OSLO Vikingskipshuset

Total Page:16

File Type:pdf, Size:1020Kb

OSLO Vikingskipshuset OSLO Vikingskipshuset - Viking Ship Museum City Hall by Arnstein Arneberg and Magnus Poulsson Villa Dammen by Arne Korsmo and Sverre Aaland Schreiner House by Sverre Fehn Hedmark Museum in Hamar by Sverre Fehn Crematorium by Carl - Viggo Holmenbakk Oslo International School by Jarmund Vigsnaes Mortensrud Church by Jenson + Skodvin Two houses by Knut Hjeltnes Power House by Snohetta Gjerdrum Secondary School by Kristen Jarmund Fornebu Felt 6.0 Townhouses by Lund Hagem Recycle Center by Reiulf Ramstad Opera House by Snohetta Nansenparken (new park) by Bjorbekk & Linheim BERGEN Bryggen - UNESCO World Heritage Site Fantoft Stave Church Enebolig Konow (house) by Frederick Konow Lund Kunstmuseum - functionalist building, 1930 Bergen Offentlige Bibliotek Aurland Lookout by Saunders and Wilhelmsen Two houses by Todd Saunders Gronneviksoren Housing by 3RW Arkitekter Steiner School by 3RW Arkitekter Soreide Skole by Asplan Viak Steinsdalsfossen tourist stop by Jarmund Vigsnaes Fire Station by Stein Halvorsen Dental School by Kristen Jarmund Knarvik Church by Reiulf Ramstad Technical University by HLM Arkitecktur STAVANGER Ovre Strandgate, old city Sola Ruinkyrkje, reconstructed by Louis Kloster Utstein Kloster, monastery Solvberget Stavanger kulturhus by Lund og Slaatto Tou Scene, renovation by Helen and Hard Svandalsfossen Waterfall - stair by Haga & Grov Ropeid Ferry Terminal by Jenson + Skodvin Zinc Mine Museum by Peter Zumthor Farmhouse Dalaker/Galta by Knut Hjeltnes Rundeskogen Housing by Helen and Hard House by Element Arkiteckter Stavanger Culture School by Asplan Viak Statoils gjestehus by Haga & Grov Fleksible byboliger (housing) by Alliance arkitekter Marilunden (housing) by Eder Biesel .
Recommended publications
  • Rik På Historie - Et Riss Av Kulturhistoriens Fysiske Spor I Bærum
    Rik på historie - et riss av kulturhistoriens fysiske spor i Bærum Regulering Natur og Idrett Forord Velkommen til en reise i Bærums rike kulturarv, - fra eldre Det er viktig at vi er bevisst våre kulturhistoriske, arki- steinalder, jernalder, middelalder og frem til i dag. Sporene tektoniske og miljømessige verdier, både av hensyn til vår etter det våre forfedre har skapt finner vi igjen over hele kulturarv og identitet, men også i en helhetlig miljø- og kommunen. Gjennom ”Rik på historie” samles sporene fra ressursforvaltning. vår arv mellom to permer - for å leses og læres. Heftet, som er rikt illustrert med bilder av kjente og mindre Sporene er ofte uerstattelige. Også de omgivelsene som kjente kulturminner og -miljøer, er full av historiske fakta kulturminnene er en del av kan være verdifulle. I Bærum og krydret med små anekdoter. Redaksjonsgruppen, som består kulturminner og kulturmiljøer av om lag 750 eien- består av Anne Sofie Bjørge, Tone Groseth, Ida Haukeland dommer, som helt eller delvis er regulert til bevaring, og av Janbu, Elin Horn, Gro Magnesen og Liv Frøysaa Moe har ca 390 fredete kulturminner. utarbeidet det spennende og innsiktsfulle heftet. I ”Rik på historie” legger forfatterne vekt på å gjenspeile Jeg håper at mange, både unge og eldre, lar seg inspirere til å kommunens særpreg og mangfold. Heftet viser oss hvordan bli med på denne reisen i Bærums rike historie. utviklingen har påvirket utformingen av bygninger og anlegg, og hvordan landskapet rundt oss er endret. Lisbeth Hammer Krog Det som gjør “Rik på historie” særlig interessant er at den er Ordfører i Bærum delt inn i både perioder og temaer.
    [Show full text]
  • 14 09 21 Nordics Gids 200Dpi BA ML
    1 Impressies Oslo Vigelandpark Architecten aan het werk bij Snohetta Skyline in stadsdeel Bjørvika Stadhuis Oeragebouw (Snohetta) Noors architectuurcentrum Gyldendal Norsk Forlag (Sverre Fehn) Vliegveld Gardemoen (N.Torp) Mortensrud kirke (Jensen Skodvin) Ligging aan de Oslo Fjord Vikingschip Museum Nationaal museum 2 Impressies Stockholm Husbyparken Bonniers Konsthalle Royal Seaport Bibliotheek Strandparken Medelhavsmuseet HAmmersby sjostad Riksbanken Markus Kyrkan Arstabridge Terminal building Vasaparken 3 Inhoudsopgave Inhoudsopgave Programma 5 Contactgegevens 7 Deelnemerslijst 8 Plattegronden Oslo 9 Plattegronden Stockholm 11 Introductie Oslo 13 Noorse architectuur 15 Projecten Oslo 21 Introductie Stockholm 48 Projecten Stockholm 51 4 Programma Oslo OSLO, vrijdag 12 september 2014 6:55 KLM vlucht AMS-OSL 9:46 transfer met reguliere trein van vliegveld naar CS (nabij hotel) 10:10 bagage drop Clarion Royal Christiania Hotel, Biskop Gunnerus' gate 3, Oslo 10:35 reistijd metro T 1 Frognerseteren van Jernbanetorget T (Oslo S) naar halte Holmenkollen T 11:10 Holmenkollen ski jump, Kongeveien 5, 0787 Oslo 12:00 reistijd metro T 1 Helsfyr van Holmenkollen T naar halte Majoerstuen T 12:40 Vigelandpark, Nobels gate 32, Oslo 14:00 reistijd metro T 3 Mortensrud van Majorstuen T naar halte Mortensrud T 14:35 Mortensrud church, Mortensrud menighet, Helga Vaneks Vei 15, 1281 Oslo 15:20 reistijd metro 3 Sinsen van Mortensrud naar halte T Gronland 16:00 Norwegian Centre for Design and Architecture, DogA, Hausmanns gate 16, 0182 Oslo lopen naar hotel
    [Show full text]
  • Reconstruction on Display: Arkitektenes Høstutstilling 1947–1949 As Site for Disciplinary Formation
    Reconstruction on Display: Arkitektenes høstutstilling 1947–1949 as Site for Disciplinary Formation by Ingrid Dobloug Roede Master of Architecture The Oslo School of Architecture and Design, 2016 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June 2019 © 2019 Ingrid Dobloug Roede. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Department of Architecture May 23, 2019 Certified by: Mark Jarzombek Professor of the History and Theory of Architecture Thesis Supervisor Accepted by: Nasser Rabbat Aga Khan Professor Chair of Department Committee for Graduate Students Committee Mark Jarzombek, PhD Professor of the History and Theory of Architecture Advisor Timothy Hyde, MArch, PhD Associate Professor of the History of Architecture Reader 2 Reconstruction on Display: Arkitektenes høstutstilling 1947-1949 As Site for Disciplinary Formation by Ingrid Dobloug Roede Submitted to the Department of Architecture on May 23, 2019 in partial fulfillment of the requirements for the Degree of Master of Science in Architecture Studies Abstract With the liberation of Norway in 1945—after a war that left large parts of the country in ruins, had displaced tenfold thousands of people, and put a halt to civilian building projects—Norwegian architects faced an unparalleled demand for their services. As societal stabilization commenced, members of the Norwegian Association of Architects (NAL) were consumed by the following question: what would—and should—be the architect’s role in postwar society? To publicly articulate a satisfying answer, NAL organized a series of architectural exhibitions in the years 1947–1949.
    [Show full text]
  • New Viking Age Museum at Bygdøy
    NEW VIKING AGE MUSEUM AT BYGDØY Audun Wold Andresen & Simon Rhode Malm ma4-ark46 - June 2015 1 2 “The taste of the apple […] lies in the contact of the fruit with the palate, not in the fruit itself; in a similar way […] poetry lies in the meeting of poem and reader, not in the lines of symbols printed on the pages of a book”. (Juhani Pallasmaa, 1998, p. 17) If the same is true for architecture, the beauty must lie in the bodily encoun- ter; in the awakening of the human senses. Necessarily, architectural expe- rience is grounded in the dialogue and interaction with the environment, to a degree in which a separation of the image of self and its spatial existence is impossible. According to Pallasmaa (2012) we measure the world through our bodily existence, consequently making our experiential world centered round the perception of the human body. This is an interest of ours; the impact of architecture on our perception, on the human experience of space. And thus, this is from where the master thesis departs. Audun Andresen & Simon Malm Stud. MS.c Eng. Arch 3 4 PREFACE THE NEW VIKING AGE MUSEUM ‘New Viking Age Museum at Bygdøy’ is developed by Audun Wold Andresen and Simon Rhode Malm on the 4th and final semester of the Architectural M.Sc. program at the Department of Architecture, Design and Media Technology at the University of Aalborg, Denmark. This Master Thesis deals with the design and organization of an extension to an existing museum, located at a small peninsula near Oslo, Norway.
    [Show full text]
  • Oslo Åpne Hus 2006 Besøk Arkitektoniske Perler Og Hemmelige Hager 14
    Riv ut ... Velkommen til OSLO ÅPNE HUS 2006 BESØK ARKITEKTONISKE PERLER OG HEMMELIGE HAGER 14. – 15. OKTOBER 2006 Buegangen Elsero. Foto: Signe Dons/Scanpix OSLO ÅPNE HUS er et spesielt arrangement som skal gi byens befolkning anledning til å besøke et stort utvalg av arkitektonisk og kultur- historisk betydningsfulle bygninger og anlegg i Oslo som vanligvis ikke er åpne for publikum. Mange vakre hager og parker kan også besøkes og beundres. Hensikten er at så mange som mulig skal kunne glede seg over de enestående bygninger og hageanlegg vi har i Oslo og omegn. Lørdag 14. og søndag 15. oktober åpnes dørene inn til deres spennende indre liv: offentlige bygninger, kirker, næringsbygg, hager og parker, arkitektkontor, undervisningsbygg, rettsbygninger og enkelte private boliger – stort og lite, enkelt og overdådig. Adgang til alle bygninger og hageanlegg er gratis. Enkelte steder vil adgangen kunne være begrenset til spesielle rom eller deler av anlegg, og i tillegg vil adgang kunne være begrenset til egne omvisninger og antall besøkende. Se nærmere under åpningstid/omvisning. Ved stor pågang må påregnes ventetid og adgang i puljer. ARRANGØRER: NORSKE ARKITEKTERS LANDSFORBUND * NORSKE INTERIØRARKITEKTERS OG MØBELDESIGNERES LANDSFORENING * NORSKE LANDSKAPSARKITEKTERS FORENING Det gjøres oppmerksom på at hver bygnings eier(e) står ansvarlig for åpningstider, omvisninger og sikkerhetstiltak. NIL Skulle man nektes adgang til noen av bygningene står dette for eiers egen regning. Arrangørene av OSLO ÅPNE HUS tar intet ansvar for endringer i de opplysninger som her er oppgitt. Eventuelle spørsmål kan rettes via e-post til Norske Arkitekters Landsforbund (NAL) [email protected], NLA Josefinesgt. 34, 0315 Oslo, tlf.
    [Show full text]
  • Historical Museum Was Designed by the Norwegian Architect Henrik Bull
    Photo: KMH, UiO Photo: Photo: Nina Wallin Hansen, KMH,UiO Wallin Nina Photo: Historical Museum was designed by the Norwegian architect The Viking Ship Museum is one of the signature works by the Henrik Bull, and is one of the most impressive Art Noveau Norwegian architect Arnstein Arneberg. The hall housing the buildings in Norway. The Museum exhibits Ethnographic, Oseberg ship was completed in 1926, and the halls for the ships Numismatic and Archaeological collections. The Medieval from Gokstad and Tune were opened in 1932. After much delay, Gallery displays a unique and rich collection of stave church the last hall was completed in 1957. This hall houses a selection portals from 12th and 13th centuries. of the other finds from the ship burials Akershus Castle (left) dates back to the late 1290s. After a fire in 1624, the medieval town, Gamlebyen, was replaced by the new city, Christiania, named after king Christian IV, situated close to Akershus Fortress. Today the city of Oslo embraces several historical buildings from mid-17th Nina Aldin Photo: century in Kvadraturen, and the late 17th century’s Oslo Cathedral (right) by the market square, Stortorvet. The Royal Palace, University of Oslo Aula and Stortinget are located along the main street Karl Johans gate. Photo: Forsvarets mediesenter Forsvarets Photo: Photo: Erik Berg Photo: Photo: Bjørn Erik Pedersen Photo: University of Oslo (city centre campus) was designed for the first Oslo Opera House, from 2008, was designed by the architect university campus in Norway. It was created by Christian Heinrich firm Snøhetta. The roof is a platform accessible to all creating Grosch and approved by K.
    [Show full text]
  • Locally Grown Norway
    LOCALLY GROWN NORWAY AIA COD Conference, Norway 2015 | | 1 2 | | AIA COD Conference, Norway 2015 LOCALLY GROWN NORWAY 2015 AIA Committee on Design Summer Conference, June 21–30, 2015 Table of Contents Remarks 6 People 9 Introduction 6 Schedule 25 Welcome to Norway 7 Projects 47 Thank You 8 Introduction The theme for 2015 is ‘Locally Grown’. Norway – International Conference Providence – National Conference “To make a place, is to make a domain that Norway is a country with a small Providence, on the other hand, is forging helps people know where they are, and by population whose economy historically forward on a shoe-string, yet it too provides extension, know who they are.” relied on fishing and farming. Their rural, compelling examples of how locally-in- Charles W. Moore FAIA natural environment has been, and still is, spired architecture, planning, and design a dominant influence on Norwegians and can lead the rebirth of a place and help As a ‘progeny’ of Charles Moore, I have their architecture. Their recent oil boom define its spirit. been intrigued by place-making. I imagine has brought unprecedented wealth which you have similar aspirations: how does one has helped fund projects from cultural Jim Childress FAIA create something that is globally inspiring buildings to housing. We will see how their 2015 Chair - AIA Committee on Design and locally relevant? devotion to nature and recent international Partner - Centerbrook Architects attention is fueling Norwegian architects to develop their own distinct version of modern architecture. 6 | AIA COD Conference, Norway 2015 Welcome to Norway We are pleased to welcome you all to Norway.
    [Show full text]
  • Oslo Architecture Guide 2020
    WHAT Architect WHERE Notes Zone 1: Gamle Oslo + Sentrum (City Center) The award-winning buildings Schweigaardsgate 21 and 23 were designed as one architectural composition. Each of the two buildings completed in 2013, volumes appears as almost perfectly cubic shapes. Within each there is a glazed atrium that provides daylight into the office floors. The office plans are mainly based on a U-shape, where the central Schweigaardsgate 21 Lund+Slaatto *** atrium opens towards the main road on the lower floors, and then as + 23 Architects Schweigaards gate 21 on ascends up the space rotates incrementally toward the opposite direction and the view out over the main railway station to the south. The two buildings were given distinct characters in the facade cladding. Both buildings are clad in granite, but on S21 the stone is light grey, while on S23 it is almost black. This eleven-story building completed in 2016 is the last of BARCODE’s 13 buildings to be completed and the farthest to the east. Built on a narrow wedge-shaped lot, the building’s offices are only 5–10 metres wide. Each floor has meeting rooms cantilevered out over the eastern The Wedge Office *** A-Lab Dronning Eufemias façade, a space-saving feature that adds a lively architectonic quality. Building gate 42 An exterior stairway / fire escape zigzags between these meeting- room boxes, further enhancing the building’s iconic sculptural expression – facing the Mediaeval Park and the City of Oslo to the east, this is a fitting conclusion to BARCODE’s long row of façades. DNB Bank Headquarters, completed in 2012, expresses both the transparency and stability of DNB as a modern financial institution.
    [Show full text]
  • Trond L. Schøning Oslo Rådhus — En Historisk Sammenligning
    Trond L. Schøning Det Norske Hus Oslo Rådhus — en historisk sammenligning Hovedfagsavhandling i kunsthistorie Universitetet i Bergen Våren 2001 Takk. Tusen takk. I forbindelse med arbeidet med denne avhandlingen har jeg mye å takke mange for, men dette er de viktigste av dem: - Først og aller fremst Per Jonas Nordhagen, for et veiledningsarbeide above and beyond the call of duty - Siri Skjold Lexau, for kritiske kommentarer jeg burde ha hørt på tidligere - Peder T. Figenbaum, som har bidratt med flere gjennomlesninger, og klar kritikk. Han er streng, men rettferdig - David J. S. Aasen for hyppige gjennomlesninger og en strøm av idéer og innvendinger - Sigve E. Hoff-Larsen og hans firma Advanced Media Concept for ubetalelig hjelp og datateknisk assistanse. Han har moralsk overtak på meg resten av livet - Bård Fosse for korrekturlesning, kommentarer og underholdning - Mine foreldre og min søster for tålmod og underhold - Tone M. Takvam for det hun vet Trond L. Schøning 1 Del I Innledning og problemstillinger ______________________________________________________________ 3 Presentasjon av tema______________________________________________________________________________________ 3 Problemstillinger _________________________________________________________________________________________ 6 Avgrensninger ___________________________________________________________________________________________ 8 Begrepsavklaringer _______________________________________________________________________________________ 8 Kilder _________________________________________________________________________________________________
    [Show full text]
  • Best Landmarks in Oslo"
    "Best Landmarks in Oslo" Gecreëerd door : Cityseeker 10 Locaties in uw favorieten Parlementsgebouw (Stortinget) "Het Noorse parlement" Het Parlementsgebouw huisvest het Noorse Storting (parlement) en dateert uit 1866. Er zijn dagelijkse rondleidingen tussen 1 juli en 20 augustus in het Noors, Engels, Duits, en Frans om 10 uur, 11.30 uur en 13.00 uur. Tussen 15 september en 15 juni zijn er iedere zaterdag rondleidingen (alleen in het Noors) om 10 uur, 11.30 uur en 13.00 uur. by aikijuanma Groepen kunnen op aanvraag een rondleiding krijgen tussen september en juni. De toegang is gratis. De rondleiding duurt een uur. +47 23 31 3050 www.stortinget.no [email protected] Karl Johans Gate 22, Oslo Oslo City Hall "Distinctive City Landmark" One of the most important municipal buildings in the Norwegian capital, the Oslo Town Hall can be spotted standing next to the iconic Akershus Fortress on the famous Rådhusplassen that overlooks Oslo's picturesque harbor and waterfront. Its soaring twin towers, measuring 216 feet (66 meters) and 206 feet (63 meters), make it one of the more unique edifices by alexao in the city. Completed in 1950, the building was designed by the renowned Norwegian architects Magnus Poulsson and Arnstein Arneberg, and built primarily using red bricks that give it a distinctive hue. Some of the building's main attractions include Henrick Sorensen's wall decoration, the astronomical clock, and the north side entrance. The city hall has had the privilege of hosting the prestigious Nobel Peace Prize ceremony every year since 1990. +47 23 46 1200 www.oslo.kommune.no/ra [email protected] Rådhusplassen 1, Oslo dhuset/ une.no Kvadraturen "De oude Christiania leeft voort" Kvadraturen is het hart van de stad Christiania van koning Christian IV, gebouwd nadat de stad Oslo in 1624 was afgebrand.
    [Show full text]
  • City Hall Electronica
    Like most Oslo-dwellers, I pass the City Hall Of all the decorations in City Hall, these are the Such paradoxes and ruptures in rational planning Arve Rød regularly. Now and then I go into the central best known and most discussed. Together, Rolfsen’s often exert a special attraction to artists – just hall – known all over the world as the backdrop and Sørensen’s contributions form a narrative of as the City Hall’s status as both the best and CITY HALL to the annual award ceremony of the Nobel a new Norway, of nation-building, the war years the worst thing in the city is fascinating in itself. ELECTRONICA ! Peace Prize – to listen to the sound of everyday and modernization, of Social Democracy, “city For Wyller Odden, the City Hall’s silent organ silence in such a large room, and to re!lect on and land, hand in hand”; farming and !isheries; pipes became contradictory and thus potentially THE LOW G OF the details of Alf Rolfsen’s frescoes and Henrik industry and engineering. meaning-bearing artistic material. They could THE POWER GRID Sørensen’s giant oil painting. The City Hall is one with great inevitability be incorporated into his of Oslo’s most iconic architectural landmarks. The Less well known is the part of the original interior ongoing project: to reproduce the sound of the decorations both inside and outside are among that surrounds and partly frames Rolfsen’s fresco power grid manifest in our built environment – Arve Rød is a Norwegian critic and writer. In this essay he describes Øystein Wyller Odden’s two the most ambitious in the country.
    [Show full text]
  • Oslo Aapne Hus 2014 Program
    Arrangørpartnere www.osloåpnehus.no facebook.com/osloapnehus Oslo Åpne Hus inviterer deg til å se innsiden av byen. Vi har som formål å vise fram arkitektoniske mesterverk i Oslo og Akershus. «Arkitektur» favner både byggverk, interiør, hager, parker og uterom. I år står 147 steder på programmet, og alle er gratis og åpne for alle! Vi er stolte av å samarbeide med Oslo kulturnatt fredag 12. september og kulturminnedagene 13.–14. september. Samarbeidspartnere Arrangørpartnere Praktisk informasjon Adgang til bygningene og hageanleggene er gratis. Enkelte steder vil adgangen være begrenset til spesielle rom eller deler av anlegget. Noen steder vil adgang være begrenset til egne omvisninger og/eller et begrenset antall besøkende. Vennligst vis forståelse for at det kan dannes køer ved populære steder og at det kan bli ventetid og adgang i puljer. Samarbeidspartnere NB! Det tas forbehold om endringer i programmet. Eventuelle endringer vil annonseres på nettsiden www.osloåpnehus.no Følg oss også på facebook.com/osloapnehus Departementets arbeid som har betydning for god arkitektur og planlegging: Del dine bilder fra arrangementet på vår Flickr-gruppe Kommunal- og moderniseringsdepartementet har blant annet ansvar for by- og boligpolitikk, eller på Instagram/Facebook med offisiell tag:#åpnehus og plan- og bygningsloven. Loven skal legge til rette for god forming av bygde omgivelser, gode bomiljøer og gode oppvekst- og levekår i alle deler av landet. Prinsippet om universell utforming skal ivaretas i planleggingen og kravene til det enkelte byggetiltak. Det samme gjelder hensynet Hvert anlegg har en unik strekkode (Qr-kode) som kan leses med en til barn og unges oppvekstvilkår og estetisk utforming av omgivelsene.
    [Show full text]