THE WHITE GUARD by Mikhail Bulgakov
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Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle -
The White Guard Pdf, Epub, Ebook
THE WHITE GUARD PDF, EPUB, EBOOK Mikhail Afanasevich Bulgakov | 304 pages | 06 Jul 2006 | Vintage Publishing | 9780099490661 | English | London, United Kingdom The White Guard PDF Book Thanks for telling us about the problem. Previous George Daniel. Just Mercy. Bulgakov's letter is a testament to the emerging double-think of the Stalin era; at once superficially defiant, yet exhibiting an insidious desire to conform. Changes to the decree were made later, refining the organisation's structure. Perhaps the most credible of all the characters — in novel as well as play — is Bulgakov's own alter ego, Alexei Turbin. Although the founding of these "fire brigades" was often done in a non-partisan manner, they often split into two opposing factions during the autumn of This never took place, but for the rest of his life — he was to die, prematurely, worn out and demoralised in — Bulgakov expected the phone to ring again. Bulgakov was a heavily marked man, and by the time Stalin made his telephone call it seems all too likely that the writer was facing the same fate as other dissident voices, such as his brother-in-law Andrey Zemsky: a prison sentence or internal exile. From until the organisation's demise, this post was occupied by Gen. Literature Poetry Lit Terms Shakescleare. Having qualified in , Bulgakov had seen six months' service on the frontline as an army doctor; after this he transferred to the civil medical service and worked in a rural hospital. The Guard did not distinguish between any non-socialist political views and received the support of all non-socialist parties. -
Michail Bulgakov - 26825
Syllabus Life and Works of the Russian writer- Michail Bulgakov - 26825 Last update 25-08-2018 HU Credits: 2 Degree/Cycle: 2nd degree (Master) Responsible Department: German, Russian & East European Studies Academic year: 0 Semester: 2nd Semester Teaching Languages: Hebrew Campus: Mt. Scopus Course/Module Coordinator: Dr. Vladimir Khazan Coordinator Email: [email protected] Coordinator Office Hours: Tuesday, 14.00-16.00 Teaching Staff: Dr. Vladimir Khazan page 1 / 4 Course/Module description: This course is focused on the problems of studying the life and work of the outstanding Russian writer Mikhail Bulgakov. The course is based on his most significant works: early stories, in which literary poetics was formed; novels of the 1920s (The Fatal Eggs and Heart of a Dog), in which the writer from an artistic position appeared as an oppositionist to the ruling Soviet regime; Bulgakovs connection with the theater; and three major his novels: The White Guard, A Dead Mans Memoir: A Theatrical Novel and The Master and Margarita. Thus, the course covers the principal stages of the biography of this writer and his high creative achievements. The main attention is paid to the problems of poetics (magical realism) and literary technique. Course/Module aims: Purposes of the course: - to acquaint students with the life and work of one of the greatest Russian writers of the 20th century; - reveal the secrets and mysteries hidden in the M. Bulgakovs works; - show how the best representatives of Russian literature fought by their texts with the Soviet totalitarian regime Learning outcomes - On successful completion of this module, students should be able to: Students must: - to recognize all texts submitted within the course, - to know a certain amount of bibliographic material, - to do the analysis of texts in the framework of the course, - to have certain knowledge (notions, names, phenomena) within the teaching material Attendance requirements(%): 80% Teaching arrangement and method of instruction: lectures, exercises Course/Module Content: 1. -
'-Ifl/Of THESIS COMMITTEE MEMBER (TYPED) ~Wsignature DATE' ------FILM LUMIERE: NEW GENRE OR NEW LOOK at an OLD GENRE?
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED FOR PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERATURE AND WRITING STUDIES THESIS TITLE Film Lumi~re: New Genre or New Look at an Old Genre? AUTHOR: Margie Garrett DATE OF SUCCESSFUL DEFENSE: May31,2001 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. s-h~ Dr. Oliver Berghof Ql l THESIS COMMITTEE CHAIR (TYPED) SIGN~ TUR DATE Dr. Yuan Yuan THESIS COMMITTEE MEMBER (TYPED) SIGNATURE Professor Brandon Cesmat -'-ifl/of THESIS COMMITTEE MEMBER (TYPED) ~wSIGNATURE DATE' - ------------------------------------------------------------------------------------------------------------------------------ -- FILM LUMIERE: NEW GENRE OR NEW LOOK AT AN OLD GENRE? A Thesis for the Master of Arts Degree in Literature and Writing studies by Margie Garrett May 31, 2001 3 TABLE OF CONTENTS Filmography 4 Dedication and Acknowledgments 5 Chapter 1 What is Lyricism? 7 Chapter 2 A Preliminary Look at Lyrical Film 28 Chapter 3 Narrative and Lyric: Natural Enemies or Marriage of Convenience? 38 Chapter 4 The Psychology of Lyricism: Kristeva•s Chora 46 Chapter 5 The Fusion of Lyric and Epic in Film 51 Chapter 6 Lyrical Film as Objective Correlative: Music, Poetry, and Film 61 Chapter 7 The Lyrical Pattern and Film Lumiere 67 Chapter 8 Film Lumiere and its Relatives: A Continuum 82 Chapter 9 Film Technology and the Lyrical Pattern 85 Chapter 10 An In-depth Look at Several Lyrical Films 99 Chapter 11 The Major Films Compared and Contrasted 119 Chapter 12 Music of the Spheres: The Value of the Lyrical Universe 126 Works Cited 132 4 FILMOGRAPHY Films About Music and Poetry: The Piano (1993) Il Postino (1994) Blue (1993) The Double Life of Veronique (1991) Non-narrative Films: Koyaanitsqatsi (1983) Microcosmos (1996) Epics: Dr. -
Mikhail Bulgakov's Stalin
STUDIA UBB DRAMATICA, LXII, 1, 2017, p. 181 - 183 (Recommended Citation) Mikhail Bulgakov’s Stalin Book review: Mihail Bulgakov, Batum, A play in 4 acts, Translation, notes and introductory study by Nicolae Bosbiciu, Cluj-Napoca, Eikon Publishing House, 2015 For all the readers fascinated by Mikhail Bulgakov’s novels, most notably his masterpiece The Master and Margarita, as well as for all those interested in Bulgakov’s theatre, the recent Romanian translation of Batum, published in 2015 by the Eikon Publishing House, will definitely represent a pleasant EUGEN WOHL surprise. A long overdue project, the play was written in 1939 (commissioned by the Moscow Art Theatre to celebrate Stalin’s 60th anniversary, yet later banned and never staged), the publishing in Romanian translation of Bulgakov’s last play, an elaborate project undertaken by the professor and researcher Nicolae Bosbiciu, represents an important piece in the puzzle that was the Russian author’s complicated relationship with the dictator Joseph Stalin. The author’s “obsession” was ignited by Stalin’s phone call on April 18th, 1930 and his promise of a future meeting between the two, an event that, as the translator states in his extensive introductory study, determined the Russian author to become “haunted by horrific neurasthenia and by his fixation on the promised meeting between him and Stalin” (p. 113). Indeed, Batum is nothing more, nothing less than Bulgakov’s “play about Stalin”, his last dramaturgical work, a last-ditch effort to get the Soviet leader’s attention and, as the playwright secretly hoped, to benefit from his protection, in a climate of harsher and harsher repressive measures against “undesirable” writers. -
The Figure of Pontius Pilate in the Novel the Master and Margarita by Bulgakov Compared with Pilate in the Bible
The Figure of Pontius Pilate in the Novel The Master and Margarita by Bulgakov Compared with Pilate in the Bible Belfjore Qose discusses the character of Pontius Pilate in the novel compared to Pontius Pilate in the Bible, and concludes he is more human than all the other biblical characters that Bulgakov depicts . KAIROS - Evangelical Journal of Theology/Vol. VII. No. 1 (2013), pp. 55-67. From the archives of the website The Master and Margarita http://www.masterandmargarita.eu Webmaster Jan Vanhellemont B-3000 Leuven +32475260793 The Figure of Pontius Pilate in the Novel The Master and Margarita by Bulgakov Compared with Pilate in the Bible Belfjore Qose Aleksandër Moisiu University of Durrës, Albania [email protected] UDK:82 Original scientific paper Received: February, 2013. Accepted: April, 2013. Summary The study of the novel The Master and Margarita is focused on the interpretation and the making of a character that Bulgakov created based on the biblical figure. The analytical method used is a comparative one, and the study integrates a deep comparison of the narration techniques and interpretations of the figure in the light of mystic and occult culture. The comparison between the biblical archetype of the character of Pontius Pilate and the re-creation and interpretation of the character in the novel is not just a dry comparison, but it aims to climb over the culture it represents, Christian culture and ethics, regarding the concept of good and evil. As the narrator of the novel changes focus on different subjects, and since the central figure of the storytelling differs, it was more important for us to study the figure of Pontius Pilate than Yeshua (Christ). -
The White Guard PDF Book
THE WHITE GUARD PDF, EPUB, EBOOK Mikhail Afanasevich Bulgakov | 304 pages | 06 Jul 2006 | Vintage Publishing | 9780099490661 | English | London, United Kingdom The White Guard PDF Book Sure he had and s It was indeed a very amusing book. LitCharts Teacher Editions. When the shooting stars Use my words as bullets, Crimson with hate. I think that I was looking for something similar to Grossman's Life and Fate , but I just couldn't really find it here, and the introduction set up the book so well, too. This is a very interesting piece of text about the theatre and life within theatre. Nothing is ever perceived clear as to what is actually going on, in terms of leadership. Jul 26, Jayaprakash Satyamurthy rated it it was amazing. While The White Guard , Bulgakov's first novel, doesn't have the same surreal or supernatural elements as his later works, such as The Master and Margarita or Heart of a Dog , those qualities are presaged in the dream sequences and lyrical descriptions of the city of Kiev. More Details Born in Kiev in , the eldest of what was to become a family of seven children, Bulgakov belonged not only by blood — his father was a professor of theology at Kiev's theological seminary — but also by inclination to the ancient regime. While the main story revolves around the members of the Ukrainian Turbin family, the essence of the story is much more far reaching and captures the seemingly endless turbulence of both the City and the nation. During the strike Finnish police forces were effectively disbanded, as they had been closely associated with the occupying Russian authorities. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Helsinki Workers' House and Katajanokan Kasino During the Civil
9 January 2018 Two Houses with Changing Masters – Helsinki Workers’ House and Katajanokan Kasino during the Civil War of 1918 - Photographic exhibition at Paasitorni and Katajanokan Kasino Helsinki Congress Paasitorni and Katajanokan Kasino are holding a joint photographic exhibition on the history of Helsinki in 1918, especially through the history of two buildings. The exhibition opens at Paasitorni on 18 January and runs until June 2018. From August until December 2018, the exhibition will be on display at Katajanokan Kasino. The exhibition is open to everyone during the opening hours of Paasitorni and Katajanokan Kasino. A hundred years after the Civil War, the Two Houses with Changing Masters exhibition offers the audience a poignant glimpse of the tragic events of 1918. Paasitorni (Helsinki Workers’ House) was designed by architect Karl Lindahl and it has been owned by the Helsinki Workers’ Association since its completion in 1908. Katajanokan Kasino was built as a club for Russian officers probably in 1913. It is owned through Katajanokka Officers’ Club by the Finnish Officers’ Union, the Helsinki Reservist District and the Finnish Reserve Officers’ Federation. Opening on 18 January 2018, the Two Houses with Changing Masters exhibition features 20 historical photographs depicting the events of 1918 and the Civil War in Helsinki, in which the Helsinki Workers’ House and Katajanokan Kasino played a key role. The name of the exhibition refers to the changing occupants of the two houses. Paasitorni, or the Helsinki Workers’ House became the base for the Red Guard despite the objection of the Workers’ Association, and on 26 January 1918, the Red Guard lit up a red lantern in the tower to mark the beginning of the revolution. -
The Role of Stanislavsky and the Moscow Art Theatre's 1923 And
CULTURAL EXCHANGE: THE ROLE OF STANISLAVSKY AND THE MOSCOW ART THEATRE’S 1923 AND1924 AMERICAN TOURS Cassandra M. Brooks, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Olga Velikanova, Major Professor Richard Golden, Committee Member Guy Chet, Committee Member Richard B. McCaslin, Chair of the Department of History Mark Wardell, Dean of the Toulouse Graduate School Brooks, Cassandra M. Cultural Exchange: The Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. Master of Arts (History), August 2014, 105 pp., bibliography, 43 titles. The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge. -
The Slavic Vampire Myth in Russian Literature
From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Dorian Townsend Thesis submitted for the degree of Doctor of Philosophy School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales May 2011 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Townsend First name: Dorian Other name/s: Aleksandra PhD, Russian Studies Abbreviation for degree as given in the University calendar: School: Languages and Linguistics Faculty: Arts and Social Sciences Title: From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Abstract 350 words maximum: (PLEASE TYPE) The Slavic vampire myth traces back to pre-Orthodox folk belief, serving both as an explanation of death and as the physical embodiment of the tragedies exacted on the community. The symbol’s broad ability to personify tragic events created a versatile system of imagery that transcended its folkloric derivations into the realm of Russian literature, becoming a constant literary device from eighteenth century to post-Soviet fiction. The vampire’s literary usage arose during and after the reign of Catherine the Great and continued into each politically turbulent time that followed. The authors examined in this thesis, Afanasiev, Gogol, Bulgakov, and Lukyanenko, each depicted the issues and internal turmoil experienced in Russia during their respective times. By employing the common mythos of the vampire, the issues suggested within the literature are presented indirectly to the readers giving literary life to pressing societal dilemmas. The purpose of this thesis is to ascertain the vampire’s function within Russian literary societal criticism by first identifying the shifts in imagery in the selected Russian vampiric works, then examining how the shifts relate to the societal changes of the different time periods. -
The White Guard
The White Guard Mikhail Bulgakov Translated by Roger Cockrell ALMA CLASSICS alma classics ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com The White Guard first published in full in 1966 This edition first published by Alma Books Ltd in 2012 © by the Estate of Mikhail Bulgakov Translation © Roger Cockrell, 2012 Cover image © Nicola Bottinelli Extra Material © Alma Classics Ltd Printed in Great Britain by by CPI Group (UK) Ltd, Croydon, CR0 4YY Typeset by Tetragon isbn: 978-1-84749-245-6 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction ix The White Guard 1 Part One 7 Part Two 107 Part Three 163 Note on the Text 267 Notes 267 Extra Material 275 Mikhail Bulgakov’s Life 277 Mikhail Bulgakov’s Works 290 Select Bibliography 305 Introduction It is an evening in mid-December.