DOCSLIB.ORG

Read Book William and Dorothy Wordsworth All in Each Other 1St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book William and Dorothy Wordsworth All in Each Other 1St WILLIAM AND DOROTHY WORDSWORTH ALL IN EACH OTHER 1ST EDITION PDF, EPUB, EBOOK Lucy Newlyn | 9780198728146 | | | | | William and Dorothy Wordsworth All in each other 1st edition PDF Book Dorothy Wordsworth: Wonders of the Everyday is an exhibition catalogue. Thou wanderer through the wood, How often has my spirit turned to thee! Helen Mort on Best Poetry of Books. Matt Lynn on Great British Thrillers. William Wordsworth's iconic relationship with his 'beloved Sister' spanned nearly fifty years. Radical Empiricists Helen Thaventhiran. Lin Shu, Inc. She has written several books on the Romantic era. It looks like you're using Internet Explorer 11 or older. Many of her journals are currently in print — though not in annotated editions, and to the best of my belief there is no plan for a Collected Works. Jennings, Share this. Tell us what the Grasmere Journal was, which is your next selection. Rumours of incest have surrounded the siblings since the 19th century, but Lucy Newlyn sees their cohabitation as an expression of deep emotional need, arising from circumstances peculiar to their family history. Our distribution centers are open and orders can be placed online. William Wordsworth's creative collaboration with his 'beloved Sister' spanned nearly fifty years, from their first reunion in until her premature decline in Ginnel, her first collection of poetry, was published in she is currently working on her second. They walked and talked their poetry and prose into existence within specific landscapes and forged ties that bound them to places and to memory as collaborative acts of home-building. Ebook This title is available as an ebook. This unparalleled examination of the Wordsworth siblings makes this title an essential addition to English literature collections. Wordsworth succeeded in straddling both public and private worlds; and in his poetry — particularly his long autobiographical poem The Prelude — he succeeded in bringing grand epic themes down to earth. Corton on London Fog Books. It was written to accompany an exhibition which ran at the Wordsworth Museum in Grasmere. More recently she has been working on the prose writings of Edward Thomas. This is the first literary biography to give each sibling the same level of detailed attention; with Dorothy's writings set fully alongside her brother's, we see her to be the poet's equal in a literary partnership of outstanding importance. First editions and early editions Poems , by Francis Wrangham. The book offers a spirited rebuttal of the myth that the Romantic writer was a 'solitary genius', and that William Wordsworth was a poet of the 'egotistical sublime' - arguing instead that he was a poet of community, 'carrying everywhere with him relationship and love'. The Edward M. Separated after the death of their mother when Dorothy was six, and reunited as orphans after the death of their father, they became inseparable companions. Born in Cockermouth and parted when Dorothy was six by the death of their mother, the siblings grew up separately and were only reunited four years after their father had died, leaving them destitute. Newlyn shows how William and Dorothy's writings - closely intertwined with their regional affiliations - were part of the lifelong work of jointly re-building their family and re-claiming their communal identity. Five Books aims to keep its book recommendations and interviews up to date. Buy all books Read. He tracks the relationships between these people, geographically, psychologically and creatively, by following the letters and poems they wrote to and for each other. Call Number: Vault Collection Dated by her as and copied out for the Wordsworths' friend and neighbour Isabella Fenwick in , it gives us some insight into her state of mind as she looked back on a crisis in when her life was in danger. This book, alongside Dorothy Wordsworth, Writer, is the best way into understanding Dorothy as a creative person in her own right. William and Dorothy Wordsworth All in each other 1st edition Writer His reclusive life in the Lake District was not by any means an abnegation of his public responsibilities, but it does show that he put his family life first. But the journal is about the social life around them too. Search Start Search. Jennings, What part did traumatic memories of separation play in their longing for a home? Flora of Middle-Earth Walter S. Married with a daughter and two step-children, Lucy Newlyn lives in Oxford. Dorothy Wordsworth: Wonders of the Everyday is an exhibition catalogue. Her perspective often shaped poems, and she was also the person through whom experiences were sometimes reconstructed. Newlyn offers a valuable corrective to existing Wordsworth criticism and a moving testimonial to the power of creativity and community. London; New York: Macmillan and Co. A careful mapping of their mutual influence in and — was greatly helped by her edition of the Grasmere and Alfoxden Journals, with its scrupulous attention in editorial notes to the circumstances and chronology of composition. Interview by Alec Ash. Americanizing Britain Genevieve Abravanel. Email Me. Not only was she his muse, collaborator and addressee, but she also featured in his poetry — sometimes as an object of devotion, sometimes as a speaking subject. Separated after the death of their mother when Dorothy was six, and reunited as orphans after the death of their father, they became inseparable companions. The journal was readily accessible to Mary, especially after she moved in to Dove Cottage in William Wordsworth's iconic relationship with his 'beloved Sister' spanned nearly fifty years. Precious physical clues to how this worked are found in the four small notebooks Dorothy used for her Grasmere Journal. This site has an archive of more than one thousand interviews, or five thousand book recommendations. It charts their meetings with beggars, with discharged soldiers, with a leech gatherer — the many homeless people who during the Napoleonic war were trekking the roads in England, passing Dove Cottage and occasionally stopping to pick up a bit of bread or money. Les Back on Academia Books. My own book offered an altogether different reading of William Wordsworth — as a poet of community, receptive to many kinds of intellectual and emotional influence. Thou wanderer through the wood, How often has my spirit turned to thee! Save for later Kindle. How fully did their re-settlement in the Lake District recompense them for the loss of a shared childhood? PD Smith in The Guardian. She has written several books on the Romantic era. If you are the interviewee and would like to update your choice of books or even just what you say about them please email us at editor fivebooks. E32 vol. Newlyn's book is deeply researched, drawing on a wide range of recent scholarship - not just in Romantic studies, but in psychology, literary theory, anthropology and life-writing. Taylor and Co. A fascinating mix of literary criticism and biography that celebrates sibling love and the nurturing power of the natural world. Peter Lilley on Samuel Johnson Books. Every writer has a unique subject- position, and interactions between writers deserve to be considered on an individual basis. This was a context where much material remained unpublished, where work was read aloud, and some composition may have been done together, orally. Duncan Wu in The Literary Review. Lucy Newlyn. Newlyn's book is deeply researched, drawing on a wide range of recent scholarship - not just in Romantic studies, but in psychology, literary theory, anthropology and life-writing. The Poems of William Wordsworth, D. New York: D. He wanted to go back to his family. They walked and talked their poetry and prose into existence within specific landscapes and forged ties that bound them to places and to memory as collaborative acts of home-building. Walking, talking, remembering, and grieving were as important to their companionship as writing; and at every stage of their adult lives they drew nourishment from their immediate surroundings. William and Dorothy Wordsworth All in each other 1st edition Reviews R4 London: George Bell, Search Start Search. Ecclesiastical Sketches. William himself credited Dorothy both publicly and privately, again and again, for the enormous influence that she had on him intellectually as well as emotionally. Newlyn offers a valuable corrective to existing Wordsworth criticism and a moving testimonial to the power of creativity and community. Ebook This title is available as an ebook. The Ballad of Dorothy Wordsworth has re-opened some of the questions originally raised by F. The Alfoxden Journal was written in , while Dorothy and William were living at Alfoxden in Somerset, a few miles away from Coleridge. Les Back on Academia Books. Call Number: PR Lucy Newlyn. Arch, Gracechurch-street, Her collected poems were first published by Susan Levin in , with full scholarly apparatus. The Gift is not a book about Wordsworth. More recently she has been working on the prose writings of Edward Thomas. He and Dorothy together sustained a poetics of community, in poetry and in prose. They are very interesting sentences, and of course they have provoked a great deal of speculation. During this time, we have made some of our learning resources freely accessible. Alan Massie in The Sunday Telegraph. Matt Lynn on Great British Thrillers. The first question people tend to ask about this, put crudely, is if they had a physical relationship. What part did traumatic memories of separation play in their longing for a home? Between Two Fires Justin Quinn. Hers was a mind that he regarded as equal to his own. Note: Mounted in rear of book is a manuscript letter from William Wordsworth to Harriet Martineau concerning drawing of Rydal Lake and another letter from Martineau to Miss Carpenter, the artist of the sketch.
Load more

Recommended publications
  • Kimberley Page-Jones Writing from Hamburg: the Encounter With
    Pour citer cet article : Page-Jones, Kimberley, « Writing from Hamburg : The encounter with foreignness in the writings of Mary Wollstonecraft and S.T. Coleridge », Les Grandes figures historiques dans les lettres et les arts [en ligne], n° 10 (2021), URL : http://figures-historiques.revue.univ-lille.fr/10-2021- ISSN-2261-0871/ Kimberley Page-Jones Université de Bretagne Occidentale, HCTI (EA4249) Writing from Hamburg: The Encounter with Foreignness in the Writings of Mary Wollstonecraft and S.T. Coleridge This paper intends to examine the travel writings of a few late eighteenth-century travellers to northern Europe, with a closer look at those of Mary Wollstonecraft and S.T. Coleridge who journeyed to Germany and Scandinavia at the end of the eighteenth century (1795 and 1798) as the routes to France and Italy were made increasingly perilous. Mary Wollstonecraft’s public letters to her lover Imlay recounting her 1795 journey were well known even in her own days; less so, the narrative of Samuel Taylor Coleridge who travelled with William and Dorothy Wordsworth to Germany three years later, in September 1798. One simple reason for that: Coleridge’s travel account was not published following his journey as it would be expected from a travel writer. Coleridge recorded his travel experience in a notebook and a very large journal, extracts of which he then used in his letters to Tom Poole and Sara, his wife. His journal, unpublished and currently held in the Berg Collection at the New York Public Library, is composed of a travelogue recounting his sea journey from Yarmouth to Hamburg and ten letters to Tom Poole and Sara Coleridge, written from September 18, 1798 to May 17, 1799.
    [Show full text]
  • Abbreviations Used in the Notes
    ABBREVIATIONS USED IN THE NOTES The following list is for use in connection with the short-form citations in Notes to the Introduction (beginning at p. 148 below) and Notes to the Poems (beginning at p. 150 below). BL S. T. Coleridge, Biographia Literaria, 2 vols (London, 1817); ed. J. Shawcross, 2 vols (Oxford, 1907). EY The Letters of William and Dorothy Wordsworth: The Early Years, 1787-1805, ed. Ernest de Selincourt (Oxford, 1935); 2nd edn rev. Chester L. Shaver (Oxford, 1967). See also LY and MY, below. HD William Wordsworth, Poems in Two Volumes, ed. Helen Darbishire (Oxford, 1914; 2nd edn, 1952). Hutchinson William Wordsworth, Poems in Two Volumes, ed. Thomas Hutchinson, 2 vols (London, 1897). IF Notes dictated by Wordsworth to Isabella Fenwick. JDW Journals of Dorothy Wordsworth, ed. Mary Moorman (Oxford, 1971) - notably the Alfoxden and Grasmere Journals. LSTC Collected Letters of Samuel Taylor Coleridge, ed. E. L. Griggs, 6 vols (Oxford, 1956-71). LY I, II The Letters of William and Dorothy Wordsworth: The Later Years, 1821-1834, ed. Ernest de Selincourt (Oxford, 1938-9); 2nd edn rev. Alan G. Hill (Oxford, 1978-9). See also EY above, and MY below. MS.L. Longman MS, British Library Add. MS. 47864. [Cf. A Description of the Wordsworth and Coleridge Manuscripts in the Possession of Mr T. Norton Longman, ed. W. Hale White (London, 1897).] MYI The Letters of William and Dorothy Wordsworth: The Middle Years, Part I, 1806-1811, ed. Ernest de Selincourt (Oxford, 1936); 2nd edn rev. Mary Moorman (Oxford, 1969). MY II The Letters of William and Dorothy Wordsworth: The Middle Years, Part II, 1812-1820, ed.
    [Show full text]
  • Yew-Trees, Facsimile from Poems 1815 by William Wordsworth, Courtesy of the Wordsworth Trust
    WORDSWORTH AND THE FAMOUS LORTON YEW TREE ii Wordsworth and the famous Lorton yew tree Edited by Michael Baron Derek Denman Lorton & Derwent Fells Local History Society September 2004 iii Front and back covers: The yew tree at Lorton, photographs by David Herrod, 2004 Inside front and back covers: Yew-Trees, facsimile from Poems 1815 by William Wordsworth, courtesy of the Wordsworth Trust Re-published in this open-access e-book version in 2019, under a Creative Commons licence. This book may be downloaded and shared with others for non-commercial uses provided that the source www.derwentfells.com is credited and the work is not changed. No commercial re-use. Citation: Baron M G & Denman D, Eds, Wordsworth and the famous Lorton yew- tree, Lorton & Derwent Fells LHS, Lorton, 2004 Copyright © 2004, Lorton & Derwent Fells Local History Society All rights reserved. First published in 2004 Published and distributed by the Lorton and Derwent Fells Local History Society www.derwentfells.com Printed in Great Britain by Titus Wilson, Kendal ISBN 0-9548487-0-5 iv Contents Preface vii Dr Robert Woof Introduction 1 The Lorton yew tree in early records 3 The Wordsworths’ visit in 1804 7 The poem 11 The Lorton yew tree in guidebooks and histories from 1800 19 The life of the Lorton yew tree 41 Photographs for the bicentenary 43 David Herrod A poem for the bicentenary 49 Jacob Polley The common yew 51 John Spedding ‘A famous yew-tree’ Canon H D Rawnsley 1903 55 Contributors 65 Bibliography 66 Subscribers 69 v vi Preface Dr Robert Woof – Director, The Wordsworth Trust A landscape with a ruin, preferably a picturesque ruin, is quintessentially a Romantic image.
    [Show full text]
  • The Road North Through by Polly Atkin
    The Road North Through by Polly Atkin Come with me. We’ll go for a walk together. Meet me in Galgate, on the bridge over the canal, and we can take that circuit, you know the one, just following the tow path towards the wide curve of the waxing Lune. We will walk a grassy path by a channel of calm water and might never think of what is buried in the silt, or concealed beneath the mirrored surface. We’ll cross locks together, stop at the Mill Inn for a drink and a bite. It will be bright day, not too hot. We’ll talk to the ducks at Glasson Dock. We’ll choose which boats we’d live on if we weren’t us. We’ll look out onto the Lune Estuary and imagine ourselves as wrecks, sinking into the mud or rising out of it. The horizon will be hazy. Blue leaching into brown. It doesn’t matter that we’re walking in our heads, not on the ground. It doesn’t matter that we’re not physically present in the same space. You can’t touch me on the arm to draw my attention to a bird singing, high in a tree above us as we pass underneath it, or an old sign painted on the side of a building. We’re still together, but differently. Still there, but differently. We can walk as far as we like and not get tired. We don’t need to worry about the light fading, or our feet aching.
    [Show full text]
  • Fay, J. (2018). Rhythm and Repetition at Dove Cottage. Philological Quarterly, 97(1), 73-95
    Fay, J. (2018). Rhythm and repetition at Dove Cottage. Philological Quarterly, 97(1), 73-95. https://english.uiowa.edu/philological- quarterly/abstracts-971 Peer reviewed version Link to publication record in Explore Bristol Research PDF-document University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ RHYTHM AND REPETITION AT DOVE COTTAGE JESSICA FAY Abstract It is well known that William and Dorothy Wordsworth habitually hummed and murmured lines of poetry to themselves and to each other both indoors and while they paced backwards and forwards outside. While this was a lifelong habit for the poet, there are two specific periods at Dove Cottage—the spring and early summer of 1802 and the months following John Wordsworth’s death in 1805—during which the repetition of verses alongside various types of iterative physical activity may be interpreted as an “extra-liturgical” practice performed to induce and support meditation and consolation. In shaping their own “familiar rhythm[s]”, the Wordsworths are aligned with Jeremy Taylor, whose mid-seventeenth- century writings promoted the cultivation of private, individual repetition and ritual. Although William and Dorothy act independently of corporate worship in 1802 and 1805, their habits—in sympathy with Taylor’s teaching—reveal a craving for the kinds of structures William later celebrated in Ecclesiastical Sonnets. Consequently, the apparent disparity between the high-Romantic poet of Dove Cottage and the high-Anglican Tractarian sympathizer of Rydal Mount is shown to be less severe than is often assumed.
    [Show full text]
  • Thesis Spring 2015 !2
    ! ! ! ! ! ! ! ! ! ! Alice in Wonderland: Dorothy Wordsworth’s Search for Poetic! Identity in Wordsworthian Nature ! ! ! ! ! ! ! ! ! ! ! ! ! ! Maymay Liu Advised by Susan Meyer and Dan Chiasson, Department of English Wellesley College English Honors Thesis Spring 2015 !2 Table of Contents Acknowledgements 3 Introduction 4 Chapter 1: Daydream in Gold 14 William and Dorothy Wordsworth as Divergent Speakers Chapter 2: Caged Birds 35 William Wordsworth’s Poetic Treatment of Women in Nature Chapter 3: Through the Looking Glass 57 Dorothy Wordsworth’s Conception of Passivity toward Mother Nature Works Cited 82 !3 Acknowledgements! I am deeply grateful to Professor Susan Meyer and Professor Dan Chiasson for acting as my thesis advisors, both of whom were gracious enough to take on my project without being familiar with Dorothy Wordsworth beforehand. I would never have produced more than a page of inspired writing about Dorothy without their guidance and support. I thank Professor Alison Hickey, who first introduced me to Dorothy and William as a junior (I took her class “Romantic Poetry” in the fall, and promptly came back for more with “Sister and Brother Romantics” in the spring). Despite being on sabbatical for the academic year, she has provided encouragement, advice and copious amounts of hot tea when the going got tough. I would like to thank the members of my thesis committee, Professor Yoon Sun Lee, Professor Gurminder Bhogal, Professor Octavio Gonzalez, Professor Joseph Joyce, and Professor Margery Sabin for their time and fresh insights. I thank the Wellesley College Committee on Curriculum and Academic Policy for awarding me a Jerome A. Schiff Fellowship in support of my thesis.
    [Show full text]
  • Dove Cottage Was the Home to Which, from 1799 to 1808, He Returned from His Walks, the Nurturing Cell in Which Many of His Best Poems Were Grown
    Dove Cottage was the home to which, from 1799 to 1808, he returned from his walks, the nurturing cell in which many of his best poems were grown. His poetical career was long, lasting until 1850, and the muse gleamed only fitfully in the last decades. He had become a national poet, like Tennyson; the productivity was there, but not the light. By contrast, in Dove Cottage he wrote this: My heart leaps up when I behold A rainbow in the sky: So was it when my life began; So is it now I am a man; So be it when I shall grow old, Or let me die! And these lines, almost too well-known, on his sighting of wild daffodils in Ullswater: Continuous as the stars that shine And twinkle on the milky way They stretched in never-ending line Along the margin of a bay; Ten thousand saw I at a glance, Tossing their heads in sprightly dance. And these, perhaps his greatest, from the “Immortality” ode: Our birth is but a sleep and a forgetting: The Soul that rises with us, our life’s Star, Hath had elsewhere its setting, And cometh from afar; Not in entire forgetfulness, And not in utter nakedness, From God, who is our home. The blaze of inspiration in these poems—the sense of each object “apparell’d in celestial light”—is all the more striking because Dove Cottage is a dark, poky place. The steep slopes of Rydal Fell and Nab Scar crowd in this tiny, limewashed house to north, south and east; only to the south-west does the view open up to Grasmere Lake and the facing mountains, chased by shifting colours and shadows of the clouds, as Dorothy, Wordsworth’s sister, often described them.
    [Show full text]
  • Dove Cottage October 2019 – March 2020
    What’s On Dove Cottage October 2019 – March 2020 Peter De Wint (1784-1849), Distant View of Lowther Castle, c.1821-35 1 ‘What pensive beauty autumn shows, Before she hears the sound Of winter rushing in, to close The emblematic round!’ From ‘Thoughts on the Seasons’ by William Wordsworth 3 Talks 5 Workshops 7 Discovering the Lake District 200 Years Ago 9 Wintertide Reflections 11 Literature Classes 13 Poetry Party for National Poetry Day 14 The Poetry Business 15 Family Fun Activities 16 Regular Gatherings 17 Essentials 18 Diary wordsworth.org.uk 2 WELCOME ‘This programme takes us into the year of Wordsworth’s 250th birthday’ Welcome to the programme for 2019-20. Topics include health issues that affected the For the first time, we shall enjoy events in Wordsworth family, the women of the local our new Café and Learning Space which linen industry, a radical look at Mary Shelley’s are part of the Reimagining Wordsworth novel Frankenstein, and an afternoon redevelopment project here in Grasmere. enjoying books, manuscripts and pictures relating to the discovery of the Lake District Join us for seasonal refreshments in the 200 years ago. Pamela Woof will deliver Café and informal talks led by our staff and her fourth and final season of workshops trainees, each on a different topic connected studying Wordsworth’s greatest poem, to the Wordsworths: food, ferries, the The Prelude. Grasmere History Group will French Revolution, bookbinding and more. continue to meet monthly here too. The Learning Space will host two workshops on hedgerow herbs and yuletide traditions We will soon be announcing the three (Lesley Hoyle), as well as printmaking (Kim poets who will be joining us for month-long Tillyer) and family yoga (Lakes Yoga).
    [Show full text]
  • Illness of Dorothy Wordsworth
    BRITISH MEDICAL JOURNAL VOLUME 285 18-25 DECEMBER 1982 1813 Br Med J (Clin Res Ed): first published as 10.1136/bmj.285.6357.1813 on 18 December 1982. Downloaded from is a brief, non-fatal illness of headache, fever, diarrhoea, and a bright red rash. The incubation period is a matter of hours, the * w@ *i; onset abrupt, and the illness lasts from three to six hours and is always over by 24 hours. Although as little as 20 mg histamine/ 100 g flesh may cause symptoms, the usual dose is in excess of 100 mg/100 g.5 The great days of whaling are over. In the early part of this century factory ships were developed and accelerated the decline of an industry that had already squandered the resources I on which it depended. These factory ships brought a new dimension of health care to the whaling crew; and a new literature of life in the frozen south emerged in which medical writers have made their own contributions. Excellent though these be, they cannot equal in importance the early writings of the whaling surgeons. References The whaler Balaena leaving Dundee Harbour. 1 Beale T. A few observations on the natural history of the sperm whale, with an account of the rise and progress of the fishery, and of the modes of pursuing, killing and "cutting in" that animal, with a list of favourite Of considerable interest is Bennett's account of an illness places of resort. London: Effingham Wilson, 1835. after ingesting salted albacore, or tunny. A few hours after the 2 Barker VF, Bouchier IAD.
    [Show full text]
  • The Wordsworth Circle: Brief Biographies Samuel Taylor Coleridge (1772-1834), Romantic Poet, Philosopher, Radical Preacher, Editor, Lecturer and Critic
    The Wordsworth Circle: Brief Biographies Samuel Taylor Coleridge (1772-1834), Romantic poet, philosopher, radical preacher, editor, lecturer and critic. His most well-known poems include “Kubla Khan” (1797) and “The Rime of the Ancient Mariner” (1797-1798). As a critic, his Lectures on Shakespeare (1812) and Biographia Literaria (1817) are highly influential. Biographia Literaria has been considered the first work of literary criticism in English and draws on Coleridge’s knowledge of the philosophical movement German Idealism. Consequently, Coleridge is often credited with introducing German philosophy to English intellectual thought. Throughout his life, Coleridge was a prolific writer of correspondence and he kept notebooks that recorded a range of subjects including natural observations, ideas for poems, confessional outpourings and philosophical meditations. Wordsworth and Coleridge first met briefly in Bristol in 1795. At the time Coleridge was considered a radical by the authorities for his dissenting theological views and anti-establishment politics. Coleridge met William again and Dorothy (for the first time) in 1797 at Racedown, Dorset. A lifelong creative relationship and close friendship began. During the spring and summer of 1798, while living as neighbours in Alfoxden, Somerset, the two poets experimented with poetic form and developed a new expressive aesthetic for poetry. The resulting volume, Lyrical Ballads, was published later that year. In 1800, Wordsworth attached a “Preface” to the second edition which set out their manifesto for this new kind of poetry. Both Lyrical Ballads and the “Preface” are considered to be the founding texts of British Romanticism. Inspiring and critiquing each other’s writings, Coleridge, William and Dorothy spent the next ten years living in close proximity in Germany and the Lake District.
    [Show full text]
  • Mighty Poets: Hartley Coleridge and William Wordsworth
    Mighty Poets: Hartley Coleridge and William Wordsworth Joanna E. Taylor, Lancaster University [email protected] History Department, Bowland Main, Lancaster University, LA1 4YW. “[H]e is a man of inimitable Power,” William Wordsworth wrote to Edward Moxon in June 1839.1 A few months later, on February 21 1840, he explained: “I admire his Genius and talents far more than I could find words to express” (Hill V.1005). The subject of these letters was Hartley Coleridge and they portray a relationship with Wordsworth that has remained obscured behind more familiar accounts that characterise Hartley, in Wordsworth’s words, as “a bairn that needed managing to the end.”2 In fact, Hartley and Wordsworth were mutually admiring as well as critical of each other’s life and work: their relationship was both more complex and more significant than has previously been acknowledged. My most straightforward claim here is that to overlook the complexities of Hartley’s and Wordsworth’s personal and poetic relationships does both authors a significant disservice. Rejecting Hartley as little more than a drunken, tragic failure overcome by the burdens of his literary inheritance is to obscure someone considered by his contemporaries one of the finest poets of his generation. In turn, Hartley’s poems to Wordsworth offer a valuable record of the poetic authority Wordsworth enjoyed in his later years. For Hartley, this power seemed to retrospectively age Wordsworth, so that the famous poems from Wordsworth’s youth seemed to have been written by someone prematurely old; Hartley claimed to his mother that he could not 1 William Wordsworth, The Letters of William and Dorothy Wordsworth, vols V-VI, edited by Alan G.
    [Show full text]
  • 62 Dorothy Wordsworth.Pdf
    rrJorothy Wordsworth (1771-1855) Only in the twentieth century has the literary production of Dorothy Words­ worth become widely known. During her lifetime, readership of her journals and poems was, with few exceptions, confined to those within her intimate circle of family and friends. Only five of her poems were published during her lifetime, all anonymously in collections by her brother, William; never­ theless, she was from the beginning an important literary influence: aspects of her style and many of her ideas and images, both from written work and conversation, found their way into the writings of William Wordsworth and Samuel Taylor Coleridge. Born on Christmas Day, 1771, Dorothy was the third child and only daugh­ ter of Ann Cookson and John Wordsworth, attorney to Sir James Lowther, Cockermouth. After her mother died in 1778, six-year-old Dorothy was separated from her siblings and sent to live in Halifax, Yorkshire, with her mother's cousin Elizabeth Threlkeld. ''.Aunt Threlkeld," as Dorothy called her, gave the little girl a loving home in a household of six children, the others from ten to seventeen years old. As the youngest, Dorothy was the favorite. The Halifax Old Subscription Library was housed for some years in Elizabeth Threlkeld's haberdashery shop, and Threlkeld, whom Dorothy came to idol­ ize, taught her an early love of reading as well as skill in cooking, sewing, accounting, and general household management. Dorothy briefly attended a boarding school two miles from town in 1781, when she was nine, but then became a day student in Halifax. She attended the Unitarian chapel regularly with Threlkeld.
    [Show full text]