Dove Cottage October 2019 – March 2020

Total Page:16

File Type:pdf, Size:1020Kb

Dove Cottage October 2019 – March 2020 What’s On Dove Cottage October 2019 – March 2020 Peter De Wint (1784-1849), Distant View of Lowther Castle, c.1821-35 1 ‘What pensive beauty autumn shows, Before she hears the sound Of winter rushing in, to close The emblematic round!’ From ‘Thoughts on the Seasons’ by William Wordsworth 3 Talks 5 Workshops 7 Discovering the Lake District 200 Years Ago 9 Wintertide Reflections 11 Literature Classes 13 Poetry Party for National Poetry Day 14 The Poetry Business 15 Family Fun Activities 16 Regular Gatherings 17 Essentials 18 Diary wordsworth.org.uk 2 WELCOME ‘This programme takes us into the year of Wordsworth’s 250th birthday’ Welcome to the programme for 2019-20. Topics include health issues that affected the For the first time, we shall enjoy events in Wordsworth family, the women of the local our new Café and Learning Space which linen industry, a radical look at Mary Shelley’s are part of the Reimagining Wordsworth novel Frankenstein, and an afternoon redevelopment project here in Grasmere. enjoying books, manuscripts and pictures relating to the discovery of the Lake District Join us for seasonal refreshments in the 200 years ago. Pamela Woof will deliver Café and informal talks led by our staff and her fourth and final season of workshops trainees, each on a different topic connected studying Wordsworth’s greatest poem, to the Wordsworths: food, ferries, the The Prelude. Grasmere History Group will French Revolution, bookbinding and more. continue to meet monthly here too. The Learning Space will host two workshops on hedgerow herbs and yuletide traditions We will soon be announcing the three (Lesley Hoyle), as well as printmaking (Kim poets who will be joining us for month-long Tillyer) and family yoga (Lakes Yoga). Poet residencies – and there will be opportunities Kim Moore will lead our National Poetry Day to hear them read their poetry aloud, as celebration, and Polly Atkin will again lead well as to follow their journeys and her very popular ‘Discover Poetry’ series. discoveries on our social media accounts. The regular writing group, Dove Cottage We will also be hosting the Poetry Business Poets, will also now meet in the Learning for their International Book & Pamphlet Space. During the half-term holidays families Competition Winners’ Reading, as well as can take part in fun activities exploring a poetry-writing workshop. poetry and the outdoors, both here at Dove Cottage and at Brockhole on Windermere. This programme takes us into the year of Wordsworth’s 250th birthday – the year We shall still enjoy the book-lined walls of in which the conserved and reinterpreted the Jerwood Centre Reading Room for our Dove Cottage and the new Museum open. main talk series. 2019-20 is a great time to visit us and enjoy this unique period of change. Jeff Cowton, Curator & Head of Learning 3 TALKS FROM THE ‘A CREATURE ANNUAL LONDON CHARNEL-HOUSE DOOMED TO LECTURE: ‘VITAL TO THE FUTURE OF DESPAIR’: ANXIETY, STREAM’: LOVE AND LAW ENFORCEMENT DEPRESSION AND CREATIVITY IN THE – IT’S FRANKEN FEELING WITH WORDSWORTH TIME! SARA COLERIDGE CIRCLE, 1802 Thursday 31 October Saturday 2 November Wednesday 20 November 7.30-8.30pm 2.30-3.30pm 6.00-7.00pm, followed by Jerwood Centre | £5 Jerwood Centre | £5 a drinks reception Few books have captivated Sara Coleridge, Samuel Chancellor’s Hall, Senate humanity’s imagination to Taylor Coleridge’s only House, Malet Street, London, the degree of Mary Shelley’s daughter, spent her adult WC1E 7HU | Free Frankenstein. life negotiating the 1802 was an extraordinary complexities brought about year in the Wordsworth This talk by Richard Stanton by what she called her circle. William and Dorothy begins with the 1818 text ‘nervousness’. Today, we’d were writing some of their before getting elbow-deep call it depression. most beautiful poetry and in the viscera of the most prose, while Coleridge’s imaginative and funny She advised herself that it marriage was in a state of re-interpretations of this was ‘better not to look this near collapse. visionary work. We’ll join way’, but she also found Robocop in a future Detroit, immense creative richness Drawing on detailed see the creature’s rebirth in in the complex nature of knowledge of letters, poems, post-war Iraq, and ask what her own mental health. notebooks and journals, the modern Prometheus Professor Lucy Newlyn’s means in the modern age. In this talk, Dr Jo Taylor (University of Oxford) new Come along for a bloody (University of Manchester) book Vital Stream explores good time. will introduce some of Sara’s their thoughts and feelings most moving works, and use about love, family bonds, *Due to the nature of the them to explore how anxiety friendship and creativity at material, this talk is not and depression can be – this time. In this lecture, she suitable for children. sometimes simultaneously will read from her collection – a personal curse and a and describe how she has creative blessing. re-told a famous love story for a modern audience, in sonnet-form. wordsworth.org.uk 4 POETRY AND A HANDMADE TALE: AN AFTERNOON BLINDNESS THE ARTS AND WITH GRASMERE Saturday 23 November CRAFTS MOVEMENT HISTORY GROUP 2.30-3.30pm AND THE WOMEN Saturday 4 January Jerwood Centre | £5 OF THE LANGDALE 2.30-3.30pm Often blindness in poetry LINEN INDUSTRY Jerwood Centre | Free is used for its symbolic value, Saturday 14 December It has become an annual where a blind character 2.30-3.30pm tradition to spend the first can suggest spiritual insight Jerwood Centre | £5 Saturday afternoon of the or inner creativity. year with Grasmere History John Ruskin, an artist, critic Group, reviewing and In this talk Professor Michael and social reformer, created celebrating the research and Bradshaw (University of the Langdale linen industry discoveries made by the Worcester) takes a different and saw it as one of his group in the previous year. approach, drawing upon finest achievements. the real experience of visual The group will share impairment, and looks afresh Women who had no stories and findings from at the lives and writings of previous experience of ‘Grasmere’s History in 50 Ann Batten Cristall, William hand-spinning or weaving Buildings’, their extensive Wordsworth and other were taught to do both, year-long project, which Romantic-era writers. proving that handmade the group intends to linen could compete with publish as a book. He also explores the themes mass-produced and that of blindness and sight, and women could find fulfilling the experience of non- and and creative roles in the partially sighted characters. world of work. Penelope Hemingway, author of Their Darkest Materials (2019), goes in search of the women who created and drove the Langdale linen industry’s success and will demonstrate handspinning flax (linen). 5 WORKSHOPS Immerse yourself in a traditional craft at one of our workshops, and let nature be your teacher. Explore the woods and gardens around Dove Cottage and learn to identify and work with plants; be inspired by the natural world; and most importantly – have fun! All of our workshops include the materials that you will need for the day. ‘Wm pulled ivy with beautiful berries – I put it over the chimney piece’ Dorothy Wordsworth, Grasmere journal, 12 May 1802 6 HEDGEROW YULETIDE PRINTING HERBALIST TRADITIONS WITH LIGHT Saturday 9 November Wednesday 11 December Saturday 14 March 2.00-5.00pm 6.30-9.30pm 10.00am-4.00pm Learning Space | £30 Learning Space | £30 Learning Space | £60 Find the beauty in winter Explore the yuletide Discover the printmaking and explore the myriad traditions and rituals technique of cyanotype, ways seasonal berries, lichen connected to the abundance popular as an early method and roots can be used to of seasonal plants that of making botanical studies, maintain wellbeing and treat can be found in Dove which uses sunlight to create specific conditions, as well Cottage garden and the ethereal images in shades of as simply for the pleasure surrounding woodland, blue and white. You will learn of using them. You will learn and create aromatic and about the process and how how to identify these plants decorative items to take it can be applied to paper in their natural habitats, home with you! You will or fabrics, creating your own as well as create your own also receive a booklet of ‘photograms’ of plants and items to take home. This instructions, templates and objects collected on a guided workshop is led by local herbal traditions that you walk around the gardens and herbalist Lesley Hoyle, can try for yourself at home. woodland surrounding Dove owner of Windermere- This workshop is led by Cottage. This workshop is led based business Sophiology, Lesley Hoyle, and includes a by local artist Kim Tillyer, who and includes seasonal light vegetarian buffet supper. often uses cyanotype, as well refreshments. as hand embroidery, in her own work. Lunch and light refreshments are included. ‘The Lychens are now coming out afresh, I carried home a collection in the afternoon.’ Dorothy Wordsworth, Grasmere journal, 2 October 1800 7 DISCOVERING THE LAKE DISTRICT 200 YEARS AGO THE JONATHAN WORDSWORTH MEMORIAL LECTURE IN THREE PARTS Saturday 15 February 2.15-4.45pm, including a break for tea and coffee £5 (free to Wordsworth Winter School participants) Were visitors to the Lakes just ‘gentlemen This autumn the Wordsworth Trust will in search of the picturesque’? Tony Mehew publish an illustrated edition of the essay discusses Peter Bicknell’s The Picturesque that became Wordsworth’s celebrated Scenery of the Lake District, 1752-1855 Guide to the Lakes. Dr Cecilia Powell talks (1990), the standard bibliography for about the challenges and joys of finding books and prints, and revisits the material, images from the Trust’s own outstanding geographical area and writers that Bicknell fine art collection to match the grandeur explored in his classic work.
Recommended publications
  • Wordsworth's Lyrical Ballads, 1800
    Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 2015 Wordsworth's Lyrical Ballads, 1800 Jason N. Goldsmith Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Poetry Commons Recommended Citation Goldsmith, Jason N., "Wordsworth's Lyrical Ballads, 1800" The Oxford Handbook of William Wordsworth / (2015): 204-220. Available at https://digitalcommons.butler.edu/facsch_papers/876 This Book Chapter is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. LYRICAL BALLADS, 1800 205 [tha]n in studying German' (CL, r. 459). Stranded by the weather, short on cash, and C H A P TER 11 unable to communicate with the locals, the poet turned inward, writing a series of auto­ biographical blank verse fragments meditating on his childhood that would become part one of the 1799 Prelude, as well as nearly a dozen poems that would appear in the second volume of the 1800 edition of Lyrical Ballads. WORDSWORTH'S L YRICAL Completed over the eighteen months following his return to England in May 1799, the 1800 Lyrical Ballads is the fruit of that long winter abroad. It marks both a literal and BALLADS, 1800 a literary homecoming. Living in Germany made clear to Wordsworth that you do not .......................................................................................................
    [Show full text]
  • Grasmere & the Central Lake District
    © Lonely Planet Publications 84 Grasmere & the Central Lake District The broad green bowl of Grasmere acts as a kind of geographical junction for the Lake District, sandwiched between the rumpled peaks of the Langdale Pikes to the west and the gentle hummocks and open dales of the eastern fells. But Grasmere is more than just a geological centre – it’s a literary one too thanks to the poetic efforts of William Wordsworth and chums, who collectively set up home in Grasmere during the late 18th century and transformed the valley into the spiritual hub of the Romantic movement. It’s not too hard to see what drew so many poets, painters and thinkers to this idyllic corner LAKE DISTRICT LAKE DISTRICT of England. Grasmere is one of the most naturally alluring of the Lakeland valleys, studded with oak woods and glittering lakes, carpeted with flower-filled meadows, and ringed by a GRASMERE & THE CENTRAL GRASMERE & THE CENTRAL stunning circlet of fells including Loughrigg, Silver Howe and the sculptured summit of Helm Crag. Wordsworth spent countless hours wandering the hills and trails around the valley, and the area is dotted with literary landmarks connected to the poet and his contemporaries, as well as boasting the nation’s foremost museum devoted to the Romantic movement. But it’s not solely a place for bookworms: Grasmere is also the gateway to the hallowed hiking valleys of Great and Little Langdale, home to some of the cut-and-dried classics of Lakeland walking as well as one of the country’s most historic hiking inns.
    [Show full text]
  • Quaker Journey: Exploring the Roots of Quakerism in England's Lake
    Quaker Journey: Exploring the Roots of Quakerism in England’s Lake District General Itinerary, www.cfsnc.org/QuakerJourney Friday, July 20~ Saturday, July 21 • Travel from the United States to Manchester, England • Overnight at Bewley’s Hotel or other lodging, Manchester, England Sunday, July 22 • Bus from Manchester Airport/Bewley’s Hotel to Glenthorne, www.glenthorne.org • Tea and orientation to Glenthorne and our week together • Open afternoon for rest/local exploration/activities Monday, July 23; Tuesday, July 24; Thursday, July 26; Friday, July 27 • Welcome and introductory talk by our British Quaker guide, Roy Stephenson • Brigflatts Meeting House, www.brigflatts.org • Colthouse Meeting House, www.visitcumbria.com/amb/colthouse-quaker-meeting-house • Fox’s Pulpit/Firbank Fell, www.brigflatts.org/firbankfell.html • Hawkshead Village, www.hawkshead-village.co.uk • Lancaster Castle/Prison, www.lancastercastle.com • Pendle Hill, www.visitlancashire.com/explore/pendle-hill • Preston Patrick Meeting House, www.kendal-and-sedbergh-quakers.org.uk/page16.html • Quaker Tapestry Exhibit, Kendal, www.quaker-tapestry.co.uk • Sawley Meeting House, http://sawley.pendlehillquakers.org.uk • Settle Meeting House, www.settlequakers.org.uk • St. Andrew’s Church, Sedbergh, www.sedbergh.org.uk/churches/anglican • Swarthmore Hall, www.swarthmoorhall.co.uk • Meeting for Worship and final thoughts Wednesday, July 25; Saturday, July 28 Open days for rest/local exploration/activities using local transport or on foot. Possibilities include: writer William
    [Show full text]
  • Folk Song in Cumbria: a Distinctive Regional
    FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one.
    [Show full text]
  • Kimberley Page-Jones Writing from Hamburg: the Encounter With
    Pour citer cet article : Page-Jones, Kimberley, « Writing from Hamburg : The encounter with foreignness in the writings of Mary Wollstonecraft and S.T. Coleridge », Les Grandes figures historiques dans les lettres et les arts [en ligne], n° 10 (2021), URL : http://figures-historiques.revue.univ-lille.fr/10-2021- ISSN-2261-0871/ Kimberley Page-Jones Université de Bretagne Occidentale, HCTI (EA4249) Writing from Hamburg: The Encounter with Foreignness in the Writings of Mary Wollstonecraft and S.T. Coleridge This paper intends to examine the travel writings of a few late eighteenth-century travellers to northern Europe, with a closer look at those of Mary Wollstonecraft and S.T. Coleridge who journeyed to Germany and Scandinavia at the end of the eighteenth century (1795 and 1798) as the routes to France and Italy were made increasingly perilous. Mary Wollstonecraft’s public letters to her lover Imlay recounting her 1795 journey were well known even in her own days; less so, the narrative of Samuel Taylor Coleridge who travelled with William and Dorothy Wordsworth to Germany three years later, in September 1798. One simple reason for that: Coleridge’s travel account was not published following his journey as it would be expected from a travel writer. Coleridge recorded his travel experience in a notebook and a very large journal, extracts of which he then used in his letters to Tom Poole and Sara, his wife. His journal, unpublished and currently held in the Berg Collection at the New York Public Library, is composed of a travelogue recounting his sea journey from Yarmouth to Hamburg and ten letters to Tom Poole and Sara Coleridge, written from September 18, 1798 to May 17, 1799.
    [Show full text]
  • Abbreviations Used in the Notes
    ABBREVIATIONS USED IN THE NOTES The following list is for use in connection with the short-form citations in Notes to the Introduction (beginning at p. 148 below) and Notes to the Poems (beginning at p. 150 below). BL S. T. Coleridge, Biographia Literaria, 2 vols (London, 1817); ed. J. Shawcross, 2 vols (Oxford, 1907). EY The Letters of William and Dorothy Wordsworth: The Early Years, 1787-1805, ed. Ernest de Selincourt (Oxford, 1935); 2nd edn rev. Chester L. Shaver (Oxford, 1967). See also LY and MY, below. HD William Wordsworth, Poems in Two Volumes, ed. Helen Darbishire (Oxford, 1914; 2nd edn, 1952). Hutchinson William Wordsworth, Poems in Two Volumes, ed. Thomas Hutchinson, 2 vols (London, 1897). IF Notes dictated by Wordsworth to Isabella Fenwick. JDW Journals of Dorothy Wordsworth, ed. Mary Moorman (Oxford, 1971) - notably the Alfoxden and Grasmere Journals. LSTC Collected Letters of Samuel Taylor Coleridge, ed. E. L. Griggs, 6 vols (Oxford, 1956-71). LY I, II The Letters of William and Dorothy Wordsworth: The Later Years, 1821-1834, ed. Ernest de Selincourt (Oxford, 1938-9); 2nd edn rev. Alan G. Hill (Oxford, 1978-9). See also EY above, and MY below. MS.L. Longman MS, British Library Add. MS. 47864. [Cf. A Description of the Wordsworth and Coleridge Manuscripts in the Possession of Mr T. Norton Longman, ed. W. Hale White (London, 1897).] MYI The Letters of William and Dorothy Wordsworth: The Middle Years, Part I, 1806-1811, ed. Ernest de Selincourt (Oxford, 1936); 2nd edn rev. Mary Moorman (Oxford, 1969). MY II The Letters of William and Dorothy Wordsworth: The Middle Years, Part II, 1812-1820, ed.
    [Show full text]
  • The English Lake District
    La Salle University La Salle University Digital Commons Art Museum Exhibition Catalogues La Salle University Art Museum 10-1980 The nE glish Lake District La Salle University Art Museum James A. Butler Paul F. Betz Follow this and additional works at: http://digitalcommons.lasalle.edu/exhibition_catalogues Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation La Salle University Art Museum; Butler, James A.; and Betz, Paul F., "The nE glish Lake District" (1980). Art Museum Exhibition Catalogues. 90. http://digitalcommons.lasalle.edu/exhibition_catalogues/90 This Book is brought to you for free and open access by the La Salle University Art Museum at La Salle University Digital Commons. It has been accepted for inclusion in Art Museum Exhibition Catalogues by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. T/ie CEnglisti ^ake district ROMANTIC ART AND LITERATURE OF THE ENGLISH LAKE DISTRICT La Salle College Art Gallery 21 October - 26 November 1380 Preface This exhibition presents the art and literature of the English Lake District, a place--once the counties of Westmorland and Cumber­ land, now merged into one county, Cumbria— on the west coast about two hundred fifty miles north of London. Special emphasis has been placed on providing a visual record of Derwentwater (where Coleridge lived) and of Grasmere (the home of Wordsworth). In addition, four display cases house exhibits on Wordsworth, on Lake District writers and painters, on early Lake District tourism, and on The Cornell Wordsworth Series. The exhibition has been planned and assembled by James A.
    [Show full text]
  • Nervous Sympathy in the Familial Collaborations of the Wordsworth
    The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions.
    [Show full text]
  • Scroll Down the English Romantics
    Scroll Down ▼ ▼ ▼ Index To The English Romantics By Peter Landry ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ Index Aberdeen: 159; 167. Bailey, Benjamin (Friend of Abbotsford: 41. K’s): 130-2; fn#12-3, 227-8; Address to the Irish People (S’s fn#18, 228-9. work): 85. Ball, Sir Alexander (Governor Adonais (S’s work to the dead of Malta): 63. Keats): 98; 104; fn#51, 220. Barbados: 109-10. Aeschylus: 103; fn#37, 216. Basel, Switzerland: 180. Aids to Reflection (STC’s Bath: 70; 91; 93; 115; 145-6; 158; work): 76. fn#45, 219; fn#20, 236. Alastor (S’s work): 92; fn#23, 214. Bay of Spezzia: 99; 191; fn#19, 224. Albania: 166; fn#84, 248. Beaumount, Lady: 43. Alfoxden Days: 14-16; 56-8. Beaupuy, Michael (French mil- Ali Pasha: 166. itary officer befriended by Allan Bank: 21; WW moves to, WW in the early days): 6. 26-8; 69. Beddoes, Dr.: 62; 64. Allegra (A child of Claire’s & Bentham, Jeremy: 1; 67; fn#8, Lord B’s, Claire orig. called 222; fn#12, 223. her Alba, B renamed her to Beppo (Lord B’s work, 1817): 182. Allegra): 96-7; 100; 118; b., Berkeley, George (Philoso- 1817, 180-1; 190; d. at 5 yrs. pher): 68. of age, fn#24, 214; fn#33, 216; Biographia Literaria (STC’s fn#54, 242; fn#72, fn#74, 246. work): 65; 76; fn#17, 207-8; American Revolution: 110; 112. fn#19 & 22, 208; fn#26, 209; Amiens: Treaty of, 7; 24; fn#32, fn#14, 223. 201. Black Dwarf (Radical Paper of Ancient Mariner (STC’s work): the time): 112.
    [Show full text]
  • Heidi J. Snow, Phd P.O. Box 193 117 Mill Street Elsah, IL 62028, USA 618.946.9624 [email protected]
    Heidi J. Snow, PhD P.O. Box 193 117 Mill Street Elsah, IL 62028, USA 618.946.9624 [email protected] The Edith and Lewis White Distinguished Professor at Principia College, appointed for excellence in teaching and dedication to the mission of the College. I have taught at the university level for 20 years and have served in administrative positions such as Chair of the Curriculum Committee, Department Chair, Acting Division Head, and Interim Dean of Academics. My research has focused on William Wordsworth and his attitudes towards religion and poverty. Recently, my research has shifted to Dorothy Wordsworth and has included work on a project with the Wordsworth Trust to help make her later journals more accessible to the wider public. Education : Southern Illinois University, Carbondale; PhD, English Literature, May 2008 Dissertation Title: The Impact of Contemporary Theological Attitudes towards Poverty on William Wordsworth’s Writing Bridgewater State College, Massachusetts (now Bridgewater State University); Master of Arts in English, May 2000 Thesis Title: The Pastoral Sublime and The Prelude Principia College: Bachelor of Arts, English, June 1979; Bachelor of Arts, Philosophy, June 1979 Teaching and Academic Administrative Experience: 2019 to present: returned to the classroom; appointed Edith and Lewis White Distinguished Professor 2018-2019: Interim Dean of Academics 2015 – present: Professor of English Literature, Principia College 2010 – 2015: Associate Professor of English Literature, Principia College 2002 – 2010: Assistant Professor of English Literature, Principia College 2000 – 2002 Instructor, Composition 101 and Composition 201, English Department, Bentley College, Waltham, MA, USA 1992 – 1996 Adult Educator, Writing and Science courses, Wellspring Adult Learning Center, Hull, MA,USA Publications: William Wordsworth and the Theology of Poverty.
    [Show full text]
  • William Wordsworth and the Invention of Tourism, 1820–1900
    212 Book Reviews 最後に、何はともあれ、ワーズワスに関するミニ百科事典とも言うべき 『ワーズワス評伝』は一読に値する大著であることに間違いはない。 (安田女子大学教授) Saeko Yoshikawa William Wordsworth and the Invention of Tourism, 1820–1900 (Farnham: Ashgate, 2014. 156 × 234mm. xii + 268 pp. £65) Ichiro Koguchi Tourism is not just an embodiment of the natural human desire for move- ment and fresh experience. As Saeko Yoshikawa’s William Wordsworth and the Invention of Tourism, 1820–1900 has demonstrated, it is a set of culturally charged practices, mediated in particular by the act of reading. Grounded in this conviction, this study has explored — by referring to an impressive range of primary sources — how William Wordsworth’s poetry helped to invent a new form of tourism, and, through this process, how the notion of “Wordsworth’s Lake District” came into existence. The book also suggests that the emergence of such tourism was related to the critical re-evaluation of Wordsworth’s work in the late nineteenth century. Tourism has expanded throughout modern times. The grand tour fl our- ished from the mid-seventeenth century, and in the next century, picturesque travel came into vogue. With the development of the mail coach system, fol- lowed by the advent of the railway, tourism became universalised in the nine- teenth century, becoming available to almost any class and social group. Historically situated amid these periods, Romanticism was closely related to tourism, both domestic and across national borders. A number of schol- ars have turned to travelogues and other travel literature written in the Ro- mantic age, delving into the cultural-literary implications of journeys made by writers. Curiously however, literary tourism, i.e.
    [Show full text]
  • Yew-Trees, Facsimile from Poems 1815 by William Wordsworth, Courtesy of the Wordsworth Trust
    WORDSWORTH AND THE FAMOUS LORTON YEW TREE ii Wordsworth and the famous Lorton yew tree Edited by Michael Baron Derek Denman Lorton & Derwent Fells Local History Society September 2004 iii Front and back covers: The yew tree at Lorton, photographs by David Herrod, 2004 Inside front and back covers: Yew-Trees, facsimile from Poems 1815 by William Wordsworth, courtesy of the Wordsworth Trust Re-published in this open-access e-book version in 2019, under a Creative Commons licence. This book may be downloaded and shared with others for non-commercial uses provided that the source www.derwentfells.com is credited and the work is not changed. No commercial re-use. Citation: Baron M G & Denman D, Eds, Wordsworth and the famous Lorton yew- tree, Lorton & Derwent Fells LHS, Lorton, 2004 Copyright © 2004, Lorton & Derwent Fells Local History Society All rights reserved. First published in 2004 Published and distributed by the Lorton and Derwent Fells Local History Society www.derwentfells.com Printed in Great Britain by Titus Wilson, Kendal ISBN 0-9548487-0-5 iv Contents Preface vii Dr Robert Woof Introduction 1 The Lorton yew tree in early records 3 The Wordsworths’ visit in 1804 7 The poem 11 The Lorton yew tree in guidebooks and histories from 1800 19 The life of the Lorton yew tree 41 Photographs for the bicentenary 43 David Herrod A poem for the bicentenary 49 Jacob Polley The common yew 51 John Spedding ‘A famous yew-tree’ Canon H D Rawnsley 1903 55 Contributors 65 Bibliography 66 Subscribers 69 v vi Preface Dr Robert Woof – Director, The Wordsworth Trust A landscape with a ruin, preferably a picturesque ruin, is quintessentially a Romantic image.
    [Show full text]