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Preproducción De Un Videojuego Otome: Nocturna's Circus Love”

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Preproducción De Un Videojuego Otome: Nocturna's Circus Love” UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITE CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “Preproducción de un videojuego otome: Nocturna's Circus Love” TRABAJO FINAL DE GRADO Autor/a: Marta Gómez Debón Tutor/a: Ariadna Fernández Planells Daniel Palacio Samitier GANDIA, 2020 AGRADECIMIENTOS Quiero empezar agradeciendo a mi tutora, Ariadna, por haberse volcado en mi proyecto desde el principio. Gracias por los conocimientos aportados, la energía y los ánimos en los momentos de más estrés. También a Daniel por haberse implicado en la parte más práctica y ayudarme con tanta profesionalidad. En especial, agradecer de todo corazón a Salva por haber estado desde el primer día ayudándome y aconsejándome para que el proyecto saliese adelante. Gracias por estar siempre a mi lado, acompañándome en cada pequeño pasito que doy en la vida. A mi NiiNii, que sin ella este proyecto jamás hubiese podido realizarse sin su arte. Gracias por haber aceptado mis exigencias sin quejas, por las noches de estrés para acabar con tiempo los personajes y aceptar cuando después de muchas horas, te decía: ‹‹¿Y si le hacemos una trenza?››. Gracias por seguirme siempre que hago un proyecto, sin miedo a lo que saldrá. Simplemente aceptas mi mano y nos adentramos en una aventura que no sabemos nunca como acabará. Gracias también por ser mi mentora en este mundo de los videojuegos desde que era pequeña. Si me pusiese a agradecerte cada cosa que has hecho por mí, esta hoja se quedaría corta, así que, en resumen, gracias por ser la mejor hermana del mundo. Como no, a mi familia. En especial a mis padres, que son un pilar fundamental en mi vida, y aunque ellos ya lo saben, son un apoyo incondicional y siempre me han animado a perseguir mis sueños, sin temer en si saldrá bien o no. También a Vane y a mi tete por esos abrazos y momentos que conseguían cargarme las pilas. Ada, gracias por llenar de luz mi vida. Tus abrazos son como una brisa fresca. Espero que cuando seas más mayor, puedas jugar a este juego y disfrutarlo tanto y como lo he disfrutado yo. Agradecer a mis amigos, que a pesar de que algunos no tienen ni idea del tema, siempre se han mostrado predispuestos a darme una mano. Ellos fueron los primeros en escuchar mi idea loca de crear esta historia y cuatro años más tarde, la plasmo en este trabajo. Aurelio, muchas gracias por ayudarme en el proyecto cuando no sabía cómo seguir. Marcos, gracias por tu alegría y apoyo, que hacía que me olvidase por un momento de todo el trabajo que quedaba por hacer. Y Gema, gracias simplemente por ser tú, por darme valor y fuerza para afrontar cualquier obstáculo que apareciese. No me olvido de mis Ninos, con los que he compartido cuatro años preciosos, llenos de risas, lágrimas, preocupaciones y miedos. Me quedo con cada momento vivido con vosotros. Ana, Sergio, Fil, Marc, Sergi, Mar, Blanca, gracias, gracias y gracias. En especial a mi Laura, que todas las tardes que pasamos juntas, escuchando de fondo canciones de Disney, las atesoro para siempre como recuerdos preciosos. Y no hay que olvidar las partidas al Mario Bros como recompensa por todo el trabajo. Dar las gracias a mis compañeros de tardes, mi segunda familia, que se han encargado de que despejase la mente y estuviese siempre contenta. Gracias por sacarme siempre una sonrisa Silvia, Serch, Kyles, Freya, Riri, Mihogarcito, Plomxi... Os quiero mucho. Y, por último, aunque no se entere, a mi Belli, que siempre se deja abrazar y achuchar y me ha acompañado en las largas noches frente al ordenador. Gracias por creer en mí. Breve resumen: El objetivo de este trabajo final de grado consiste en la preproducción de un videojuego en 2D, de género otome llamado Nocturna’s Circus Love. Esto ha supuesto desarrollar el Game Design Document (GDD) del videojuego compuesto por la historia, la interfaz, así como otros aspectos relacionados con el diseño de un videojuego. Para conocer mejor las distintas posibilidades que puede ofrecer este tipo de videojuegos, se ha realizado un estudio teórico de los diferentes géneros de novelas visuales y las diferentes formas narrativas en el ámbito de los videojuegos. Una vez realizado, se ha diseñado e ideado un proyecto de videojuego otome. Como resultado final de este proyecto, se aporta todo el material necesario para comenzar a desarrollar el videojuego Nocturna’s Circus Love en un futuro. Se trata, por tanto, de una propuesta de preproducción que incluye la ideación, creación del lore, desarrollo de un fragmento de la historia y la creación de los diferentes mock-ups y wireframes para su mejor visualización del producto final. Palabras clave: preproducción, videojuego, novela interactiva, otome, romance Abstract: The aim of this final degree project is the pre-production of a 2D otome video game called Nocturna's Circus Love, in which the Game Design Document (GDD) of the game, made up of the history, interface, as well as other aspects related to the design of the video game have been developed. To learn more about the different possibilities that this type of video games can offer, a theoretical study of the different genres of visual novels and the different narrative forms in the field of this video games has been carried out. Once completed, an otome video game project has been designed and devised. As a result of this project, all the necessary material is provided to begin developing the video game Nocturna’s Circus Love in the future. So, it’s a pre-production proposal that includes the ideation, creation of the lore, development of a history and creating the different mock-ups and wireframes for the best visualization of the final product. Keywords: pre-production, video game, interactive novel, otome, romance ÍNDICE 1. INTRODUCCIÓN .......................................................................................... 03 1.1. Objetivos ............................................................................................. 04 1.2. Metodología ........................................................................................ 04 1.3. Colaboraciones ................................................................................... 05 2. MARCO TEÓRICO ....................................................................................... 07 2.1. Géneros de videojuegos. La aventura gráfica .................................... 07 2.2. Videojuegos de género otome ........................................................... 09 2.2.1. Definición y evolución .......................................................... 09 2.2.2. Tipología de juegos otome .................................................... 13 2.2.3. Arquetipos de personajes ..................................................... 13 2.3. Estructuras narrativas en los videojuegos ......................................... 17 2.4. La preproducción de un juego ........................................................... 19 2.5. Antecedentes y referentes del trabajo .............................................. 21 3. RESULTADO: NOCTURNA’S CIRCUS LOVE ................................................... 23 3.1. Idea .................................................................................................... 23 3.2. Resumen del juego ............................................................................ 23 3.2.1. Características principales .................................................... 23 3.2.2. Género .................................................................................. 24 3.2.3. Público objetivo .................................................................... 24 3.2.4. Resumen del flujo de juego .................................................. 24 3.2.5. Look & Feel ........................................................................... 25 3.3. Juego y mecánica .............................................................................. 25 3.3.1. Progreso del juego ............................................................... 25 3.3.2. Objetivos .............................................................................. 25 3.3.3. Flujo de juego ....................................................................... 26 3.3.4. Objetos y economía ............................................................. 26 3.4. Historia, entorno y personajes ......................................................... 27 3.4.1. Historia de fondo ................................................................. 27 3.4.2. Personajes ........................................................................... 28 3.4.3. Elementos de la trama ........................................................ 32 3.4.4. Esquema estructura narrativa ............................................ 33 3.4.5. Progreso del juego .............................................................. 34 3.4.6. Cinemática .......................................................................... 37 3.4.7. Vista general, estilo y sensaciones del mundo ................... 38 3.5. Interfaz y flujo de pantalla .............................................................. 40 3.6. Test de usuario ................................................................................ 44 3.7. Diseño del logotipo ......................................................................... 44 4. CONCLUSIONES ...................................................................................... 46 5. BIBLIOGRAFÍA ........................................................................................ 47 6. ANEXOS 6.1. Anexo I: Game Design Document 6.2. Anexo II:
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