Brian J Quinn Phd Thesis
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Scotland's Digital Media Company
Annual Report and Accounts 2010 Annual Report and Accounts Scotland’s digital media company 2010 STV Group plc STV Group plc In producing this report we have chosen production Pacific Quay methods which aim to minimise the impact on our Glasgow G51 1PQ environment. The papers chosen – Revive 50:50 Gloss and Revive 100 Uncoated contain 50% and 100% recycled Tel: 0141 300 3000 fibre respectively and are certified in accordance with the www.stv.tv FSC (Forest stewardship Council). Both the paper mill and printer involved in this production are environmentally Company Registration Number SC203873 accredited with ISO 14001. Directors’ Report Business Review 02 Highlights of 2010 04 Chairman’s Statement 06 A conversation with Rob Woodward by journalist and media commentator Ray Snoddy 09 Chief Executive’s Review – Scotland’s Digital Media Company 10 – Broadcasting 14 – Content 18 – Ventures 22 KPIs 2010-2012 24 Performance Review 27 Principal Risks and Uncertainties 29 Corporate Social Responsibility Corporate Governance 34 Board of Directors 36 Corporate Governance Report 44 Remuneration Committee Report Accounts 56 STV Group plc Consolidated Financial Statements – Independent Auditors’ Report 58 Consolidated Income Statement 58 Consolidated Statement of Comprehensive Income 59 Consolidated Balance Sheet 60 Consolidated Statement of Changes in Equity 61 Consolidated Statement of Cash Flows 62 Notes to the Financial Statements 90 STV Group plc Company Financial Statements – Independent Auditors’ Report 92 Company Balance Sheet 93 Statement -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
Statement 2011 [FINAL]
Statement 2011 Overall strategy / major themes for the year STV continues to thrive as Scotland’s most popular peak time TV station and holds the broadcast licences for central and north Scotland, attracting more than 4 million viewers each month. With a strong, recognisable brand and a flourishing production arm we enter 2011 in the best position possible to create and deliver and unique, rich and relevant schedule for our viewers. 2011 will see Scotland complete its digital switchover process which has already been achieved successfully in the STV north region. This brings increased choice to all viewers including a DTT HD version of STV, the result of new investment in order to offer Scotland’s most popular peaktime service at the highest resolution. The digital business has been a huge success for STV over the past 12 months and we are looking forward to bolstering this throughout 2011 and further cementing STV’s reputation as Scotland’s digital media company. Remaining at the core of STV’s strategy is our ongoing commitment to our quality content and making that content available to our audiences whenever, wherever and however they want it through our STV Anywhere program. We offer Scottish viewers a service that is both relevant and unique to Scotland and increasingly available on multi platforms including DTT, DSAT & DCAB and HD. To complement our on air transmissions, we are developing new access for viewers via online websites such as the STV Player and YouTube and serving content to mobile and connected devices starting with iPhone apps and PS3 consoles. -
MI CV WORD April 2020
Giancarlo Dellapina Production Sound Mixer Mobile: +44 (0)7785572229 E Mail [email protected] FEATURE FILMS Fred Films , Powder Keg Pictures “Fishermans Friends” Director; Chris Foggin Tuppence Middleton, Daniel Mays Producer; Mike O’Regan DOP; Simon Tindall Koliko Films “Military Wives” Director; Peter Cattaneo Main & 2nd Unit Dailies Kristen Scott Thomas, Sharon Horgan Producer; Rene Besson DOP; Hubert Taczanowski Marvel, Supreme Works “Dr Strange” Director; Jeff Habberstad 2nd Unit Benedict Cumberbatch Producer; Kevin Feige DOP; Fraser Taggart Phantom Thread LTD “Phantom Thread” Daniel Day Lewis Director: Paul Thomas Anderson 2nd Unit Lesley Manville Producer: Peter Heslop DOP: Paul Thomas Anderson Mistletoe Pictures LTD “Nutcracker And The Four Realms” Director: Lasse Hallstrom 2nd Unit Keira Knightley, Morgan Freeman, Helen Mirren Producer: Paige Chaytor DOP: Linus Sandgren Playmaker Films “Palio” Alexa Director; Cosima Spender Documentary Feature about the historic Palio of Siena Producer; James Gay-Rees Winner Best Editing in Documentary Tribeca DOP; Stuart Bentley Yellow Sun Ltd/BFI “Half Of A Yellow Sun” 35mm, Loc Nigeria Director: Biyi Bandele Chiwitel Ejiofor, Thandie Newton, John Boyega Producer: Andrea Calderwood DOP; John De Borman SIP UK LTD “Snow In Paradise” Alexa Director; Andrew Hulme Fred Schmidt, Martin Askew, Aymen Hamdouchi Line Producer: Vanessa Tovell Nominated at Cannes, Un Certain Regard DOP; Mark Wolf Bread Street Films “Blackwood” Red Epic Director: Adam Wimpenny Ed Stoppard, Sophia Myles, Greg Wise, Joanna -
STV Review 2012 Overall Strategy / Major Themes for the Year STV Has
STV Review 2012 Overall Strategy / Major Themes for the Year STV has confirmed its place at the heart of communities and the creative industries in Scotland in 2012. The signing of new Channel 3 networking arrangements with ITV and the Secretary of State’s recommendation, in November to permit the long term renewal of the Channel 3 licences to STV in Central and North of Scotland has provided a strong platform for us to enhance the consumer experience and further build the STV brand. STV is committed to delivering high quality public service content that not only informs but engages its audience. It is imperative that we deliver a schedule that is distinct and relevant to Scotland, reflecting the cultural, political, sporting and wider differences that make the country unique. Our focus is to create and deliver a distinct schedule for viewers in Scotland - combining the best Channel 3 network material with a diverse range of original, relevant Scottish productions. STV reaches an average of 94% of Scots over the course of a month and on average attracts a higher audience share at peak time than the ITV network. STV News at Six is also currently achieving its highest audience share figures for 10 years. These are all clear indicators that STV is delivering programmes that are relevant and engaging for audiences across Scotland. Throughout 2012, STV’s transition from a traditional broadcaster to a digital media company has continued to develop as we make content readily available and free across multiple platforms anytime, anywhere. The creation of innovative, high quality and relevant material across new platforms remains key to our business and we continue to work with partners to deliver unique, compelling content wherever and whenever our consumers choose to access it. -