Cat' s eyes treasure house

Continue 2016 студийный альбом Cat's EyesTreasure HouseStudio альбом Cat's EyesReleased3 июнь 2016Length35:18LabelKobalt Label ServicesCat's Eyes хронология Cat's Eyes (2011) Дом сокровищ (20 Синглы из Treasure House Chameleon КоролеваВыпущен: 2 февраля 2016 DragВыпущен: 24 Февраль 2016 Treasure House является вторым альбомом лондонского альтернативного рок-дуэта Cat's Eyes, выпущенным 3 июня 2016 года на лейбле Kobalt Label Services. Награды Публикация Accolade Год Ранга Тихий Альбомы Года 2016 2016 97 »2» Грубая торговля Альбомы Года 2016 64 »3» Трек листинг No.TitleLength1 . Дом сокровищ1:542. Перетащите3:363. Королева хамелеона3:314. Будьте осторожны, где вы паркуете свой автомобиль 2:065. Противостояние3:436. Все движется к Солнцу3:557. Пропавший час2:248. Девушка в комнате3:379. Мы будем ждать4:1610. Имена в горах3:4311. Teardrops2:33Total:35:18 1, 3 s 1. The Horrors объявляют s Eyes Album Treasure House - Pitchfork. Альбомы года 2016. Тихий. 6 декабря 2016 года. Получено 6 декабря 2016 года. Альбомы года. Грубая торговля. 14 ноября 2016 года. Архив из оригинала 16 ноября 2016 года. Получено 15 ноября 2016 года. Каждая хитая песня, которую вы слышали в первом сезоне убийства Евы, до сих пор. ПопСугар. 5 мая 2018 года. oldid'960939905 (oldid'960939905) they've done so well how little they've done -- a An award-winning soundtrack at the European Film Festival - which for many are to Horrors what The Last Shadow Puppets a Arctic Monkeys: much more than a side project, when they get serious even something more interesting and exquisite. Recide is the ones that have followed so far: Duration, ghostly environments of dream pop godsons and songs of love and love. His best moments. The Drag is one of her most pop and round songs so far, Rachel zeffira's vocal performance in 'Everything Moves Towards The Sun', one of the most beautiful songs she has recorded; and 'A' comes to remember how well the Sinatra/Hazlewood d'os work for them. Some things that baffle and disappoint. 'A' is very Beatles, The same as too much 'A' is the word 'Teardrops' (up to 'Falling' is the word 'Falling'). The filter was also quoted by artists , famously recipe of influences, ...... No encaja demasiado bien con el resto del disco. Tiene un punto de humor que igual alguien agradecer, Feather tambi'n se visto en el v'deo de 'Drag' y le hac'a flaco in favour a la cancion: era tan tonto en su homenaje 'la guerra de los rose' que le quit tanto valor al discurso de cat's eyes como se quitar'a una canci's de beach house. Habre que agradecer Victoria y Alex que no hayan hecho ni un solo videoclip para sus dos sltimos disco? Tampoku parece aportar mucho la desbocada 'standoff', que quiz con otros arreglos faris podr'a haberse quedado para su grupo primigenio. Por suerte, estas canciones parecen excepciones en el lbum, aunque ocupen los primeros lugares en la secuencia, Y 'Treasure House' dedica su segunda mitad a volver al redil, con algunas de las canciones estrella de este'lbum, ya mencionadas en la mayor Parte del tiempo, el deo formdo por el Lader de los Horrors y lazzo mezzo-soprano Rachel zeffira Una pena esos pocos momentos en que han confundido renovarse con perder personalidad. Calificacon: 6.9/10 Lo mejor: Drag, All Moves to the Sun, Missing Hour Te gustar si te gusta: cualquier disco de Broadcast lo mismo que cualquier disco de stereo Total Esc'chalo: Spotify C'mempralo: Amazon. When your band's first concert ever happens in the Basilica of St. Peter of the Vatican, managed to convince the security of your Catholic choir credentials by performing a psalm-like performance of your song accompanied by the majestic organ of the church, the chances are high that it will inform the narrative throughout your musical career. That this will push you to raise the bar a little more for each subsequent release. And so, faithfully shaped, after another round of calls and a new disguise as a Renaissance ensemble, Cat's Eyes managed to gatecrash Buckingham Palace to play a rebuilt new song from its third album with period instruments - without the official consent of the royal house, but with great recognition of the guests of the queen. These are two occasions, then, on which Rachel Seffira and Faris Badwan, as well as showcasing their musical talent, shaping their repertoire in the form of an unusual performance space, have also proven themselves great crooks. This is not a mistake that might seem like Treasure House Cat's Eyes as the third album: according to the duo, the score they composed in 2015 for Peter Strickland Duke Of Burgundy, by all means is an equal element of the band's discography, its impact is palpably present in this new work. After the first recording, mostly inspired by Badwan's passion for the girls of the sixties and the orchestral soundtrack, approaching his own conservatories, they find impressive at Treasure House classical, symphonic music merges with garage and post-punk, giving credence to the cliches that opposites attract, outstanding in their complex sounds and arrangements. From the shift there is a cinematic atmosphere, having ambienced 11 songs that together form the architectural drawings of the House of Treasures. The sparse opening of the title track, a soft, mundane song that immediately shows how Badwan's voice is now far from the low, deep muttering of their previous production, paves the way for what seems to be running as two major track recordings: Drag and Chameleon the queen. First, it's the perfect pop song, led by the soft voice of Seffira over piano and strings, with a kind of vintage sense of Bond theme; The last majestic melody, where the psychedelic mood of an iron butterfly meets the romantic later inspiration of the Renaissance Nino Rota, meets the classic baroque decorations of Bach. Standoff, with its beating bass, filtered voice, and saxophone to reformulate the scene, captured now through the lens of the New Wave. This is a brief change, and one is almost immediately turned off by a thin vibraphone and the forest all moves towards the Sun; and again with dream-pop names on the mountain and his colleague Teardrops, closing the album and disappearing in the air. The Girl in the Room flies back in time with its Hollywood score, while the organ and chorus of We'll Be Waiting visit Morricone's soundtrack to Mission. With that in mind, it's almost jarring as Be careful where you park your car, the solid, open garage, Nancy Sinatra-style song, is the least compelling piece of music on the album: a step back into old-eyed cat paths that now sound only a little juvenile by comparison. Read more Images 1 Treasury 1:55 2 Drag 3:36 3 Chameleon queen 3:32 4 Be careful where you park your car 2:07 5 Confrontation 3:43 6 All moves to the Sun 3:56 7 Missing Missing Hour 2:24 8 Girl in Room 3:37 9 We'll Wait 4:17 10 Names in the Mountains 3:44 11 Teardrops 2:34 Packed in a standard jewelry case with a glossy-black CD tray. Comes with an 8-page lyrical booklet.℗ and © Cat's Eyes under exclusive license for Kobalt Label Services Ltd.Track duration is not displayed on release. Made in the EU. Barcode (Scanned): 5060454941552 Barcode (Printed): 5 060454 941552 Matrix / Runout: www.keyproduction.co.uk RAF007CDV3 01 Mastering SID Code: IFPI LY34 Mold SID Code: IFPI AEW47 Code: LC-30596 As accepted with duets Cat's Eyes relies on the opposing powers of its members: Rachel Seffira, a Canadian soprano, composer and multi-instrumentalist who evokes the heavenly delicacy of each song, manages to smooth out the prickly post-punk trends of horror frontman Faris Badwan. On their second album proper - if you discount their Ivor soundtrack to Peter Strickland Strickland The Duke of Burgundy - their sound has expanded, taking in widescreen compositions full of Disney romanticism (Treasure House), Ennio Morricone-inspired soundcsapes (The Girl in the Room), a spooky neo-noir atmosphere (everything moves to the sun) and a moment of reverberation of the soaked surf rock guitar that will make Tarantino giddy (Be careful where you park your car). What is most intriguing is their connection; especially during Drag's sinister love affair - what we do when we're together, if they only knew they would keep us apart - a jarring narrative that's more horrific than gooey romcom. While hyper-accelerated technology, an increasingly limitless consumption of art that denies subcultures and in the context of EDM-dominated pop music scenes, it's no surprise that there are some who instead look to the past for inspiration. Cat's Eyes - aka Rachel Seffira and Faris Badwan - are groups that seem to happily wear their bygone inclinations on their leather sleeves and in doing so, have got a quietly dedicated following. Treasure marks the third record, although technically only their second full length- from the duo after their easily divine soundtrack to last year's arthouse S'M drama The Duke of Burgundy, and it's time to see if the spark remains. The first single of the Chameleon queen is a fitting taster for recording, an organ-laden ballad with an obsessive operatic soprano (courtesy of Seffir) whose sumptuous beauty belies his main message - a cruel, repeated rebuff of a former lover, I don't care if you want me back... I don't care about you anymore. Elsewhere, Drag acts as a tribute to the ghost of bad boy Phil Spector girlbands were so fixated on (what we do when we're together / If they ever knew they would keep us apart) with a touch of abuse; No doubt used as a storytelling tool, but no less disturbing. While at first glance, the Treasury appears a lighter, more poppier effort than their self-titled debut, scratching the surface shows the darkness paired with romanticism and pomp that make it even more sinister. The themes of unrequited love or the decaying relationship that peppered their debut continue here without the same bold, cinematic background and come with a more direct, more pop approach. Whether Hazelwood and Nancy Sinatra took a much darker turn, that's what it would sound like. Everything moving towards the Sun is extremely sad in its longing (I wish you could always be here), and the closest Teardrops is the emotionally crushing and apt end of a collection of songs so plagued by sadness and brooding gaze. Scott Walker-esque string plaque galore throughout the album, proving really stirring and adding heat a wide range of instruments - brass, harps, organs, flutes, which is the key to the charm of charm House. Given their near-high appearance and Badwan's flirtation with the jumping genre, it would be almost understandable for the uninitiated listener to pre-assume that the style might have a precedent on the merits with cat's eyes, but that would be foolish; While they may seem intentionally living in the shadows of a bygone era, it is not just a tribute to the act and the project is imbued with real heart and passion. At first listen, this record may seem separate, but its shell cracks easily with time and what under proves the title to be appropriate. Wonderful, made a comeback. Return.

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