Blaming Helen: Vergil’s Deiphobus and the Tradition of Dead Men Talking KATHERINE R. DE BOER Xavier University
[email protected] Homer’s Helen is the first and most prominent in a series of epic women who are simultaneously valorized as prizes to be won through masculine competition and demonized as agents of male death and conflict. Within the Iliad, Helen blames herself for the Trojan War in a series of statements that highlight her agency in abandoning Menelaus and her responsibility for the subsequent loss of life (Il. 3.171-180, 6.344- 358, 24.762-775)1. Within the Odyssey, male narrators go even further 1 — Specifically, Helen wishes that she had died before “following” Paris to Troy (ἑπόμην, Il. 3.174) and “leaving” her native land (ἔβην, 24.766); these formulations suggest her subjectivity and activity, as does her self-characterization as an “evil-contriving bitch” (κυνὸς κακομηχάνου, Il. 6.344; cf. κυνώπιδος, 3.180). On these statements as (paradoxically) a form of self-aggrandizement by means of self-deprecation – establishing Helen as repentant and therefore “good” – see Graver (1995: 59), Worman (2001), Roisman (2006: 8-32), Blondell (2010; 2013: 53-73), Fulkerson (2011). On the other hand, O’Gorman (2008: 204) reads Helen’s self-blame as a “critical interpretation” of the male strategy of describing her (and other women) as casus belli – “the simultaneous and contradictory elevation of women to the status of glittering prizes, and debasement of women as the cause of all suffering”. The texts of Homer and Vergil are the most recent Oxford editions (Allen 1920 [1963] and Mynors 1969, respectively).