DOCSLIB.ORG

Google Drive Roms Ps1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Google drive roms ps1 Continue Have fun with the Playstation emulator? We presented you with a collection of 1391 PlayStation games. Here you can play online and download them for free. You can use the 1391 emulator to play all your favorite games compatible with it. The list of 1391 includes the most popular ROM games, such as Air Combat [SLUS-00001], 40 Winks [SLUS-00874], James Bond 007 - The World Is Not Enough [SLUS-01272], Phix Adventure [SLUS-01523], Die Hard Trilogy 2 - Viva Las Vegas [SLUS-01015], Air Hockey [SLUS-01467], Duke Nukem - Time To Kill [SLUS-00583], and many more. This emulator is compatible with computers, laptops, tablets, mobile phones and other electronic devices that you may have. It also works well with software programs, such as Windows, iOS, Android or Linux. You can choose and sort the list based on specific games, regions, genres, and languages of your preference. Change these filters at any time to improve accuracy and speed up your 1391 search. Playstation (PSX/PS1) ISO plus downloaded 1785 Roms << < 1 2 3 4 5 6 7 8 9 10 > >> TOP ROM - Sony Playstation - Top ROM (ISO) Top Games by Region: All Australia Europe France Germany Italy Japan Russia SpainAmbiguing Features:Browse by Letter: A B C D E F G H I J K L M N O P P R T T U V X Y - ViewBrowse List By Genre: Action/Fighting Adventure Platform/Beat 'Em Up Puzzle/Strategy/Simulation Racing/Driving RPG Shooter Sports Top 50 Downloaded:Tekken 330,229,092Crash Bandicoot24,022,34 1Jackie Chan Stuntmaster23,231,573CTR - Crash Team Racing22,314,154Digimon World 314,157,510WWF SmackDown! 2 - Know your role12,999,193Final Fantasy VII (Disc 11,477,114Bloody Roar II10 ,904,670Yu-Gi-Oh! Forbidden Memories10,569,597Digimon World10,322,955Pepsiman (Japan)9,877,960Vigilante 8 - 2nd Offense9,771,074Final Fantasy VIII (Disc 1)9,238,451Resident Evil 2 (Disc 1)8,365,343FIFA Soccer 20058,042,879Twisted Metal 47,859,842Marvel vs. Capcom - Clash of Super Heroes7,315,662Dino Crisis 27,294,310Tenchu 2 - Birth of the Stealth Assassins7,139,182Dragon Ball GT - Final Bout6,801,666Spider-Man6,312,330Suikoden II6,237,053Super Shot Soccer5,768,746NASCAR Rumble5,745,882Resident Evil 3 - Nemesis5,612,806Show Next 25...Brigandine - The Legend of Forsena5,579,260Metal Slug X5,166,723Team Buddies5,147,683Mega Man X65,057,086Chrono Cross (Disc 1)5,044,635Final Fantasy IX (Disc 1) (v1.1)4,966,881Castlevania - Symphony of the Night4,940,293Digimon Rumble Arena4,937,852Harvest Moon - Back to Nature4,930,649Final Fantasy VIII (Disc 2)4,863,053Crash Bandicoot - Warped4,833,114Silent Hill (v1.1)4,633,060Medal of Honor4,317,213Final Fantasy Tactics4,188,189Legend of Mana4,140,987Vigilante 83,939,442Final Fantasy VII (Disc 2)3,827,569Road Rash - Jailbreak3 ,689.064Crash Bandicoot 2 - Cortex strikes SmackDown!3,612,048Front Mission Mission Uomo X43,562,682Spider-Man 2 - Entra - Electro3,471,503Digimon World 23.395.618Suikoden (v1.1)3,316 ,717Top 50 Valutato (su 5):Crash Bandicoot 4.86CTR - Crash Team Racing 4.89Tekken 3 4.79Harvest Moon - Ritorno alla natura 4.92Yu-Gi-Oh! Forbidden Memories 4.90Resident Evil 3 - Nemesis 4.88Pepsiman (Giappone) 4.85Jackie Chan Stuntmaster 4.89Bloody Roar II 4.87Dragon Ball GT - Final Bout 4.85NASCAR Rumble 4.92Resident Evil 2 (Disc 1) 4.85Digimon World 4.87Metal Slug X 4.85Crash Bandicoot - Warped 4.88Marvel vs. Capcom - Scontro di Super Eroi 4.87Final Fantasy VII (Disc 1) 4.84Spider-Man 4.86Crash Bandicoot 2 - Cortex Strikes Back 4.86Digimon World 3 4.86FIFA Soccer 2005 4.80Super Shot Soccer 4.92Baku Kyoudai Let's & Gouso!! - Eternal Wings (Japan) 4.94World Soccer Winning Eleven 2002 (Japan) 4.92Castlevania - Symphony of the Night 4.89Show Next 25...Most Recently Added:Louvre - The Final Curse (Europe) (Disc 2)01/24/2019Louvre - The Final Curse (Europe) (Disc 1)01/24/2019Dance Dance Revolution - Extra Mix (Japan)01/24/2019Atlantis - Das sagenhafte Abenteuer (Germany) (Disc 1)01/15/2016Yaku - Yuujou Dangi (Japan)07/31/2015Yarudora Series Vol.2 - Kisetsu wo Dakishimete (Japan) (Disc 2)07/31/2015Zen Super Robot Taisen Denshi Daihyakka (Japan) (Disc 2)07/31/2015Yarudora Series Vol.1 - Double Cast (Japan) (Disc 2)07/31/2015Yarudora Series Vol.3 - Sampaguita (Japan) (Disc 2)07/31/2015Xena - Warrior Princess (Europe)07/31/2015X-Com - Terror from the Deep (Europe)07/31/2015X-Bladez - Inline Skater (Europe)07/31/2015Yetisports Deluxe (Europe)07/31/2015X-Files, The (France) (Disc 3)07/31/2015Yoi Ko to Yoi Otona no. PlayStation Taikenban Vol. 1 (Giappone)31/07/2015Did? Puoi riprodurre queste ISO sul tuo dispositivo Android / iOS / Windows Phone! Visita m.coolrom.com sul tuo dispositivo mobile ora per essere configurato! ABCDEFGHIJKLТаблица VK di VK, che viene fatto con il nome di инструкцию, è stato инструкцию .NET !!! НАЗВАНИЕ ИГРЫID, РЕГИОН, ЯЗЫКNoNpDRMДОПОЛНИТЕЛЬНАЯ ИНФОРМАЦИЯ0IDРЕГ.ЯЗЫКССЫЛКАРАЗМЕРDLC,Ver.ДОПОЛНИТЕЛЬНАЯ ИНФОРМАЦИЯ10 Second Ninja XPCSB00963EURUSYadi.sk408 MBPatch2064: Read Only Memories PCSE00972USENGYadi.sk1,29 GB3.65EnsoAIDРЕГ.ЯЗЫКССЫЛКАРАЗМЕРDLC,Ver.ДОПОЛНИТЕЛЬНАЯ ИНФОРМАЦИЯA Healer Only Lives TwiceNPPA00272EUENGYadi.sk33 MBPlayStation MobileA Rose in the TwilightPCSB01046USENGYadi.sk912 MB3.65EnsoA Virus Named TOMPCSB00955EUENGyadi.sk584 MBAccel World VS Sword Art OnlinePCSE01071USENGyadi.sk2,96 GB3.65EnsoActual SunlightPCSB00858EUENGyadi.sk72 MBAdventure Bar LabyrinthNPPA00143JPJAPyadi.sk31 MBPlayStation MobileAdventures of ManaPCSG00759JPENGyadi.sk567 MBPatchAdventures of Rotating Octopus Character HD, The PCSB00329EUENGYadi.sk53 MBAdventure Time: The Secret of the Nameless MBAegis of Earth: Protonovus AssaultPCSE00844USENGYadi.sk747 MBAge of ZombiesPCSE00362EUENGYadi.sk41 MBAir Speed Race PCSE00980USRUSYadi.sk252 MBрусификатор3.61Airship QPCSG00461JPENGYadi.sk367 MBEnglish PatchAkiba's BeatPCSE00927USAENGYadi.sk3.08 GB3.65Akiba's Trip Undead & UndressedPCSE00428USENGStakS2,5 GBПароль архива: [email protected] With YouPCSB00964EUENGYadi.sk460 MBAlien BreedPCSB00231EUENGYadi.sk119 MBAmazing Spider-Man, ThePCSB00428EUENGYadi.sk3,25 GBA-menPCSB00056EURUSYadi.sk201 MBрусификаторA-men 2PCSB00222EuRUSYadi.sk247 MBрусификаторAmnesia MemoriesPCSB00740EUENGYadi.sk2 GBAnother World - 20th Anniversary EditionPCSB00568EUENGYadi.sk109 MBArcana Heart 3 LOVEMAXPCSE00427USENGGDrive2 GBArmy Corps of HellPCSB00006USENGYadi.sk650 MBAr nosurge Plus: Ode to an Unborn StarPCSE00707USENGYadi.sk2,97 GBAttack on Titan A.O.T. Wings of FreedomPCSB00898EUENGMega2,92 GBPCSB00812USENGYadi.sk2,92 mdv1.0 + 3 DLCAtomic NinjasPCSB00274EUENGMega101 MBAtelier Ayesha Plus PCSE00584USENGGDrive7 GBall DLCAtelier Totori PlusPCSE00231NAENGMega2,85 GBAtelier Meruru PlusPCSE00296NAENGMega3,02 GBDLCAtelier Rorona PlusPCSE00466USENGMega2,96 GBAsphalt InjectionPCSB00040EUENGYadi.sk764 MBAsphalt InjectionPCSE00007USENGGDrive763 MBAssassin Creed III LiberationPCSE00053USENGGDrive2,63 GBv1.02PCSB00074EURUSyadi.sk2,89 GBAssassin Creed ChroniclesPCSE00700USENGMega2,9 GBПароль архива: aos10PCSB00792EURUSYadi.sk3,33 GBAxiom VergePCSE00651USENGMega159 MBPCSB00779EUENGMega148 MBAxiom Verge РУС перевод с ПК версииPCSE00651USRUSMega131 MBv1.0PCSB00779EURUSMega136 MBv1.0Aqua Kitty - Milk Mine DefenderNPOA00012EUENGMega87 MBPlayStation MobileAqua Kitty DXPCSG00848JPENGMega135 MBPatchAqualibriumNPOA00282EUENGMega10 MBPlayStation MobileAzkend 2: The World BeneathPCSB00399EUENGMega114 MBv1.03BIDРЕГ.ЯЗЫКССЫЛКАРАЗМЕРDLC,Ver.ДОПОЛНИТЕЛЬНАЯ ИНФОРМАЦИЯBaboon！PCSG00711JPENGMega97 MBBADLAND: Game of the Year EditionPCSB00669EURUSYadi.sk125 MBv1.01Bard's GoldPCSE00930USENGMega103 MBv1.01Batman Arkham Origins BlackgatePCSB00353EURUSYadi.sk1,24 GBBatman Arkham Origins BlackgatePCSE00269USENGMega1,2 GBBastionPCSB00876EURUSYadi.sk958 MBруссификаторBastionPCSE00790USENGMega957 MBBehind YouNPPA00196USENGMega96 MBPlayStation MobileBentley's HackpackPCSA00089USENGMega747 MBBerserk and the Band of the HawkPCSE01034USENGYadi.sk2,78 GB3.65Big Sky: InfinityPCSB00168EUENGMega340 MBv1.02BIKE RIDER DXNPPA00135EUENGMega49 MBPlayStation MobileBinding of Isaac - Rebirth, The PCSE00507USENGMega335 MBBit.Trip, The PCSE00735USENGGDrive425 MBBlazBlue Continuum Shift ExtendPCSE00018USENGMega3,32 GBPCSB00042EUENGMega3,32 GBBlazBlue Chronophantasma ExtendPCSE00677USENGGDrive3,1 GBstory DLCBloodred Wyvern 2NPPA00202EUENGMega12 MBPlayStation MobileBorderlands GBрусификаторBorderlands 2PCSF00570EUENGGDrive5,1 GBDLC - Ultimo UpdateBreakQuest: Extra EvolutionPCSB00265EUENGMega148 MBv1.01Broken AgePCSB00748EUENGMega1,061 GBBunny deve diePCSG00837JPENGMega98 MBBullet GirlsPCSG00361JPJAPMega924 MBv1.03 Ver.ДОПОЛНИТЕЛЬНАЯ ИНФОРМАЦИЯCALIGULAPCSG00687JPJAPMega1,32 GBPatchCall of Duty Black Ops DeclassifiedPCSB00232EURUSYadi.sk2,18 GBCall of Duty Black Ops DeclassifiedPCSE00097USENGMega2,' 18 GBCastleStormPCSB00111EUENGMega251 MBClaire PCSE00815EUENGMega293 MBCliff DivingPCSA00038USENGGDrive456 MBv1.01 UpdateChaos; ChildPCSE01022USENGMega2.17GB3.65EnsoChaos RingsNPPA00145JPENGMega650 MBPlayStation MobileCHAOS RINGS TRILOGYPCSG00457JPJAP/ENGMega3,73 GBENG Full patchChieburaNPPA00127JPJAPMega6 MBPlayStation MobileChild of LightPCSE00480USENGGDrive1,1 GBPCSB00598EURUSYAdi.sk1,06 GBChronovoltPCSB00102EUENGMega262 MBv1.03Citizens of EarthPCSE00468USENGMega3,26 GBv1.02Civilization Revolution 2 PlusPCSE00672USENGMega446 MBCoconut Dodge RevitalisedPCSB00303EUENGMega50 MBLatest PatchCode: Realize Guardian of RebirthPCSB00848EUENGMega3,22 GBCOLOUR GUARDIANSPCSB00768EURUSMega1,23 GBv1.02Comic StationNPNA00149USENGMega54 MBPlayStation MobileConsole SagaNPOA00157Mega39 MBPlayStation MobileCorpse Party: Blood DrivePCSB00822EUENGMega1,45
Recommended publications
  • Boys' Love, Byte-Sized

    Boys' Love, Byte-Sized

    School of Sociology and Social Policy Boys’ Love, Byte-sized: A Qualitative Exploration of Queer- themed Microfiction in Chinese Cyberspace Gareth Shaw B.A. (Hons), M.A. Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy January 2017 Acknowledgements I owe an enormous debt of gratitude to my supervisors, Dr Xiaoling Zhang, Professor Andrew Kam-Tuck Yip, and Dr Jeremy Taylor, for their constant support and faith in my research. This project would not have been possible without them. I also wish to convey my sincerest thanks to my examiners, Professor Sally Munt and Dr Sarah Dauncey, for their very insightful comments and suggestions, which have been invaluable to this project’s completion. I am grateful to the Economic and Social Research Council for funding this research (Award number: 1228555). I wish to express my heartfelt gratitude to everyone who has participated in this project, particularly to the interview respondents, who gave so freely of their time. I am especially thankful to Huang Guan, Zhai Shunyi and Wei Ye for assisting me with some of the (often quite esoteric) Chinese to English translations. To my family, friends and colleagues, I thank you for being a constant source of comfort and advice when the light at the end of the tunnel seemed to have vanished. Special thanks go to Laura and Céline, for their support and encouragement during the long writing hours. Finally, to Juan and Mani, whose love and support means the world to me, I am eternally grateful to have had you both by my side on this journey.
  • Appareil, 23 | 2021 Formes Programmées De L’Écriture Vidéoludique 2

    Appareil, 23 | 2021 Formes Programmées De L’Écriture Vidéoludique 2

    Appareil 23 | 2021 Poïétique du jeu vidéo Formes programmées de l’écriture vidéoludique Hélène Sellier Édition électronique URL : http://journals.openedition.org/appareil/3853 DOI : 10.4000/appareil.3853 ISSN : 2101-0714 Éditeur MSH Paris Nord Référence électronique Hélène Sellier, « Formes programmées de l’écriture vidéoludique », Appareil [En ligne], 23 | 2021, mis en ligne le 31 mars 2021, consulté le 02 avril 2021. URL : http://journals.openedition.org/appareil/3853 ; DOI : https://doi.org/10.4000/appareil.3853 Ce document a été généré automatiquement le 2 avril 2021. Appareil est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Formes programmées de l’écriture vidéoludique 1 Formes programmées de l’écriture vidéoludique Hélène Sellier NOTE DE L'AUTEUR Tout au long de cet article, je privilégie l’emploi de la forme féminine puisque l’utilisation du masculin n’est pas neutre au sein de la culture vidéoludique (sur ce point, il est possible de consulter l’ouvrage Genre et jeux vidéo dirigé par Fanny Lignon et publié en 2015 ou l’article de Torill Elvira Mortensen, « Anger, Fear, and Games: The Long Event of #GamerGate »). Utiliser « la joueuse » et « la créatrice » me permet de participer à rendre visible d’autres profils de joueurs ou joueuses. Ces expressions ont particulièrement leur place dans le cadre de cet article, dans la mesure où les communautés auxquelles je fais référence se construisent en marge des formes vidéoludiques qui prônent une « masculinité militarisée ». Introduction Cadre théorique : platform studies 1 Souvent envisagée à travers ses objets et les expériences qu’en font les joueurs, au sein des game studies et des play studies autant que dans le milieu de l’industrie, la culture vidéoludique est aussi une culture du logiciel.
  • Folha De Rosto ICS.Cdr

    Folha De Rosto ICS.Cdr

    “For when established identities become outworn or unfinished ones threaten to remain incomplete, special crises compel men to wage holy wars, by the cruellest means, against those who seem to question or threaten their unsafe ideological bases.” Erik Erikson (1956), “The Problem of Ego Identity”, p. 114 “In games it’s very difficult to portray complex human relationships. Likewise, in movies you often flit between action in various scenes. That’s very difficult to do in games, as you generally play a single character: if you switch, it breaks immersion. The fact that most games are first-person shooters today makes that clear. Stories in which the player doesn’t inhabit the main character are difficult for games to handle.” Hideo Kojima Simon Parkin (2014), “Hideo Kojima: ‘Metal Gear questions US dominance of the world”, The Guardian iii AGRADECIMENTOS Por começar quero desde já agradecer o constante e imprescindível apoio, compreensão, atenção e orientação dos Professores Jean Rabot e Clara Simães, sem os quais este trabalho não teria a fruição completa e correta. Um enorme obrigado pelos meses de trabalho, reuniões, telefonemas, emails, conversas e oportunidades. Quero agradecer o apoio de família e amigos, em especial, Tia Bela, João, Teté, Ângela, Verxka, Elma, Silvana, Noëmie, Kalashnikov, Madrinha, Gaivota, Chacal, Rita, Lina, Tri, Bia, Quelinha, Fi, TS, Cinco de Sete, Daniel, Catarina, Professor Albertino, Professora Marques e Professora Abranches, tanto pelas forças de apoio moral e psicológico, pelas recomendações e conselhos de vida, e principalmente pela amizade e memórias ao longo desta batalha. Por último, mas não menos importante, quero agradecer a incessante confiança, companhia e aceitação do bom e do mau pela minha Twin, Safira, que nunca me abandonou em todo o processo desta investigação, do meu caminho académico e da conquista da vida e sonhos.
  • Dansō, Gender, and Emotion Work in a Tokyo Escort Service

    Dansō, Gender, and Emotion Work in a Tokyo Escort Service

    WALK LIKE A MAN, TALK LIKE A MAN: DANSŌ, GENDER, AND EMOTION WORK IN A TOKYO ESCORT SERVICE A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 MARTA FANASCA SCHOOL OF ARTS, LANGUAGES AND CULTURES Table of Contents List of Figures and Tables ...................................................................................................... 5 Abstract .................................................................................................................................. 6 Declaration and Copyright Statement .................................................................................... 7 Acknowledgments .................................................................................................................. 8 Introduction .......................................................................................................................... 9 Significance and aims of the research .................................................................................. 12 Outline of the thesis ............................................................................................................. 14 Chapter 1 Theoretical Framework and Literature Review Introduction .......................................................................................................................... 16 1.1 Masculinity in Japan ...................................................................................................... 16 1.2 Dansō and gender definition
  • LNCS 8018, Pp

    LNCS 8018, Pp

    The Study to Clarify the Type of “Otome-Game” User Misaki Tanikawa and Yumi Asahi Department of Systems Engineering, Shizuoka University 3-5-1 Johoku Naka-ku Hamamatsu 432-8561, Japan [email protected], [email protected] Abstract. The authors use the Marketing Science.And the one of the authors study to clarify the type of “Otome-game”user. “Otome-game” users have many kinds of liking or desire.So it is difficult for makers to create products that match with the demands of users.By this research, users and makers will be able to trade at the suitable type of demands. So the auther will research the market of the “Otome-game”. The data that is collected by marketing research is analyzed by SPSS. Keywords: Marketing Science, Otome-game, Japanese culture, User Analy- sis,SPSS. 1 Introduction I research to clarify the types of “Otome game” users, using marketing science. 1.1 What Is Otome Game? “Otome game” means love simulation game for women in Japanese. The word “Otome ” means a young girl, and this word also suggests a virgin indirectly. Fig. 1. Explanation of Otome game Otome game is a game genre like novel. Each one has own story. The player of the game handles a girl who is the heroine of the story. The player can change heroine's name. Of course, the player can change it into her name.And the heroine meets hand- some men of various characters in the game. She fall in love with one of them. As a result, the player who handles the heroine can enjoy virtual love with the man in the game.
  • BAB I PENDAHULUAN A. Latar Belakang Budaya Populer Jepang

    BAB I PENDAHULUAN A. Latar Belakang Budaya Populer Jepang

    BAB I PENDAHULUAN A. Latar Belakang Budaya populer Jepang merupakan sebuah budaya yang berasal dari Jepang yang diakui, dinikmati, disebarluaskan dan merupakan jalan hidup mayoritas masyarakat Jepang secara umum. Budaya populer Jepang meliputi manga, anime, game, cosplay, dorama, j-pop, dan sebagainya. Manga merupakan suatu media yang di dalamnya terdapat sekumpulan gambar yang mengandung cerita yang bermacam-macam variasinya. Pada umumnya manga dicetak dalam warna hitam-putih dan terkadang ada beberapa bagian yang dicetak berwarna. Di Jepang, manga pada umumnya dicetak dalam majalah yang berukuran sebesar buku telepon dan sering terdiri dari berbagai cerita yang bersambung pada episode berikutnya. Budaya populer Jepang lainnya yaitu anime. Anime adalah produksi animasi Jepang yang menampilkan hasil gambar animasi melalui tangan maupun komputer. Istilah anime merupakan bahasa serapan dari bahasa Inggris “animation”. Dalam bahasa Inggris, istilah ini didefinisikan sebagai penyebarluasan gaya animasi Jepang yang pada umumnya dicirikan dengan grafis yang warna-warni, karakter yang bersemangat dan tema yang terkadang tidak masuk akal. Selain manga dan anime, cosplay juga termasuk ke dalam budaya populer Jepang. Cosplay adalah kata-kata bahasa Jepang yang dibuat dari menggabungkan dua kata dari bahasa Inggris "costume" dan "play". Cosplay merupakan sebuah pertunjukan seni di mana para pesertanya menggunakan kostum dan aksesori yang menunjukkan secara spesifik suatu karakter atau ide. Pada umumnya cosplay mengacu pada manga dan anime, manga, dan video game. Penduduk Jepang merupakan masyarakat penyuka game. Budaya Jepang yang disiplin dan pekerja keras menyebabkan masyarakat Jepang menyukai game sebagai salah satu sarana hiburan karena dengan bermain game masyarakat Jepang dapat mendapatkan kesenangan, menyegarkan kembali pikiran yang jenuh dengan pekerjaannya dan dapat membayangkan dirinya sebagai karakter game yang dimainkannya.
  • Reflections of (And On) Otaku and Fujoshi in Anime and Manga

    Reflections of (And On) Otaku and Fujoshi in Anime and Manga

    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2014 The Great Mirror of Fandom: Reflections of (and on) Otaku and Fujoshi in Anime and Manga Clarissa Graffeo University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Graffeo, Clarissa, "The Great Mirror of Fandom: Reflections of (and on) Otaku and ujoshiF in Anime and Manga" (2014). Electronic Theses and Dissertations, 2004-2019. 4695. https://stars.library.ucf.edu/etd/4695 THE GREAT MIRROR OF FANDOM: REFLECTIONS OF (AND ON) OTAKU AND FUJOSHI IN ANIME AND MANGA by CLARISSA GRAFFEO B.A. University of Central Florida, 2006 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2014 © 2014 Clarissa Graffeo ii ABSTRACT The focus of this thesis is to examine representations of otaku and fujoshi (i.e., dedicated fans of pop culture) in Japanese anime and manga from 1991 until the present. I analyze how these fictional images of fans participate in larger mass media and academic discourses about otaku and fujoshi, and how even self-produced reflections of fan identity are defined by the combination of larger normative discourses and market demands.
  • Anime/Games/J-Pop/J-Rock/Vocaloid

    Anime/Games/J-Pop/J-Rock/Vocaloid

    Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi
  • Romantic Love and Narrative Form in Japanese Visual Novels and Romance Adventure Games

    Romantic Love and Narrative Form in Japanese Visual Novels and Romance Adventure Games

    arts Article From Novels to Video Games: Romantic Love and Narrative Form in Japanese Visual Novels and Romance Adventure Games Kumiko Saito Department of Languages, Clemson University, Clemson, SC 29634, USA; [email protected] Abstract: Video games are powerful narrative media that continue to evolve. Romance games in Japan, which began as text-based adventure games and are today known as bishojo¯ games and otome games, form a powerful textual corpus for literary and media studies. They adopt conventional literary narrative strategies and explore new narrative forms formulated by an interface with computer- generated texts and audiovisual fetishism, thereby challenging the assumptions about the modern textual values of storytelling. The article first examines differences between visual novels that feature female characters for a male audience and romance adventure games that feature male characters for a female audience. Through the comparison, the article investigates how notions of romantic love and relationship have transformed from the modern identity politics based on freedom and the autonomous self to the decentered model of mediation and interaction in the contemporary era. Keywords: Japanese video games; visual novels; bishojo¯ games; otome games; romance simulation; literature; romance; narrative form; modernity; postmodernity Citation: Saito, Kumiko. 2021. From Novels to Video Games: Romantic 1. Introduction Love and Narrative Form in Japanese With the rise of video games as a new medium for storytelling, scholars have un- Visual Novels and Romance equivocally posed the question, “Are games stories?” (Salen and Zimmerman 2003, p. 378). Adventure Games. Arts 10: 42. Although any computer or video game can be considered a form of popular fiction (Atkins https://doi.org/10.3390/arts10030042 2003, p.
  • Growing the Otome Game Market: Fan Labor and Otome Game Communities Online

    Growing the Otome Game Market: Fan Labor and Otome Game Communities Online

    ISSN: 1795-6889 www.humantechnology.jyu.fi 15(3), November 2019, 347–366 GROWING THE OTOME GAME MARKET: FAN LABOR AND OTOME GAME COMMUNITIES ONLINE Sarah Christina Ganzon Concordia University Montreal, Canada Abstract: Otome games are a niche category of Japanese games marketed toward women. Outside its country of origin and the infrastructure of the anime media mix, its predominantly female player communities traditionally have defined these games as those that feature romance or dating simulation. In this paper, I look into how fan bloggers talk about their own work in marketing and distributing otome games beyond Japan. In the case of otome game fan blogging, the ability to shape discussions surrounding otome games also relies upon maintaining the image of players as good consumers. Although this work focuses on the practice of fan blogging, it is part of an ongoing study on otome games in English and otome game players outside Japan. Keywords: otome games, postfeminism, women and games, fan blogging, Japanese games. ©2019 Sarah Christina Ganzon and the Open Science Centre, University of Jyväskylä DOI: https://doi.org/10.17011/ht/urn.201911265024 This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. 347 Ganzon INTRODUCTION Otome games are a niche category of games typically featuring topics related to romance and dating simulations that originated in Japan and are marketed specifically to women. Given its niche status and the very minimal commercial distribution of otome game titles, especially due to the lack of the media infrastructure that otome games have in their country of origin via the anime media mix (Steinberg, 2012), the distribution of otome games beyond Japan relies on its small but dedicated networked, predominantly female fanbase—calling themselves the Otome Armada—to promote existing localized titles via blogs, forums, and social networking sites.
  • Definition, Construction, and Challenges in a Character Ecology

    Definition, Construction, and Challenges in a Character Ecology

    The Dynamic Game Character: Definition, Construction, and Challenges in a Character Ecology Joleen Blom Center for Computer Games Research IT University of Copenhagen This dissertation is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Ph.D.) at IT University of Copenhagen. December 2019 Title: The Dynamic Game Character: Definition, Construction, and Challenges in a Character Ecology Candidate: Joleen Blom Supervisor: Espen Aarseth Evaluation Committee: Martin Pichlmair IT University of Copenhagen Rachael Hutchinson University of Delaware Akinori Nakamura Ritsumeikan University This research has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (Grant Agreement No [695528] – Making Sense of Games). ii Abstract This study presents a theory about dynamic game characters within a broader character ecology in which characters are constantly produced and reproduced in a variety of media. Characters do not appear only in games, they migrate from one medium to another. They are independent from any medium in particular: a character does not require a specific medium to come into existence. Authoritative forces try to shape the overall interpretation of circulating characters transmedially in comics, television series, films, games and more through different venues of control, such as authorship, canonisation and ownership or intellectual property. This study addresses the struggle for interpretive authority by explaining
  • Sony Playstation 3

    Sony Playstation 3

    Sony PlayStation 3 Last Updated on October 5, 2021 Title Publisher Qty Box Man Comments .hack: Sekai no Mukou ni + Versus - Hybrid Pack Bandai Namco Games .hack: Sekai no Mukou ni + Versus - Hybrid Pack: The World Edition Bandai Namco Games 007: Nagusame no Houshuu Square Enix 2010 FIFA World Cup South Africa Electronic Arts 3D Dot Game Heroes From Software 428: Fuusa Sareta Shibuya de Sega 428: Fuusa Sareta Shibuya de: Spike the Best Sega 50 Cent: Blood on the Sand THQ A.C.E.: Another Century's Episode R Bandai Namco Games Afrika Sony Computer Entertainment Afrika: PlayStation 3 the Best Sony Computer Entertainment Agarest Senki Compile Heart Agarest Senki 2 Compile Agarest Senki 2: CH Selection Compile Agarest Senki Zero Idea Factory Agarest Senki Zero: Limited Edition Idea Factory Agarest Senki Zero: Compile Heart Selection Idea Factory Aquanaut's Holiday: Kakusareta Kiroku Sony Computer Entertainment... Aquapazza: Aquaplus Dream Match Aquaplus Aquapazza: Aquaplus Dream Match: First Print Limited Edition Aquaplus Aquapazza: Aquaplus Dream Match: Rapbox Pack Aquaplus Ar Tonelico Qoga: Sekai Shuen no Hikigane wa Shojo no Uta ga Hiku Banpresto Arcadias no Ikusahime Nippon Ichi Software Arcana Heart 3 Arc System Works Arcana Heart 3: Suggoi! Limited Edition AQ Interactive Armored Core 4 From Software Armored Core 4: The Best Collection From Software Army of Two EA Games Army of Two: EA Best Hits EA Games Army of Two: The 40th Day Electronic Arts Army of Two: The 40th Day: EA Best Hits Electronic Arts Army of Two: The Devil's Cartel Electronic