Anything Goes

Total Page:16

File Type:pdf, Size:1020Kb

Anything Goes Cactus Stomp Choreographed by Margo LaMotta Description: 32 count, 4 wall, beginner east coast swing line dance Music: “All I Want To Do” by Sugarland [CD: CD Single] “The Shoop Shoop Song” (It's In His Kiss) by Cher [116 bpm / Mermaids Soundtrack] “Get Drunk And Be Somebody” by Toby Keith [128 bpm / White Trash With Money] “Hicktown” by Jason Aldean [121 bpm / Jason Aldean] “Too Much Blood In My Alcohol” by David Ball *(Scarborough City Dancers Music) Start dancing on lyrics RIGHT TOE-HEEL, COASTER STEP, LEFT TOE-HEEL, COASTER STEP 1-2 Touch right toe next to left, touch right heel next to left 3&4 Step right back, step together with the left, step forward with right 5-6 Touch left toe next to left, touch left heel next to right 7&8 Step left back, step together with right, step forward with left HIP SWAYS RIGHT, STEP, HIP SWAY LEFT, STEP 1-4 Step right forward and swing hips to the right, left, right, touch left together 5-8 Step left forward and swing hips left, right, left, touch right together GRAPEVINE RIGHT, GRAPEVINE turn ¼ left 1-4 Step right to side, cross left behind right, step right to side, touch left together 5-8 Step left to side, cross right behind left, step left to side making a ¼ turn to the left, brush right heel next to left JAZZ BOX, KICK-BALL-CHANGE, STOMPS 1-4 Cross right over left, step back left, step to right side with the right, step forward with the left 5&6 Kick right front, step right back, step in place with the left 7-8 Stomp right, stomp left REPEAT .
Recommended publications
  • The University of Chicago Objects of Veneration
    THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies...............................................................................
    [Show full text]
  • “Canned History”: American Newsreels and The
    “Canned History”: American Newsreels and the Commodification of Reality, 1927-1945 By Joseph E.J. Clark B.A., University of British Columbia, 1999 M.A., University of British Columbia, 2001 M.A., Brown University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May, 2011 © Copyright 2010, by Joseph E.J. Clark This dissertation by Joseph E.J. Clark is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date:____________ _________________________________ Professor Susan Smulyan, Co-director Date:____________ _________________________________ Professor Philip Rosen, Co-director Recommended to the Graduate Council Date:____________ _________________________________ Professor Lynne Joyrich, Reader Approved by the Graduate Council Date:____________ _________________________________ Dean Peter Weber, Dean of the Graduate School iii Curriculum Vitae Joseph E.J. Clark Date of Birth: July 30, 1975 Place of Birth: Beverley, United Kingdom Education: Ph.D. American Civilization, Brown University, 2011 Master of Arts, American Civilization, Brown University, 2004 Master of Arts, History, University of British Columbia, 2001 Bachelor of Arts, University of British Columbia, 1999 Teaching Experience: Sessional Instructor, Department of Gender, Sexuality, and Women’s Studies, Simon Fraser University, Spring 2010 Sessional Instructor, Department of History, Simon Fraser University, Fall 2008 Sessional Instructor, Department of Theatre, Film, and Creative Writing, University of British Columbia, Spring 2008 Teaching Fellow, Department of American Civilization, Brown University, 2006 Teaching Assistant, Brown University, 2003-2004 Publications: “Double Vision: World War II, Racial Uplift, and the All-American Newsreel’s Pedagogical Address,” in Charles Acland and Haidee Wasson, eds.
    [Show full text]
  • Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
    03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis
    [Show full text]
  • Pretty Swimming"
    LOCAL AND GLOBAL MERMAIDS: THE POLITICS OF "PRETTY SWIMMING" By LAURA MICHELLE THOMAS B.A. (Psychology), The University of British Columbia, 1996 B.A. (History), The University of British Columbia, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Educational Studies) We accept this tresis as conforming to the required standard THkjJNJrVERSITY OF BRITISH COLUMBIA September 2001 © Laura Michelle Thomas, 2001 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada DE-6 (2/88) Abstract This thesis considers the perceived athleticism of synchronized swimming by looking at the implications of representations of Esther Williams and "pretty swimming" in popular culture, the allocation of space for women's sport in a local public swimming pool, and an inaugural championship event. Focusing on the first British Columbia (BC) synchronized swimming championships, which were held on February 5, 1949 at Crystal Pool in Vancouver, it shows that images of synchronized swimming as "entertainment" facilitated the development of a new arena of competition for BC women, but that this was accompanied, in effect, by a trivialization of the accomplishments of organizers and athletes.
    [Show full text]
  • Saturday-Night-Fever.Pdf
    ® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM PLAYBILLVAULT.PLAYBILL.COMCOM PLAYBILLVAULT.COM 06-01 SatNightFever2_Live.indd 1 5/12/17 3:22 PM Dear Theatregoer, Welcome to Saturday Night Fever! I am so glad to have you as our guest for this incredible season finale. The energy this cast brings to the stage will make you want to get up and dance to the iconic music from the legendary Bee Gees. I’m thrilled to share this electrifying production with you. Next season the excitement continues on our Mainstage with a spectacular line-up. The 2017–18 season will begin with Broadway’s classic Tony Award-winning Best Musical A Funny Thing Happened On the Way to the Forum. You’ll meet Pseudolus, a crafty slave who struggles to win the hand of a beautiful, but slow-witted, courtesan for his young master. The plot twists and turns with cases of mistaken identity, slamming doors and a bevy of beautiful showgirls. I think this musical comedy is one of the funniest Broadway shows ever written, and I’m sure you’ll agree. During the holiday season we’ll look to a brighter “tomorrow” with one of the world’s best-loved musicals Annie. This Tony Award- winning Best Musical features some of the greatest musical theatre Photo: Mark Garvin hits ever written including “It’s the Hard Knock Life,” “Easy Street,” and “Tomorrow.” I’m excited to share this exciting production with you and your family, as Annie fills our hearts with joy! Our season continues with The Humans. This comedy won more than 20 Best Play awards in 2016, including the Tony Award.
    [Show full text]
  • Dark Mermaids
    _________________________________________________________________________Swansea University E-Theses Dark Mermaids. Lauppe-Dunbar, Anne How to cite: _________________________________________________________________________ Lauppe-Dunbar, Anne (2012) Dark Mermaids.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42723 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ DARK MERMAIDS Anne Lauppe-Dunbar Submitted to Swansea University in fulfilment of the requirements for the Degree of Doctor of Philosophy Swansea University 2012 ProQuest Number: 10807492 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10807492 Published by ProQuest LLC(2018).
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • Music & Entertainment
    Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 18th & Wednesday 19th May 2021 at 10:00 Viewing by strict appointment from 6th May For enquires relating to the Special Auction Services auction, please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com David Martin Dave Howe Music & Music & Entertainment Entertainment Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 10. Iron Maiden Box Set, The First Start of Day One Ten Years Box Set - twenty 12” singles in ten Double Packs released 1990 on EMI (no cat number) - Box was only available The Iron Maiden sections in this auction by mail order with tokens collected from comprise the first part of Peter Boden’s buying the records - some wear to edges Iron Maiden collection (the second part and corners of the Box, Sleeves and vinyl will be auctioned in July) mainly Excellent to EX+ Peter was an Iron Maiden Superfan and £100-150 avid memorabilia collector and the items 4. Iron Maiden LP, The X Factor coming up in this and the July auction 11. Iron Maiden Picture Disc, were his pride and joy, carefully collected Double Album - UK Clear Vinyl release 1995 on EMI (EMD 1087) - Gatefold Sleeve Seventh Son of a Seventh Son - UK Picture over 30 years.
    [Show full text]
  • Sing Solo Pirate: Songs in the Key of Arrr! a Literature Guide for the Singer and Vocal Pedagogue
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 5-2013 Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue Michael S. Tully University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Pedagogy Commons, Music Performance Commons, and the Music Practice Commons Tully, Michael S., "Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue" (2013). Student Research, Creative Activity, and Performance - School of Music. 62. https://digitalcommons.unl.edu/musicstudent/62 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SING SOLO PIRATE: SONGS IN THE KEY OF ARRR! A LITERATURE GUIDE FOR THE SINGER AND VOCAL PEDAGOGUE by Michael S. Tully A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor William Shomos Lincoln, Nebraska May, 2013 SING SOLO PIRATE: SONGS IN THE KEY OF ARRR! A LITERATURE GUIDE FOR THE SINGER AND VOCAL PEDAGOGUE Michael S. Tully, D.M.A. University of Nebraska, 2013 Advisor: William Shomos Pirates have always been mysterious figures.
    [Show full text]
  • Monterey Jazz Festival
    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • Cher-Ing/Sharing Across Boundaries
    Visual Culture & Gender, Vol. 5, 2010 Cher-ing/Sharing Across Boundaries an annual peer-reviewed international multimedia journal Doubtlessly crucial is the ability to wield the signs of subordinated identity in a public domain that constitutes its own CHER-ING/SHARING ACROSS BOUNDARIES homophobic and racist hegemonies through the erasure or domestication of culturally and politically LORAN MARSAN constituted identities. —Judith Butler, 1993, p. 118. Identities defined as “other” or possessing “difference” are abjec- Abstract tions from privileged categories of Whiteness, maleness, and heterosexu- ality (hooks, 1992). Ambiguous identities from transgender to masculine Cher-ing/Sharing Across Boundaries interrogates the multiple perfor- women and feminine men, to multiracial (only recently acknowledged mances of Othered identities by the artist Cher throughout her career as in our social world) have been a source of cultural angst since the mid- drag. In considering the possible influence of these performances on ideas 20th century (and much longer for multiracial identification–dating back of ethnicity and gender in mainstream media, I question the very concept before the Jim Crow era which legally defined as Black anyone with one of authentic or originary identification through a cultural studies analy- drop of “Negro” blood). While mainstream culture has become more sis of Cher as traversing the boundaries that supposedly separate identity accepting of multiracial and transgender identification in the 21st century, categories. I use
    [Show full text]