Fangoria and opened my eyes to — and created an appetite for — the alternative cinema of George Romero, John Waters, David Lynch and Ed Wood. A year later, through his connections, Dad put me forward for a ‘Kids rate the movies’ feature in the Sydney Morning Herald. My 300-word review, of an Aussie flick called Street Hero, wasn’t exactly Pauline Kael calibre (‘The only fault I could pick, in my opinion, is that some scenes are a little unrealistic …’) but it was a start and definitely helped chart my course. -
Glbt Resources by Topic
GLBT Resource List Sexual Minorities - Summary: Explore the crucial issues facing the GLBT population in their struggle for acceptance in contemporary America! 10 Smart Things Gay Men Can Do to Find Real Love – Summary: The author of the best-selling 10 Smart Things Gay Men Can Do to Improve Their Lives turns his attention to the burning question of love. 50 Ways to Support Lesbian and Gay Equality: The Complete Guide to Supporting Family, Friends, Neighbors or Y ourself - Summary: Homosexuality has been politicized. But when the issue hits home, whether it involves a family member, colleague, or neighbor who's gay, all that controversy fades in the face of a real, live person who wants and deserves basic human rights and freedoms. Accepting Ourselves and Others: A Journey into Recovery from Addictive and Compulsive Behaviors for Gays, Lesbians and Bisexuals - Summary: in a fully revised and expanded second edition. accepting ourselves & others examines recovery as it affects gay lesbian, and bisexual people, as well as their friends, families, and therapists. the authors address the relationship between substance abuse and being in a sexual minority, as well as the impact of anxiety, depression sexual abuse and learning disabilities. Addressing Homophobia and Heterosexism on College Campuses - Summary: This book presents an integrated approach toward changing attitudes about lesbian, gay, bisexual, and transgendered (LGBT) students, faculty, and staff on contemporary college campuses. The Advocate College Guide for LGBT Students - Summary: Shane L. Windmeyer, national LGBT campus authority and founder of Campus Pride, has created the first comprehensive guide that lists the best 100 colleges and universities for lesbian, gay, bisexual and transgender (LGBT) students. -
Cultural Borrowings: Appropriation, Reworking, Transformation
Blank Page A Scope e-Book Cultural Borrowings: Appropriation, Reworking, Transformation Edited by Iain Robert Smith Published by: Scope: An Online Journal of Film and Television Studies, 2009 Copyright: Scope: An Online Journal of Film and Television Studies ISBN 978-0-9564641-0-1 Cover Design: Iain Robert Smith Photo Credits: Benjamin Miller and Bart Everson Table of Contents Notes on Contributors .................................................................................. i Acknowledgements ................................................................................... iv Foreword: Scope‘s Tenth Anniversary ........................................................... v Mark Gallagher and Julian Stringer Introduction .............................................................................................. 1 Iain Robert Smith 1 Part I: Hollywood Cinema and Artistic Imitation Exploitation as Adaptation ........................................................................... 8 I.Q. Hunter The Character-Oriented Franchise: Promotion and Exploitation of pre-sold characters in American film, 1913-1950 ...................................................... 34 Jason Scott Novelty through Repetition: Exploring the Success of Artistic Imitation in the Contemporary Film Industry, 1983-2007 .................................................... 56 Stijn Joye Part II: Found Footage and Remix Culture A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet ........................................................................................... -
Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema
2020 110 Pablo Gómez Muñoz A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Departamento Filología Inglesa y Alemana Director/es Deleyton Alcalá, Celestino © Universidad de Zaragoza Servicio de Publicaciones ISSN 2254-7606 Tesis Doctoral A BETTER WORLD? COSMOPOLITAN STRUGGLES IN TWENTY-FIRST CENTURY SCIENCE FICTION CINEMA Autor Pablo Gómez Muñoz Director/es Deleyton Alcalá, Celestino UNIVERSIDAD DE ZARAGOZA Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Tesis Doctoral A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Autor Pablo Gómez Muñoz Director Celestino Deleyto Alcalá Facultad de Filosofía y Letras Departamento de Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es CONTENTS Acknowledgments vii Abstract/Resumen xi Introduction 1 Chapter 1. Transnational Science Fiction and Discourses on Cosmopolitan Conflicts 11 1.1. Beyond the Nation: New Approaches to the Study of Cinema and Science Fiction 11 1.1.1. Defining Transnational Cinema 13 1.1.2. Transnational Science Fiction Film 15 1.2. Towards a Critical Cosmopolitan Turn in the Study of Science Fiction Cinema 20 1.2.1. Critical Cosmopolitanism: The Methodological and Normative Dimensions 20 1.2.2. Connecting Cosmopolitanism and Science Fiction: The Modern/Colonial Complex 24 1.2.3. Epistemological Borders as Cosmopolitan Method 30 1.3. Approaching and Analyzing Science Fiction Cinema from a Critical Cosmopolitan/Border Perspective 34 1.3.1. Critical Cosmopolitanism and Western(-ized) Films 35 1.3.2. Generic Galaxies: Science Fiction Films as Complex Systems 38 1.3.3. -
The Element of Performance in Kiss of the Spider Woman and M. Butterfly," Articulāte: Vol
Articulāte Volume 1 Article 3 1996 Glamour and Drag: The leE ment of Performance in Kiss of the Spider Woman and M. Butterfly Adrienne Fair Denison University Follow this and additional works at: http://digitalcommons.denison.edu/articulate Part of the English Language and Literature Commons Recommended Citation Fair, Adrienne (1996) "Glamour and Drag: The Element of Performance in Kiss of the Spider Woman and M. Butterfly," Articulāte: Vol. 1 , Article 3. Available at: http://digitalcommons.denison.edu/articulate/vol1/iss1/3 This Article is brought to you for free and open access by Denison Digital Commons. It has been accepted for inclusion in Articulāte by an authorized editor of Denison Digital Commons. Friedman, Michael D. "Male Bonds and Marriage in All's Well and Much Ado." Studies In English Literature 35(1995): 231-49. Gardiner, Judith Kegan. "The Marriage of Male Minds In Shakespeare's Sonnets." Journal of English and German Philology 84 (1985): 328-47. Glamour and Drag: The Element of Performance hi Kiss of the Spider Woman and M. Butterfly by Adrienne Fair, '96 Goldberg, Jonathan. "Romeo and Juliet' s Open Rs" Queering the Renaissance. Ed. Jonathan Goldberg. 218-235. In these two works, Manuel Puig and David Henry Hwang have written not only a text, but a . Sodometries: Renaissance Texts, Modern Sexualities. Stanford: Stanford UP, 1992. work of performance, or a work to be performed. M. Butterfly is a play for the stage which contains in Gras, HenkK. "Audience Response to Twelfth Night." Shakespeare Studies 21 (1993): 109-54. itself both a section of another stage production (Madame Butterfly) and the role-playing of the character Hasler, Jorg. -
6/2/2016 Dvdjan03 Page 1
DVDjan03 6/2/2016 MOVIE_NAME WIDE_STDRD STAR1 STAR2 02june2016 BuRay Disney remove group 5198 should add Dig Copies DOC was pbs now most donate Point Break (1991) Bray + dvd + DigHD BluR Patrick Swayze, Keanu Reeves gary busey / lori petty RR for railroad: SURF-separate ; DG (SAVEdv TRAV MUSIC ELVIS (500) day of summer BluRay Joseph Gordon-Levitt zooey deschanel 10 first time on BluRay (Blake Edwards) Dudley Moore / Julie Andrews Bo Derek 10 (blake edwards) 1st on BR BluR dudney moore / julie andrews bo derek / robert webber 10 items of less (netF) 101 one hundred one dalm (toon) Bray dvd dig disney studios diamond edition 101 one hundred one dalmations ws glenn close jeff daniels 12 monkeys ws bruce willis / brad pitt madelaeine stowe / christopher 127 hours BluR james franco 13 going on 30 (sp. Ed.) - bad ws jennifer garner / mark ruffalo judy greer / andy serkis 13 rue madeleine (war classic) james cagney / annabella richard conte / frank latimore 15 minutes robert deniro edward burns 16 Blocks B ray Bruce Willis / David Morse Mos Def 1776 ws william daniels / howard da silv ken howard / donald madden 1941 john belushi 1984 (vhs->dvd) richard burton john hurt 20 feet from stardom DVD + Bluray best doc oscar 2014 20,000 leagues under the sea (disney) kirk douglas / james mason paul anka / peter lorre 2001 a space odyssey ws keir dullea gary lockwood 2001 A Space Odyssey (S Kubrik) top 10 BluR keir dullea / gary lockwood play: Stanley Kubrick / Arthur C 2001:A Space Odyssey Best WarnerBros 50 B 1968 2010 the year make contct wd roy scheider -
Infousa Dvds 2015
InfoUSA - DVD List Documentary Films: 1) Abraham and Mary Lincoln: A House Divided (6 x 60 min/ 2001/ PBS) 2) Against the Odds: The Artists of the Harlem Renaissance (60 min/ 1993/ Amber Edwards) 3) America Revealed (240 min/ 2012/ PBS) 4) American President (5 x 120 min/ 2000) 5) Andy Warhol (4 hours/ 2006/ PBS, Ric Burns) 6) Andy Warhol: The Complete Picture (104 min/ 2003/ Chris Rodley) 7) Annie Leibovitz: Life Through a Lens (83 min/ 2007/ Barbara Leibovitz) 8) Ansel Adams (100 min/ 2002/ PBS) 9) art:21 - Art in The Twenty-First Century: Season One & Season Two (8 x 60 min/ 2001/ PBS) 10) Arthouse Films - Beautiful Losers (90 min/ 2008/ Aaron Rose) 11) Arthouse Films - Herb & Dorothy (87 min/ 2008/ Megumi Sasaki) 12) Arthouse Films - Jean-Michel Basquiat: The Radiant Child (93 min/ 2010/ Tamra Davis) 13) Arthouse Films - Joan Mitchell: Portrait of an Abstract Painter (58 min/ 1993/ Marion Cajori) 14) Arthouse Films - Next (95 min/ 2005/ Pablo Aravena) 15) Arthouse Films - Painters Painting (116 min/ 1973/ Emile de Antonio) 16) Arthouse Films - Rem Koolhaas (97 min/ 2007/ Markus Heidingsfelder) 17) Arthouse Films - Visual Acoustics (83 min/ 2009/ Eric Bricker) 18) Ascent of Man (5x DVD - 676 min/ 1973-2007/Jacob Bronowski & Adrian Malone) 19) Atomic Cafe (88 min/ 1982/ Jayne Loader, Kevin Rafferty, Pierce Rafferty) 20) Barack Obama: From His Childhood Years to His Historic Election (47 min/ 2008/ Biography Channel) 21) Baseball (1140 min - 10 DVD/ 1994/ PBS) 22) Black Power Mixtape 1967-1975 (96 min/ 2011/ Göran Olsson) 23) Bob Dylan: